{"id":8084,"date":"2021-10-04T14:11:41","date_gmt":"2021-10-04T18:11:41","guid":{"rendered":"https:\/\/www.bu.edu\/bhr\/?p=8084"},"modified":"2022-05-24T14:35:18","modified_gmt":"2022-05-24T18:35:18","slug":"influencer-marketing-a-comparison-of-traditional-celebrity-social-media-influencer-and-ai-influencer","status":"publish","type":"post","link":"https:\/\/www.bu.edu\/bhr\/2021\/10\/04\/influencer-marketing-a-comparison-of-traditional-celebrity-social-media-influencer-and-ai-influencer\/","title":{"rendered":"Influencer Marketing: A Comparison of Traditional Celebrity, Social Media Influencer, and AI Influencer"},"content":{"rendered":"<figure id=\"attachment8195\" aria-describedby=\"caption-attachment8195\" style=\"width: 1034px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" src=\"\/bhr\/files\/2021\/09\/BHR-October-1024-x-597.png\" alt=\"Influencer Marketing: A Comparison of Traditional Celebrity, Social Media Influencer, and AI Influencer By BublikHaus on Shutterstock\" width=\"1024\" height=\"597\" class=\"size-full wp-image-8195\" srcset=\"https:\/\/www.bu.edu\/bhr\/files\/2021\/09\/BHR-October-1024-x-597.png 1024w, https:\/\/www.bu.edu\/bhr\/files\/2021\/09\/BHR-October-1024-x-597-636x371.png 636w, https:\/\/www.bu.edu\/bhr\/files\/2021\/09\/BHR-October-1024-x-597-768x448.png 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment8195\" class=\"wp-caption-text\">By <a href=\"https:\/\/www.shutterstock.com\/g\/Bublik+Haus\">BublikHaus<\/a> on Shutterstock<\/figcaption><\/figure>\n<hr \/>\n<p><span style=\"font-weight: 400;\">By <span style=\"color: #cc0000;\"><a href=\"https:\/\/www.bu.edu\/bhr\/profile\/lu-zhang\/\" style=\"color: #cc0000;\">Lu Zhang, Ph.D.<\/a><\/span>, Associate Professor, Michigan State University, and <\/span><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.bu.edu\/bhr\/profile\/wei-wei\/\"><span style=\"color: #cc0000;\">Wei Wei, Ph.D.<\/span><\/a>, Associate Professor,\u00a0<\/span><span style=\"font-weight: 400;\">University of Central Florida<\/span><\/p>\n<h2>Introduction<\/h2>\n<p><span style=\"font-weight: 400;\">Celebrity endorsement as an effective marketing tool has long been recognized by hotels, restaurants, and tourist destinations. It has a positive impact on brand image, consumer buying behavior, as well as firms\u2019 financial performance. Companies spend billions each year to have high profile celebrities endorse and promote their products, services, and brands. McDonald\u2019s is a classic example of attaching celebrities for name-value to attract consumers\u2019 attention. From Britney Spears to Ashley Olsen to Morgan Freeman, McDonald\u2019s has found celebrity endorsement a promising marketing tool and signed various celebrities for advertising campaigns (Stone, 2019). The ROI (return on investment) of celebrity endorsement is salient. On average, businesses see an increase of 4% in stock price and sales after they announce signing a celebrity endorser (Olenski, 2016). In addition, according to an influencer marketing study conducted by Tomoson (2015), firms are making $6.50 for every $1 spent on influencer marketing, rendering it one of the most cost-effective customer acquisition channels. However, not all celebrities are equally influential. While some are a perfect fit for certain brands, others might not perform well in attracting customers. Thus, finding the right endorser has become a critical issue faced by marketers and managers.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Traditionally, celebrity endorsers are movie stars, models, and athletes. With the increasing popularity of social media, nowadays \u201cordinary\u201d people can also become famous and influential. This new type of celebrity is often called a \u201csocial media influencer\u201d or \u201cmicrocelebrity\u201d (Zhang et al., 2019). Hospitality companies such as Marriott and Hilton have explored partnerships with social media influencers and seen positive results for their brands. Recently, even AI (artificial intelligence) characters such as Lil Miquela have begun to be recognized as influencers as well. Just like real celebrities and microcelebrities, AI influencers post photos on social media, are featured on magazine covers and with sponsor brands. They wield innovative influence in helping hospitality brands effectively reach and actively engage targeted audiences on various social media platforms.