{"id":346,"date":"2015-08-16T01:25:32","date_gmt":"2015-08-16T05:25:32","guid":{"rendered":"https:\/\/www.bu.edu\/beethovencenter\/?page_id=346"},"modified":"2023-09-03T18:37:56","modified_gmt":"2023-09-03T22:37:56","slug":"autograph-list","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/beethovencenter\/autograph-list\/","title":{"rendered":"Catalogue of Beethoven Autograph Manuscripts"},"content":{"rendered":"

\u00a0List of Beethoven Autographs Compiled from Ludwig van Beethoven: Thematisch-bibliographisches Werkverzeichnis<\/em> (2014)<\/strong><\/p>\n

Beethoven. Unbekannte Skizzen und Entwu\u0308rfe, Untersuchung, U\u0308bertra- gung,<\/em> Faksimile von Dr. Arnold Schmitz, Bonn 1924. <\/span><\/p>\n\n\n\n\n<\/tr>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Catalog #<\/strong><\/td>\nWork<\/strong><\/td>\nAutograph\u00a0 <\/strong> [Library sigla can be searched here]<\/a> <\/strong> <\/strong><\/td>\nDate<\/strong><\/td>\nAutograph Format<\/strong><\/td>\nOnline<\/strong><\/td>\nFacsimiles<\/strong><\/td>\n<\/tr>\n<\/thead>\n
Op. 1<\/td>\nPiano Trios (3)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 2<\/td>\nPiano Sonatas (3)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 3<\/td>\nString Trio in E flat<\/td>\n1) F-Pc (in: Pn), Ms 28 [mvts. 1, 2, 4, and 5]
\n2) US-Wc, ML 96. B 44 Case [mvt. 6]<\/td>\n		1) [1795]<\/td>\n1) wide, 16 st. 2) wide, 16 st.<\/td>\n1) Online<\/a><\/td>\n<\/td>\n<\/tr>\n
Op. 4<\/td>\nString Quintet in E flat<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 5<\/td>\nCello Sonatas (2)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 6<\/td>\nSonata for Piano Duet in D<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 7<\/td>\nPiano Sonata No. 4 in E flat<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 8<\/td>\nSerenade for String Trio in D<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n\n
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\n
\n
\n

\u00a0<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n<\/tr>\n

Op. 9<\/td>\nString Trios (3)<\/td>\nD-BNba, BH 59. [No, 1, second trio]<\/td>\n[late 1797 to early 1798]<\/td>\nwide, 16 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 10<\/td>\nPiano Sonatas (3)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 11<\/td>\n\u201cGassenhauer\u201d Trio for Piano, Clarinet or Violin, & Cello in B flat<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 12<\/td>\nViolin Sonatas (3)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 13<\/td>\n“Path\u00e9tique” Piano Sonata in c<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 14<\/td>\nPiano Sonatas (2)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 15<\/td>\nPiano Concerto No. 1 in C<\/td>\nD-B, Mus. ms. autogr. Beethoven v 12<\/td>\n[before April 2, 1800]<\/td>\nwide, 16 st.<\/td>\nOnline<\/a><\/td>\n<\/td>\n<\/tr>\n
Op. 16<\/td>\nQuintet for Piano, Oboe, Clarinet, Horn & Bassoon in E flat<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 17<\/td>\nHorn sonata in F<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 18<\/td>\nString Quartets (6)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 19<\/td>\nPiano Concerto No. 2 in B-flat<\/td>\n1) D-B, Mus. ms. autogr. Beethoven 28 (“Fischhof’), f. 15 [mvt. 1 (older version, piano, 9 measures)] 2) F-Pc [now in Pn], Ms 61 [mvt. 1 (older version, 13 measures)] 3) GB-Lbl, Add. Ms. 29801 (“Kafka”), f. 89 61 [mvt. 1, older version, 4 measures] 4) D-BNba, BH 121 [Mvt. 1, older version, [mvt. 1 (older version, 17 measures)] 5) D-B, Mus. ms. autogr. Beethoven 13 [score with incomplete piano part] 6) D-BNba, Bodmer Collection, HCB Mh 4 [solo piano part] 7) D-BNba, Bodmer Collection, HCB Mh 13 [1st. movement cadenza]<\/td>\n1) [1786-1790] 2) [1790?] 3) 1793 4) [1794\/5] 5) [end 1798] 6) [mid. Jan. – April 22, 1801] 7) [1809?]<\/td>\n1) wide 10 st. 2) wide, 12 st. 3) wide, 16 st. 4) wide, 16 st. 5) wide, 16 st. 6) wide, 8 st. 7) wide, 12 st.<\/td>\n2) Online<\/a><\/p>\n
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\n
\n
Johnson\/Fischhof 3) Kerman\/Kafka 4) Online <\/a><\/span>5) Online <\/a>6) Online <\/a>7) Online<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n<\/tr>\n
Op. 20<\/td>\nSeptet for Clarinet, Bassoon, Horn, Violin, Viola, Cello, Bass in E flat<\/td>\nPL-Kj, Mus. ms. autogr. Beethoven Mend.-Stift. 4.<\/td>\n<\/td>\nwide, 16 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 21<\/td>\nSymphony No. 1 in C<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 22<\/td>\nPiano Sonata\u00a0 in B flat<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 23<\/td>\nViolin sonata in a<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 24<\/td>\nViolin sonata in F<\/td>\nA-Wn, Mus. Hs. 16447 [Mvts. 1-3]<\/td>\n[1800\/1]<\/td>\nwide, 12 st.<\/td>\n<\/td>\n<\/tr>\n
Op. 25<\/td>\nSerenade for Flute, Violin & Viola in D<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 26<\/td>\nPiano Sonata\u00a0 in A flat<\/td>\nPL-Kj, Mus. ms. autogr. Beethoven Grasnick 12, f. 1r-16r<\/td>\n[Summer\/Fall800 – March 1801]<\/td>\nwide, 8 st.<\/td>\nOnline<\/a> Prieger\/Op26<\/td>\n<\/tr>\n
Op. 27, No. 1<\/td>\nPiano Sonata in E flat<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 27, No. 2<\/td>\nPiano Sonata in c sharp<\/td>\nD-BNba, BH 60 [Mvt. 1 (lacking mm. 1-3), mvt. 3 (lacking last 3 measures)]<\/td>\n<\/td>\nwide, 8 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 28<\/td>\nPiano Sonata in D<\/td>\nD-BNba, BH 61, f.1r-26r<\/td>\n\u201c1801\u201d<\/td>\nwide, 8 st.<\/td>\nOnline<\/a> Frohlich\/Op28<\/td>\n<\/tr>\n
Op. 29<\/td>\nString Quintet in C<\/td>\nPL-Kj, Mus. ms. autogr. Beethoven Mend.-Stift. 5, f.1r-43v.[lacks last 21 mm of Trio]<\/td>\n\u201c1801\u201d<\/td>\nwide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
Op. 30, No. 1<\/td>\nViolin sonata in A<\/td>\nD-B, Mus. ms. autogr. Beethoven 19, f. 1r-21r<\/td>\n\u201c1802\u201d<\/td>\nwide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
Op. 30, No. 2<\/td>\nViolin sonata in c<\/td>\nD-BNba, Slg. H. C. Bodmer, HCB Mh 26, f. lr-29r<\/td>\n[1st half 1802]<\/td>\nwide, 16 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 30, No. 3<\/td>\nViolin sonata in G<\/td>\nGB-Lbl, Add. Ms. 37767, f. 1r-20r<\/td>\n[1st half 1802]<\/td>\nwide, 16 st.<\/td>\nTyson\/Op50<\/td>\n<\/tr>\n
Op. 31<\/td>\nPiano sonatas<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 32<\/td>\nAn die Hoffnung<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 33<\/td>\nBagatelles (7)<\/td>\nD-BNba, Slg. H. C. Bodmer, HCB Mh 5, f. lr-19r<\/td>\n\u201c1782\u201d<\/td>\nwide, 8 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 34<\/td>\nVariations (6) for Piano in F<\/td>\nD-BNba, Slg. H. C. Bodmer, HCB BMh 3\/43, f. 2r-10r<\/td>\n\u201c1802\u201d<\/td>\nwide, 8 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 35<\/td>\nEroica variations<\/td>\nD-BNba, Slg. H. C. Bodmer, HCB Mh 6, f. 1v-22r<\/td>\n\u201c1802\u201d<\/td>\nwide, 8 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 36<\/td>\nSymphony No. 2 in D<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 37<\/td>\nPiano Concerto No. 3 in c<\/td>\n1) D-B, Mus. ms. autogr. Beethoven 14 2) F-Pn, Ms 26 [cadenza]<\/td>\n\u201c1803\u201d<\/td>\nwide, 16 st.<\/td>\n1) Online <\/a>2) Online<\/a><\/td>\n<\/tr>\n
Op. 38<\/td>\nTrio for Piano, Clarinet or Violin, & Cello in E flat from Septet, Op. 20 [transcription of the Septet, Op. 20]<\/td>\nD-BNba, Slg. H. C. Bodmer, HCB Mh 27, [violin part]<\/td>\n<\/td>\ntall, 10 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 39<\/td>\nPreludes (2) through the 12 major keys<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 40<\/td>\nRomance No. 1 for Violin & Orchestra in G<\/td>\nD-BNba, Slg. H. C. Bodmer, HCB BMh 9\/49<\/td>\n<\/td>\nwide, 12 st.<\/td>\nOnline<\/a> Hess\/Op40und50<\/td>\n<\/tr>\n
Op. 41<\/td>\nSerenade for Piano & Flute in D<\/td>\n(Not by Beethoven<\/strong>)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 42<\/td>\nNotturno for Piano & Viola in D<\/td>\n(Not by Beethoven<\/strong>)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 43<\/td>\nThe Creatures of Prometheus<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 44<\/td>\nVariations (14) for Piano Trio in E flat<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 45<\/td>\nMarches for Piano Duet (3)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 46<\/td>\nAdelaide<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 47<\/td>\nViolin sonata in A<\/td>\n1) PL-Kj, Mus. ms. autogr. Beethoven Landsberg 6 [title draft) 2) D-BNba, NE 86 [mvt. 1 (exposition)]<\/td>\n<\/td>\n2) wide, 16 st.<\/td>\n2) Online<\/a><\/td>\n<\/tr>\n
Op. 48<\/td>\nGellert Songs (6)<\/td>\n1) D-BNba, Slg. H. C. Bodmer, HCB Mh 31 [No. 5 and 6 (m. 102 to end)] 2) D-BNba, Slg. H. C. Bodmer, HCB Mh 30 [No. 6]<\/td>\n1) [late 1801-early 1802] 2) [early 1802]<\/td>\nwide, 12 st.<\/td>\n1) Online <\/a>2) Online<\/a><\/td>\n<\/tr>\n
Op. 49<\/td>\nEasy Piano Sonatas (2)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 50<\/td>\nRomance No. 2 for Violin & Orchestra in F<\/td>\nUS-Wc, The Gertrude Clarke Whittall Foundation Collection, f.1r-12v<\/td>\n[before October 1798]<\/td>\nwide, 16 st.<\/td>\nOnline<\/a> Hess\/Op40und50<\/td>\n<\/tr>\n
Op. 51, No. 1<\/td>\nRondo for Piano in C<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 51, No. 2<\/td>\nRondo for Piano in G<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 52<\/td>\nSongs (8)<\/td>\n1) A-Wgm, A 11, f. 1v-2r [No. 2 (first version)] 2) GB-Lbl, Add. Ms. 29801, F. 120V (“Kafka”) [No. 2 ( 2nd version, m. 1-15)]<\/td>\n2) [1794]<\/td>\n1) wide, 15 st.2) wide, 16 st.<\/td>\n2) Kerman\/Kafka<\/td>\n<\/tr>\n
Op. 53<\/td>\nPiano Sonata in C<\/td>\nD-BNba, Slg. H. C. Bodmer, HCB Mh 7<\/td>\n<\/td>\nwide, 8 st.<\/td>\nOnline<\/a> Staehlin\/Op53<\/td>\n<\/tr>\n
Op. 54<\/td>\nPiano Sonata in F<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 55<\/td>\nSymphony No. 3 in E flat<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 56<\/td>\nTriple concerto in C<\/td>\nD-B, Mus. ms. autogr. Beethoven Landsberg 10, p. 11f. [ Mvt. 3 (rejected folio?)]<\/td>\n<\/td>\nwide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
Op. 57<\/td>\nPiano Sonata in f<\/td>\nF-Pc (in: Pn), Ms 20, f. 2-22<\/td>\n<\/td>\nwide, 12 st.<\/td>\nOnline<\/a> Paris, L’edition d’Art H. Piazza, 1927 , Tokio, Ongaku no Tomo Edition, 1972 ; Melbourne, Allans Publishing Pty. Limited, ca 1989 ; Laaber, Laaber-Verlag 2011 ;<\/td>\n<\/tr>\n
Op. 58<\/td>\nPiano Concerto No. 4 in G<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 59, No. 1<\/td>\nString Quartet in F<\/td>\nD-B, Mus. ms. autogr. Beethoven Mend.-Stift. 10<\/td>\n\u201cangefangenam 26ten Maj 1806″<\/td>\nwide, 12 st.<\/td>\nOnline<\/a> Tyson\/Op59Nr1<\/td>\n<\/tr>\n
