{"id":1854,"date":"2017-07-10T22:35:19","date_gmt":"2017-07-11T02:35:19","guid":{"rendered":"https:\/\/www.bu.edu\/beethovencenter\/?page_id=1854"},"modified":"2017-07-18T11:12:08","modified_gmt":"2017-07-18T15:12:08","slug":"distinguished-lecture-series","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/beethovencenter\/distinguished-lecture-series\/","title":{"rendered":"Distinguished Lecture Series"},"content":{"rendered":"
\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

\"jens\"New Works-Catalogue & The New Complete Edition of Beethoven’s Works<\/h4>\n

Dr. Jens Dufner<\/h4>\n

\u00a0April 6, 2017<\/h4>\n

12:30 PM<\/h4>\n

CFA Room 165<\/h4>\n<\/td>\n<\/tr>\n

\n

\u201c’This quartet is never to be performed in public\u2019: Beethoven\u2019s Op. 95\u201d\"lewis-Lockwood_BW_cropped\"<\/h4>\n

Professor Lewis Lockwood<\/h4>\n

March 16, 2017<\/h4>\n

1:00 PM<\/h4>\n

CFA Room 165<\/h4>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0(event media<\/a>)<\/h4>\n<\/td>\n<\/tr>\n

\n

\"Miki-Kaneda\"Beethoven’s Ninth in Asia<\/strong><\/h4>\n

<\/strong>Professor Miki Kaneda
\n<\/strong><\/h4>\n

April 26, 2016<\/h4>\n

11:00 AM<\/h4>\n

CFA Room 165<\/h4>\n<\/td>\n<\/tr>\n

\n

\"BULECTURE\"\u201cFreedom or Joy? Triumph or Blunder? New Thoughts on Beethoven\u2019s Ninth\u201d<\/strong><\/h4>\n

Professor Jeremy Yudkin<\/h4>\n

April 19, 2016<\/h4>\n

7:00 PM<\/h4>\n

Trustee Ballroom,\u00a0Administration Building<\/h4>\n<\/td>\n<\/tr>\n

\n

\"Pavel_Nersessian1\"Lecture-Performance of the Op. 90\u00a0Piano Sonata in E minor<\/h4>\n

<\/strong>Pavel Nersessian<\/h4>\n

April 14, 2016<\/h4>\n

11:00 AM<\/h4>\n

CFA Room 165<\/h4>\n<\/td>\n<\/tr>\n

\n

\"ShaoyingHerder and Beethoven<\/strong><\/h4>\n

Shaoying Ho<\/strong><\/h4>\n

April 5, 2016<\/h4>\n

11:00 AM<\/h4>\n

CFA Room 165<\/h4>\n<\/td>\n<\/tr>\n

\n

\"Leon-Bernsdorf\"Leon<\/strong> Bernsdorf<\/strong><\/h4>\n

Lecture-Performance of the Op. 101 Piano Sonata in A Major<\/h4>\n

\u00a0March 29, 2016<\/h4>\n

11:00 AM<\/h4>\n

CFA Room 165<\/h4>\n<\/td>\n<\/tr>\n

\n

\"images-4\"<\/h4>\n

Lecture-Performance on the Cello Sonatas<\/h4>\n

Prof. Peter Sykes\u00a0and Denise Fan<\/h4>\n

March 24, 2016<\/h4>\n

11: 00 AM<\/h4>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 CFA Room 165<\/h4>\n<\/td>\n<\/tr>\n

\n

\"AijaLecture-Performance of the Op. 24 “Spring” Sonata for Violin and Piano<\/h4>\n

Aija Reke and Shaoying Ho<\/h4>\n

February 18, 2016<\/h4>\n

11:00 AM<\/h4>\n

CFA Room 165<\/h4>\n<\/td>\n<\/tr>\n

\n

\"Lewis-Lockwood\"On the Eroica<\/em> Symphony<\/h4>\n

Professor Lewis Lockwood<\/h4>\n

\u00a0February 9, 2016<\/h4>\n

11:00 AM<\/h4>\n

CFA Room 165<\/h4>\n<\/td>\n<\/tr>\n

\n

\"PA4OM7dt\"Music Critic of the Boston Globe on Music Criticism<\/h4>\n

Jeremy Eichler<\/h4>\n

February 4, 2016<\/h4>\n

11:00 AM<\/h4>\n

CFA Room 165<\/h4>\n<\/td>\n<\/tr>\n

\n

\"Julia-Ronge\"\u201cBeethoven\u2019s Fidelio: Tracing its History through the Werkverzeichnis\u201d<\/h4>\n

Julia<\/strong> Ronge<\/strong><\/h4>\n

Novemeber 18, 2015<\/h4>\n

9:30 AM<\/h4>\n

CFA Room 165<\/h4>\n<\/td>\n<\/tr>\n

\n

\"F.Rovelli-3\"\u201cThe Scheide Sketchbook as a Mirror of Beethoven\u2019s Interests and Creative Process in 1815 \u2013 1816\u201d and \u201cThe Methodological Approach of the Project \u2018Beethovens Werkstatt\u2019(\u2018Beethoven\u2019s Workshop\u2019)\u201d<\/span><\/strong><\/h4>\n

Federica<\/strong> Rovelli<\/strong><\/h4>\n

November 4, 2015<\/h4>\n

9:30 AM<\/h4>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 CFA Room 165<\/h4>\n<\/td>\n<\/tr>\n

\n

\"lucy-turner\"\u201cBeethoven\u2019s Letter to Prince Galitzin\u201d<\/span><\/strong><\/h4>\n

Lucy<\/strong> Turner<\/strong><\/h4>\n

\u00a0October 14, 2015<\/h4>\n

9:30 AM<\/h4>\n

CFA Room 165<\/h4>\n<\/td>\n<\/tr>\n

\n

\"lewis-Lockwood_BW_cropped\"<\/strong><\/h4>\n

\u201cFrom the Eroica to the Fifth: Beethoven\u2019s Transformation of the Symphony\u201d<\/h4>\n

Prof<\/strong>. <\/strong>Lewis<\/strong> Lockwood<\/strong><\/h4>\n

September 23, 2015<\/h4>\n

9:30 AM<\/h4>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0CFA Room 165<\/h4>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

New Works-Catalogue & The New Complete Edition of Beethoven’s Works Dr. Jens Dufner \u00a0April 6, 2017 12:30 PM CFA Room 165 \u201c’This quartet is never to be performed in public\u2019: Beethoven\u2019s Op. 95\u201d Professor Lewis Lockwood March 16, 2017 1:00 PM CFA Room 165 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 […]<\/p>\n","protected":false},"author":13660,"featured_media":0,"parent":0,"menu_order":18,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/pages\/1854"}],"collection":[{"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/users\/13660"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/comments?post=1854"}],"version-history":[{"count":50,"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/pages\/1854\/revisions"}],"predecessor-version":[{"id":2175,"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/pages\/1854\/revisions\/2175"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/media?parent=1854"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}