- All Categories
- Featured Events
- Alumni
- Application Deadline
- Arts
- Campus Discourse
- Careers
- BU Central
- Center for the Humanities
- Charity & Volunteering
- Kilachand Center
- Commencement
- Conferences & Workshops
- Diversity & Inclusion
- Examinations
- Food & Beverage
- Global
- Health & Wellbeing
- Keyword Initiative
- Lectures
- LAW Community
- Meetings
- Orientation
- Other Events
- Religious Services & Activities
- Special Interest to Women
- Sports & Recreation
- Social Events
- Study Abroad
- Weeks of Welcome
- CFA: How to rock your resume 9:30 am
- Classroom + Career Q&As: Learn from Anywhere11:00 am
- As, Not For: Dethroning Our Absolutes11:00 am
- BU Alumni Presents: Getting Noticed in Today's Job Market12:00 pm
- Bioinformatics Sponsored Systems Biology Seminar 12:30 pm
- IS&T RCS Tutorial - Introduction to QGIS1:00 pm
- NRSA Workshop: Understanding the NIH Process3:00 pm
- Movement & Conversation 3:00 pm
- Real Talk3:00 pm
- Managing Anxiety3:00 pm
- LEAD BU3:30 pm
- Overcoming Imposter Syndrome in Medicine and Science4:00 pm
- Interviewing in a Virtual World4:00 pm
- Biogen Worldwide Medical PhD Fellowship4:00 pm
- GarageBand 4:00 pm
- Angie Cruz Book Reading & Lecture5:00 pm
- Innovate@BU Summer Accelerator Info Session5:00 pm
- Cage-the-Jaula: Interpretations and Resignifications of John Cage in Mexico 5:00 pm
- Build an Effective LinkedIn Profile5:00 pm
- BUMC Toastmasters Meeting5:15 pm
- Mind, Body, Spirit Yoga5:30 pm
- Race and Humor in Apocalyptic Times: an Evening with Damon Young6:00 pm
- Robert Lowell Memorial Lecture Series6:00 pm
- Classroom + Career Q&As: Learn from Anywhere6:00 pm
- Coded Bias6:00 pm
- Table Talk: Cookies and Convo7:00 pm
Cage-the-Jaula: Interpretations and Resignifications of John Cage in Mexico
The Graduate Music Society at BU invites to the Spring Zoom Colloquium Series. Abstract: Mexican artists, writers, and composers were fascinated by John Cage’s philosophy, which became available in Spanish through a myriad of translated texts in circulation from the early 1970s. His visit to Mexico in 1976 fueled this interest, drawing attention from afficionados and sceptics. To composer Mario Lavista (b. 1943), Cage’s visit was an opportunity to develop interdisciplinary projects that would place him at the forefront of Mexico’s experimental scene. A closer look at Lavista’s adoption of Cage’s philosophy allows us to see that, through performative processes of interpretation and resignification, Cage becomes a jaula—a container that, far from being restrictive, allows for multiple permutations. In this lecture, I pay attention to the ways in which Cage’s thought was interpreted by Lavista and his collaborators. Their performative translation of Cage’s aesthetics exposes the complex asymmetries and the shifting conditions of empowerment and disempowerment in experimental practices. Through engaging with processes of cultural crossings and resignifications, Lavista and other composers throughout Latin America shift the center of gravity of modernist discourses and offer counternarrative discourses to the dominant canon, which has been crumbling for quite some time now. Meeting ID: 924 9038 6968, Passcode: 212121.
When | 5:00 pm to 6:00 pm on Thursday, February 18, 2021 |
---|---|
Location | https://bostonu.zoom.us/j/91765811138?pwd=MzZ6NitOSUR0c1ZrMExNTzQ1ZkE0dz09 |
Contact Name | Sebastian Wanumen Jimenez |
Contact Email | swanumen@bu.edu |
Contact Organization | Graduate Music Society |
Fees | Free |
Speakers | Ana R. Alonso-Minutti |