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In this article, we discuss each of the three types of influencers and their effectiveness in endorsing hospitality brands (see Table 1 for selective examples). We propose that the underlying psychological mechanisms behind these influencers are unique in their own right. We further suggest that it is essential for companies to understand the differences in order to identify a proper endorser that best matches the company\u2019s needs and preferences.<\/span><\/p>\n<h2>Types and Influence Mechanisms<\/h2>\n<h3>Traditional Celebrities<\/h3>\n<p><span style=\"font-weight: 400;\">Celebrity endorsers are often musicians, actors, chefs, and any other public figures (Guruge, 2018). They are known to enjoy fame and\/or public visibility for their achievements in areas other than the product class. Research has shown that celebrity endorsement can attract consumer attention, elicit favorable consumer attitudes, and increase purchase intentions, compared to noncelebrity endorsement (Utami et al., 2020). Successful celebrity-entity partnership results in significant financial benefits for firms such as positive stock returns (e.g., Prentice &amp; Zhang, 2017).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Celebrities\u2019 principal persuasive power comes from them being popular, famous, recognizable, admired, trendy, and fashionable (Magnini et al., 2010). These attributes are prime reasons why celebrities have the power to influence others. A well-known and attractive celebrity is considered as possessing more \u201cstar power,\u201d also called celebrity power, which has been proven to be effective in satisfying customers\u2019 need for status.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For instance, Chan et al. (2013) showed that consumers identified popularity as one of the most important factors for marketers to consider in selecting celebrity endorsers.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Newton et al. (2015) also found that individuals with a high need for power responded more positively to a spokesperson with high (vs. low) social status. The bottom line is that celebrities with worldwide popularity can help firms break through many roadblocks, such as time, space, and language in a global market (Erdogan, 1999).<\/span><\/p>\n<h1><\/h1>\n<figure id=\"attachment8163\" aria-describedby=\"caption-attachment8163\" style=\"width: 930px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" src=\"\/bhr\/files\/2021\/09\/Untitled.jpg\" alt=\"\" width=\"920\" height=\"1006\" class=\"size-full wp-image-8163\" srcset=\"https:\/\/www.bu.edu\/bhr\/files\/2021\/09\/Untitled.jpg 920w, https:\/\/www.bu.edu\/bhr\/files\/2021\/09\/Untitled-582x636.jpg 582w, https:\/\/www.bu.edu\/bhr\/files\/2021\/09\/Untitled-768x840.jpg 768w\" sizes=\"(max-width: 920px) 100vw, 920px\" \/><figcaption id=\"caption-attachment8163\" class=\"wp-caption-text\">Photo by <a href=\"https:\/\/adassoc.org.uk\/our-work\/london-advertisings-iconic-fan-campaign-for- mandarin-oriental\/\">https:\/\/adassoc.org.uk\/our-work\/london-advertisings-iconic-fan-campaign-for- mandarin-oriental\/<\/a><\/figcaption><\/figure>\n<h3>Social Media Influencers<\/h3>\n<p><span style=\"font-weight: 400;\">The concept of social media influencers (SMIs) has evolved with the increasing popularity of referencing social media content (e.g., peer reviews\/comments) when making purchase decisions (Guruge, 2018). The burgeoning social media platforms enable \u201cordinary\u201d people to create an online persona through the narration of their daily lives via social media (e.g., blog posts, photos, and videos), and leverage their authentic personal brands to cultivate attention and accumulate a significant base of followers (Dhanesh &amp; Duthler, 2019). These social media influencers, also called microcelebrities, range from unknown high school girls, fitness trainers, and industry experts, to wealthy people who adore luxury brands (Zhang et al., 2019). Their high reach and authenticity render them with the same power as traditional celebrities in influencing consumers\u2019 purchasing behaviors (Cheng et al., 2020).