{"id":1211,"date":"2017-06-11T22:46:59","date_gmt":"2017-06-12T03:46:59","guid":{"rendered":"https:\/\/www.bu.edu\/beethovencenter\/?page_id=1211"},"modified":"2026-01-07T17:02:34","modified_gmt":"2026-01-07T22:02:34","slug":"catalogue-of-first-editions","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/beethovencenter\/catalogue-of-first-editions\/","title":{"rendered":"First Editions"},"content":{"rendered":"

(work in progress)<\/strong>
\nList of First Editions\u00a0Compiled from Ludwig van Beethoven: Thematisch-bibliographisches Werkverzeichnis<\/em> (2014)<\/p>\n

[Library sigla can be searched here]<\/a><\/p>\n

BONN = Beethoven-Haus Bonn<\/p>\n

IMSLP =\u00a0\u00a0International Music Score Library Project<\/p>\n

SJBC =\u00a0The Ira F. Brilliant Center for Beethoven Studies at San Jose State University<\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Catalog #<\/strong><\/td>\nWork<\/strong><\/td>\nOnline<\/strong><\/td>\nFirst Editions\u00a0<\/strong><\/td>\n<\/tr>\n
Op. 1<\/td>\nThree Piano Trios<\/u><\/p>\n

No. 1 in E-flat major<\/p>\n

No. 2 in G major<\/p>\n

No. 3 in C minor<\/td>\n

BONN 1<\/a>
\nBONN 2<\/a>
\nBONN 3<\/a>
\nBONN 4<\/a>
\nBONN 5<\/a>
\nBONN 6<\/a>
\nBONN 7<\/a>
\nSJBC<\/a>
\n<\/a>IMSLP (no. 1)
\n<\/span><\/a>IMSLP<\/span> (no.<\/span> 2)
\n<\/span><\/a>IMSLP (no. 3)<\/span><\/a> <\/td>\n		Vienna: Artaria et Comp. (1795)<\/u><\/p>\n

A-Wgm\u00a0(2ex),\u00a0Wn\u00a0(Ex.\u00a01<\/a>,\u00a02<\/a>,\u00a03<\/a>)
\nCZ-Bm, K,\u00a0Pnm<\/a>;
\nD \u2013 BNba, LEm
\nGB-Lbl<\/a>,\u00a0Lcm<\/a>
\nUS \u2013 NYp, SJb<\/a>,\u00a0STum<\/a>,\u00a0Wc<\/a>; DMurl<\/a>,\u00a0AUS<\/a><\/td>\n<\/tr>\n

Op. 2<\/td>\nThree Piano Sonatas<\/u><\/p>\n

No. 1 in F minor<\/p>\n

No. 2 in A major<\/p>\n

No. 3 in C major<\/td>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nSJBC<\/a> 1
\nSJBC<\/a> 2 (autograph corrections)
\nSJBC<\/a> 3
\nIMSLP (no. 1)<\/a>
\nIMSLP (no. 2)<\/a>
\nIMSLP (no. 3)<\/a> <\/td>\n		Vienna: Artaria et Comp. (1796)<\/u><\/p>\n

A-Wgm,\u00a0Wn<\/a>, Wst (2 ex)
\nCZ-K (2ex)
\nD-Bsa, BNba<\/a>, Dl, LAU, Mbs (2 ex), Sl GB-Lam, Lbl<\/a> (2ex), Ob
\nH-Bl
\nHR-Zh; J-Tk
\nUS-Nhub<\/a>, US-NYj), NYp, SJb,\u00a0 <\/a>Wc<\/a> (autograph corrections)<\/td>\n<\/tr>\n

Op. 3<\/td>\nString Trio in E-flat major<\/td>\nIMSLP<\/a>
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nSJBC<\/a><\/td>\n		Vienna: Artaria et Comp. (1796)<\/u><\/p>\n

A-Wgm,\u00a0Wn<\/a>, Wst
\nCZ-Pu
\nD-F<\/a>, Mbs
\nGB-Lbl<\/a>
\nHR-Zha
\nI-Nc
\nUS-SJb<\/a><\/td>\n<\/tr>\n

Op. 4<\/td>\nString Quintet in E-flat major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nBONN<\/a> 10
SJBC<\/a>
\nIMSLP<\/a> <\/td>\n		Vienna: Artaria e Comp. (1796)<\/u><\/p>\n

A-Wgm (2 ex),\u00a0Wn<\/a>
\nCZ-K
\nD-B, BNba [parts<\/a>, score<\/a>, (3ex), LEm<\/a>
\nGB-Lbl<\/a> (2ex), WI
\nH-Bn, Gz
\nI-OS, Vc
\nUS-SJb<\/a><\/td>\n<\/tr>\n

Op. 5<\/td>\nCello Sonatas<\/u><\/p>\n

No. 1 in F major<\/p>\n

No. 2 in G minor<\/td>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nSJBC<\/a>
\nIMSLP (no. 1)<\/a>
\nIMSLP (no. 2)<\/a><\/td>\n		Vienna: Artaria et Compagnie (1797)<\/u><\/p>\n

A-Wgm (2 ex),\u00a0Wn<\/a>, Ww
\nD-BNba, DS, Hmb., LAU
\nGB-Lbl<\/a>\u00a0(copy<\/a>)
\nRUS-Mrg, SPsc;
\nCH-Bu
\nCZ-Bm, Pnm<\/a>, Pla, TPK
\nGB-Lbl, Lcm<\/a>
\nH-Bn, Bb
\nHR-Zh
\nI-VC
\nJ-Tk
\nUS-R<\/a>,\u00a0SJb<\/a><\/td>\n<\/tr>\n

Op. 6<\/td>\nSonata for Piano Duet in D major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
SJBC<\/a>
\nIMSLP<\/a><\/td>\n		Vienna: Artaria et Comp. (1797)<\/u><\/p>\n

A-Wn<\/a>
\nCZ- Pnm<\/a>
\nD:\u00a0BNba<\/a>, Mbs
\nGB: Lbl<\/a>
\nUS: NYp<\/a>,\u00a0SJb.<\/a><\/td>\n<\/tr>\n

Op. 7<\/td>\nPiano Sonata No. 4 in E-flat major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nSJBC 1<\/a>
\nSJBC 2<\/a>
\nIMSLP<\/a><\/td>\n		Vienna: Artaria et Comp. (1797)<\/u><\/p>\n

A-Wgm,\u00a0Wn<\/a> (3 ex), Wst
\nCH-Gc
\nCZ-K
\nD-BNba<\/a> (3 ex), Sl
\nGB-Lbl (1<\/a>,\u00a02<\/a>), Lcm
\nH-Bn
\nHR-Zh
\nI-Nc
\nJ-Tk
\nUS-NYp, SJb<\/a>,\u00a0Wc<\/td>\n<\/tr>\n

Op. 8<\/td>\nString Trio (Serenade) in D major<\/td>\nBONN 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		Vienna: Artaria e Comp. (1797)<\/u><\/p>\n