Op. 59, No. 2<\/td>\nString Quartet in e<\/td>\nD-B, Mus. ms. autogr. Beethoven 21<\/td>\n<\/td>\nwide, 12 st.<\/td>\nOnline<\/a> Tyson\/Op59Nr2<\/td>\n<\/tr>\n
Op. 59, No. 3<\/td>\nString Quartet in C<\/td>\nD-BNba, BH 62<\/td>\n<\/td>\nwide, 16 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 60<\/td>\nSymphony No. 4 in B flat<\/td>\nD-B, Mus. ms. autogr. Beethoven Mend.-Stift. 12<\/td>\n\u201c1806\u201d<\/td>\nwide, 12 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 61<\/td>\nViolin Concerto in D<\/td>\nA-Wn, Mus. Hs. 17538<\/td>\n\u201c1806\u201d<\/td>\nwide, 16 st.<\/td>\nGrasberger\/Op61<\/td>\n<\/tr>\n
Op. 61a<\/td>\nViolin Concerto arr. for piano and orchestra<\/td>\nA-Wn, Mus.Hs.17538 MUS MAG<\/span><\/a><\/td>\n<\/td>\n<\/td>\nOnline<\/span><\/a><\/td>\n<\/tr>\n
Op. 62<\/td>\nCoriolan overture<\/td>\nD-BNba, BH 63<\/td>\n\u201c1807\u201d<\/td>\nwide, 16 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 63<\/td>\nPiano Trio in E flat<\/td>\n(Not by Beethoven<\/strong>)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 64<\/td>\nCello sonata in E flat<\/td>\n(Not by Beethoven<\/strong>)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 65<\/td>\nAh! Perfido<\/em><\/td>\nF-Pc (in: Pn), Ms 79 [aria fragment (mm. 104-122)]<\/td>\n[beginning 1796]<\/td>\nwide, 16 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 66<\/td>\nVariations for Piano & Cello in F (12)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 67<\/td>\nSymphony No. 5 in c<\/td>\n1) D-B, Mus. ms. autogr. Beethoven Mend.-Stift. 8 2) D-B, Mus. ms. autogr. Beethoven Mend.-Stift. 20 [mvt. 3 (varied repeat of mm. 1-238)] 3) D-B, Mus. ms. autogr. Beethoven Landsberg 12, p. 67-70 [fragment (transition to mvt. 4)]<\/td>\n1-3) [end 1807 – beginning 1808]<\/td>\n1) wide, 16 st. 2) wide, 16 st. 3) wide, 16 st.<\/td>\n1)\u00a0\u00a0 Online <\/a>2) Online<\/a> Sch\u00fcnemann\/op67 ; Cadenbach\/Op 67<\/td>\n<\/tr>\n
Op. 68<\/td>\nSymphony No. 6<\/td>\nD-BNba, BH 64<\/td>\n<\/td>\nwide, 12 + 16 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 69<\/td>\nCello sonata No. 3<\/td>\nD-BNba, NE 179 [mvt. 1]<\/td>\n<\/td>\n\u00a0wide, 16 st<\/td>\nOnline<\/a> Brandenburg\/Op 69 , Lockwood\/Op 69<\/td>\n<\/tr>\n
Op. 70, No. 1<\/td>\nPiano Trio in D<\/td>\nUS-NYpm, Cary 61<\/td>\n<\/td>\nwide, 14 + 12 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 70, No. 2<\/td>\nPiano Trio in E flat<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 175\/1 and175\/2<\/td>\n<\/td>\nwide, 12 + 14 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 71<\/td>\nSextet for Clarinets, Horns & Bassoons in E flat<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 72<\/td>\nFidelio (1805)<\/td>\n1) D-B, Mus. ms. autogr. Beethoven 3. f. 1-146, 181-206 [No. 3, 6,14, 15, and 17) 2) D-B, Mus. ms. autogr. Beethoven Artaria152 [Act II, introduction) 3) D-B, Mus. ms. autogr. Beethoven 7 [early version of No. 10 ( mm. 1-62)] 4) D-BNba, BH 65 [No. 11 (7 measures of first finale)]<\/td>\n2) [late summer or fall 1805]<\/td>\n1) wide, 16 st. 2) wide, 16 st. 3) wide, 16 st. 4) wide, 12 st.<\/td>\n4) Online<\/a><\/td>\n<\/tr>\n
Op. 72<\/td>\nFidelio (1806)<\/td>\n1) D-BNba, Slg. H. C. Bodmer, HCB Mh 1 [No. 5] 2) D-BNba, BH 66 [No. 12]<\/td>\n<\/td>\n1) wide, 16 st. 2) wide, 16 st<\/td>\n1) Online <\/a>2) Online<\/a><\/td>\n<\/tr>\n
Op. 72<\/td>\nFidelio (1814)<\/td>\n1) D-B, Mus. ms. autogr. Beethoven 64 [No. 9 ( mm. 1-33)] 2) D-B, Mus. ms. autogr. Beethoven Grasnick 15 [No. 10] 3) D-B, Mus. ms. autogr. Beethoven Mend.-Stift. 16 [No. 10] 4) D-B, Mus. ms. autogr. Beethoven 4 [No. 11 (from m. 32)] 5) CH-CObodmer [No. 12] 6) D-B, Mus. ms. autogr. Beethoven Mend.-Stift. 17 [No. 16]<\/td>\n<\/td>\n1) wide, 16 st 2) tall, 18 st. 3) tall, 20 st. 4) wide, 16 st. 5) tall, 20 st. 6) tall, 20 st.<\/td>\n<\/td>\n<\/tr>\n
Op. 73<\/td>\nPiano concerto No. 5 in E flat<\/td>\n1) D-B, Mus. ms. autogr. Beethoven 15 2) D-B, Mus. ms. Beethoven Landsberg 5, pp. 9-12 [double leaf 70\/71 of autograph) 3) D-B, Mus. ms. Beethoven Artaria 176 [double leaf 116a\/b of autograph]<\/td>\n\u201c1809\u201d<\/td>\n1) wide, 16 st. 2) wide 12 st 3) wide 16 st.<\/td>\n1) Hein\/Op73<\/p>\n

2) Online<\/a><\/td>\n<\/tr>\n

Op. 74<\/td>\nString Quartet in E flat<\/td>\nPL-Kj, Mus. ms. autogr. Beethoven Mend.-Stift. 14<\/td>\n\u201c1809\u201d<\/td>\nwide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
Op. 75<\/td>\nSongs (6)<\/td>\n1) D-BNba, Slg. H.C. Bodmer, HCB Mh 34 [No. 2 \u201cNeue Liebe, neues Leben\u201d) 2) D-BNba, NE 220 [No. 3] 3) D-B, Mus. ms. autogr. Beethoven Artaria 173 [No. 5 and 6] 4) RUS-Mda, Fonds 1290, Slg. N. B. Yussupov, op. 8, N 231, Liste 5 [No. 6]<\/td>\n1) \u201c1809\u201d2) \u201c1809\u201d 3) \u201c1809\u201d 4) [before October 1809]<\/td>\n1) wide 12 st. 2) wide 10 st. 3) wide 16 st. 4) wide 16 st.<\/td>\n1) Online <\/a>L\u00fchning\/Op 75 <\/a>2) Online<\/a> L\u00fchning\/Op 75<\/td>\n<\/tr>\n
Op. 76<\/td>\nVariations (6) for Piano in D<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 77<\/td>\nFantasia for Piano in g<\/td>\nD-BNba, Slg. H. C. Bodmer, HCB Mh 8<\/td>\n\u201c1809\u201d<\/td>\nwide, 8 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 78<\/td>\nPiano Sonata in F sharp<\/td>\nD-BNba, Slg. H. C. Bodmer, HCB Mh 9<\/td>\n\u201c1809\u201d<\/td>\nwide, 8 st.<\/td>\nOnline<\/a> Sonate in Fis-dur f\u00fcr Klavier, Munich 1923,<\/td>\n<\/tr>\n
Op. 79<\/td>\nPiano Sonata in G<\/td>\nB D-BNba, Slg. H. C. Bodmer, HCB BMh 1\/41<\/td>\n<\/td>\nwide, 8 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 80<\/td>\nChoral Fantasy in c<\/td>\nD-BNba, BH 67 [score of mm. 398-612, vocal parts. (Autograph starts at f. 2r.) ]<\/td>\n[mid 1810]<\/td>\nwide, 16 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 81, a)<\/td>\nPiano Sonata in E flat<\/td>\nA-Wgm, A 1. [mvt. 1]<\/td>\n\u201cam 4ten May 1809\u201d<\/td>\nwide, 8 st.<\/td>\n<\/td>\n<\/tr>\n
Op. 81, b)<\/td>\nSextet for Horns, Violins, Viola & Cello in E flat<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 82<\/td>\n4 Arietten and a duet<\/td>\n1) F-Pc (in: Pn), Ms 38 [No. 1] 2) D-BNba, Slg. H. C. Bodmer, BMh 4\/44<\/td>\n1) [2nd half 1809] 2) \u201c1809\u201d<\/td>\n1) wide 10 st. 2) wide 10 st.<\/td>\n1) Online <\/a> <\/a>2) Online<\/a><\/td>\n<\/tr>\n
Op. 83, No. 1<\/td>\nSongs (3)<\/td>\n1) D-WRgs. [No. 1 (early version)] 2) F-Pc (in: Pn), Ms 21 [missing last 6 measures of No. 3]<\/td>\n2) \u201c1810\u201d<\/td>\n1) wide 14 st 2) wide 12 st<\/td>\n2) Online<\/a> <\/a><\/td>\n<\/tr>\n
Op. 84<\/td>\nEgmont incidental music<\/td>\n1) D-B, Mus. ms. autogr. Beethoven Artaria177\/1 [lacks overture and No. 709] 2) CH-Basel, Slg. Floersheim [No. 7 (missing last folio)] 3) US-NHub, Speck Collection, YCGL MSS 9 [No. 7 (last folio)] 4) D-B, Mus. ms. autogr. Beethoven Artaria 177\/4 [No. 4 in F without vocal line] 5) D-B, Mus. ms. autogr. Beethoven Artaria 17712 <\/em>and 3 [No. 4 (keyboard reduction in G and F)] 6) CH-Basel, Slg. Floersheim-Koeh [No. 4 (keyboard reduction in A)] 7) RUS-Mda, Fonds 1290, Slg. N. B. Yussupov, op. 8, N 231, Liste 3-5<\/td>\n<\/td>\n1) wide 16 st. 2) wide 16 st. 3) wide 12 st. 4) wide 12 st. 5) wide 12 st. 6) wide 9 st. 7) wide 16 st<\/td>\n6) Kinsky\/Koch [after p. 60] 7) Edelmann.Autographen [after p. 76]<\/td>\n<\/tr>\n
Op. 85<\/td>\nChrist on the Mount of Olives<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 179\/1-3 [inserted leaves with revisions: 179\/1: pp. 1-24, 53-56, 69-74, 123-148, 197-206, and 235-242.179\/2: No. 2 (mm. 122-197)179\/3: No. 2 (mm. 206-297)]<\/td>\n<\/td>\nwide, 10, 12, 14, and 16 st (mostly 16 st.)<\/td>\n<\/td>\n<\/tr>\n
Op. 86<\/td>\nMass in C<\/td>\nD-BNba, BH 68. [Kyrie and Gloria (mm. 1-205)]<\/td>\n<\/td>\nwide, 16 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 87<\/td>\nTrio for 2 Oboes & English Horn in C<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 151<\/td>\n[1795]<\/td>\nwide, 16 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 88<\/td>\nDas Gluck der Freundschaft<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 89<\/td>\nPolonaise for Piano in C<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 90<\/td>\nPiano Sonata in e<\/td>\nD-BNba, NE 189<\/td>\n\u201cam 16ten august1814\u201d<\/td>\nwide, 12 st<\/td>\nOnline<\/a> Ladenburger\/Op 90<\/td>\n<\/tr>\n
Op. 91<\/td>\nWellington\u2019s Victory<\/td>\nD-B, Mus. ms. autogr. Beethoven 22<\/td>\n[ca. October to December 1813]<\/td>\nwide, 20 st.<\/td>\n<\/td>\n<\/tr>\n
Op. 92<\/td>\nSymphony No. 7 in A<\/td>\nPL-Kj, Mus. ms. autogr. Beethoven Mend.-Stift. 9.<\/td>\n\u201c1812\u201d<\/td>\nwide, 12 st.<\/td>\n<\/td>\n<\/tr>\n
Op. 93<\/td>\nSymphony No. 8 in F<\/td>\n1) D-B, Mus. ms. autogr. Beethoven 20\/1, 2 und 4 [mvts. 1, 2, and 4] 2) PL-Kj, Mus. ms. autogr. Beethoven 20\/3. [mvt. 3] 3) D-BNba, Slg. H. C. Bodmer, HCB BMh 8\/48 [mvt. 1 (discarded final version)] 4) F-Pc (in: Pn), Ms 19 [Fragment, violin 1 (mm. 333-60)] 5) D-B Mus.ms.autogr. Beethoven, L. v. 20<\/td>\n1) \u201cim Monath october 1812\u201d<\/td>\n1) tall , 14 st [mvt 1], wide, 12 st.[mvt 2, 4] 2) tall, 12 st. 3) tall, 14 st. 4) tall, 14 st.<\/td>\n1) Jung-Keiser\/Op83 [2nd movement] 2) Online <\/a>3) Online <\/a>5) Online<\/a><\/td>\n<\/tr>\n
Op. 94<\/td>\nAn die Hoffnung<\/em><\/td>\nUS-CAh, fMS Lowell 12<\/td>\n[early 1815]<\/td>\ntall, 2 X 10 st.<\/td>\n<\/td>\n<\/tr>\n
Op. 95<\/td>\nString Quartet in F<\/td>\nA-Wn, Mus. Hs. 16531<\/td>\n\u201c1810 im Monath oktober\u201d<\/td>\nwide, 10 st.<\/td>\n<\/td>\n<\/tr>\n
Op. 96<\/td>\nViolin Sonata in G<\/td>\n1) US-NYpm, MA 1 2) F-Pc (in: Pn), Ms 60 (1). [mvt. 4 (mm. 1-28)] 3) US-CAh, fMS Lowell 12 [mvt. 4 (mm. 1-23)]<\/td>\n1)[early 1815] 2) [1815] 3) [1815]<\/td>\n1) tall, 2 X 10 st. 2) tall, 2 X 10 3) tall, 2 X 10<\/td>\n1) Online<\/a> Staehelin\/Op 96 2) , Jonas\/Op96 [after p. 88], Obelkevich\/OP96 [p. 98f] 3) Jonas\/Op96 [after p. 88]<\/td>\n<\/tr>\n
Op. 97<\/td>\nPiano Trio in B flat<\/td>\nPL-Kj, Mus. ms. autogr. Beethoven Mend.-Stift 3<\/td>\n\u201cTrio am 3ten Marz 1811\u201d\u201cGeendigt am 26ten Marz [originally: April] 1811\u201d<\/td>\nwide, 16 st. [mvt 1, 2] tall, 20 [mvt 3, 4]<\/td>\n<\/td>\n<\/tr>\n
Op. 98<\/td>\nAn die ferne Geliebte<\/em><\/td>\nD-BNba, BH 69<\/td>\n\u201c1816 im Monath April\u201d<\/td>\nwide, 12 st.<\/td>\nOnline<\/a> Beethoven Haus, Munich-Duisburg, 1970<\/td>\n<\/tr>\n
Op. 99<\/td>\nDer Mann von Wort<\/em><\/td>\nD-BNba, Slg. H. C. Bodmer, HCB Mh 35<\/td>\n[Spring\/summer 1816]<\/td>\nwide, 12 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 100<\/td>\nMerkenstein<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 101<\/td>\nPiano Sonata in A<\/td>\nD-BNba, NE 219<\/td>\n\u201c1816 imMonath November\u201d<\/td>\nwide, 16 st.<\/td>\nOnline<\/a> Brandenburg\/Op101<\/td>\n<\/tr>\n
Op. 102, No. 1<\/td>\nCello Sonata in C<\/td>\nD-B, Mus. ms. autogr. Beethoven 18<\/td>\n\u201c1815 gegen Endejuli\u201d<\/td>\nwide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