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Most academic investigations of the effectiveness of social media endorsers have been contextualized in the realm of source credibility (Goldsmith et al., 2000). Credibility refers to \u201cthe extent to which the source is perceived as possessing expertise relevant to the communication topic and can be trusted to give an objective opinion on the subject\u201d (Goldsmith et al., 2000, p. 43). SMIs are usually perceived as trustworthy, credible, and authentic because information shared by these influencers is considered as non-commercial conversation and relatively free from manipulation by companies (Uzuno\u011flu &amp; Kip, 2014). Additionally, influencers are often considered as the aspirational reference group. Their postings are the \u201ccatalogs of what many young people dream of having and the lifestyle they dream of living\u201d (Marwick, 2015, p. 155).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">They exhibit what followers do not have but wish to have (Chae, 2018). Lastly, influencers mediate the information flows from companies to consumers. They serve as the communication hub that alerts their peers to what matters among consumer choices (Zhang et al., 2019), which makes them an effective tool for businesses to communicate with shoppers.<\/span><\/p>\n<figure id=\"attachment8161\" aria-describedby=\"caption-attachment8161\" style=\"width: 1170px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" src=\"\/bhr\/files\/2021\/09\/Untitled-2.jpg\" alt=\"\" width=\"1160\" height=\"864\" class=\"size-full wp-image-8161\" srcset=\"https:\/\/www.bu.edu\/bhr\/files\/2021\/09\/Untitled-2.jpg 1160w, https:\/\/www.bu.edu\/bhr\/files\/2021\/09\/Untitled-2-636x474.jpg 636w, https:\/\/www.bu.edu\/bhr\/files\/2021\/09\/Untitled-2-1024x763.jpg 1024w, https:\/\/www.bu.edu\/bhr\/files\/2021\/09\/Untitled-2-768x572.jpg 768w\" sizes=\"(max-width: 1160px) 100vw, 1160px\" \/><figcaption id=\"caption-attachment8161\" class=\"wp-caption-text\">Photo by: <a href=\"https:\/\/mediakix.com\/blog\/hilton-influencer-marketing-case-study-instagram\/\">https:\/\/mediakix.com\/blog\/hilton-influencer-marketing-case-study-instagram\/<\/a><\/figcaption><\/figure>\n<h3>AI Influencers<\/h3>\n<p><span style=\"font-weight: 400;\">AI influencers are computer-generated artificial characters with a strong social media presence\/fame (Moustakas et al., 2020). They are usually similar to humans in their physical appearance and personality, and can think and perform tasks like humans through the use of software and algorithms (Kumar et al., 2019; Thomas &amp; Fowler, 2021). The primary advantage for firms using AI influencers is greater branding and messaging control according to firm preference. AI influencers are more effective in engaging customers in that they have the capacity to conduct meaningful conversations with each consumer and learn from every conversation \u201cas a result of AI assessment of behavior and reactions to a multitude of different variations\u201d (Campbell et al., 2020, p.239). Firms also find AI influencers attractive because they are associated with less risk or likelihood that they will be involved in a scandal (Tomas &amp; Fowel, 2021).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Research on the power of AI influencers in impacting consumer decisions is quite limited. In this research, we suggest that AI influencers are effective due to the perception of coolness. Coolness is a \u201csocially constructed positive trait attributed to cultural objects (people, brands, products, trends, etc.) inferred to be appropriately autonomous\u201d (Warren &amp; Campbell, 2014, p. 544). There are two sets of factors that contribute to the coolness perception: positivity and autonomy (Warren et al., 2018).