A-Wgm,\u00a0Wn<\/a>
\nCZ-Bm, K, Nlobkowicz, Pla
\nD-BNba<\/a>, DS
\nGB-Lbl (Hirsch)
\nHR-Zh
\nJ-Tk
\nUS-SJb<\/a><\/td>\n<\/tr>\n

Op. 9<\/td>\nThree String Trios<\/u><\/p>\n

No. 1 in G major<\/p>\n

No. 2 in D major<\/p>\n

No. 3 in C minor<\/td>\n

BONN<\/a> 1
\nBONN<\/a> 2
\n<\/a>BONN<\/a> 3
\n<\/a>BONN<\/a> 4
\n<\/a>BONN<\/a> 5
\n<\/a>BONN<\/a> 6
<\/a><\/a><\/a>IMSLP<\/a>
\nSJBC<\/a><\/td>\n		Vienna: Jean Traeg (1798)<\/u><\/p>\n

A-He, Wgm (4 ex),\u00a0Wn<\/a> (3 ex), Wst
\nCZ-Nlobkowitz
\nD-BNba (2ex), Dl
\nGB-Lbl<\/a>
\nH-Bn
\nI-OS
\nJ-Tk
\nUS-SJb<\/a><\/td>\n<\/tr>\n

Op. 10<\/td>\nThree Piano Sonatas<\/u><\/p>\n

No. 1 in C minor<\/p>\n

No. 2 in F major<\/p>\n

No. 3 in D major<\/td>\n

BONN 1<\/a>
\nBONN<\/a> 2
\nSJBC<\/a>
\nIMSLP (no. 1)<\/a>
\nIMSLP (no. 2)<\/a>
\nIMSLP (no. 3)<\/a><\/td>\n		Vienna: Joseph Eder (1798)<\/u><\/p>\n

A-Wgm,\u00a0Wn<\/a> (3 ex)
\nD-BNba<\/a> (2 ex), LEm, Sl
\nGB-Lbl<\/a>\u00a0(copy<\/a>)
\nH-SFm
\nHR-Zh
\nUS-NH<\/a>,\u00a0SJb<\/a><\/td>\n<\/tr>\n

Op. 11<\/td>\nPiano Trio No. 4 in B-flat major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\n<\/a>BONN<\/a> 3
\n<\/a>BONN<\/a> 4
\n<\/a>BONN<\/a> 5
\n<\/a>BONN<\/a> 6<\/a>
\nSJBC<\/a><\/td>\n		Vienna: T. Mollo et Comp. (1798)<\/u><\/p>\n

A-Wn<\/a>
\nCZ-Bm
\nD-BNba<\/a>
\nLB, LEm
\nGB-Lbl<\/a>
\nH-Bn
\nUS-Dmu<\/a>,\u00a0SJb<\/a>, Wc<\/td>\n<\/tr>\n

Op. 12<\/td>\nThree Violin Sonatas<\/u><\/p>\n

No. 1 in D major<\/p>\n

No. 2 in A major<\/p>\n

No. 3 in E-flat major<\/td>\n

BONN<\/a> 1
\nBONN<\/a> 2
\n<\/a>BONN<\/a> 3
\n<\/a>BONN<\/a> 4
\n<\/a>BONN<\/a> 5<\/a>
\nSJBC<\/a>
\nIMSLP (no. 1)<\/a>
\nIMSLP (no. 2)<\/a>
\nIMSLP (no. 3)<\/a><\/td>\n		Vienna: Artaria e Comp. (1798\/99)<\/u><\/p>\n

A-M, Wgm,\u00a0Wn<\/a> (3 ex), Wst (2ex)
\nCZ-Bu, Pnm
\nD-B, Bhm, BNba<\/a>\u00a0(2 ex),\u00a0LEm<\/a>, Mbs (2ex), Rtt
\nGB-Lbl<\/a>\u00a0(copy<\/a>)
\nHR-Zh
\nJ-Tk
\nRUS-SPk
\nUS-Dmu<\/a>,\u00a0SJb<\/a>\u00a0(2ex)<\/td>\n<\/tr>\n

Op. 13<\/td>\nPiano Sonata No. 8 in C minor (\u201cPath\u00e9tique\u201d)<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\n<\/a>BONN<\/a> 3
\n<\/a>BONN<\/a> 4
\n<\/a>BONN<\/a> 5
<\/a><\/a>IMSLP<\/a>
\nSJBC<\/a> (1802)<\/td>\n		Vienna: Hoffmeister (1799)<\/u><\/p>\n

A-Wn<\/a>
\nD-Mbs
\nGB-Lbl<\/a>
\nRUS-Mcm<\/td>\n<\/tr>\n

Op. 14<\/td>\nTwo Piano Sonatas<\/u><\/p>\n

No. 1 in E major<\/p>\n

No. 2 in G major<\/td>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nIMSLP (no. 1)<\/a>
\nIMSLP (no. 2)<\/a><\/td>\n		Vienna: T. Mollo & Comp. (1799)<\/u><\/p>\n

A-Wgm,\u00a0Wn<\/a>
\nCZ-K
\nD-BNba<\/a>, Dl
\nI-Mc
\nUS-SJb<\/a><\/td>\n<\/tr>\n

Op. 14<\/td>\nString Quartet (arrangement of No. 1)<\/td>\nBONN<\/a><\/td>\nVienna: Kunst- und Industrie-Comptoir (1802)<\/u><\/p>\n

A-Wgm,\u00a0Wn\u00a0(Ex.\u00a01<\/a>,\u00a02<\/a>, 3)
\nCZ-Bm
\nD-B, BNba<\/a>\u00a0(2ex),\u00a0F<\/a>, Hau, Klmi
\nH-SFm
\nJ-Tk
\nSK-BRnm
\nUS-SJb<\/td>\n<\/tr>\n

Op. 15<\/td>\nPiano Concerto No. 1 in C major<\/td>\n[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		Vienna: T. Mollo et Comp. (1801<\/u>)<\/p>\n

A-Wgm,\u00a0Wn<\/a>
\nCZ-Pnm
\nD-LB, LEm
\nGB-Lbl<\/a>,\u00a0 Lbl<\/a> (fix)
\nJ-Tk<\/td>\n<\/tr>\n

Op. 16<\/td>\nQuintet for Piano and Winds<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nIMSLP<\/a><\/td>\n		Vienna: T. Mollo et Comp. (1801)<\/u><\/p>\n

A-Wn (Ex.\u00a01<\/a>, 2)
\nCZ-K
\nD-BNba<\/a>, L\u00dch
\nGB-Lbl<\/a>
\nS-Skma
\nUS-SJb<\/a><\/td>\n<\/tr>\n

Op. 17<\/td>\nHorn Sonata in F major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		Vienna: T. Mollo et Comp. (1801)<\/u><\/p>\n

A-Wgm,\u00a0Wn (Ex.\u00a01<\/a>,\u00a02<\/a>)
\nCZ-K
\nD-BNba<\/a>, F, D-L\u00dcmh
\nH-Bami
\nRUS-Mk
\nS-Skma<\/u>
\nUS-SJb<\/a><\/td>\n<\/tr>\n