Op. 102, No. 2<\/td>\nCello Sonata in D<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 192<\/td>\n\u201canfangs August 1815\u201d<\/td>\nwide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
Op. 103<\/td>\nOctet for Oboes, Clarinets, Horns & Bassoons in E flat<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 132<\/td>\n[1793]<\/td>\nwide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
Op. 104<\/td>\nString Quintet in c, arrangement of Op. 1, No. 3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 105<\/td>\nVariations (6) on Folk Songs for Piano & Flute or Violin<\/td>\nGB-Lbl, Ms. Egerton 2327 [Themes to No. 1, 2, 4, 5, and 6.]<\/td>\n[between August and November 1818]<\/td>\nwide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
Op. 106<\/td>\nPiano Sonata in B flat<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 107<\/td>\nVariations (10) on Folk Songs for Piano & Flute or Violin<\/td>\n1) GB-Lbl, Ms. Egerton 2327 [Themes to No. 1, 2, 4, 5, 8. 9, and 10] 2) D-BNba, BH 70 [No. 6 and 7] 3) D-BNba, NE 106[No. 4, var. II (mm. 1-10 and 18-21) and var. IV (mm. 1-6)] 4) A-Wgm, A 49 [No. 4, var. IV (mm. 15-25)] 5) D-B, Mus. ms. autogr. Beethoven Artaria 197 [No. 8 (var. II – IV, m. 5)] 6) S-Smf, MMS 274 [No. 8 (var. VI from m. 6)]<\/td>\n1) [between August and November 1818] 2) [between January and March 1819] 3) ) [after January 1819] 4) [after January 1819] 5) [after December 1819] 6)<\/td>\n1) wide, 16 st. 2) wide, 16 st. 3) wide, 8 st. 4) tall, 16 st. 5) wide, 16 st. 6) wide, 16 st.<\/td>\n2) Online <\/a>3) Online<\/a> 5) Drabkin\/Artaria197<\/td>\n<\/tr>\n
Op. 108<\/td>\nScottish songs (25)<\/td>\n1) D-B, Mus. ms. autogr. Beerhoven 2912, Heft 2-5, 7, 8, 13 [all but 5-6, 10, 14, 19-20, and 24] 2) US-NYpm, Cary 275 [No. 5, 10, and 19] 3) Private Collection [No. 6, and 7] 4) RUS-SPsc, F. 991 [No. 8, 12, 14, and 16] 5) GB-Private Collection William Zachs, pp. 17-22 [No. 24]<\/td>\n<\/td>\n1) wide 12 st. 2) wide 14 st. 3) wide 16 st. 4) wide 10 st. 5) wide 12 st.<\/td>\n4) Sovetskaja muzyka 24 (1960), vol. 12, p. 58<\/td>\n<\/tr>\n
Op. 109<\/td>\nPiano Sonata in E<\/td>\n1) US-Wc, The Gertrude Clarke Whittall Foundation Collection,ML 30.8b. B4op. 109 1820 Case 2) A-Wgm,A47 [mvt. 3 (mm. 41-8, and 57-96)]<\/td>\n<\/td>\n1) wide 8 st. 2) wide 12 st.<\/td>\n1) Online<\/a> 2) Meredith\/Op109 [plate 8]<\/td>\n<\/tr>\n
Op. 110<\/td>\nPiano Sonata in A flat<\/td>\n1) D-B, Mus. ms. autogr. Beethoven Artaria 196 2) D-BNba, Slg. H. C. Bodmer, HCB BMh 2\/42 [mvt. 3]<\/td>\n1) \u201cam 25ten Decemb.I<\/em>1821\u201d<\/td>\n1) wide, 8 st. 2) wide 8 st.<\/td>\n1) Komma\/Op110; Mauser\/Op110 2) Online<\/a><\/td>\n<\/tr>\n
Op. 111<\/td>\nPiano Sonata in c<\/td>\n1) D-B, Mus. ms. autogr. Beethoven Artaria 198 2) D-BNba, BH 71 [mvt. 1]<\/td>\n1) \u201cam13ten Januar 1822\u201d.2) \u201cam 13ten jenner 1822\u201d<\/td>\n1) wide, 8 st. 2) wide, 8 st.<\/td>\n2) Online<\/a><\/td>\n<\/tr>\n
Op. 112<\/td>\nCalm Sea & Prosperous Voyage<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 113<\/td>\nThe Ruins of Athens<\/td>\n1) D-B, Mus. ms. autogr. Beethoven 16 (1), (2), (3), (4), and (5 a-d) [lacks No. 5] 2) GB-Lbl, Slg. Zweig, MS. 9 [No. 5]<\/td>\n1) [end of August to mid September 1811] 2) [after mid September 1811]<\/td>\n1) tall, originally 18, now 14 or 15 st. 2) wide, 10 st.<\/td>\n2) Online<\/a> Katalog\/Zeig [plate X]<\/td>\n<\/tr>\n
Op. 114<\/td>\nMarch for Orchestra & Chorus from The Ruins of Athens<\/td>\nD-B, Mus. ms. autogr. Beethoven 16 (5a)<\/td>\n<\/td>\ntall, 18 st<\/td>\n<\/td>\n<\/tr>\n
Op. 115<\/td>\nOverture in C<\/td>\nA-Wn, Mus. Hs. 19094<\/td>\n\u201cam ersten Weinmonath [October]1814 Abends\u201d<\/td>\nwide, 14 st.<\/td>\n<\/td>\n<\/tr>\n
Op. 116<\/td>\nTremate, empi, tremate<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 117<\/td>\nKing Stephan<\/td>\n1) D-B, Mus. ms. autogr. Beethoven 65 [Overture] 2) D-B, Mus. ms. autogr. Beethoven Artaria 162 [No. 1-18]<\/td>\n1) Spring 18132) Spring 1813<\/td>\nHochformat, 14<\/td>\n<\/td>\n<\/tr>\n
Op. 118<\/td>\nElegiac Song<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Op. 119<\/td>\nBagatelles (11)<\/td>\n1) D-B, Mus. ms. autogr. Beethoven Artaria 199 [No. 1-6] 2) CH-Bps, Slg. Rudolf Grumbacher, Referenz-Nr. 20 [No. 7] 3) D-BNba, BH 106 [No. 8 and 9 (mm. 1-9)] 4) F-Pc (in: Pn), Ms 52 [No. 9 (mm. 10-20), No. 10 (mm. 1-8), and No. 11]<\/td>\n1) \u201d 1822 Novemb.\u201d 2) \u201cam l=ten Jenner 1821\u201d<\/td>\n1) wide, 8 st. 2) wide, 12 st. 3) wide, 12 st. 4) wide, 12 st<\/td>\n3) Online <\/a>4) Online<\/a><\/td>\n<\/tr>\n
Op. 120<\/td>\nDiabelli variations<\/td>\n1) D-BNba, NE 294. 2) D-BNba, NE 162 [Variation 31 (mm. 11-2)]<\/td>\n1) [March\/ April 1823]<\/td>\nwide, 8 st.<\/td>\n1) Online <\/a>AppelLadenburger\/Op120 <\/a>2) Online<\/a> Engelmann\/Skizenbuch<\/td>\n<\/tr>\n
Op. 121, a)<\/td>\nVariations (10 ) for Piano Trio in G<\/td>\nD-BNba, Slg. H. C. Bodmer, HCB BMli 12\/52<\/td>\n<\/td>\nwide, 12 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Op. 121, b)<\/td>\nOpferlied<\/em><\/td>\n1) A-Wst, MH 4694\/c 2) CN-Private Collection (formerly GB-Lbl, Music Loan 79,1) [mm. 32-63] 3) D-B, Mus. ms. autogr. Beethoven 56 [piano reduction without vocal parts]<\/td>\n<\/td>\n1) wide, 12 st. 2) tall, 23 st. 3) tall, 23 st.<\/td>\n1) Online<\/a> 2) Sotheby’s catalog<\/td>\n<\/tr>\n
Op. 122<\/td>\nBundeslied<\/em><\/td>\n1) D-Mbs, Mus.ms. 2760 2) D-B, Mus. ms. autogr. Beethoven 56 [piano reduction without vocal parts]<\/td>\n<\/td>\n1) Large tall format, 23 st. 2) wide, 12 st.<\/td>\n1) Online<\/a><\/td>\n<\/tr>\n
Op. 123<\/td>\nMissa Solemnis<\/td>\n1) D-B, Mus. ms. autogr. Beethoven 1 [Kyrie] 2) D-B, Mus. ms. autogr. Beethoven Artaria 202 [Credo, Sanctus-Benedictus, and Agnus Dei]<\/td>\n1) [April \/May 1819 – February\/March 1820] 2) [July 1820 – end 1822]<\/td>\n1) large tall, 20 st. 2) wide, 20 st.<\/td>\n1) Virneisel\/Op123<\/td>\n<\/tr>\n
Op. 124<\/td>\nThe Consecration of the House Overture<\/td>\n1) A-Wst, MH 1896\/c 2) D-BNba, Slg. H. C. Bodmer, HCB Mh 29 [2nd bassoon part additions]<\/td>\n1) \u201czu Ende September 1822 aufgefuhrtam 3ten oktober 1822\u201d<\/td>\nwide, 16 st.<\/td>\n1) Online <\/a>2) Online<\/a><\/td>\n<\/tr>\n
Op. 125<\/td>\nSymphony No. 9 in d<\/td>\n1) D-B, Mus. ms. autogr. Beethoven 2 [incomplete] 2) D-B, Mus. ms. autogr. Beethoven Artaria 204\/6. [mvt. 1 (mm. 255-8)] 3) D-BNba, Slg. H. C. Bodmer, HCB Mh 2 and HCB BMh 5\/45 [mvt. 2 (mm. 926-end)] 4) D-B, Mus. ms. autogr. Beethoven Artaria 204\/1-4 [mvt. 4 (excerpts)] 5) F-Pc (in: Pn), Ms 43 [mvt. 4 (mm. 343-375)] 6) D-BNba, Slg. H. C. Bodmer, HCB Mh 28 [Trombone part: mvt. 2 and mvt. 4 (mm. 655-940)] 7) D-B, Mus. ms. autogr. Beethoven Artaria 204\/5. [Contrabasoon] 8) D-B, Mus. ms. autogr. Beethoven Artaria 204\/7 [mvt. 4 (rejected version of mm. 784-811)]<\/td>\n<\/td>\n1) wide, 16 st. 2) wide, 16 st. 3) wide, 12 st. 4) wide, 16 st and tall, 23 st. 5) tall, 23 st. 6) wide, 16 st. 7) wide, 16 st. 8) tall, 23 st<\/td>\n1) Online <\/a>Lockwood, Del Mar et al\/Op125 <\/a>2) Online <\/a>3) Online <\/a>4) Online <\/a>5) Online <\/a> <\/a>6) Online <\/a>Lockwood, Del Mar et al\/Op125 7) Online <\/a>Lockwood, Del Mar et al\/Op125 <\/a>8) Online<\/a><\/td>\n<\/tr>\n
Op. 126<\/td>\nBagatelles (6)<\/td>\n1) D-BNba, Slg. H. C. Bodmer, HCB Mh 23 2) F-Pc (in: Pn), Ms 69, B1. 2r-3r. [No. 1 (early version)] 3) F-Pc (in: Pn), Ms 74 [No. 2 (concept)] 4) F-Pc (in: Pn), Ms 7 [No. 2 (mm. 57-89)] 5) F-Pc (in: Pn), Ms 81 [No. 6 (mm. 22-74)]<\/td>\n<\/td>\nwide, 12 st.<\/td>\n1) Online <\/a>2) Online <\/a>3) Online<\/a> 4) Online <\/a>5) Online<\/a> 1-5) Brandenburg\/Op126<\/td>\n<\/tr>\n
Op. 127<\/td>\nString Quartet in E flat<\/td>\n1) PL-Kj, Mus. ms. autogr. Beethoven Mend.-Stift. 13 [mvt. 1] 2) A-Wgm, A 51 Bl. 2 [mvt. 1 (mm. 101-112)] 3) PL-Kj, Mus. ms. autogr. Beethoven Artaria 207 [mvt. 2] 4) US-NYj, 27 B393ps Op. 127sc [mvt. 3] 5) D-BNba, BH 72 [mvt. 4]<\/td>\n1) \u201c1824\u201d<\/td>\nwide, 12 st.<\/td>\n1) Online<\/a> 4) Online <\/a>5) Online<\/a><\/td>\n<\/tr>\n
Op. 128<\/td>\nDer Ku\u00df<\/em><\/td>\n1) GB-Lbl, Slg. Zweig, MS. 10 2) F-Pc (in: Pn), Ms 33 [mm. 22-49] 3) CH-Basel,Private Collection [m. 50 to end]<\/td>\n1) \u201c1822 im Decmb.\u201d<\/td>\nwide, 12 st.<\/td>\n2) Online<\/a><\/td>\n<\/tr>\n
Op. 129<\/td>\nRondo a Capriccio for Piano in G<\/td>\nUS-NYpm, Robert Owen Lehman Deposit, B4155.R771<\/td>\n[between August and December 1795]<\/td>\nwide, 16 st.<\/td>\nHertzmann\/Op129, Albrecht\/Discoveries<\/td>\n<\/tr>\n
Op. 130<\/td>\nString Quartet in B flat<\/td>\n1) PL-Kj, Mus. ms. autogr. Beethoven Mend.-Stift. 7 [mvt. 1] 2) US-Wc, The Gertrude Clarke Whittall Foundation Collection, Music 1163 [mvt. 2] 3) F-Pc (in: Pn), Ms 34 [mvt. 3 (lacks last 9 measures)] 4) D-KA, Don. Mus. Autogr. 2 [mvt. 3 (last 9 measures missing)] 5) CZ-Bm, Abteilung fur Musikgeschichte, A 23 545 [mvt. 4] 6) D-B, Mus. ms. autogr. Beethoven Artaria 208 [mvt. 5] 7) D-B, Mus. ms. autogr. Beethoven 19c [mvt. 6 revised] 8) D-B, Mus. ms. autogr. Beethoven Artaria 209 [mvt. 6 (mm. 447-467 revised)] 9) D-B, Mus. ms. autogr. Beethoven Grasnick 10 [mvt. 6 revised] 10) D-B, Mus. ms. autogr. Beethoven Artaria 209 [mvt. 6 (mm. 439-459 revised)]<\/td>\n1) [end 1825]<\/td>\nwide, 10 st.<\/td>\n2) Online <\/a>3) Online <\/a>4) Churgin\/Op130, <\/a>Haberkamp\/Donaueschingen <\/a>6) Online <\/a>7) Online <\/a>9) Online<\/a><\/td>\n<\/tr>\n
Op. 131<\/td>\nString Quartet in c sharp<\/td>\n1) PL-Kj, Mus. ms. autogr. Beethoven Artaria 211 [various] 2) D-B, Mus. ms. autogr. Beethoven Mend.-Stift. 19 [various] 3) RUS-SPtob, L. MaurerArchiv, inv. N. 21303 [various] 4) D-B, Mus. ms. autogr. Beethoven Artaria 210 [various] 5) A-Wgm, A 57 [various] 6) DK-Kk, C 1,5 (A 4.6001), mu 7205.1014 [various]<\/td>\n<\/td>\n1) wide, 10 + 12 st. 2) wide 10 st. 3) wide 10 st. 4) wide 10 st. 5) wide 10 st. 6) wide 10 st.<\/td>\n1) Online <\/a>2) Online<\/a> 3) Klimovickij\/Op131<\/td>\n<\/tr>\n
Op. 132<\/td>\nString Quartet in a<\/td>\n1) D-B, Mus. ms. autogr. Beethoven Mend.-Stift. 11 2) GB-Lbl, Add. Ms. 29997, f. 40 [mvt. 5 (mm. 366-350 [sic] typo in new catalog)]<\/td>\n1) \u201c1825\u201d<\/td>\nwide, 10 st.<\/td>\n1) Online<\/a> Herttrich\/Op132 2) Brandenburg\/Op132<\/td>\n<\/tr>\n
Op. 133<\/td>\nGro\u00dfe Fuge<\/em><\/td>\nPL-Kj, Mus. ms. autogr. BeethovenArtaria 215 [partial autograph without the last 26 measures]<\/td>\n<\/td>\nwide, 10 st.<\/td>\n<\/td>\n<\/tr>\n
Op. 134<\/td>\nGro\u00dfe Fuge<\/em> for Piano Four Hand<\/td>\n1) US-NYj, 4 B393gr 1826 2) D-BNa, Slg, H.C. Bodmer, HCB Mh 25 [m. 727 to end]<\/td>\n1) [August to beginning of September]<\/td>\nwide, 10 st.<\/td>\n1) Online <\/a>2) Online<\/a><\/td>\n<\/tr>\n