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Positivity refers to characteristics that are valued, desired, and liked, whereas autonomy is associated with being willing and able to follow one\u2019s own path rather than conform to others\u2019 expectations (Warren et al., 2018). We argue that AI influencers are perceived as cool because they have characteristics that consumers consider desirable (e.g., aesthetically pleasing, fun, and interesting). Additionally, they are computer-generated characters who are not influenced by social norms, beliefs, and expectations. Thus, engaging with these influencers implies autonomy, which facilitates the process of establishing an identity of being different, original, and free. The positive outcomes of coolness are rather consistent, such as perceived hedonic value, brand attitude, satisfaction, willingness to pay for a brand, and likelihood of discussing a brand (Warren et al., 2019).<\/span><\/p>\n<figure id=\"attachment8162\" aria-describedby=\"caption-attachment8162\" style=\"width: 606px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" src=\"\/bhr\/files\/2021\/09\/Untitled-1.jpg\" alt=\"\" width=\"596\" height=\"425\" class=\"size-full wp-image-8162\" \/><figcaption id=\"caption-attachment8162\" class=\"wp-caption-text\">Photo by <a href=\"https:\/\/medium.com\/no-service-24-7\/virtual-influencers-811b75d76606\">https:\/\/medium.com\/no-service-24-7\/virtual-influencers-811b75d76606<\/a><\/figcaption><\/figure>\n<h2>Challenges<\/h2>\n<p><span style=\"font-weight: 400;\">Each type of influencer is associated with some unique challenges that need to be considered by practitioners. For traditional celebrity endorsement, ineffectiveness occurs when there is too much celebrity overexposure that causes the tie between the celebrity and the endorsed entity no longer special (Mowen &amp; Brown, 1981); when consumers are simply not a fan of the concept of celebrity endorsement (Prentice &amp; Zhang, 2017); when celebrities are involved in scandals, crimes or other negative behaviors that could create societal damage and amplify consumers\u2019 causal attributions of the endorsed product (Zhou &amp; Whitla, 2013); or when traditional celebrity endorsement does not create an engaging relationship between the brand and consumers as social media influencers do today (Guruge, 2018). On the other hand, social media influencers, while popular and engaging, are not professionally trained and may not always communicate the ad\u2019s messaging in the best way and generate actual purchases (M\u00fcller et al., 2018).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For AI influencers, it is more difficult for consumers to understand the implications of sponsorship than with human influencers, especially for hospitality brands whose products and services are intangible in nature. Consumers often question whether an AI can actually experience a hotel or a restaurant. There are also potential issues regarding AI influencers\u2019 compatibility with data sources (Paschen et al., 2020), distribution of misinformation (Whitler &amp; Farris, 2017), and consumer privacy concerns (Campbell et al., 2020). Further, similar to traditional celebrity endorsers and SMIs, when an AI influencer commits a transgression, whether related or unrelated to the endorsed brand, it may result in degradation of the brand\u2019s image, consumer trust, market confidence, and financial performance. (Tomas &amp; Fowel, 2021). Finally, since AI algorithms are built by humans and trained with data, companies have complete control over the characters. They could take this power into an ethical gray area, which leads to unintended consequences that could harm society (Luthera, 2020). Thus, it is important for companies to develop AI algorithms responsibly.<\/span><\/p>\n<h2>Concluding Remarks<\/h2>\n<p><span style=\"font-weight: 400;\">Overall, it is no secret that the influencer industry is rapidly growing as more and more brands take advantage of the unique power and high reach that influencers have in the social media sphere. Yet, brands are advised to partner with the right influencer long-term to ensure a positive, sustainable experience. As discussed in this article, marketers and managers must choose their entity endorsers carefully by taking into consideration the characteristics of each type of influencer, their respective influence mechanisms and challenges, as well as the company\u2019s targeted markets\u2019 potential responses to influencer activity. Consumer experience takes precedence at the end of the day.