Op. 18<\/td>\nSix String Quartets<\/u><\/p>\n

No. 1 in F major<\/p>\n

No. 2 in G major<\/p>\n

No. 3 in D major<\/p>\n

No. 4 in C minor<\/p>\n

No. 5 in A major<\/p>\n

No. 6 in B-flat major<\/td>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
SJBC<\/a>
\nIMSLP (no. 1)<\/a>
\nIMSLP (no. 2)<\/a>
\nIMSLP (no. 3)<\/a>
\nIMSLP (no. 4)<\/a>
\nIMSLP (no. 5)<\/a>
\nIMSLP (no. 6)<\/a><\/td>\n		Vienna: T. Mollo & Comp. (1801, June)<\/u><\/p>\n

Before corrections:
\nA-Wgm (Nos. 4-6);\u00a0Wn<\/a> (Nos. 1-3)
\nD-BNba (4-6<\/a>) (2ex, one only 4-6)<\/p>\n

After corrections:
\nA-Wgm (1-3), Wn<\/a>\u00a0(Nos. 1-3)
\nCZ-Pnm (4-6); 1<\/a>,\u00a02<\/a>,\u00a03<\/a>,\u00a04<\/a>
\nH-Bn, SFm
\nI-OS
\nUS-SJb (1-3); Also found:<\/td>\n<\/tr>\n

Op. 19<\/td>\nPiano Concerto No. 2 in B-flat major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nIMSLP<\/a><\/td>\n		Vienna: Hoffmeister & Comp. \/ Leipzig: Bureau de Musique (1801)<\/u><\/p>\n

A-Wgm (2ex),\u00a0Wn (Ex.\u00a01<\/a>,\u00a02<\/a>)
\nCZ-Pnm
\nD-BNba<\/a> (2ex), Lr, Mbs, Melr, WO
\nF-Pn
\nGB-Lbl<\/a>\u00a0(copy<\/a>)
\nI-Vc
\nS-Skma
\nUS-LUB, NYp, SJb<\/a>,\u00a0Wc<\/a><\/td>\n<\/tr>\n

Op. 20<\/td>\nSeptet in E-flat major<\/td>\nBONN 1<\/a>
\nBONN 2<\/a>
\nBONN 3<\/a>
\nBONN 4<\/a>
\nIMSLP<\/a><\/td>\n		Vienna: Hoffmeister & Comp. \/ Leipzig: Hoffmeister et K\u00fchnel (1802)<\/u><\/p>\n

A-Wn<\/a> (2 ex)
\nD-Bhm<\/a>, Desa, DT, HAmi, Hau, Km, L\u00dch, Mbs, SWI
\nGB-Lbl<\/a>
\nH-Bb, SFm
\nI-Bec
\nRUS-SPsc
\nS-Skma
\nUS-SJb<\/a><\/td>\n<\/tr>\n

Op. 21<\/td>\nSymphony No. 1 in C major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
SJBC<\/a> (Parts)<\/td>\n		Vienna: Hoffmeister & Comp. \/ Leipzig: Bureau de musique (1801)<\/u><\/p>\n

A-Sm
\nCZ-Bm
\nD-DL, F<\/a>, LB, L\u00dch
\nSI- Lng<\/td>\n<\/tr>\n

Op. 22<\/td>\nPiano Sonata No. 11 in B-flat major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nIMSLP<\/a><\/td>\n		Vienna: Hoffmeister & Comp.\/ Lepizig: Bureau de Musique (1802)<\/u><\/p>\n

A-Wgm, WnB-Bc
\nCH-W
\nCZ-Pu
\nD-B (2 ex), BNba (1<\/a>,\u00a02<\/a>,\u00a03<\/a>), MZsch, Sh
\nGB-Lbl<\/a>
\nS-Skma
\nUS-SJb<\/a>, Wc<\/td>\n<\/tr>\n

Op. 23<\/td>\nViolin Sonata No. 4 in A minor<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		Original edition published with Op. 24<\/p>\n

Vienna: T. Mollo et Comp. (1801)<\/u><\/p>\n

A-Wn<\/a>
\nGB-Lbl<\/a><\/td>\n<\/tr>\n

BONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5IMSLP<\/a> (piano part)<\/td>\n		First edition of Op. 23 alone:<\/p>\n

Vienna: T. Mollo et Comp. (1802)<\/u><\/p>\n

A-Wn<\/a>
\nD-BNba<\/a>
\nGB-Lbl<\/a><\/td>\n<\/tr>\n

Op. 24<\/td>\nViolin Sonata No. 5 in F major (\u201cSpring\u201d)<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
IMSLP<\/a><\/td>\n		Original edition published with Op. 23 (see above)<\/p>\n

First edition with Op. 24 alone:<\/p>\n

Vienna: T. Mollo et Comp. (1802)<\/u><\/p>\n

US-Wc<\/td>\n<\/tr>\n

Op. 25<\/td>\nSerenade for Flute, Violin and Viola in D major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		Vienna: Gio. Cappi (1802)<\/u><\/p>\n

A-Wgm,\u00a0Wn<\/a>, Wst
\nD-BNba<\/a>
\nH-SFm
\nHR-Zh
\nI-Bc
\nJ-Tk
\nUS-SJb<\/a><\/td>\n<\/tr>\n

Op. 26<\/td>\nPiano Sonata No. 12 in A-flat major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		Vienna: Jean Cappi (1802)<\/u><\/p>\n

A-Wn<\/a>
\nD-LB, Sl
\nGB-Lbl (1<\/a>,\u00a02<\/a>)
\nJ-Tk
\nUS-AAu<\/p>\n

Different address for print:<\/u><\/p>\n

A-Wgm (4 ex), Wn (1<\/a>,\u00a02<\/a>), Wst
\nCZ-Bm
\nD-BNba (1<\/a>,\u00a02<\/a>,\u00a03<\/a>,\u00a04<\/a>), Mbs, MT
\nUS-BEm, CHH, NH, SJb<\/a><\/td>\n<\/tr>\n

Op. 27<\/td>\nNo. 1: Piano Sonata No. 13 in E-flat major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 4
\nBONN<\/a> 5
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		Vienna: Gio. Cappi (1802)<\/u><\/p>\n

A-Wgm,\u00a0Wn<\/a>
\nCZ-Pnm<\/a> (2 ex)
\nD-BNba<\/a>, LEm, Mbs, Sh, W
\nGB-Lbl<\/a>
\nH-SFm
\nI-Mc
\nUS-Wc<\/a><\/p>\n

Advance issue without imprint:<\/u><\/p>\n

A-Wgm,\u00a0Wn<\/a>
\nD-BNba<\/a>, LEm
\nUS-SJb<\/a><\/td>\n<\/tr>\n

No. 2: Piano Sonata No. 14 in C-sharp minor (\u201cMoonlight\u201d)<\/td>\nBONN<\/a> 3
\nBONN<\/a> 6
\nBONN<\/a> 7
\nIMSLP<\/a><\/td>\n		Vienna: Gio. Cappi (1802)<\/u><\/p>\n