Op. 135<\/td>\nString Quartet in F<\/td>\n1) D-BNba, Slg. H. C. Bodmer, HCB BMh 7\/47 [mvt. 1] 2) D-B, Mus. ms. autogr. Beethoven Artaria 216 [mvt. 1 (mm. 84-109,and 184-193)] 3) B-MA, Aut. 1085\/2c [mvt. 3] 4) D-B, Mus. ms. autogr. Beethoven 19b [mvt. 4] 5) D-BNba, Slg. H. C. Bodmer, HCB BMh 6\/46 [parts]<\/td>\n5) \u201cam 30tenoktober 1826\u201d<\/td>\nwide, 8 + 10 st.<\/td>\n1) Online <\/a>2) Online<\/a><\/td>\n<\/tr>\n
Op. 136<\/td>\nDer glorreiche Augenblick<\/td>\n1) D-B, Mus. ms. autogr. Beethoven 17 2) D-B, Mus. ms. autogr. Beethoven 1ge [trombones 1-3 (mvt. 1, 2,and 6)] 3) D-BNba, Slg. H. C. Bodmer, HCB BMh 10\/50 [title page]<\/td>\n[October\/November 1814]<\/td>\n1) wide, 16 st. 2) wide, 16 st 3) wide, 12 st<\/td>\n3) Online<\/a><\/td>\n<\/tr>\n
Op. 137<\/td>\nFugue for String Quintet in D<\/td>\n1) F-Pc (in: Pn), Ms 25 2) A-Wgm, A 85 [m. 21 to end]<\/td>\n1) \u201cam 28ten November1817\u201d<\/td>\n1) wide, 15 st. 2) tall, 5 st.<\/td>\n1) Online<\/a><\/td>\n<\/tr>\n
Op. 138<\/td>\nLeonore overture No. 3<\/td>\nD-B, Mus. ms. autogr. Beethoven Mend.-Stift. 18<\/td>\n<\/td>\nwide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 1, No. 1<\/td>\nRitterballet<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 129<\/td>\n[before March 3, 1791]<\/td>\nwide, 15 st<\/td>\nBBB p. 121<\/td>\n<\/tr>\n
WoO 1, No. 2<\/td>\nRitterballet<\/td>\nD-BNba, An WoO 1<\/td>\n[before March 3, 1791]<\/td>\nwide, 12 st<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 2a<\/td>\nTriumphmarch for Tarpeja<\/em><\/td>\n<\/td>\n[1813]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 2b<\/td>\nEntr’acte for Tarpeja<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 3<\/td>\nGratulations \u2013 Menuet<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 142<\/td>\n[1822]<\/td>\nwide, 12 st<\/td>\n<\/td>\n<\/tr>\n
WoO 4<\/td>\nPiano Concerto in E flat<\/td>\n<\/td>\n[1784]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 5<\/td>\nUnfinished Concerto for Violin<\/td>\nA-Wgm, A 5 [mvt. 1 (mm. 1-259)]<\/td>\n[ca. 1790-2]<\/td>\ntall, 24 st.<\/td>\nSchmidt-Gorg\/Beethoven p. 50<\/td>\n<\/tr>\n
WoO 6<\/td>\nRondo for Piano and Orchestra<\/td>\nA-Wgm, A 3<\/td>\n[1793]<\/td>\nwide, 16 st<\/td>\n<\/td>\n<\/tr>\n
WoO 7<\/td>\nMenuets (12) for Orchestra<\/td>\n<\/td>\n[1795]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 8<\/td>\nGerman Dances (12)<\/td>\n<\/td>\n[1795]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 9<\/td>\nMinuets (6) for Violin and Bass<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 10<\/td>\nMinuets (6) for Orchestra<\/td>\n<\/td>\n[1795]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 11<\/td>\nL\u00e4ndlerische T\u00e4nze (7 )<\/td>\n<\/td>\n[1798]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 12<\/td>\nMinuets (12) for Orchestra<\/td>\n<\/td>\n[1799]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 13<\/td>\nGerman Dances (12)<\/td>\n<\/td>\n[1796?]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 14<\/td>\nContradances (12) for Orchestra<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 140\/1<\/td>\n[1795]<\/td>\nwide, 12 + 16 st<\/td>\n<\/td>\n<\/tr>\n
WoO 15<\/td>\nL\u00e4ndlerische T\u00e4nze (6)<\/td>\n<\/td>\n[1802]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 16<\/td>\nEcossaisen (12) for Orchestra<\/td>\n(Lost)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 17<\/td>\nDances (11) for 7 Instruments<\/td>\n<\/td>\n[1819]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 18<\/td>\nMarch for Military Band in F<\/td>\n1) D-B, Mus. ms. autogr. Beethoven Artaria 144 [Version 1] 2) A-Wdo, Supp1. Mus. No. 19594, Abt. Hss. Nr. 433 \u00a0 [Version 1] 3) F-Pc (in: Pn), Ms 41 [Version 1] 4) D-B, Mus. ms. autogr. Beethoven Artaria 145\/1-2 [Version 3 (keyboard reduction)]<\/td>\n1) \u201c1809\u201d 2) \u201c1809\u201d 3) ca. 1809-104) [end 1822 – beginning 1823]<\/td>\n1) wide, 12 st. 2) wide, 12 st. 3) wide, 12 st. 4) wide, 12 + 14 st<\/td>\n3) Online<\/a><\/td>\n<\/tr>\n
WoO 19<\/td>\nMarch for Military Band in F<\/td>\n1) A-Wgm, A 7 [Version 1] 2) A-Wdo, Supp1. Mus. No. 19595, Abt. Hss. Nr. 433 \u00a0 [Version 1] 3)\u00a0\u00a0 D-B, Mus. ms. autogr. Beethoven Artaria 146\/1 [Version 3 (trio)]<\/td>\n1) [before August 3, 1810] 2) \u201cAugust 3, 1810\u201d 3) ca. 1809-104) [end 1822 – beginning 1823]<\/td>\n1) wide, 16 st. 2) wide, 14 st. 3) wide, 12 st<\/td>\n<\/td>\n<\/tr>\n
WoO 20<\/td>\nMarch for Military Band in C<\/td>\nUnknown private collection<\/td>\n[1809\/10?]<\/td>\nwide, 16 st<\/td>\n\n
\n
\n
\n
Katalog Ader-Tajan, Nr. 6. <\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n<\/tr>\n
WoO 21<\/td>\nPolonaise for Military Band<\/td>\nF-Pc (in: Pn), Ms 30<\/td>\n\u201c1810\u201d<\/td>\nwide, 16 st<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 22<\/td>\nEcossaise for Military Band<\/td>\nGB-Ob, MS. M. Deneke Mendelssohn c.21, f. 19r-21v<\/td>\n1810<\/td>\nwide, 15 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 23<\/td>\nEcossaise for Military Band<\/td>\n<\/td>\n[c. 1810]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 24<\/td>\nMarch for Military Band<\/td>\n1) D-B, Mus. ms. autogr. Beethoven Artaria 147 [without percussion] 2) D-B, Mus. ms. autogr. Beethoven Artaria 147\/2 [percussion only]<\/td>\n1) \u201c,5ten Juni 1816\u201d 2) [1822\/3]<\/td>\ntall, 20 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 25<\/td>\nRondino for 8 Winds<\/td>\nD-BNba, BH 75<\/td>\n[1793]<\/td>\nwide, 16 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 26<\/td>\nDuo for 2 Flutes<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 135<\/td>\n\u201c1792\u201d<\/td>\nwide, 10 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 27<\/td>\nDuos (3) for Clarinet and Bassoon<\/td>\n<\/td>\n[c. 1800?]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 28<\/td>\nVariations (8) for 2 Oboes and bassoon 1796\/7<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 149<\/td>\n[probably 1795]<\/td>\nwide, 10 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 29<\/td>\nMarch for 2 Clarinet, Horn, and Bassoon<\/td>\nD-B, Mus. ms. autogr. BeethovenGrasnick 25, f. 12-15<\/td>\n[end 1797 – beginning 1798]<\/td>\nwide, 10 st<\/td>\n<\/td>\n<\/tr>\n
WoO 30<\/td>\nEquali (3 ) for 4 Trombones<\/td>\nD-B, Mus. ms. autogr. Beethoven Grasnick 9<\/td>\n\u201cLinz 2 9bri 1812\u201d<\/td>\ntall, 20 st.<\/td>\nWeiner\/WoO30 [p. 229-232]<\/td>\n<\/tr>\n
WoO 31<\/td>\nOrgan Fugue<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 32<\/td>\nDuo for Viola and Cello<\/td>\nGB-Lbl, Add. Ms. 29801 (“Kafka”), f. 119r menuet]<\/td>\n[May\/June 1796]<\/td>\nwide, 16 st<\/td>\nKerman\/Kafka<\/td>\n<\/tr>\n
WoO 33a<\/td>\nPieces for Fl\u00f6tenuhr (3)<\/td>\nD-B, Mus. ms. autogr. Beethoven Grasnick 23, f. 1-6<\/td>\n[probably 1799]<\/td>\nwide, 12 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 33b<\/td>\n2 pieces<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 186<\/td>\n[before 1795]<\/td>\nwide, 16 st<\/td>\n<\/td>\n<\/tr>\n
WoO 34<\/td>\nInstrumental piece<\/td>\nF-Pc (in: Pn), Ms 23<\/td>\n\u201cIe 29tieme Avril 1822\u201d<\/td>\nwide, 10 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 35<\/td>\nCanon for 2 cellos<\/td>\nUS-CAh, MS Eng 870 (790).<\/td>\n\u201cle troisi\u00eameAaout. 1825\u201d<\/td>\nwide, 3 st.<\/td>\nZanden\/Wo035 [p. 52]<\/td>\n<\/tr>\n
WoO 36<\/td>\nPiano Quartets (3)<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 126.<\/td>\n\u201c1785\u201d<\/td>\nwide, 10 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 37<\/td>\nTrio for Piano, Flute, and Bassoon<\/td>\nD-B, Mus. ms. autogr. Beethoven Grasnick 31<\/td>\n[1786]<\/td>\ntall, 2 X 8 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 38<\/td>\nPiano Trio<\/td>\nFormerly owned by Schindler, later lost<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 39<\/td>\nPiano Trio<\/td>\nD-BNba, BH 76<\/td>\n\u201cam 26ten juni. 1812\u201d<\/td>\nwide, 12 st.<\/td>\n1) Onl<\/a>ine 2) Schmidt-G\u00f6rg\/Beethoven [p. 132]<\/td>\n<\/tr>\n
WoO 40<\/td>\nVariations on \u2018Se vuol ballare\u2019 for piano and violin<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 41<\/td>\nRondo for piano and violin<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 42<\/td>\nGerman Dances (6)<\/td>\n<\/td>\n[1795 or 96]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 43a<\/td>\nChamber Music with Piano<\/td>\nGB-Lbl, Add. Ms. 29801 (“Kafka”), f. 87<\/td>\n[February – April 1796]<\/td>\nwide, 16 st<\/td>\nKerman\/Kafka<\/td>\n<\/tr>\n
WoO 43b<\/td>\nAdagio for Mandolin and Harpsichord<\/td>\n1) D-B, Mus. ms. autogr. Beethoven Grasnick 25b, f. 8-11 2) CZ-Pnm, Tr B 84 (= Ms XLII D 98) [altered version]<\/td>\n[February – April 1796]<\/td>\n1) wide, 8 st. 2) wide, 16 st<\/td>\n<\/td>\n<\/tr>\n
WoO 44a<\/td>\nSonatine for Mandolin and Harpsichord<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 44b<\/td>\nVariations for Mandolin and Harpsichord<\/td>\nCZ-Pnm, Tr B 83 (= Ms XLII D 97).<\/td>\n[February – April 1796]<\/td>\nwide, 8 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 45<\/td>\nVariations on \u2018Judas Maccabaeus\u2019 for cello and piano<\/td>\nA-Wgm, A 2<\/td>\n[1796]<\/td>\nwide, 12 st.<\/td>\nMaa\u00df\/WoO45und46<\/td>\n<\/tr>\n
WoO 46<\/td>\nVariations (7) for Cello and Piano<\/td>\nD-BNba, BH 77<\/td>\n[end of 1801]<\/td>\nwide, 12 st.<\/td>\nOnline <\/a>Brandenburg\/Violoncello<\/td>\n<\/tr>\n
WoO 47<\/td>\nPiano Sonatas (3)<\/td>\n<\/td>\n[1782\/83]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 48<\/td>\nRondo for piano in C<\/td>\n<\/td>\n[1783]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 49<\/td>\nRondo for piano in A<\/td>\n<\/td>\n[1783]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 50<\/td>\nPiano Sonatine in F<\/td>\nD-BNba, Slg. Wegeler, W 1<\/td>\n[1790-2]<\/td>\nwide, 12 st.<\/td>\nOnline <\/a>Schmidt\/Briefe [after p. 122] Ley\/Wegeler [after p. 104]<\/td>\n<\/tr>\n
WoO 51<\/td>\nPiano Pieces (2)\u00a0\u00a0 (C)<\/td>\nD-BNba, Slg. Wegeler, W 2 [No. 1 mm.. 44-Schluss, No.. 2 mm. 1-25)<\/td>\n[latest, first half of 1798]<\/td>\nwide, 16 st.<\/td>\nOnline <\/a>Ley\/Wegeler [after p .170]<\/td>\n<\/tr>\n
WoO 52<\/td>\nBagatelle in c for piano<\/td>\nD-BNba, Slg. H. C. Bodmer, HCB BMh 11\/5<\/td>\n[1795]<\/td>\nwide, 16 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 53<\/td>\nAllegretto in c for piano<\/td>\nD-B, Mus. ms. autogr. Beethoven Grasnick 25, f. 1-7.<\/td>\n[1796\/7]<\/td>\nwide, 12 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 54<\/td>\n\u201cLustig-traurig\u201d for piano (1790’s)<\/td>\nD-B, Mus. ms. autogr. Beethoven Grasnick 26<\/td>\n<\/td>\nwide, 12 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 55<\/td>\nPraeludium in f for piano<\/td>\n<\/td>\n[c. 1803?]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 56<\/td>\nBagatelle in C for piano<\/td>\nF-Pc (in: Pn), Ms 29<\/td>\n[end 1803]<\/td>\nF-Pc (in: Pn), Ms 29<\/td>\n<\/td>\n<\/tr>\n
