{"id":166,"date":"2014-05-22T00:23:50","date_gmt":"2014-05-22T04:23:50","guid":{"rendered":"https:\/\/www.bu.edu\/beethovencenter\/?page_id=166"},"modified":"2015-10-20T16:18:04","modified_gmt":"2015-10-20T20:18:04","slug":"julliard-manuscript-collection","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/beethovencenter\/collections\/julliard-manuscript-collection\/","title":{"rendered":"Julliard Manuscript Collection"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\n<\/td>\nLetter to Karl Holz<\/a><\/td>\n1826<\/td>\n<\/td>\n<\/tr>\n
2.<\/td>\n<\/td>\nFidelio <\/a><\/td>\n1814<\/td>\nMS of Act 2, No. 14, Coda (Quartet “Er sterbe”) showing re-working of material<\/td>\n<\/tr>\n
3.<\/td>\nOp. 73<\/td>\nFifth Piano Concerto<\/a><\/td>\n<\/td>\nErrata sheet for the Concerto, for Breitkopf & Haertel \u00a9. 1811<\/td>\n<\/tr>\n
4.<\/td>\nOp. 127<\/td>\nQuartet, 1st mvt.<\/a><\/td>\n<\/td>\nScore sketch of recapitulation<\/td>\n<\/tr>\n
5.<\/td>\nOp. 127<\/td>\nQuartet, Scherzo<\/a><\/td>\n<\/td>\n(autograph MS, complete, with revisions)<\/td>\n<\/tr>\n
6.<\/td>\nOp. 125<\/td>\nNinth Symphony<\/a><\/td>\n<\/td>\nSketch leaf<\/td>\n<\/tr>\n
7.<\/td>\nOp. 125<\/td>\nNinth Symphony<\/a><\/td>\n1824<\/td>\ncomplete copyist’s score, made 1824, with numerous autograph corrections (= Source “C” in Jonathan Del Mar’s critical edition, B\u00e4renreiter. 1996)<\/td>\n<\/tr>\n
8.<\/td>\nOp. 125<\/td>\nNinth Symphony<\/a><\/td>\n<\/td>\nOther MSS for portions of the Ninth Symphony<\/td>\n<\/tr>\n
9.<\/td>\nOp. 134<\/td>\nGrosse Fuge<\/a> (original finale of Quartet Op. 130)<\/td>\n1826<\/td>\nBeethoven’s own four-hand arrangement, made in fall of 1826.\u00a0 Complete autograph score – 6<\/td>\n<\/tr>\n
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1. Letter to Karl Holz 1826 2. Fidelio 1814 MS of Act 2, No. 14, Coda (Quartet “Er sterbe”) showing re-working of material 3. Op. 73 Fifth Piano Concerto Errata sheet for the Concerto, for Breitkopf & Haertel \u00a9. 1811 4. Op. 127 Quartet, 1st mvt. Score sketch of recapitulation 5. Op. 127 Quartet, Scherzo […]<\/p>\n","protected":false},"author":8544,"featured_media":0,"parent":135,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/pages\/166"}],"collection":[{"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/users\/8544"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/comments?post=166"}],"version-history":[{"count":4,"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/pages\/166\/revisions"}],"predecessor-version":[{"id":253,"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/pages\/166\/revisions\/253"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/pages\/135"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/media?parent=166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}