A-Wn (1<\/a>,\u00a02<\/a>)
\nCZ-Pnm
\nD-BNba, Mbs, Sl
\nGB-Lbl<\/a>
\nH-Bn, SFm
\nI-OS
\nUS-CA<\/a>, NYpm, SJb<\/a>, Wc<\/a><\/td>\n<\/tr>\n

Op. 28<\/td>\nPiano Sonata No. 15 in D major (\u201cPastoral\u201d)<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
SJBC 1<\/a>
\nSJBC 2<\/a>
\nIMSLP<\/a><\/td>\n		Vienna: Kunst-und Industrie-Comptoir (Bureau d\u2019Arts et\u00a0d\u2019Industrie\u00a0\u00a0(1802)<\/u><\/p>\n

A-Wgm (2 ex), Wn (1<\/a>,\u00a02<\/a>,\u00a03<\/a>,\u00a04<\/a>)
\nCZ-K
\nD-Bhm, BNba (1<\/a>,\u00a02<\/a>),\u00a0F<\/a>, LEm, Mbs, Sl
\nGB-Lbl (1<\/a>,\u00a02<\/a>)
\nH-Bn
\nI-BGi
\nUS-NH, NYp, SJb (1<\/a>,\u00a02<\/a>)<\/td>\n<\/tr>\n

Op. 29<\/td>\nString Quintet in C major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nSJBC 1<\/a>
\nSJBC 2<\/a>
\nIMSLP<\/a><\/td>\n		Leipzig: Breitkopf & H\u00e4rtel (1802)<\/u><\/p>\n

A-HE, Wgm, Wn (1<\/a>, also:\u00a02<\/a>), Wst
\nCZ-K, PLa
\nD-B, Bhm, BE, BNba (1<\/a>,\u00a02<\/a>,3<\/a>), Hm, KA, LEm, Mbs, RH, SBk, WIbh
\nGB-Lbl ( 1<\/a>,\u00a02<\/a>,\u00a03<\/a>)
\nH-Bn
\nI-Vc
\nJ-Tk (2 ex)
\nS-Skma (2 ex)
\nUS-NYp, SJb<\/a>, Slug, STum<\/td>\n<\/tr>\n

Op. 30<\/td>\nThree Violin Sonatas<\/u><\/p>\n

No. 1: Violin Sonata No. 6 in A major<\/p>\n

No. 2: Violin Sonata No. 7 in C minor<\/p>\n

No. 3: Violin Sonata No. 8 in G major<\/td>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
SJBC (no. 1)<\/a>
\nSJBC (no. 2)<\/a>
\nSJBC (no. 3)<\/a>
\nIMSLP (no. 1)<\/a>
\nIMSLP (no. 2)<\/a>
\nIMSLP (no. 3)<\/a><\/td>\n		Vienna<\/u>: Kunst- und Industrie-Comptoir [Bureau d\u2019Arts et d\u2019Industrie] (1803)\u00a0<\/u><\/p>\n

A-Wgm, Wn (1, 2, 3), Wst (Nr. 1)
\nD-BNba (1<\/a>,\u00a02<\/a>,\u00a03<\/a>), Hmb, LEm, OLI, ZHbeer
\nGB-Lbl<\/a>
\nH-Bb
\nJ-Tk
\nUS-NYp, SJb<\/a><\/td>\n<\/tr>\n

Op. 31<\/td>\nThree Piano Sonatas<\/u><\/p>\n

No. 1: Piano Sonata No. 16 in G major<\/p>\n

No. 2: Piano Sonata No. 17 in D minor (\u201cTempest\u201d)<\/td>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 7
\nBONN<\/a> 8
SJBC<\/a>
\nIMSLP (no. 1)<\/a>
\nIMSLP (no. 2)<\/a><\/td>\n		Nos. 1-2 (Suite 5)<\/p>\n

Z\u00fcrich: N\u00e4geli (1803)<\/u><\/p>\n

A-Wn (1<\/a>,\u00a02<\/a>)
\nCH-Bu, BEI, Gpu, W, Zz
\nCZ-K, KRa, Pnm<\/a>
\nD-BNba (1<\/a>,\u00a02<\/a>), Mbs, MZsch (2 ex)
\nGB-Lbl (1<\/a>,\u00a02<\/a>), Ob
\nI-OS
\nS-Skma
\nUS-SJb<\/a>, Wc<\/p>\n

French imprint?
\nD-BNba<\/a>
\nF-Pn<\/u><\/td>\n<\/tr>\n

No. 3: Piano Sonata No. 18 in E-flat major (\u201cHunt\u201d)<\/td>\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 9
\nIMSLP (no. 3)<\/a><\/td>\n		No. 3 (Suite 11)<\/p>\n

Z\u00fcrich: N\u00e4geli (1804)<\/u><\/p>\n

A-Wn<\/a>
\nCH-W, Zz
\nCZ-KRa
\nD-BNba (1<\/a>,\u00a02<\/a>), KII, Mbs, MZsch (2 ex)
\nGB-Lbl<\/a>, Ob
\nI-BGc, OS
\nUS-SJb<\/a>, Wc<\/td>\n<\/tr>\n

Op. 32<\/td>\nSong \u201cAn die Hoffnung\u201d<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nIMSLP<\/a><\/td>\n		Vienna: Kunst- und Industrie-Comptoir (1805)<\/u><\/p>\n

A-Wgm, Wn
\nD-BNba<\/a>, Dl
\nGB-Lbl<\/a>
\nH-Bb
\nI-BZtoggenburg<\/td>\n<\/tr>\n

Op. 33<\/td>\nSeven Bagatelles for piano<\/td>\n<\/a><\/p>\n

[Bureau des Arts et d’Industrie]
\nBONN<\/a><\/p>\n

SJBC<\/a><\/p>\n

IMSLP<\/a><\/td>\n

Vienna: Bureau d\u2019Arts et d\u2019Industrie (1803)<\/u><\/p>\n

A-Wgm, Wn (1<\/a>,\u00a02<\/a>)
\nCZ-PLm
\nD-BNba<\/a>, Dl, LEm, Mbs, Sh
\nGB-Lbl (1<\/a>,\u00a02<\/a>)
\nH-Bn, Bl
\nI-BZtoggenburg
\nJ-Tk
\nUS-NYp, SJb<\/a><\/td>\n<\/tr>\n

Op. 34<\/td>\nSix variations on an original theme for piano in F major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
SJBC<\/a>
\nIMSLP<\/a><\/td>\n		Leipzig: Breitkopf & H\u00e4rtel (1803)<\/u><\/p>\n

A-Wgm (4 ex),\u00a0Wn<\/a>
\nD-BNba (1<\/a>,\u00a02<\/a>), BNu, Dl,\u00a0F<\/a>, LEm, Mbs, Rp
\nGB-Lbl (1<\/a>,\u00a02<\/a>)
\nH-Bl, Bn
\nJ-Tk
\nUS-NYp, SJb<\/a><\/td>\n<\/tr>\n

Op. 35<\/td>\nFifteen variations and a fugue for piano on an original theme in E-flat major (\u201cEroica Variations)<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		Leipzig: Breitkopf & H\u00e4rtel (1803)<\/u><\/p>\n