WoO 57<\/td>\nAndante in F for piano<\/td>\n<\/td>\n[1803-04]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 58, No. 1<\/td>\nCadenza for Mozart\u2019s Piano Concerto in d<\/td>\nD-BNba, BH 80 [mvt. 1 cadenza]<\/td>\n[1809][1809]<\/td>\nwide, 12 st.wide, 12 st<\/td>\nOnline <\/a>Hess\/Kadenzen<\/td>\n<\/tr>\n
WoO 58, No. 2<\/td>\nCadenza for Mozart\u2019s Piano Concerto in d<\/td>\nGB-Lbl, Add. Ms. 29803 [mvt. 3 cadenza]<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 59<\/td>\nPiano Piece \u2018F\u00fcr Elise\u2019<\/td>\nFormerly owned by Therese Malfatti, later lost<\/td>\n[1810]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 60<\/td>\nPiano Piece in B flat<\/td>\nF-Ppo, MAM 973<\/td>\n[1818]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 61<\/td>\nPiano Piece in b<\/td>\nD-Private collection<\/td>\n\u201cden 18ten Februar 1821\u201d<\/td>\ntall , 10 st.<\/td>\nFrimmel\/Beethoven [p. 62]<\/td>\n<\/tr>\n
WoO 61a<\/td>\nPiano Piece in g<\/td>\nSyracuse NY, L. Krasner [lost?] [formerly owned by Diabelli]<\/td>\n[1825]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 62<\/td>\nString Quintet in C<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 63<\/td>\nDressler Variations (9)<\/td>\n<\/td>\n[1782]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 64<\/td>\nEasy Variation (6) for piano or harp\u00a0\u00a0 c. 1790<\/td>\nD-BNba, Slg. H. C. Bodmer, Mh 3<\/td>\n[1790-1792]<\/td>\nwide, 10 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 65<\/td>\nRighini Variations (24)<\/td>\n<\/td>\n[1790]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 66<\/td>\nVariations for Piano (13) on Dittersdorf Arietta<\/td>\n<\/td>\n[1792]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 67<\/td>\nVariations (13) on Theme by Waldstein for piano duet<\/td>\nF-Pc (in: Pn), Ms 27<\/td>\n[1790-1792]<\/td>\nwide, 12 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 68<\/td>\nVariations (12) on Haibel Menuet<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 69<\/td>\nVariations (9) on Paisiello Theme<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 70<\/td>\nVariations (6) on Paisiello Theme<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 71<\/td>\nVariations (13) on Wranitsky ballet Theme<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 72<\/td>\nVariations (8) on Gr\u00e9try Theme<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 73<\/td>\nVariations (10) on Salieri Theme<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 74<\/td>\nIch denke dein<\/em>, song and variations (6)<\/td>\nBerlin, Grasnick 23<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 75<\/td>\n7 Variations on a Peter von Winter Theme<\/td>\nGB-Lbl, Add. Ms. 29997, f. 8v<\/td>\n<\/td>\nwide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 76<\/td>\nVariations (6) on S\u00fcssmayr Theme<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 77<\/td>\nVariations (6). on orginal theme<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 78<\/td>\nVariations (7) on \u2018God Save the King\u2019<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 79<\/td>\nVariations (5) on \u2018Rule Britannia\u2019<\/td>\nD-B, Mus. ms. autogr. Beethoven Landsberg 12, p. 59<\/td>\n[1802]<\/td>\nwide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 80<\/td>\nVariations (32) in c<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 81<\/td>\nAllemande for piano in A<\/td>\nD-BNba, BH 114, f. <\/strong>1r.<\/td>\n[1793]<\/td>\nwide, 16 st.<\/td>\n1) Online <\/a>2) Schmitz\/Skizzen<\/td>\n<\/tr>\n
WoO 82<\/td>\nMenuet for piano inE-flat<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 83<\/td>\nEcossaises (6) for piano<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 84<\/td>\nWaltz for Piano in E-flat<\/td>\n1) D-BNba, Slg. H. C. Bodmer, HCB Mh’24, f. 1 2) D-B, Mus. ms. autagr. Beethoven 57<\/td>\n1) \u201cam 21ten Novemb. 1824\u201d<\/td>\n1) wide, 8 st. 2) wide, 8 st.<\/td>\n1) Online<\/a><\/td>\n<\/tr>\n
WoO 85<\/td>\nWaltz for Piano in D<\/td>\nD-BNba, Slg. H. C. Bodmer, HCB Mh 24, f. 2r<\/td>\n\u201cam 14ten Novemb. 1825\u201d<\/td>\nwide, 10 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 86<\/td>\nEcossaise f for Piano in E-flat<\/td>\nD-BNba, Slg. H. C. Bodmer, HCB Mh 24, f. 2v<\/td>\n\u201cam 14ten Novemb. 1825\u201d<\/td>\nwide, 10 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 87<\/td>\nCantata for Joseph II’s death<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 88<\/td>\nCantata for Leopold II<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 89<\/td>\nPr\u00fcfung des Kussens Aria<\/td>\nD-B, Mus. ms. autogr. Beethoven Grasnick 30<\/td>\n[1791\/92]<\/td>\nwide, 10 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 90<\/td>\nMit M\u00e4deln sich vertragen<\/em> Aria<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 172\/1<\/td>\n[perhaps Summer\/ Fall 1792]<\/td>\nwide, 15 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 91<\/td>\nArias (2) for Umlauf Singspiel<\/td>\nD-B, Mus. ms. autogr. Beethoven28 (“Fischhof\u201d), f. 39 [No. 2 (mm. 42-51)]<\/td>\n[1795]<\/td>\nwide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 92<\/td>\nPrimo Amore<\/em> Scene + Aria<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 167\/1 (Mus. ms. 1248\/15)<\/td>\n[1791\/92]<\/td>\nwide, 12 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 92a<\/td>\nNon, non turbati Se<\/em> + Aria (Metastasio)<\/td>\n1) D-B, Mus. ms. autogr. Beethoven Artaria 165\/1 2) A-Wgm, A 34 (“Ke\u00dfler”), f. 12v-14v.<\/td>\n1) [1801102]2) [1801]<\/td>\n1) wide, 12 st. 2) wide, 16 st.<\/td>\n2) Brandenburg\/Ke\u00dfler.<\/td>\n<\/tr>\n
WoO 93<\/td>\nNei giorni tuoi felici<\/em><\/td>\n1) US-STum, MLM 49 (SV 371) [14 mm.] 2) D-B, Mus. ms. autogr. Beethoven Artaria 168\/1<\/td>\n2) [Spring 1803]<\/td>\n1) wide, 16 st. 2) wide, 12 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 94<\/td>\nGermania<\/em> from Treitschkes Singspiel<\/td>\n1) D-BNba, BH 73 [mm. 38-54] 2) A-Wgm, A 28 [m. 55 to end]<\/td>\n1) [March 1814]2) [March 1814]<\/td>\n1) wide, 18 st. 2) wide, 18 st<\/td>\n1) Online<\/a><\/td>\n<\/tr>\n
WoO 95<\/td>\nChorus for Princes (Congress of Vienna)<\/td>\nA-Wgm, A 4<\/td>\n\u201c1814 am 30ten[sic] September\u201d<\/td>\ntall, 18 + 20 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 96<\/td>\nMarch for Leonore Prohaska<\/em><\/td>\n1) D-BNba, Slg. H. C. Bodmer, HCB Mh 37 2) A-Wgm, A 72, p. 2 3) Private Collection 4) F-Pc (in: Pn), Ms 32<\/td>\n1) [Spring 1815] 2) [Spring 1815] 3) 4) [[Spring 1815]<\/td>\n1) wide, 14 st.2) wide, 14 st. 3) wide, 14 st. 4) wide, 14 st.<\/td>\n1) Online <\/a>4) Online<\/a><\/td>\n<\/tr>\n
WoO 97<\/td>\nEs ist vollbracht<\/em> Aria<\/td>\nD-B, Mus. ms. autogr. Beethoven Grasnick 17<\/td>\n[June 1815]<\/td>\nwide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 98<\/td>\nChorus from Weihe des Hauses<\/td>\nD-B, Mus. ms. autogr. Beethoven Grasnick 16<\/td>\n[September 1822]<\/td>\nwide, 20 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 99<\/td>\nItalian part-songs (15)<\/td>\n1) D-B, Mus. ms. autogr. Beethoven futaria 166a [No. 1-5, and 7-13] 2) A-Wgm, A 75 III [No. 3-5] 3) A-Wgm, A 73 [No. 5c] 4) S-Smf, MMS 278 [No. 6] 5) A-Wgm, A 79 [No. 11] 6) A-Wgm, A 69 [No. 12, and 13]<\/td>\n1) [1801 – start 1802]<\/td>\n1) wide, 12 + 16st.) wide, 16 st. 3) wide, 12 st. 4) wide, 16 st. 5) wide, 12 st. 6) wide, 16 st<\/td>\n1) Ronge NGA XIII\/I 2) Hess, between p. 64 and 65, RongeNGA XIII\/I (partial) 5) Ronge NGA XIII\/I 6) Ronge NGA XIII\/I<\/td>\n<\/tr>\n
WoO 100<\/td>\nLof auf den Dicken<\/em><\/td>\nD-BNba, BH 61, f. 26v<\/td>\n<\/td>\nwide, 8 st.<\/td>\n1) Frohlich\/Op28 2) Online<\/a><\/td>\n<\/tr>\n
WoO 101<\/td>\nGraf, Graf<\/em><\/td>\nA-Wn, 7\/2-15 [In letter to Zmeskall]<\/td>\n[presumably November 1802]<\/td>\n<\/td>\nFis\u0161man\/Briefe Bd. 1 Tafel XVI<\/td>\n<\/tr>\n
WoO 102<\/td>\nAbschiedsgesang<\/em><\/td>\nF-Pc (in: Pn), Ms 22<\/td>\n<\/td>\ntall, 20 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 103<\/td>\nUn lieto brindisi<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 104<\/td>\nGesang der M\u00f6nche<\/em> (Schiller)<\/td>\nF-Private Collection\/Mus\u00e9e des lettres et manuscrits, Paris, 2 f.<\/td>\n\u201c1817 am 3ten May\u201d<\/td>\nwide, 10 st.<\/td>\nStargardt-Katalog 667, p. 251 (partial)<\/td>\n<\/tr>\n
WoO 105<\/td>\nHochzeitslied<\/em> (2 versions)<\/td>\n1) D-DS, Mus. ms. 973 [Version 1] 2) GB-Lcm, Manuscript Collection Nr. 4222 [Version 2]<\/td>\n1) \u201cam 14tenJenner1819\u201d<\/td>\n1) wide, 16 st.2) tall, 16 st.<\/td>\n1) Hitzig\/Breitkopf after p. 62)<\/td>\n<\/tr>\n
WoO 106<\/td>\nLobkowitz Cantata<\/em><\/td>\nAutograph whereabouts unknown<\/td>\n[12 April 1823]<\/td>\n<\/td>\n0ldman\/Friendship p. 335.<\/td>\n<\/tr>\n
WoO 107<\/td>\nSchilderung eines M\u00e4dchens<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 108<\/td>\nAn einen S\u00e4ugling<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 109<\/td>\nTrinklied<\/em><\/td>\nGB-Lbl, Add. Ms. 29801 (“Kafka”), f. 107v-l08v<\/td>\n[1791\/92]<\/td>\nwide, 12 st.<\/td>\nKerman\/Kafka<\/td>\n<\/tr>\n
WoO 110<\/td>\nElegie auf den Tod eines Pudels<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 111<\/td>\nPunschlied<\/em><\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 171<\/td>\n[1791\/92]<\/td>\nwide, 12 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 112<\/td>\nAn Laura<\/em><\/td>\nD-BNba, BH 78<\/td>\n<\/td>\nwide, 8 st.<\/td>\n1) Online <\/a>2) Schiedermair\/Beethoven<\/td>\n<\/tr>\n
WoO 113<\/td>\nKlage<\/em><\/td>\n1) A-Wgm, A 9 [Version 1] 2) A-Wgm, A 66 [Version 2 (without text)]<\/td>\n1) [beginning 1790] 2) [1790]<\/td>\n1) wide, 12 st. 2) wide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 114<\/td>\nSelbstgespr\u00e4ch<\/em><\/td>\nD-B, Mus. ms. autagr. Beethoven Grasnick 28<\/td>\n[probably 1793]<\/td>\nwide, 14 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 115<\/td>\nAn Minna<\/em> (unfinished)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 116<\/td>\nQue le temps me dure<\/em> (unfinished.)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 117<\/td>\nDer freie Mann<\/em><\/td>\n1) GB-Lbl, Add. Ms. 29801 (“Kafka”), f. 61r. [Version 1] 2) GB-Lbl, Add. Ms. 29801 (“Kafka”), f. 62r [Version 2]<\/td>\n1) [1792] 2) [probably 1794]<\/td>\n1) wide, 16 st. 2) wide, 16 st.<\/td>\n1) Kerman\/Kafka 2) Kerman\/Kafka<\/td>\n<\/tr>\n
WoO 118<\/td>\nSeufzer eines Ungeliebten & Gegenliebe<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 119<\/td>\nO care selve<\/em><\/td>\n1) GB-Lbl, Add. Ms. 29801 (“Kafka”), f. 62v 2) A-Wgm, A 75 II, B\u00fcndel 9\/a, f. 40.2v [mm. 1-3]<\/td>\n1) [1794\/95] 2) [1794\/95]<\/td>\n1) wide, 16 st. 2) wide, 16 st.<\/td>\n1) Kerman\/Kafka<\/td>\n<\/tr>\n