<\/span><\/p>\n<p>Table 1<\/p>\n<table>\n<tbody>\n<tr>\n<td><\/td>\n<td><b>Traditional celebrity<\/b><\/td>\n<td><b>Social media influencer<\/b><\/td>\n<td><b>AI influencer<\/b><\/td>\n<\/tr>\n<tr>\n<td><b>Hotel<\/b><\/td>\n<td><span style=\"font-weight: 400;\">Tony Leung endorsed Galaxy Entertainment Group\u2019s first casino and hotel in Macao (2006).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Hilton collaborated with several travel influencers such as lindaberlin to promote their list of top metropolitan destinations (2018).<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Taryn Southern cooperated with Moxy Hotels brand to make YouTube videos (2015).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Marriott collaborated with Casey Neistat to attract young travelers (2014).<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Lil Miquela advertised for Ace Hotel New York on Instagram (2019).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Noonoouri advertised for Hotel Caf\u00e9 Royal in London on Instagram (2020).<\/span><\/td>\n<\/tr>\n<tr>\n<td><b>Restaurant<\/b><\/td>\n<td><span style=\"font-weight: 400;\">LaBron James endorsed Blaze Pizza <\/span><span style=\"font-family: inherit; font-size: inherit;\">(2015).<\/span><\/p>\n<p><span style=\"font-family: inherit; font-size: inherit;\"><span style=\"font-weight: 400;\">McDonald\u2019s partnered with Travis Scott to create his own meal deal (2020).<\/span><\/span><\/td>\n<td><span style=\"font-weight: 400;\">Influencer ny.foodie <\/span><span style=\"font-family: inherit; font-size: inherit;\">worked with restaurant <\/span><span style=\"font-family: inherit; font-size: inherit;\">Springbone\u00a0<\/span><span style=\"font-family: inherit; font-size: inherit;\">to help <span>promote their strawberry rhubarb ice cream on Instagram (2016).<\/span><\/span><\/p>\n<p>Dunkin Donuts worked with Ri\u00e9 Victoria Aoki to reach consumers on Instagram (2018).<\/p>\n<p>&nbsp;<\/td>\n<td>Thalasya Pov<br \/>\nadvertised for<br \/>\nrestaurants such as<br \/>\nThe den of Kalaha on Instagram (2018).KFC created a<br \/>\nvirtual Colonel<br \/>\nSanders who<br \/>\nengages with other<br \/>\nAI influencers on<br \/>\nsocial media<br \/>\n(2019).<\/td>\n<\/tr>\n<tr>\n<td><strong>Tourism destination &amp; attraction<\/strong><\/td>\n<td><span style=\"font-weight: 400;\">Chen Yao cooperated with Tourism New Zealand to influence Chinese travelers (2011).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Bae Yong-joon was appointed PR ambassador to promote South Korean tourism (2009).<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Kate McCulley promoted solo and independent travel for women by making travel blogs (2010).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Scott Eddy, Justin Carmack, and JD Andrews advertised for travel brands like Kayak on social media platforms (2015).<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Imma promotes tourism destinations in Japan on Instagram (2020).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">bee_nfluencer promotes tourism destinations in Paris on Instagram (2020).<\/span><\/td>\n<\/tr>\n<tr>\n<td><strong>Retail<\/strong><\/td>\n<td>Natalie Portman starred<br \/>\nin the Miss Dior<br \/>\nFragrance Campaign<br \/>\n(2019).Maisie Williams appeared in a super bowl ad for Audi (2020).<\/td>\n<td>BMW partnered with<br \/>\nsocial media<br \/>\ninfluencers such as<br \/>\nFalco Punch as part of<br \/>\na hashtag challenge on TikTok (2019).YouTuber Jeremiah<br \/>\nCraig partnered with<br \/>\nYeehaw Cowboy, an<br \/>\nonline fashion retailer<br \/>\n(2019).<span style=\"font-weight: 400;\"><\/span><\/td>\n<td>Lil Miquela was<br \/>\nfeatured in UGG\u2019s<br \/>\nad campaign<br \/>\n(2018).Shudu Gram promoted Balmain<br \/>\n(2018).