A-Wgm, Wn (1<\/a>,\u00a02<\/a>), Wst
\nCZ-Hradec nad Moravici, Pnm<\/a>, Radu_ Statn\u00ed z\u00e1mek
\nD-B, Bhm, BNba (1<\/a>,\u00a02<\/a>,\u00a03<\/a>), Dl,\u00a0F<\/a>, K (2ex), LEm, L\u00dch, Mbs, MZsch, SWl
\nGB-Lbl (1<\/a>,\u00a02<\/a>)
\nH-Bl
\nJ-Tk (2 ex)
\nUS-NYp, SJb<\/a><\/td>\n<\/tr>\n

Op. 36<\/td>\nSymphony No. 2 in D major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
SJBC<\/a> (parts)<\/td>\n		Vienna: Kunst-und Industrie-Comptoir\u00a0(1803)<\/u><\/p>\n

A-G\u00d6, Wgm (2 ex), Wn
\nCZ-KRa, Nlobkowicz; D-KA, L\u00dch, MZl (in: MZmi, 2ex)
\nGB-Lbl (2 ex)
\nH-Bn
\nSFm
\nI-BEc, Vc
\nUS-SJb<\/a>, Wc<\/td>\n<\/tr>\n

Op. 37<\/td>\nPiano Concerto No. 3 in C minor<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nIMSLP<\/a><\/td>\n		Vienna: Kunst- und Industrie-Comptoir (1804)<\/u><\/p>\n

A-Wgm (2 ex), Wkann, Wn (1<\/a>, 2)
\nCZ-Pnm<\/a> (2 ex)
\nD-B, BNba<\/a>, Dl,\u00a0F<\/a>, LEm, Mbs, Mh
\nF-Pn
\nGB-Lbl (1<\/a>, 2, 3)
\nJ-Tk
\nUS-SJb<\/a><\/td>\n<\/tr>\n

Op. 38<\/td>\nPiano Trio in E-flat major (Arr. Of Op. 20)<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nIMSLP<\/a><\/td>\n		Vienna: Kunst- und Industrie-Comtpoir (1805)<\/u><\/p>\n

A-SF, Wgm, Wn (1<\/a>,\u00a02<\/a>), Wst
\nCZ-Bm, Nlobkowicz, Pnm, Pu
\nD-Bhm, BNba (1<\/a>, 2), ES, LEm, Mbs, Mbm
\nH-Bn
\nHR-Zh
\nI-Nc
\nUS-DMu, SLC<\/td>\n<\/tr>\n

Op. 39<\/td>\nTwo Preludes through all twelve major keys for piano<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
IMSLP<\/a><\/td>\n		Leipzig: Hoffmeister et K\u00fchnel (1803)<\/u><\/p>\n

A-Wgm,\u00a0Wn<\/a>
\nD-LEm, L\u00dch, Mbs
\nGB-Lbl<\/a>
\nH-Bn
\nUS-SJb<\/a><\/td>\n<\/tr>\n

Op. 40<\/td>\nRomance for Violin and Orchestra No. 1 in G major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3<\/td>\n		Leipzig: Hoffmesiter et K\u00fchnel (1803)<\/u><\/p>\n

A-Wgm,\u00a0Wn<\/a>
\nCZ-Bm
\nD-Bhm
\nGB-Lbl<\/a>, Lcm
\nI-Mc
\nNc
\nS-Skma<\/td>\n<\/tr>\n

Op. 41<\/td>\nSerenade for Piano and Flute or Violin in D major<\/td>\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		\u201cAnhang Unechte und zweifelhafte Werke”<\/td>\n<\/tr>\n
Op. 42<\/td>\nNotturno for Viola and Piano in D major<\/td>\nN\/A<\/td>\n\u201cAnhang Unechte und zweifelhafte Werke\u201d<\/u><\/td>\n<\/tr>\n
Op. 43<\/td>\nThe Creatures of Prometheus, overture and ballet music<\/td>\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 6
\nSJBC<\/a><\/td>\n		Piano Reduction:<\/u><\/p>\n

Vienna: Artaria et Comp. (1801)<\/u><\/p>\n

A-Wgm, Wn (1<\/a>, 2), Wst
\nCZ-Bm
\nD-BNba<\/a><\/u>
\nGB-Lbl<\/a>
\nI-BGc
\nUS-SJb<\/td>\n<\/tr>\n

BONN<\/a> 1
\nBONN<\/a> 4
\nBONN<\/a> 5
\n[Cappi]
\nSJBC 1<\/a>
\nIMSLP<\/a><\/td>\n		Overture: [piano reduction]
\n<\/u>Vienna: Hoffmeister et K\u00fchnel (1804)<\/u>A-Wgm,\u00a0Wn<\/a>\u00a0(1<\/a>, also:\u00a02<\/a>)
\nD-BFb (dept. in M\u00dcu), BNba<\/a>, DEsa, KA (DO), LB (Dpt. In NEhz), L\u00dch, MZsch
\nNL-DHk<\/td>\n<\/tr>\n
Op. 44<\/td>\nVariations on an original theme in E-flat major for piano trio<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nIMSLP<\/a><\/td>\n		Leipzig: Hoffmeister et K\u00fchnel (1804)<\/u><\/p>\n

A-Wgm, Wn (1<\/a>,\u00a02<\/a>)
\nD-B, BNba<\/a>, Dl, LB, LEm
\nUS-SJb<\/a><\/td>\n<\/tr>\n

Op. 45<\/td>\nThree Marches for Piano, 4 hands<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nIMSLP<\/a><\/td>\n		Vienna: Kunst-und Industrie-Comptoir (Bureau d\u2019Arts et d\u2019Industrie) (1804)<\/u><\/p>\n

A-Wn (1<\/a>,\u00a02<\/a>), Wst
\nCZ-K, OS
\nD-BNba (1<\/a>,\u00a02<\/a>,\u00a03<\/a>), Dl
\nH-Bn
\nI-Vc
\nUS-CHH, DMu, SJb<\/a><\/td>\n<\/tr>\n

Op. 46<\/td>\nSong, \u201cAdelaide\u201d<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
SJBC<\/a>
\nIMSLP<\/a><\/td>\n		Vienna: Artaria et Comp. (1797)<\/u><\/p>\n

A-M, Wgm, Wn (1<\/a>,\u00a02<\/a>,\u00a03<\/a>), Wst
\nCZ-K, Pnm, <\/a>Pu
\nD-BNba<\/a>,\u00a0F<\/a>, Hami, LEm, Mbs (2 ex), MZfederhofer
\nS-DK-Kk
\nGB-Lbl (1<\/a>,\u00a02<\/a>)
\nH-Bb (in: Bl), Bn, SFm
\nI-BZtoggenburg, Mc
\nUS-R<\/a>,\u00a0SJb<\/a>, Wc<\/td>\n<\/tr>\n

Op. 47<\/td>\nViolin Sonata No. 9 in A major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nSJBC<\/a>
\n[Schott]
\n<\/a>IMSLP<\/a><\/td>\n		Bonn und Paris: Simrock (1805)<\/u><\/p>\n