WoO 120<\/td>\nMan strebt, die Flamme zu verhehlen<\/em><\/td>\nA-Wgm, A 8<\/td>\n[1800 or 1801]<\/td>\nwide, 12 st<\/td>\n<\/td>\n<\/tr>\n
WoO 121<\/td>\nAbschiedsgesang an Wiens B\u00fcrger<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 122<\/td>\nKriegslied der Osterreicher<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 123<\/td>\nZ\u00e4rtliche Liebe<\/em><\/td>\nA-Wgm, A 13<\/td>\n[possibly 1795]<\/td>\nwide, 16 st<\/td>\nFranz Schubert, Thematisches Verzeichnis<\/em> … 1978 [p. 329]<\/td>\n<\/tr>\n
WoO 124<\/td>\nLa partenza<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 125<\/td>\nLa tiranna<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 126<\/td>\nOpferlied<\/em><\/td>\nD-B, Mus. ms. autogr. Beethoven Grasnick 8<\/td>\n[end 1794 or beginning 1795]<\/td>\nwide, 16 st<\/td>\n<\/td>\n<\/tr>\n
WoO 127<\/td>\nNeue Liebe, neues Leben<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 128<\/td>\nPlaisir d\u2019aimer<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 129<\/td>\nDer Wachtelschlag<\/em><\/td>\nD-BNba, Slg. H. C. Bodmer, HCB Mh 32<\/td>\n\u201c1803\u201d<\/td>\nwide, 12 st<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 130<\/td>\nGedenke mein<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 131<\/td>\n Erlk\u00f6nig<\/em> (unfinished)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 132<\/td>\nAls die Geliebte sich trennen wollte<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 133<\/td>\nIn questa tomba oscura<\/em><\/td>\n1) US-STum, MLM 39 [Version 1] 2) US-NYpm, Morgan Collection, B4155.I58 [Version 2]<\/td>\n1) [Summer or Fall 1806] 2) [Summer or Fall 1807]<\/td>\n1) wide, 12 st. 2) wide, 16 st<\/td>\n1) Stanford\/Online 2) Stargardt-Katalog 560, Table 10<\/td>\n<\/tr>\n
WoO 134<\/td>\nSehnsucht<\/em><\/td>\nD-BNba, Slg. H. C. Bodmer, HCB Mh 33<\/td>\n[March 1808]<\/td>\nwide, 16 st.<\/td>\n1) Online <\/a>2) L\u00fchning\/WoOl34<\/td>\n<\/tr>\n
WoO 135<\/td>\nDie laute Klage<\/em><\/td>\n1) D-B, Mus. ms. autogr. Beethoven Grasnick 6 2) A-Wgm, A 12138<\/td>\n1) [end 1814 or Spring 1815] 2) [end 1814 or Spring 1815]<\/td>\n1) tall, 2 x 10 st. 2) tall, 2 x 10 st<\/td>\n1) L\u00fchning\/NGA XII\/I KB p. 116<\/td>\n<\/tr>\n
WoO 136<\/td>\nAndenken<\/em><\/td>\nCH-CObodmer<\/td>\n[Fall 1808]<\/td>\nwide, 14 st.<\/td>\nStargardt-Katalog 558, Table 19<\/td>\n<\/tr>\n
WoO 137<\/td>\nLied aus der Ferne<\/em><\/td>\nGB-Lbl, Add. Ms. 47852, f. 5-11<\/td>\n<\/td>\nwide, 12 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 138<\/td>\nDer J\u00fcngling in der Fremde<\/em><\/td>\nUS-Wc, Whittall Foundation, ML30.8b.B4 J8 1809<\/td>\n\u201c1809\u201d<\/td>\nwide, 12 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 139<\/td>\nDer Liebende<\/em><\/td>\n1) GB-Lbl, Add. Ms. 47852, f. 13 2) D-B, Mus. ms. autogr. Beethoven Artaria 173, f. 1-2.<\/td>\n<\/td>\n1) wide, 10 st. 2) wide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 140<\/td>\nAn die Geliebte<\/em><\/td>\n1) F-Pc (in: Pn), Ms 31 \u00a0 [version 1] 2) A-Wgm, A 10 [version 2]<\/td>\n1) \u201cDecember 1811\u201d 2) 1811 im december<\/td>\n1) wide, 12 st. 2) wide, 12 st.<\/td>\n1) Online<\/a><\/td>\n<\/tr>\n
WoO 141<\/td>\nDer Gesang der Nachtigall<\/em><\/td>\nD-B, Mus. ms. autogr. Beethoven Grasnick 7<\/td>\n\u201cam 3ten Juni 1813\u201d<\/td>\ntall, 20 st.<\/td>\nL\u00fchning\/NGA XII\/I KB [p. 96]<\/td>\n<\/tr>\n
WoO 142<\/td>\nDer Bardengeist<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 143<\/td>\nDes Kriegers Abschied<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 144<\/td>\nMerkenstein<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 145<\/td>\nDas Geheimnis<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 146<\/td>\nSehnsucht<\/em><\/td>\nD-B, Mus. ms. autogr. Beethoven Grasnick 18<\/td>\n[end of 1815 or beginning 1816]<\/td>\nwide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 147<\/td>\nRuf vom Berge<\/em><\/td>\n1) D-BNba, NE 34 [Melody and text Only] 2) F-Private Collection\/ Mus\u00e9e des lettres et manuscrits, Paris<\/td>\n1) [end 1816] 2) ,,13ten WinterMonath 1816\u201d<\/td>\n1) wide, 2 st. 2) wide, 9 st.<\/td>\n1) Online <\/a>2) Sotheby’s Catalog 7.12.2004 [p. 22f.]<\/td>\n<\/tr>\n
WoO 148<\/td>\nSo oder so<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 149<\/td>\nResignation<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 150<\/td>\nAbendlied unter\u2019m gestirnten Himmel<\/em><\/td>\nA-Wn, Mus. Hs. 15514<\/td>\n\u201cam 4ten M\u00e4rz 1820\u201d<\/td>\ntall, 20 st.<\/td>\nErnst B\u00fccken, Ludwig van Beethoven<\/em>, Potsdam 1934, Tafel VI<\/td>\n<\/tr>\n
WoO 151<\/td>\nDer edle Mensch sei h\u00fclfreich und gut<\/em><\/td>\nA-Wgm, A 14<\/td>\n\u201cam 20ten jenner 1823\u201d<\/td>\ntall, 10 st.<\/td>\nDeutsch\/WoO 151<\/td>\n<\/tr>\n
WoO 152<\/td>\nIrish Songs (25)<\/td>\n1) D-B, Mus. ms. autogr. BeethoyenArtaria 187, p. 12-14, 16-18 , and 35-44 [No. 1, 5 (version 1), 8, 14, 17, and 20) 2) D-B, Mus. ms. autogr. Beethoven 29\/3,f. 3r-5v [No. 3, 6, 12, and 26 (from m. 17)] 3) D-B, Mus. ms. autogr. Beethoven 29\/2, Heft 10, f. 93v-95r. [No. 5 (Version 2)] 4) D-B, Mus. ms. autogr. Beethoven 199 [No. 10 (mm. 1-20)] 5) D-B, Mus. ms. autogr. Beethoven 29\/2, Heft 9, f. 90-91 [No. 10 (last 3 measures), and 21] 6) F-Pc (in: Pn), Ms 24, p. 1-3, 5-18 [No. 11, 13, 19,22 (Version 1), 24,and 25 (Version 1)] 7) D-B, Mus. ms. autogr. Beethoven Artaria 190, p. 27-33 [No. 22 , 25 [both Version 2])<\/td>\n1) [1810] 2) [1810] 3) [1813] 4) [1812] 5) [1812] 6) [1812] 7) [1813]<\/td>\n1) wide, 12 + 14 st. 2) wide, 14 + 15 st. 3) wide, 16 st. 4) wide, 16 st. 5) wide, 16 st.6) tall, 18 + 19 st. 7) tall, 18 st.<\/td>\n1) Online <\/a>6) Online <\/a>7) Online<\/a><\/td>\n<\/tr>\n
WoO 153<\/td>\nIrish Songs (20)<\/td>\n1) D-B, Mus. ms. autogr. Beethoven Artaria 190, p. 1-18, 23-27, 34-55, 59-84 [No. 30 (Version 2 end), 31, 33, 35, 36, 39, 40 (Version 1), 42, 45, 46, 48 (Version 2), 50, 52-56, 58, and 59] 2) GB-Private Collection William Zachs, p. 1-5 [No. 32] 3) D-B, Mus. ms. autogr. Beethoven 29\/2, Heft 6, f. 68r-75v [No. 34, 37, 43, and 51] 4) D-B, Mus. ms. autogr. Beethoven Artaria 187, p. 14f [No. 38] 5) F-Pc (in: Pn), Ms 24, p. 4, 7a, 8a, 19-23, 28-31 [No. 40 (alternate version), 48 (Version 2), and 57] 6) D-B, Mus. ms. autogr. Beethoven 29\/3, <\/em>f. 6 7) D-B, Mus. ms. alltogr. Beethoven 29\/2, <\/em>Heft 10, f. 95v-96v [No. 41 (Version 2)] 8) D-B, Mus. ms. autogr. Beethoven 29\/2, <\/em>Heft 2, f. 26r-28r. [No. 44]<\/td>\n1) [1813] 2) [May 1815] 3) \u201cMay 1815\u201d 4) [1810] 5) [1812\/3] 6) [1910] 7) [1813] 8) \u201c1815 \/ <\/em>den 23ten Weinmonath\u201d<\/td>\n1) tall, 18 st. 2) wide, 12 st. 3) wide, 12 + 16 st. 4) wide, 14 st. 5) tall, 18 st. 6) wide, 14 st. 7) wide 16 st., tall, 18 st. 8) wide, 12 st.<\/td>\n1) Online <\/a>3) Christie’s Catalogue, 30.11.2005, title page 4) Online <\/a>5) Online<\/a><\/td>\n<\/tr>\n
WoO 154<\/td>\nIrish Songs (12)<\/td>\n1) D-B, Mus. ms. alltogr. Beethoven Artaria 190, p. 19-22 [No. 61-2] 2) D-B, Mus. ms. autogI. Beethoven 29\/2, Heft 2, f. 28v-30r. [No. 63]<\/td>\n1) [1813] 2) \u201c1815 den 23ten Weinmonath\u201d<\/td>\n1) tall, 18 st. 2) wide, 12 st.<\/td>\n2) Online<\/a><\/td>\n<\/tr>\n
WoO 155<\/td>\nWelsh songs (26)<\/td>\n1) D-B, Mus. ms. autogr. Beethoven Artaria 187, p. 1-8, 10-12, 19f , 31-34 [No. 1,2,6,9, 11, 16 , and 20 (Version 1)] 2) D-B, Mus. ms. autogr. Beethoven 29\/3, f. 7r-l0v [No. 5 (mm. 1-12), 13, 17, 23 (mm. 1-22)] 3) F-Pc (in: Pn), Ms 24, p. 24-27 [No. 15] 4) D-B, Mus. ms. autogr. Beethoven 29\/2, Heft 10, f. 92r-93r [No. 20 (Version 2)] 5) GB-Private Collection William Zachs, p. 10-13 [No. 25]<\/td>\n1) [1810] 2) [1810] 3) [1813]4) [1813] 5) [1813]<\/td>\n1) wide, 14 + 16 st. 2) wide, 15 st. 3) tall, 18 st. 4) wide 16 st. 5) wide, 12 st.<\/td>\n1) Online <\/a>3) Online<\/a><\/td>\n<\/tr>\n
WoO 156<\/td>\nScottish Songs (12)<\/td>\n1) D-B, Mus. ms. autogr. Beethoven Artaria 187, p 8f [No. 1) 2) D-B, Mus. ms. autogr. Beethoven 29\/2, Heft 6, f. 66-67 [No. 2] 3) GB-Private Collection William Zachs, p. 6-9, 13-17 [No. 3, and 4] 4) D-BNba, Slg. H. C. Bodmer, HCB Mh 36 [No. 5 (mm. 1-6)] 5) D-B, Mus. ms. autogr. Beethoven 29\/2, Heft 3, f. 40r-41r, 44r-45r, 48r-50r [No. 5 (mm. 7 to end), 6, and 7] 6) D-B, Mus. ms. autogr. Beethoven 29\/2, Heft 5, f. 62-65 [No. 16] 7) D-B, Mus. ms. autogr. Beethoven 29\/2, Heft 1, f. 2r-17r. [No. 17-9] 8) D-B, Mus. ms. autogr. Beethoven 29\/3, f. 13r-16v [No. 20, 21 (mm. 1-52)]<\/td>\n1) [1810] 2) \u201cMay 1815\u201d 3) [May 1815] 4) [February 1817] 5) [February 1817] 6) [February 1819] 7) [May 1819] 8) [1820]<\/td>\n1) wide, 14 st. 2) wide 16 st. 3) wide, 12 st. 4) wide, 14 st. 5) wide 16 st. 6) wide 16 st. 7) wide 10 st. 8) wide 16 st.<\/td>\n1) Online <\/a>3) Christie’s catalogue, 30.11.2005, p. 6. (No. 3) 5) Online<\/a><\/td>\n<\/tr>\n
WoO 157<\/td>\nAssorted Folk Songs (12)<\/td>\n1) D-B, Mus. ms. autogr. Beethoven Grasnick 20a, f. 10 [No. 1 (mm. 1-13)] 2) D-B, Mus. ms. autogr. Beethoven 29\/2, <\/em>Heft 13, f. 115v-118v, 125r-127r. [No. 1-3] 3) D-B, Mus. ms. autogr. Beethoven 29\/2, <\/em>Heft 1, f. 17v-23r [No. 4]<\/td>\n1) 2) [January 1817]3) [May 1819]<\/td>\n1) wide, 12 st. 2) wide, 12 st. 3) wide, 10 st.<\/td>\n1) Online<\/a><\/td>\n<\/tr>\n
WoO 158<\/td>\nVarious Folk Songs (36)<\/td>\n1) D-B, Mus. <\/em>ms. alltogr. Beethoven 29\/2, Heft 3, f. 50v-53r. [No. 1, 26] 2) D-B, Mus. ms. autogr. Beethoven 29\/2,Heft 11, f. 97r-l05v [No. 2, 3, 11, 12, 18, and 27] 3) D-B, Mus. ms. autogr. Beethoven 29\/2, Heft 12, f. 106-113 [No. 4, 13-15, and 19-21] 4) D-B, Mus. ms. autogr. Beethoven Artaria 188 [No. 5 [inc], 6, 9,10, and 23] 5) D-BNba, BH 118 \u00a0 [No. 7 (inc), 17, and 22 (inc.)] 6) D-B, Mus. ms. autogr. Beethoven 29\/3, f. 11 [No. 8 (inc.), 22 (inc.)] 7) J-Tn [No. 15 (mm. 1-15)] 8) RUS-SPsc, F. 991, NI. 101, p. 16-18 [No. 16] 9) D-BNba, BH 79 [No. 19 (mm. 26-30), and 20] 10) D-B, Mus. ms. autogr. Beethoven 29\/2, Heft 13, f. 120v124v. [No. 24-5] 11) Antiquariat Lion Heart, New York [No. 25 (mm.. 7-9)] 12) D-BNba, Slg. H. C. Bodmer, HCB Br 227 [No. 28-9]<\/td>\n1) [February 1817] 2) [1816] 3) [1816] 4) [1816] 5) 6) [1810] 7) 8) \u201cim Monath M\u00e4rz 1816\u201d 9) [1816] 10) [1817] 11) 12)<\/td>\n1) wide 16 st .2) wide 10 +16 st. 3) wide 10 +14 st. 4) tall, 20 st. 5) wide 16 st. 6) wide 16 st. 7) wide 16 st. 8) wide, 10 st. 9) wide 16 st. 10) wide, 12 st. 11) 12) tall, 8 st.<\/td>\n5) Online <\/a>9) Online<\/a><\/td>\n<\/tr>\n