<span style=\"font-weight: 400;\"><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><a href=\"\/bhr\/files\/2021\/10\/BHR_Zhang-Wei_Influencer-Marketing_OCT.21.pdf\">PDF Version Available Here<\/a><\/p>\n<hr \/>\n<p><span style=\"color: #000000;\"><div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h3 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">References<\/h3><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/span><\/p>\n<p>Chan, K., Ng, Y. L., &amp; Luk, E. K. (2013). Impact of celebrity endorsement in advertising on brand image among Chinese adolescents. Young Consumers, 14(2), 167- 179.<\/p>\n<p>Chae, J. (2018). Explaining females\u2019 envy toward social media influencers. Media Psychology, 21(2), 246-262. https:\/\/doi.org\/10.1080\/15213269.2017.1328312<\/p>\n<p>Cheng, Y., Wei, W., &amp; Zhang, L. (2020). Seeing destinations through vlogs: implications for leveraging customer engagement behavior to increase travel intention. International Journal of Contemporary Hospitality Management, 32(10), 3227- 3248.<\/p>\n<p>Campbell, C., Sands, S., Ferraro, C., Tsao, H. Y. J., &amp; Mavrommatis, A. (2020). From data to action: How marketers can leverage AI. Business Horizons, 63(2), 227- 243. https:\/\/doi.org\/10.1016\/j.bushor.2019.12.002<\/p>\n<p>Dhanesh, G. S., &amp; Duthler, G. (2019). Relationship management through social media influencers: Effects of followers\u2019 awareness of paid endorsement. Public Relations Review, 45(3), 1-13. https:\/\/doi.org\/10.1016\/j.pubrev.2019.03.002<\/p>\n<p>Erdogan, B. Z. (1999). Celebrity endorsement: A literature review. Journal of marketing management, 15(4), 291-314.<\/p>\n<p>Goldsmith, R. E., Lafferty, B. A., &amp; Newell, S. J. (2000). The impact of corporate credibility and celebrity credibility on consumer reaction to advertisements and brands. Journal of Advertising, 29(3), 43-54.<\/p>\n<p>Guruge, M. C. B. (2018). Comparison between Attributes related to Celebrity Endorsement and Social Media Influencer Marketing: A Conceptual Review. Sri Lanka Journal of Marketing, 4(1), 17-37. http:\/\/192.248.24.204\/dep\/dmm\/media\/attachments\/2020\/09\/29\/m.c.b.-guruge&#8212; online-publish.pdf<\/p>\n<p>Kumar, V., Rajan, B., Venkatesan, R., &amp; Lecinski, J. (2019). Understanding the role of artificial intelligence in personalized engagement marketing. California Management Review, 61(4), 135-155. https:\/\/doi.org\/10.1177\/0008125619859317<\/p>\n<p>Luthera, N. (2020). The dark side of deepfake artificial intelligence and virtual influencers, https:\/\/www.forbes.com\/sites\/forbesbusinesscouncil\/2020\/01\/16\/the- dark-side-of-deepfake-artificial-intelligence-and-virtual- influencers\/?sh=51d2b7c91cd9 (accessed on September 7, 2021).<\/p>\n<p>Magnini, V. P., Garcia, C., &amp; Honeycutt Jr, E. D. (2010). Identifying the attributes of an effective restaurant chain endorser. Cornell hospitality quarterly, 51(2), 238-250.<\/p>\n<p>Marwick, A. E. (2015). Instafame: Luxury selfies in the attention economy, Public Culture, 27(1), 137-160.<\/p>\n<p>Moustakas, E., Lamba, N., Mahmoud, D., &amp; Ranganathan, C. (2020, June). Blurring lines between fiction and reality: Perspectives of experts on marketing effectiveness of virtual influencers. In 2020 International Conference on Cyber Security and Protection of Digital Services (Cyber Security) (pp. 1-6). IEEE. https:\/\/doi.org\/10.1109\/CyberSecurity49315.2020.9138861.<\/p>\n<p>Mowen, J. C., &amp; Brown, S. W. (1981). On explaining and predicting the effectiveness of celebrity endorsers. ACR North American Advances, 8, 437-441.<\/p>\n<p>M\u00fcller, L., Mattke, J., &amp; Maier, C. (2018). # Sponsored# ad: Exploring the effect of influencer marketing on purchase intention. AISeLibrary. https:\/\/aisel.aisnet.org\/amcis2018\/DataScience\/Presentations\/29\/<\/p>\n<p>Newton, J. D., Wong, J., &amp; Newton, F. J. (2015). The social status of health message endorsers influences the health intentions of the powerless. Journal of Advertising, 44(2), 151-160.<\/p>\n<p>Olenski, S. (2016). How brands should use celebrities for endorsements, https:\/\/www.forbes.com\/sites\/steveolenski\/2016\/07\/20\/how-brands-should-use- celebrities-for-endorsements\/?sh=9ae61d555936 (accessed on June 18, 2021).