A-Wn (1<\/a>, also:\u00a02<\/a>)
\nD-BNba
\nRUS-Mcm, SPk<\/td>\n<\/tr>\n

Op. 48<\/td>\nSix Songs<\/u><\/p>\n

No. 1: \u201cBitten\u201d<\/p>\n

No. 2: \u201cDie Liebe das N\u00e4chsten\u201d<\/p>\n

No. 3: \u201cVom Tode\u201d<\/p>\n

No. 4: \u201cDie Ehre Gottes aus der Natur\u201d<\/p>\n

No. 5: \u201cGottes Macht und Vorsehung\u201d<\/p>\n

No. 6: \u201cBu\u00dflied\u201d<\/td>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3 [Peters<\/a>, Schlesinger<\/a>, Simrock<\/a>]
\nIMSLP<\/a><\/td>\n		Vienna: T. Mollo u. Comp. (1803)<\/u><\/p>\n

A-Wn<\/a>;\u00a0CZ-K<\/p>\n

Corrected version
\nD-BNba<\/a><\/td>\n<\/tr>\n

Op. 49<\/td>\nTwo Piano Sonatas<\/u><\/p>\n

No. 1: Piano Sonata No. 19 in G minor<\/p>\n

No. 2: Piano Sonata No. 20 in G major<\/td>\n

BONN<\/a>
\nIMSLP (no. 1)<\/a>
\nIMSLP (no. 2)<\/a><\/td>\n		Vienna: Kunst- und Industrie-Comptoir (Bureau d\u2019Arts et d\u2019Industrie) (1805)<\/u><\/p>\n

A-Wgm,\u00a0Wn<\/a>
\nCZ-Bm, K
\nD-B,\u00a0BNba<\/a>, Mbs
\nGB-Lbl<\/a>
\nUS-NH<\/a>,\u00a0SJb<\/a><\/td>\n<\/tr>\n

Op. 50<\/td>\nRomance for Violin and Orchestra No. 2 in F major<\/td>\n<\/td>\nVienna: Kunst- und Industrie-Comptoir (Bureau d\u2019Arts et d\u2019Industrie) (1805)<\/u><\/p>\n

A-Wn<\/a><\/td>\n<\/tr>\n

Op. 51<\/td>\nTwo Rondos for Piano<\/u><\/p>\n

No. 1 in C major<\/p>\n

No. 2 in G major<\/td>\n

BONN<\/a> 1 [Schott<\/a>]
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nJSBC<\/a><\/td>\n		No. 1<\/u><\/p>\n

Vienna: Artaria et Comp. (1797)<\/u><\/p>\n

A-RB, Wgm (2 ex), Wn (1<\/a>,\u00a02<\/a>,\u00a03<\/a>,\u00a04<\/a>), Wst (2 ex)
\nCH-Gc
\nCZ-K, KRa
\nD-B, BNba (1<\/a>,\u00a02<\/a>,\u00a03<\/a>,\u00a04<\/a>), Dl,\u00a0F<\/a>
\nGB-Lbl<\/a>
\nI-Vc
\nS-Skma
\nUS-NYp, SJb (1<\/a>,\u00a02<\/a>)<\/p>\n

 <\/td>\n<\/tr>\n

BONN<\/a> 5
\nBONN<\/a> 6[Sieber<\/a>]
\nJSBC<\/a>IMSLP (nos. 1 &2)<\/a><\/td>\n		No. 2<\/u><\/p>\n

Vienna: Artaria (1802)<\/u><\/p>\n

A-Wn<\/a>, Wst
\nCZ-K
\nD-BNba (1<\/a>,\u00a02<\/a>), Mbs
\nGB-Lbl<\/a>
\nH-Bn<\/td>\n<\/tr>\n

Op. 52<\/td>\nEight Songs<\/u><\/p>\n

No. 1: \u201cUrians Reise um die Welt\u201d<\/p>\n

No. 2: \u201cFeuerfarb\u201d<\/p>\n

No. 3: \u201cDas Liedchen von Ruhe\u201d<\/p>\n

No. 4: \u201cMaigesang\u201d<\/p>\n

No. 5: \u201cMollys Abschied\u201d<\/p>\n

No. 6: \u201cDie Liebe\u201d<\/p>\n

No. 7: \u201cMarmotte\u201d<\/p>\n

No. 8: \u201cDas Bl\u00fcmchen Wunderhold\u201d<\/td>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3[Haslinger<\/a>]IMSLP<\/a><\/td>\n		Vienna: Kunst- und Industrie-Comptoir (1805)<\/u><\/p>\n

A-Wgm,\u00a0Wn<\/a>, Wst
\nD-BNba<\/a>, D\u00dck, LEm
\nGB-Lbl<\/a>
\nUS-Cu<\/a>,\u00a0SJb<\/a><\/td>\n<\/tr>\n

Op. 53<\/td>\nPiano Sonata No. 21 in C major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4[Kuntze<\/a>]
\nSJBC 1<\/a>
\nSJBC 2<\/a>
\nIMSLP<\/a><\/td>\n		Vienna: Kunst- und Industrie-Comptoir (Bureau des Arts et d\u2019Industrie) (1805)<\/u><\/p>\n

D-BNba<\/a>, D-L\u00dch
\nGB-Lbl<\/a>
\nJ-Tk
\nUS-NYlateiner, –SJb<\/a>, Wc<\/td>\n<\/tr>\n

Op. 54<\/td>\nPiano Sonata No. 22 in F major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
SJBC<\/a>
\nIMSLP<\/a><\/td>\n		Vienna: Kunst- und Industrie-Comptoir (Bureau des arts et d\u2019industrie) (1806)<\/u><\/p>\n

A-Wgm (2 ex), Wn (1<\/a>,\u00a02<\/a>), Wst
\nD-BNba (1<\/a>,\u00a02<\/a>,\u00a03<\/a>),\u00a0F<\/a>, LEm, Mbs
\nGB-Lbl (1<\/a>,\u00a02<\/a>)
\nJ-Tk
\nRUS-Spit
\nUS-NYp, SJb (1<\/a>,\u00a02<\/a>), Wc<\/td>\n<\/tr>\n

Op. 55<\/td>\nSymphony No. 3 in E-flat major (\u201cEroica\u201d)<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
IMSLP<\/a><\/td>\n		Vienna: Kunst- und Industrie-Comptoir (Contor delle arti e d\u2019Industria) (1806)<\/u><\/p>\n

A-Wgm,\u00a0Wn<\/a>
\nCZ-Nlobkowicz
\nD-B, Dl
\nGB-Lbl<\/a>
\nH-Bn<\/td>\n<\/tr>\n

Op. 56<\/td>\nTriple Concerto for violin, cello, and piano in C major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nIMSLP<\/a><\/td>\n		Vienna: Kunst- und Industrie-Comptoir (Bureau des Arts et d\u2019Industrie) (1807)<\/u><\/p>\n