WoO 159<\/td>\nIm Arm der Liebe ruht sich\u2019s wohl<\/em><\/td>\nA-Wgm, A 75 II, B\u00fcndel 9b, Bi. 48.1v-2v.<\/td>\n<\/td>\nwide 16 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 160<\/td>\nCanons (2)<\/td>\nWgm, A 75 II, B\u00fcndel 9b, BI. 47.2.<\/td>\n<\/td>\nwide 16 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 161<\/td>\nEwig dein<\/em><\/td>\nD-BNba, Slg. H. C. Bodmer, HCB Mh 40<\/td>\n<\/td>\nwide 3 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 162<\/td>\nTa ta ta, lieber M\u00e4lzel<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 163<\/td>\nKurz ist der Schmerz<\/em><\/td>\nUS-Private Collection<\/td>\n\u201cam 23ten November1813\u201d<\/td>\nwide 3 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 164<\/td>\nFreundschaft ist die Quelle wahrer Gl\u00fcckseligkeit<\/em><\/td>\nD-BNba, Slg. H. C. Bodmer, HCB BMh 13\/53<\/td>\n\u201c1814 am 20ten September\u201d<\/td>\nwide 3 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 165<\/td>\nGl\u00fcck zum neuen Jahr!<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 166<\/td>\nKurz ist der Schmerz<\/em><\/td>\nGB-Lbl, Slg. Zweig, MS 11<\/td>\n\u201cam 3tenM\u00e4rz 1815\u201d<\/td>\n<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 167<\/td>\nBrauchle, Linke<\/em><\/td>\nD-B, Mus. ms. autogr. Beethoven Landsberg 3.<\/td>\n<\/td>\ntall, 10 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 168<\/td>\nDas Schweigen & Das Reden<\/em><\/td>\nA-Wgm, A 18<\/td>\n[January 24, 1816]<\/td>\nwide 4 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 169<\/td>\nIch k\u00fc\u00dfe Sie, dr\u00fccke Sie an mein Herz<\/em><\/td>\nPL-Kj, Slg. Varnhagen 27<\/td>\n\u201cam 6ten jenner 1816\u201d<\/td>\n<\/td>\nBernhard Bartels, Beethoven,<\/em> Hildesheim [1927], Anhang.<\/td>\n<\/tr>\n
WoO 170<\/td>\nArs longa, vita brevis<\/em><\/td>\n<\/td>\n4 April 1816<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 171<\/td>\nGl\u00fcck fehl\u2019 dir vor allem!<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 172<\/td>\nIch bitt\u2019 dich, schreib\u2019 mir die Es-Scala auf<\/em><\/td>\nUnknown Private Collection<\/td>\n<\/td>\nwide, 5 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 173<\/td>\nHol\u2019 euch der Teufel! B\u2019h\u00fct euch Gott!<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 174<\/td>\nGlaube und hoffe<\/em><\/td>\nD-BNba, Slg. H. C. Bodmer, HCB BSk 17\/65b<\/td>\n\u201c”am 21 tenSept. 1819\u201d<\/td>\nwide, 7 st.<\/td>\nOnlin<\/a>e Marx\/Beethoven1863 Beilage E.<\/td>\n<\/tr>\n
WoO 175<\/td>\nSankt Petrus war ein Fels\/ Bernardus war ein Sankt<\/em><\/td>\nD-BNba, NE 312<\/td>\n[perhaps February 1820]<\/td>\n<\/td>\nOnline <\/a>Ladenburger\/WoO 175<\/td>\n<\/tr>\n
WoO 176<\/td>\nGl\u00fcck zum neuen Jahr!<\/em><\/td>\nF-Pc (in: Pn), Ms 37<\/td>\n\u201cVien 1819 am lezten Decemb.\u201d<\/td>\nwide, 4 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 177<\/td>\nBester Magistrat, Ihr friert;<\/em><\/td>\nD-BNba, Slg. H. C. Bodmer, HCB Mh 38<\/td>\n<\/td>\nwide, 6 st.<\/td>\nOnline <\/a>Henrici-Katalog 132<\/td>\n<\/tr>\n
WoO 178<\/td>\nSignor Abate<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 179<\/td>\nSeiner Kaiserlichen Hoheit…alles Gute, alles Sch\u00f6ne<\/em><\/td>\nA-Wgm, A 17<\/td>\n\u201cam 1sten jenner 1820.\u201d<\/td>\nwide, 4 st.<\/td>\nSchmidt-G\u00f6rg\/Beethoven [p. 194]<\/td>\n<\/tr>\n
WoO 180<\/td>\nHoffmann, sei ja kein Hofmann<\/em><\/td>\nPrivate Collection<\/td>\n<\/td>\nwide, 7 st.<\/td>\nafter BGA 1372<\/td>\n<\/tr>\n
WoO 181<\/td>\nCanons (3)<\/td>\nD-B, Mus. ms. autagr. Beethoven Artaria 205\/6a,, p. 12f.<\/td>\n[Spring\/Summer 1822]<\/td>\nwide, 7 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 182<\/td>\nO Tobias!<\/em><\/td>\nD-BNba, BH 23, BI. 1v-2<\/td>\n[September 10, 1821]<\/td>\ntall, 2 x 3 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 183<\/td>\nBester Herr Graf, Sie sind ein Schaf<\/em><\/td>\nD-B, Mus. ms. autagr. Beethoven 35\/35<\/td>\n[February 10, 1823 – note from Schindler]<\/td>\nwide, 5 st.<\/td>\nSchindler\/Memorabilien.<\/td>\n<\/tr>\n
WoO 184<\/td>\nFalstafferel, lass dich sehen!<\/em><\/td>\nCH-Bu, Slg. Geigy-Hagenbach Nr. 1667<\/td>\n\u201cam 26ten April 1823\u201d<\/td>\n5 st.<\/td>\nBekker\/Beethoven \u00a0 plates, p. 22<\/td>\n<\/tr>\n
WoO 185<\/td>\nEdel sei der Mensch, h\u00fclfreich und gut<\/em><\/td>\n1) D-BNba, Slg. H. C. Bodmer, HCB Mh 39 2) D-AD, Autographen-Sammlung LAF B6<\/td>\n1)[May 6, 1823] 2) \u201cam 6-ten May 1823\u201d<\/td>\n1) wide, 12 st.2) wide, 7 st.<\/td>\n1) Online <\/a>2) Pessenlehner\/Hessen p. 198f<\/td>\n<\/tr>\n
WoO 186<\/td>\nTe solo adoro<\/em><\/td>\n1) PL-Kc 2) A-Wgm, A 5O, p. 21<\/td>\n1) \u201cal 2do junio 1824\u201d 2) [end of May\/ early June 1824]<\/td>\n1) wide, 2 st. 2) wide, 16 st.<\/td>\n1) Anderson\/Letters Vol.. 2 before p. 753; Osthoff\/Wo0186 S. 211<\/td>\n<\/tr>\n
WoO 187<\/td>\nSchwenke dich ohne Schw\u00e4nke!<\/em><\/td>\nPrivate Collection<\/td>\n[November 17, 1824]<\/td>\nwide, 7 st.<\/td>\nafter BGA 1925<\/td>\n<\/tr>\n
WoO 188<\/td>\nGott ist eine feste Burg<\/em><\/td>\nCH-Bps, Slg. Rudolf Grumbacher, Referenz-Nr. 467<\/td>\n\u201cWien am \/ 12ten J\u00e4nner \/ 1825\u201d<\/td>\nwide, 1 st.<\/td>\nStargardt-Katalog 618, p. 209. – Bekker\/BeethovenPlates, p.. 131<\/td>\n<\/tr>\n
WoO 189<\/td>\nDoktor, sperrt das Tor dem Tod<\/em><\/td>\nA-Wgm, A 16<\/td>\n\u201cam 11ten May 1825\u201d<\/td>\ntall, 4 st.<\/td>\nDer Wiener Telegraph. Conversationsblatt f\u00fcr Kunst, Literatur, geselligesLeben, Theater, Tagesbegebenheiten und Industrie<\/em> 3 (1838), Nr. 2. Schmidt-G\u00f6rg\/Beethoven S. 30.<\/td>\n<\/tr>\n
WoO 190<\/td>\nIch war hier, Doktor, ich war hier<\/em><\/td>\nLeipzig (Private Collection) (damaged in war)<\/td>\n\u201cam 4ten jun.\u201d<\/td>\nwide, 1 st.<\/td>\nM. Breslauer, Berlin (Katalog 21, 29.\/30.4.1912, Los 424). – Willy Hess, “Der unbekannte Beethoven. VI. Lieder, Kanons,” in:\u00a0 <\/em>12.7.1952. – Stephan Ley, Aus Beethovens Erdentagen<\/em>, Bonn 1948 [p. 192]<\/td>\n<\/tr>\n
WoO 191<\/td>\nK\u00fchl, nicht lau<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 192<\/td>\nArs longa, vita brevis<\/em> (second version)<\/td>\nGB-Lbl, Add. Ms. <\/em>38069, f. 8<\/td>\n\u201cam16. September 1825″.\u201d<\/td>\n<\/td>\nCox\/Smart [after p. 124]<\/td>\n<\/tr>\n
WoO 193<\/td>\nArs longa, vita brevis<\/em> (third version)<\/td>\nUS-NYpm, B4155. T834, Heineman Music Collection.<\/td>\n<\/td>\nwide<\/td>\nHenrici-Katalog 120, Tafel Nr. 511<\/td>\n<\/tr>\n
WoO 194<\/td>\nSi non per portas, per muros<\/em><\/td>\n[lost in war]<\/td>\n[September 26, 1825]<\/td>\n<\/td>\nMarx\/Beethoven1859 Beilage C<\/td>\n<\/tr>\n
WoO 195<\/td>\nFreu dich des Lebens<\/em><\/td>\nCDN-On, Mus. 119<\/td>\n\u201cam 16ten Decemb.\/1825\u201d<\/td>\n<\/td>\nBekker\/Beethoven S. 131 der Abbildungen. – Lande\/Beethoven.<\/td>\n<\/tr>\n
WoO 196<\/td>\nEs mu\u00df sein!<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\nHolz\/WoO196 [before p. 133]<\/td>\n<\/tr>\n
WoO 197<\/td>\nDas ist das Werk, sorgt um das Geld!<\/em><\/td>\nUS-BApi, ML 96 B 415<\/td>\n[beginning of September 1826]<\/td>\nwide, 9 st.<\/td>\nOnline <\/a>Albrecht\/Discoveries [after p. 496]<\/td>\n<\/tr>\n
WoO 198<\/td>\nWir irren allesamt<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 199<\/td>\nIch bin der Herr von zu,Berlin,,<\/em><\/td>\nPL-Kj, Mus. ms. autogr. Beethoven Mend.-Stift. 6 (“Mendelssohn 6”), p. 5<\/td>\n[ca. September 1814]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 200<\/td>\nO Hoffnung<\/em><\/td>\nD-B, Mus. ms. autogr. Beethoven 52<\/td>\n[Spring 1818]<\/td>\nwide, 4 st.<\/td>\nKagan\/Rudolph [p. 70]<\/td>\n<\/tr>\n
WoO 201<\/td>\n Ich bin bereit<\/em><\/td>\nA-Wgm, A 84\/32<\/td>\n[after May 19, 1818]<\/td>\ntall<\/td>\n<\/td>\n<\/tr>\n
WoO 202<\/td>\nDas Sch\u00f6ne zum Guten<\/em><\/td>\nA-Wgm, A15<\/td>\n\u201cam 27ten Septemb.\u201d [1823]<\/td>\nwide<\/td>\nAugust G\u00f6llerich, Beethoven<\/em>, Berlin [1903], [after p. 48] (Die Musik I, hrsg. v. Richard Strauss).<\/td>\n<\/tr>\n
WoO 203<\/td>\nDas Sch\u00f6ne zu dem Guten<\/em> [second version]<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 204<\/td>\nHolz, Holz, geigt die Quartette so<\/em> [spurious]<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 205a<\/td>\nBaron, Baron<\/em><\/td>\nA-Wn, (7\/2-14)<\/td>\n[Spring 1798-Fall 1799]<\/td>\n<\/td>\nFi\u0161man\/Briefe Bd. 1 Tafel XIII<\/td>\n<\/tr>\n
WoO 205b<\/td>\nAllein, allein<\/em><\/td>\nD-Private Collection<\/td>\n“am 21ten September 1814\u201d<\/td>\nwide<\/td>\n<\/td>\n<\/tr>\n
WoO 205c<\/td>\nO Adjutant<\/em><\/td>\nD-BNba, Slg. H. C. Bodmer, HCB BBr 54<\/td>\n[between 9. and 23. January 1817]<\/td>\nwide<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 205e<\/td>\nErf\u00fcllung<\/em><\/td>\nRUS-SPil, Slg. A. F. Onegin, Signatur 28 659<\/sub><\/td>\n“am 3-ten Merz 1819\u201d\u201d<\/td>\nwide, 2 st.<\/td>\nSovetskaja muzyka<\/em> 24 (1960), Heft 12, p. 62<\/td>\n<\/tr>\n
WoO 205f<\/td>\nScheut euch nicht<\/em><\/td>\nD-BNba, Slg. H. C. Bodmer, HCB BBr 127<\/td>\n[1818-1822]<\/td>\nwide<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 205g<\/td>\nTobias! Paternosterg\u00e4\u00dfler<\/em><\/td>\nCH-Private Collection<\/td>\n[end of September 1824]<\/td>\nwide<\/td>\n<\/td>\n<\/tr>\n
WoO 205h<\/td>\nTobias, Tobias<\/em><\/td>\nPrivate Collection<\/td>\n[Spring 1825 or Spring 1826]<\/td>\nwide<\/td>\nStargardt-Katalog 620, S. 205 (f. 1r)<\/td>\n<\/tr>\n
WoO 205k<\/td>\nErster aller Tobiasse<\/em><\/td>\nRUS-SPsc, Sobranie inostrannych avtografov, Betchoven<\/td>\n\u201cam 13 Oct 1826\u201d<\/td>\n2 st.<\/td>\nSovetskaja muzyka 22 (1958), Heft 8 [p. 97f.]<\/td>\n<\/tr>\n
WoO 206<\/td>\nOboe Concerto in F<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 207<\/td>\nRomance cantabile for flute, bassoon, piano, and orchestra in e<\/td>\nGB-Lbl, Add. Ms. 29801 (“Kafka”), f. 74v-80v. [m. 1-57]<\/td>\n<\/td>\nwide, 16 st.<\/td>\nKerman\/Kafka<\/td>\n<\/tr>\n
WoO 208<\/td>\nQuintet for oboe, 3 horns, and bassoon in E flat<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 185 [inc.]<\/td>\n<\/td>\nwide, 12 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 209<\/td>\nMenuett for string quartet in A Flat<\/td>\n1) F-Pc (in: Pn), Ms 61 (SV 214). [menuet only] 2) GB-Lbl, Add. Ms. 29801 (“Kafka”), f. 47v [trio only]<\/td>\n<\/td>\n1) wide, 12 st. 2) wide, 16 st.<\/td>\n1) Online 2) Kerman\/Kafka<\/td>\n<\/tr>\n
Wo0 210<\/td>\nAllegretto for string quartet in b<\/td>\nCH-CObodmer<\/td>\n[November 28, 1817]<\/td>\nwide, 16 st.<\/td>\nRoe\/WoO210.<\/td>\n<\/tr>\n
WoO 211<\/td>\nAndante for Piano in C<\/td>\nA-Wst, MH 1844\/c, f. 2v<\/td>\n<\/td>\ntall, 24 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 212<\/td>\nAnglaise for Piano in D<\/td>\nD-BNba, BH 114, f. 2v.<\/td>\n<\/td>\nwide, 16 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 213<\/td>\nBagatelles (4)<\/td>\nD-BNba, BH 114, f. Iv, 2v.<\/td>\n[1793]<\/td>\nwide, 16 st.<\/td>\nOnline<\/td>\n<\/tr>\n
WoO 214<\/td>\nBagatelle in c<\/td>\nF-Pc (in: Pn), Ms 82 [m. 1-73, last 19 measures)<\/td>\n[end 1794]<\/td>\nwide, 16 st.<\/td>\nZanden\/lngharese [p. 124-130]<\/td>\n<\/tr>\n