<\/p>\n<p>Paschen, U., Pitt, C., &amp; Kietzmann, J. (2020). Artificial intelligence: Building blocks and an innovation typology. Business Horizons, 63(2), 147-155. https:\/\/doi.org\/10.1016\/j.bushor.2019.10.004<\/p>\n<p>Prentice, C., &amp; Zhang, L. (2017). Celebrity endorsement and stock market return.<br \/>\nMarketing Intelligence &amp; Planning, 35(4), 529-543.<\/p>\n<p>Stone, J. (2019) The lure of celebrity marketing for restaurants, Modern Restaurant Management, https:\/\/modernrestaurantmanagement.com\/the-lure-of-celebrity- marketing-for-restaurants\/ (accessed on June 1, 2021).<\/p>\n<p>Thomas, V. L., &amp; Fowler, K. (2021). Close encounters of the AI kind: Use of AI influencers as Brand endorsers. Journal of Advertising, 50(1), 11-25. https:\/\/doi.org\/10.1080\/00913367.2020.1810595<\/p>\n<p>Tomoson. (2015). Influencer marketing study, https:\/\/www.tomoson.com\/blog\/influencer-marketing-study\/ (accessed on June 18, 2021).<\/p>\n<p>Uzuno\u011flu, E., &amp; Kip, S. M. (2014). Brand communication through digital influencers: Leveraging blogger engagement. International Journal of Information Management, 34(5), 592-602.<\/p>\n<p>Utami, S. P., Setyowati, N., &amp; Mandasari, P. (2020). Celebrity Brand Ambassador and<br \/>\ne-WOM as Determinants of Purchase Intention: A Survey of Indonesian Celebrity Cake. E3S Web of Conferences, 142, 1\u20139. https:\/\/doi.org\/10.1051\/e3sconf\/202014205001<\/p>\n<p>Warren, C., Batra, R., Loureiro, S. M. C., &amp; Bagozzi, R. P. (2019). Brand coolness.<br \/>\nJournal of Marketing, 83(5), 36-56.<\/p>\n<p>Warren, C., &amp; Campbell, M. C. (2014). What makes things cool? How autonomy influences perceived coolness. Journal of Consumer Research, 41(2), 543-563.<\/p>\n<p>Warren, C., Pezzuti, T., &amp; Koley, S. (2018). Is being emotionally inexpressive cool?.<br \/>\nJournal of Consumer Psychology, 28(4), 560-577.<\/p>\n<p>Whitler, K. A., &amp; Farris, P. W. (2017). The impact of cyber attacks on brand image: Why proactive marketing expertise is needed for managing data breaches. Journal of Advertising Research, 57(1), 3-9. https:\/\/doi.org\/10.2501\/JAR-2017-005<\/p>\n<p>Zhang, L., Kuo, P. J., &amp; McCall, M. (2019). Microcelebrity: the impact of information source, hotel type, and misleading photos on consumers\u2019 responses. Cornell Hospitality Quarterly, 60(4), 285-297.<\/p>\n<p>Zhou, L., &amp; Whitla, P. (2013). How negative celebrity publicity influences consumer attitudes: The mediating role of moral reputation. Journal of Business Research, 66(8), 1013-1020 https:\/\/doi.org\/10.1016\/j.jbusres.2011.12.025<\/p>\n<p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Lu Zhang, Ph.D., Associate Professor, Michigan State University, and Wei Wei, Ph.D., Associate Professor,\u00a0University of Central Florida Introduction Celebrity endorsement as an effective marketing tool has long been recognized by hotels, restaurants, and tourist destinations. It has a positive impact on brand image, consumer buying behavior, as well as firms\u2019 financial performance. Companies spend [&hellip;]<\/p>\n","protected":false},"author":18808,"featured_media":8195,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[521,625,622,624],"tags":[637,627,636,675,626,676],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/bhr\/wp-json\/wp\/v2\/posts\/8084"}],"collection":[{"href":"https:\/\/www.bu.edu\/bhr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bu.edu\/bhr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/bhr\/wp-json\/wp\/v2\/users\/18808"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/bhr\/wp-json\/wp\/v2\/comments?post=8084"}],"version-history":[{"count":11,"href":"https:\/\/www.bu.edu\/bhr\/wp-json\/wp\/v2\/posts\/8084\/revisions"}],"predecessor-version":[{"id":9545,"href":"https:\/\/www.bu.edu\/bhr\/wp-json\/wp\/v2\/posts\/8084\/revisions\/9545"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/bhr\/wp-json\/wp\/v2\/media\/8195"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/bhr\/wp-json\/wp\/v2\/media?parent=8084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bu.edu\/bhr\/wp-json\/wp\/v2\/categories?post=8084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bu.edu\/bhr\/wp-json\/wp\/v2\/tags?post=8084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}