A-Wgm, Wn (1<\/a>,\u00a02<\/a>), Wst
\nCZ-KRa, Nlobkowicz
\nD-Bhm, BNba (1<\/a>,\u00a02<\/a>), LEm (2 ex), Mbs, Mmb
\nGB-Lbl (1<\/a>,\u00a02<\/a>,\u00a03<\/a>)
\nH-Bn
\nI-OS
\nJ-Tk
\nUS-BEm, SJb (1<\/a>,\u00a02<\/a>)<\/td>\n<\/tr>\n

Op. 57<\/td>\nPiano Sonata No. 23 in F minor (\u201cAppasionata\u201d)<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
SJBC (w\/ plate errors)<\/a>
\nSJBC (errors fixed)<\/a>
\nIMSLP<\/a><\/td>\n		Vienna: Kunst- und Industrie-Comptoir (Bureau des Arts et d\u2019industrie) (1807)<\/u><\/p>\n

A-Wgm, Wn (1<\/a>, 2<\/a>), Wst
\nCZ-Bm, Pnm<\/a> (BROb), K
\nD-BMs, BNba (1<\/a>,\u00a02<\/a>), Es (in Eu)
\nGB-Lbl (1<\/a>,\u00a02<\/a>)
\nH-Bn
\nI-Mc
\nRUS-SPsc
\nUS-NH, SJb<\/a>, Wc<\/td>\n<\/tr>\n

Op. 58<\/td>\nPiano Concerto No. 4 in G major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
[Peters<\/a>]
\nIMSLP<\/a><\/td>\n		Vienna und Prest: Kunst- und Industri-Comptoir (1808)<\/u><\/p>\n

A-Wgm (2 ex), Wn (1<\/a>, 2<\/a>, 3<\/a>), Wst
\nD-BNba<\/a>, Mbs
\nF-Pn
\nGB-Lbl (1<\/a>,\u00a02<\/a>, 3)
\nUS-SJb<\/a><\/td>\n<\/tr>\n

Op. 59<\/td>\nThree String Quartets:<\/u><\/p>\n

No. 1: String Quartet No. 7 in F major<\/p>\n

No. 2: String Quartet No. 8 in E minor<\/p>\n

No. 3: String Quartet No. 9 in C major<\/td>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
[Andr\u00e9]<\/a>
\nIMSLP (no. 1)<\/a>
\nIMSLP (no. 2)<\/a>
\nIMSLP (no. 3)<\/a><\/td>\n		Vienna: Kunst- und Industrie-Comptoir (Bureau des arts et d\u2019industrie) (1808)<\/u><\/p>\n

A-Wgm (2 ex), Wn (2 ex), Wst
\nD-BNba (1<\/a>,\u00a02<\/a>,\u00a03<\/a>=Nos 2-3), Mbs (Nos. 1-2)
\nGB-Lbl<\/a>
\nH-Bb (in Bl, Nos. 1-2), SFm (Nr. 1); HR-Zha (Dpt. In Zh)
\nI-Vc
\nUS-NYp, SJb<\/a><\/td>\n<\/tr>\n

Op. 60<\/td>\nSymphony No. 4 in B-flat major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5<\/td>\n		Vienna and Pest: Kunst- und Industrie-Comptoir (Bureau des arts et d\u2019industrie) (1808\/09)<\/u><\/p>\n

A-Wgm, Wn
\nCZ-Lla
\nD-BNba<\/a>, DT, L\u00dch, RUI
\nGB-Lbl<\/a>
\nHR-Zh
\nI-Mc, Vc
\nUS-BL<\/td>\n<\/tr>\n

Op. 61<\/td>\nViolin Concerto in D major<\/td>\n[Bureau des Arts et d’Industrie]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 9
\nBONN<\/a> 10BONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nIMSLP<\/a><\/td>\n		Vienna and Pest: Kunst- und Industrie-Comptoir (Bureau des arts et d\u2019industrie) (1809)<\/u><\/p>\n

A-Wgm, Wn
\nD-B, Bhm, BE, BNba<\/a>, Mbs, Sh
\nF-Pn
\nGB-Lbl (1<\/a>, also found:\u00a02<\/a>)
\nUS-NYp<\/p>\n

London: Clementi & Co, Plattenbezeichnung (1810)<\/u><\/p>\n

GB-Lcm<\/td>\n<\/tr>\n

Op. 61a<\/td>\nPiano Version of Violin Concerto, Op. 61<\/td>\nBONN<\/a><\/p>\n

SJBC<\/a><\/td>\n

Vienna and Pest: Kunst- und Industrie-Comptoir (Bureau des arts et d\u2019industrie) (1808)<\/u><\/p>\n

A-Wn (2 ex)
\nI-Vc
\nUS-SJb<\/a><\/p>\n

Handexemplar: A-Wgm<\/p>\n

London: Clementi, Banger, Collard, Davis & Collard (Verlagskatalog 1816) (1810)<\/u><\/p>\n

GB-Lbl, Lcm<\/td>\n<\/tr>\n

Op. 62<\/td>\nCoriolan\u00a0Overture<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4<\/td>\n		Vienna: Kunst- und Industrie-Comptoir (Bureau des arts et d\u2019industrie) \/ Pest: Schreyvogel & Comp. (1807\/08)<\/u><\/p>\n

A-M, Wgm, Wn (3 ex)
\nCZ-KRa, Nlobkowicz
\nD-BE, BNba<\/a>, LB
\nGB-Lbl (1<\/a>,\u00a02<\/a>)
\nRUS-SPsc
\nUS-SJb<\/a><\/td>\n<\/tr>\n

Op. 63<\/td>\nPiano Trio (Arr. of String Quintet, Op. 4)<\/td>\nN\/A<\/td>\n\u201cAnhang Unechte und zweifelhafte Werke\u201d<\/td>\n<\/tr>\n
Op. 64<\/td>\nPiano and Cello (Arr. of String Trio, Op. 3)<\/td>\nN\/A<\/td>\n\u201cAnhang Unechte und zweifelhafte Werke\u201d<\/td>\n<\/tr>\n
Op. 65<\/td>\n\u201cAh! Perfido,\u201d aria<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nIMSLP<\/a><\/td>\n		Leipzig: Hoffmeister & K\u00fchnel (Bureau de Musique) (1805)<\/u><\/p>\n

A-Wgm, Wn
\nCZ-K, Nlobkowicz
\nD-B (3 ex), BFb (in M\u00dcu), BNba<\/a>, LEm, Mbs, SWI
\nGB-Lbl<\/a>
\nS-Skma (2 ex)
\nUS-NH<\/a><\/p>\n

Piano Reduction:<\/u><\/p>\n

Leipzig: Hoffmeister e K\u00fchnel (1805)<\/u><\/p>\n

A-Wgm
\nD-W
\nI-Vc
\nJ-Tk
\nRUS-SPsc
\nUS-SJb<\/a><\/td>\n<\/tr>\n

Op. 66<\/td>\n12 Variations for cello and piano in F major on Mozart\u2019s \u201cEin M\u00e4dchen oder Weibchen\u201d<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nIMSLP<\/a><\/td>\n		Vienna: Traeg (1798)<\/u><\/p>\n

A-SF, Wgm, Wn
\nCZ-K (2 ex)
\nD-B, BNba (1<\/a>,\u00a02<\/a>), LEm<\/td>\n<\/tr>\n

