Plays and theatre companies of BTM XXV

Al Pals by Allison Fradkin
Supported by Gloucester Stage Company

At the Door by Hannah Baker
Supported by Marblehead Little Theatre

Bee, Plus One by Jamie Lin
Supported by Chuang Stage

Birders Flock to Kentucky by Cassie M. Seinuk
Supported by Pilgrim Theatre Company

Bookshop by Dallas Coggins-Tuttle
Supported by Wellesley Repertory Theatre

Brown & Boozy by Terrence Kidd
Supported by Front Porch Arts Collective

Carnifex by Aidan Scully
Supported by Liars and Believers

Divine Cardboard by Gabriela Sanders
Supported by Boston Conservatory at Berklee

Family Business by Tegan Garon
Supported by Post-Meridian Radio Players

Fast Times by David Susman
Supported by Firehouse Center for the Arts

Gone Nuts by Lucas Hasten
Supported by Commonwealth Shakespeare Company

Greenland by Christine Noah
Supported by American Repertory Theater

Harrison by Cam Torres
Supported by Open Theatre Project

Jimmy’s Rib by Jay Eddy
Supported by Playwrights’ Platform

Letting Go by Rosanna Yamagiwa Alfaro
Supported by Asian American Playwright Collective

Little Wooden Head by Matthew Woods
Supported by imaginary beasts

Loose Ends by Arianne Horan
Supported by The Huntington

Love in a Time of Nothing by Jayne Hannah
Supported by SpeakEasy Stage Company

Magpies in the Sky by Bill Lattanzi
Supported by Suffolk University Department of Theatre/Deadword Theatre Company

Mahsa’s Last Song by Isabelle Sanatdar Stevens
Supported by Boston University College of Fine Arts School of Theatre

Martinis and Madness by Robert Pushkar
Supported by Actors’ Shakespeare Project

Masks by Brian Arundel
Supported by Moonbox Productions

Meltdown by Susan Lumenello
Supported by Entropy Theatre

Mystery Man by George Sauer
Supported by Provincetown Theater Company

Now You See Me by Natalie Weinberg
Supported by Wheelock Family Theatre

Opaque Couché by Courtney O’Connor
Supported by The Lyric Stage Company of Boston

Options by Dave McCaleb
Supported by Titanic Theatre Company

Pauligarchy by Wyatt Seder-Burnaford
Supported by SpeakEasy Stage Company

Pretty Things by Summer Hart
Supported by Artists’ Theater of Boston

Reverse the Curse 2004 by Erika Reinfeld
Supported by Fresh Ink Theatre Company

Sarah’s Closet by Meagan Fratiello
Supported by Museful Intent

Seven-at-Eleven by Makena Tingle
Supported by Newton Theatre Company

Sharks and Minnows by Bianca Vranceanu
Supported by Apollinaire Theatre Company

Soulmate by Deirdre Girard
Supported by Hovey Players

Take Me Home by Christopher Lockheardt
Supported by Theatre@First

The Annoying of Europa by Ken Green
Supported by Fort Point Theatre Channel

The Bench by Tim Lehnert
Supported by The Wilbury Theatre Group

The Dougyssey by Brian Rust
Supported by The Hub Theatre Company of Boston

The Great Disappointment (Part 1) by Patrick Gabridge
Supported by Northeastern University Department of Theatre

The Hour Between Dog and Wolf by Hortense Gerardo
Supported by Sleeping Weazel

The Lost Profession of Dr. Magister by Jeanne Beckwith
Supported by Centastage

The Right Whale by Michael Towers
Supported by Forge Theater Company

The Space Between Us by Julie-Anne Whitney
Supported by Central Square Theater

There Goes the Neighborhood by Fabiola R. Decius
Supported by Company One Theatre

This is It by Jack Neary
Supported by Acting Out Productions

Three Seats by Kevin Cirone
Supported by Umbrella Performing Arts

Tommy and Mary Spell Canajoharie by John Minigan
Supported by Theatre on Fire

Wasteland by Kate Snodgrass
Supported by Boston Playwrights’ Theatre

Who’s There? by Sari Boren
Supported by Emerson Stage


Boston Theater Marathon XXV will be held on Sunday, May 7 at BPT. Details to come!