WoO 215<\/td>\nThree-Voice Fugue for Piano in C<\/td>\nGB-Lbl, Add. Ms. 29801 (“Kafka”), f. 158r<\/td>\n[presumably 1795]<\/td>\nwide, 16 st.<\/td>\na) Cockshoot\/Fuge b)\u00a0 Kerman\/Kafka<\/td>\n<\/tr>\n
WoO 216<\/td>\nBagatelles (2)<\/td>\nD-B, Mus. ms. autogr. Landsberg 7, p. 63 and 66.<\/td>\n[Late Summer\/Fall 1800 to March 1801]<\/td>\nwide, 10st.<\/td>\n<\/td>\n<\/tr>\n
WoO 217<\/td>\nMenuett for Piano in F<\/td>\nD-BNba, NE 105<\/td>\n[1794]<\/td>\nwide, 16 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 218<\/td>\nMenuett for Piano in C<\/td>\nD-BNba, BH 121, f, 1r<\/td>\n[1794\/5, or 1793]<\/td>\nwide, 16 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 219<\/td>\nWaltz for Piano in c<\/td>\nD-BNba, Slg. H. C. Bodmer, HCB Mh 71, f. 2v<\/td>\n[March 1803]<\/td>\nwide, 16 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 220<\/td>\nKriegslied f\u00fcr die verb\u00fcndeten Heere<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 221<\/td>\nCanon: Herr Graf, ich komme zu fragen<\/em><\/td>\nD-BNba, Slg. H. C. Bodmer, HCB BSk 14\/62, f. 1r<\/td>\n[End 1796 or beginning 1797]<\/td>\nwide, 16 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
WoO 222<\/td>\nCanon<\/td>\nPL-Kj, Mus. ms. autogr. Landsberg 6 (“Eroica”), p. 118<\/td>\n[end 1803]<\/td>\nwide, 16 st.<\/td>\nLockwoodGosman\/Landsberg6<\/td>\n<\/tr>\n
WoO 223<\/td>\nCanon: Tut auf<\/em><\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 195, p. 75<\/td>\n[August\/September 1820]<\/td>\nwide, 16 st.<\/td>\nKinderman\/Artaria195<\/td>\n<\/tr>\n
WoO 224<\/td>\nCacatum non est pictum<\/em><\/td>\nGB-Lbl, Add. Ms. 29997 (SV 187), f. 10r.<\/td>\n[around 1820]<\/td>\nwide<\/td>\n<\/td>\n<\/tr>\n
WoO 225<\/td>\nGro\u00dfen Dank f\u00fcr solche Gnade<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
WoO 226<\/td>\nFettl\u00fcmmel, Bankert haben triumphiert<\/em><\/td>\nD-B, Mus. ms. autogr. Beethoven 35,87c<\/td>\n[1823]<\/td>\nwide, 16 st.<\/td>\nAfter BGA 1731<\/td>\n<\/tr>\n
WoO 227<\/td>\nEsel aller Esel<\/em><\/td>\nD-B, Mus. ms. autogr. Beethoven 24 \u00a0 “Kullak”), f. 51v.<\/td>\n[September to November 1826]<\/td>\nwide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
WoO 228a<\/td>\nAh Tobias<\/em><\/td>\nRUS-Mda, F. 1290, op. 8, No 231, 1.1-2<\/td>\n[possibly September 1, 1825]<\/td>\nwide<\/td>\nEdelmann\/Autographen [p. 78]<\/td>\n<\/tr>\n
WoO 228b<\/td>\nTobias<\/em><\/td>\nD-BNba, Slg. H. C. Bodmer, HcB Mh 99<\/td>\n[End 1824 \/ beginning 1825]<\/td>\nwide, 12 st.<\/td>\nOnline<\/a><\/td>\n<\/tr>\n
Unv 1<\/td>\nSymphony Movement<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Unv 2<\/td>\nSymphony\u00a0 “Nr. 0\u201d<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Unv 3<\/td>\nSymphony No. 10<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Unv 4<\/td>\nOverture on B-A-C-H<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Unv 5<\/td>\nConcertante in D<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 183 [Mvt. 1 inc.]<\/td>\n[January to March 1802]<\/td>\nwide, 16 st.<\/td>\nKrameri\/Concertante [partial]<\/td>\n<\/tr>\n
Unv 6<\/td>\nPiano Concerto No. 6 in D<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 184 [mvt. 1 (mm. 1-256)]<\/td>\n[Early 1815]<\/td>\nwide, 14 + 16 st.<\/td>\n<\/td>\n<\/tr>\n
Unv 7<\/td>\nString Quintet Movement<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 185a [m. 1-53]<\/td>\n[November\/December 1817]<\/td>\nwide, 16 st.<\/td>\nKurth\/NGA VI\/2 KB Anhang III p. 74f. –<\/td>\n<\/tr>\n
Unv 8<\/td>\nDuo for Violin and Cello in E flat<\/td>\nGB-Lbl, Add. Ms. 29801 (“Kafka”), BI. 130r. [m. 1-49]<\/td>\n[perhaps 1792]<\/td>\nwide, 10 st.<\/td>\nKerman\/Kafka<\/td>\n<\/tr>\n
Unv 9<\/td>\nAllegretto for Piano Trio in E flat<\/td>\nGB-Lbl, Add. Ms. 29801 (“Kafka”),f. 129<\/td>\n[probably 1790-2]<\/td>\nwide, 16 st.<\/td>\nKerman\/Kafka<\/td>\n<\/tr>\n
Unv 10<\/td>\nPiano Trio in f<\/td>\n1) A-Wgm, A 46, p. 9 [mvt. 1, ca. 16 neasures]2) 2) D-B, Mus. ms. autagr. Beethoven Grasnick 29 [mvt. 1(mm. 1-129)]3) GB-Lbl, Add. Ms. 29997, f. 20 [mvt. 1 (mm. 130-151)]<\/td>\n[Spring to Fall 1816]<\/td>\nwide, 16 st.<\/td>\nMarstan\/Klaviertrio [p. 234]<\/td>\n<\/tr>\n
Unv 11<\/td>\nSonate for Violin and Piano in A<\/td>\nD-B, Mus. ms. autogr. Beethoven Artaria 131 [37 and 54 measures]<\/td>\n[presumably 1790\/1]<\/td>\nwide, 10 st.<\/td>\nKinderman\/Klaviertrio p. 17 [partial]<\/td>\n<\/tr>\n
Unv 12<\/td>\nFantasia? for piano in D\/d<\/td>\nGB-Lbl, Add. Ms. 29801 (“Kafka”), f. 90r-95v.<\/td>\n[1793]<\/td>\nwide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
Unv 13<\/td>\nPiano Sonata in E-flat<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Unv14<\/td>\nPiano Variations in A<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Unv 15<\/td>\nVestas Feuer<\/em>, opera<\/td>\nA-Wgm, A 6, [Act I, Scene 1.]<\/td>\n[1803]<\/td>\nwide, 16 st.<\/td>\n<\/td>\n<\/tr>\n
Unv 16<\/td>\nMacbeth<\/em>, opera<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Unv 17<\/td>\nEuropes Befreiungsstunde<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Unv 18<\/td>\n\u00d6stereich \u00fcber alles<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Unv 19<\/td>\nCantata in B-flat<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Unv 20<\/td>\nLamentationes Jeremiae<\/em> for voice(s) and piano<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Unv 21<\/td>\nAn Henrietten<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Unv 22<\/td>\nRastlose Liebe<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Unv 23<\/td>\nHeidenr\u00f6slein<\/em><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Copies of C.P.E. Bach<\/td>\n1) W\u00fcrttemberg Sonatas Wq 492) Zwey Litaneyen \u00a0 Wq 2043) Canons<\/td>\n1) A-Wgm, A 75 IV [No. 4 (mvt .2), No. 5 (mvt. 2)] 2) PL-Kj, Mus. ms. autogr. Beethoven landsberg 6 (“Eroica”), p. 25 [three harmonic progressions] 3)<\/td>\n1) 2) [1803] 3) [1809]<\/td>\n<\/td>\n2) LockwoodGosman\/Landsberg6 3) Brenneis\/Landsberg5,<\/td>\n<\/tr>\n
Copies ofJ.S. Bach<\/td>\n1) Two and Three part Inventions BWV 782 and 789 2) Well-Tempered Clavier, Book I 3) Well-Tempered Clavier, Book II 4) Chromatic Fantasy and Fugue BWV 903 5) Fantasy and Fugue in a BWV 944 6) The Art of Fugue<\/td>\n1) D-BNba, Slg. H. C. Bodmer, HCB Mh 43 [Invention No. 11, Sinfonia No. 3) 2) a) A-Wgm, A 75 IV [Fugue in C (m. 1-4a)]; b) D-B, Mus. ms. autogr. Beethoven Grasnick 14 [Fugue in b]\u2019;c)\u201cBoldrini\u201d-Skizzenbuch, p. 4, [Fugue in b (m. 61, 62, 29, 31) [lost];d) A-Wgm, A 81 [Fugue in b (m. 1-20, 28-32)] 3) a) A-Wgm, A 75 IV. [Fugue in c (lacks last three measures), Fugue in F (m. 1-9a), Fugue in G]b) Unknown Collection \u00a0 [Fugue in c (m. 1-2, 14-15), Fugue in E (m. 1-2, 26-28];c) D-BNba, Slg. H. C. Bodmer, HCB Mh 46d. Fugue in d (m. 14-5, 26-7), Fugue in E (m. 1-2, 23-27)d) D-BNba, Slg. H. C. Bodmer, HCB Mh 46h. 4) 5) 6)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Copies ofW.F Bach<\/td>\nCanons<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Copies ofCherubini<\/td>\nLes deux journ\u00e9es<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Copies of Alessandro Cornet<\/td>\nDuets for two sopranos and piano<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Copies of Carl von Dohlhoff-Dier<\/td>\nSongs for 2-4 voices<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Copies of Gr\u00e9try<\/em><\/td>\nAria [not identified]<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Copies of H\u00e4ndel<\/td>\n1) Esther 2) Saul 3) Messiah 4) Solomon 5) Concerti Grossi, Op. 6 6) Harpsichord Suites7) Six Fugues or Voluntarys, op. 3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Copies of Haydn<\/td>\n1)\u00a0\u00a0\u00a0\u00a0\u00a0 Streichquartett Es-dur Hob. HI:31. 2)\u00a0\u00a0\u00a0\u00a0\u00a0 Sinfonie Es-dur Hob. 1:9 3)\u00a0\u00a0\u00a0\u00a0\u00a0 Messe B-dur “Sch\u00f6pfungsmesse” Hob. XXII: 13;<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Copies of Jean Martini iTedesco<\/strong><\/td>\nOpera: \u201c,Annette et Lubin\u201d No. 9<\/td>\nCZ-Pa.<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Copies of Mozart<\/td>\n1)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Streichquartett G-dur KV 387. 2)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fuge f\u00fcr zwei Klaviere c-moll KV 426. 3)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Streichquartett A-dur KV 464 [Mvt. 3] 4)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Klaviertrio G-dur KV [mvt. 4 variation 4] 5)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Don Giovanni \u00a0 KV 527, [No. 1(inc.) and9 inc)] 6)<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Copies of Muffat<\/td>\n72 Versetl sammt 12 Toccaten [Toccata 2-3, Fuge , 5]<\/td>\nD-B, Mus. ms. autogr. Beethoven 1ge, f. 34v-35r.<\/td>\n[1804]<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Copies of Palestrina<\/td>\n1) Magnificat tertii toni 2) Motet : “Pueri Hebraeorum\u201d<\/td>\n1) RUS-SPsc, F. 124, op.l, N 2048 2) A-Wgm, A 80<\/td>\n1)[Probably 1819] 2) [beginning 1820]<\/td>\n<\/td>\n1)a) Klimovickij\/Sch\u00f6pfungsprozess Tafel 11 and p. 116,b) Fisman\/BeethovenianaTafel VlIb.<\/td>\n<\/tr>\n
Copies of Salieri<\/td>\nOpera: \u201c”Les Dana’ides”, 1)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Act I, Scene 1 [partial, vocal parts] 2)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Act I, Scene 2 1 [partial] 3)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Act IV, Scene 3and 4 [partial]<\/td>\n1) S-Smf, MMS 1257 (SV 382) 2) D-BNba, Slg. H. C. Bodmer, HCB Mh 443) US-R.<\/td>\n<\/td>\n<\/td>\n2) Online<\/a><\/td>\n<\/tr>\n
Copies of Schubart<\/td>\nAbschiedslied<\/td>\nD-BNba, Slg. WegeIer, W 1 [without text]<\/td>\n[1790\/1]<\/td>\n<\/td>\nOnline<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

\u00a0List of Beethoven Autographs Compiled from Ludwig van Beethoven: Thematisch-bibliographisches Werkverzeichnis (2014) Beethoven. Unbekannte Skizzen und Entwu\u0308rfe, Untersuchung, U\u0308bertra- gung, Faksimile von Dr. Arnold Schmitz, Bonn 1924. Catalog # Work Autograph\u00a0 [Library sigla can be searched here] Date Autograph Format Online Facsimiles Op. 1 Piano Trios (3) Op. 2 Piano Sonatas (3) Op. 3 String […]<\/p>\n","protected":false},"author":8544,"featured_media":0,"parent":0,"menu_order":49,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/pages\/346"}],"collection":[{"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/users\/8544"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/comments?post=346"}],"version-history":[{"count":50,"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/pages\/346\/revisions"}],"predecessor-version":[{"id":3785,"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/pages\/346\/revisions\/3785"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/media?parent=346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}