Op. 67<\/td>\nSymphony No. 5 in C minor<\/td>\n<\/a>BONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5IMSLP (score and parts)<\/a><\/td>\n		Leipzig: Breitkopf & H\u00e4rtel (1809)<\/u><\/p>\n

A-Wgm, Wn (2 ex)
\nCZ-Nlobkowicz
\nD-B (2 ex), Bdso, (1<\/a>,2<\/a>), DT, HER, L\u00dch, MZl (in MZmi), Rp
\nGB-Lbl (3 ex)
\nH-Bb (in Bl)
\nI-BZtoggenburg, Mc, OS
\nJ-Tk
\nRUS-Mk
\nS-Skma
\nSK-BRm
\nUS-Cn, SJb<\/td>\n<\/tr>\n

<\/a>BONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		Parts:<\/u><\/p>\n

Leipzig: Breitkopf & H\u00e4rtel (1826)<\/u><\/p>\n

A-Wgm, Wn (2 ex)
\nCZ-Nlobkowicz
\nD-DI (2 ex), Hmi, LEm (2 ex), LEmi, L\u00dch, Mbs, Rp
\nF-Pn
\nGB-Lbl (2 ex)
\nH-Bl, Bmr
\nJ-Tk
\nRUS-Mk
\nS-Skma
\nUS-CA, NYp, SJb, Wc<\/td>\n<\/tr>\n

Op. 68<\/td>\nSymphony No. 6 in F major (\u201cPastoral\u201d)<\/td>\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4IMSLP (score and parts)<\/a><\/td>\n		Leipzig: Breitkopf & H\u00e4rtel (1809)<\/u><\/p>\n

CZ-KRa
\nD-B, BNba<\/a>, DT, L\u00dch, Mbs, Rp, RUl, SWl
\nGB-Lbl
\nH-Bb (in Bl)
\nI-OS, Tcm
\nJ-Tk
\nS-Skma
\nUS-SJb<\/td>\n<\/tr>\n

BONN<\/a> 1
\nSJBC<\/td>\n		Parts:<\/u><\/p>\n

Leipzig: Breitkopf & H\u00e4rtel (1826)<\/u><\/p>\n

A-Wgm, Wn (3 ex), Wst (2 ex)
\nCZ-Bu, Nlobkowicz, Pnm
\nD-B, BNba (1<\/a>,\u00a02<\/a>), Dl, Dmb, ES, LEm, Mbs, Rp (2 ex), Sh
\nF-Pn
\nGB-Lbl
\nI-Fc, Mc
\nH-Bb (in Bl)
\nJ-Tk (2 ex)
\nRUS-Mk
\nS-Skma (2 ex)
\nUS-CA, NYp, PHci, PHu, PRu, SJb, WS<\/td>\n<\/tr>\n

Op. 69<\/td>\nCello Sonata No. 3 in A major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6[Artaria]<\/a>
\nIMSLP<\/a><\/td>\n		Leipzig: Breitkopf & H\u00e4rtel (1809)<\/u><\/p>\n

A-Wn, Wst
\nD-Bhm, BNba, Mbs
\nH-Bb (in Bl)
\nJ-Tk<\/td>\n<\/tr>\n

Op. 70<\/td>\nTwo Piano Trios<\/u><\/p>\n

No. 1: Piano Trio No. 5 in D major (\u201cGhost\u201d)<\/p>\n

No. 2: Piano Trio No. 6 in E-flat major<\/td>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nBONN<\/a> 10
\nBONN<\/a> 11
\nBONN<\/a> 12
\nBONN<\/a> 13
IMSLP<\/a>
\nSJBC<\/a><\/td>\n		Leipzig: Breitkopf & H\u00e4rtel (1809)<\/u><\/p>\n

A-Wgm, Wn (2 ex)
\nD-Bhm (2 ex), BNba (1<\/a>,\u00a02<\/a>,\u00a03<\/a>,4<\/a>), Hau, LEm, LEmi (in LEu), Mbs, Rp
\nGB-Lbl
\nJ-Tk (2 ex)
\nRUS-Mrg, Spsc
\nUS-NYp, SJb<\/a>\u00a0(parts<\/a>)<\/td>\n<\/tr>\n

IMSLP<\/a><\/a><\/td>\nVienna: Artaria & Comp. (1810)<\/u><\/p>\n

A-Wgm (2 ex), Wn (2 ex)
\nCZ-Bu
\nD-BNba<\/a>, Mmb, Sl
\nUS-SJb<\/a><\/td>\n<\/tr>\n

Op. 71<\/td>\nWind sextet in E-flat<\/td>\nBONN<\/a>
\nIMSLP<\/a><\/td>\n		Leipzig: Breitkopf & H\u00e4rtel (1810)<\/u><\/p>\n

A-Wgm, Wn (2 ex)
\nD-BE, LEm, MGmi
\nF-Nlc
\nGB-Lbl
\nUS-SJb<\/a><\/td>\n<\/tr>\n

Op. 72<\/td>\nFidelio;\u00a0Fidelio overture<\/td>\n <\/p>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7<\/p>\n

I<\/a>MSLP<\/a><\/p>\n

 <\/td>\n

<\/td>\n<\/tr>\n
Op. 72a<\/td>\nLeonore, Leonore Overture No. 2<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nBONN<\/a> 10
\nBONN<\/a> 11
\nBONN<\/a> 12
\nBONN<\/a> 13
\nBONN<\/a> 14
\nBONN<\/a> 15
\nBONN<\/a> 16
\nBONN<\/a> 17
\nBONN<\/a> 18
\nBONN<\/a> 19<\/td>\n		<\/td>\n<\/tr>\n
OP. 72b<\/td>\nLeonore, Leonore Overture No. 3<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nBONN<\/a> 10
\nBONN<\/a> 11
\nBONN<\/a> 12
\nBONN<\/a> 13
\nBONN<\/a> 14
\nBONN<\/a> 15
\nBONN<\/a> 16
\nBONN<\/a> 17
\nBONN<\/a> 18<\/td>\n		Leipzig; Breitkopf & H\u00e4rtel (1810)<\/p>\n

US-WS<\/td>\n<\/tr>\n

Op. 73<\/td>\nPiano Concerto No. 5 in E-flat major (\u201cEmperor\u201d)<\/td>\n?<\/td>\nLondon: Clementi & Comp[an]y (1810)<\/u><\/p>\n

GB-Lbl (2 ex), Ob<\/td>\n<\/tr>\n

[Breitkopf & H\u00e4rtel]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nIMSLP<\/a><\/td>\n		Leipzig: Breitkopf & H\u00e4rtel (1811)<\/u><\/p>\n

A-Wgm, Wn
\nD-B, BNba (Klavierstimmen:1<\/a>, Stimmen:\u00a02<\/a>,\u00a03<\/a>) Dl, KA (DO), Mbs, Wll
\nCH-Bu; GB-Lbl (2 ex)
\nCZ-RU
\nH-Bn;
\nRUS-Mrg, SPsc<\/p>\n

 <\/td>\n<\/tr>\n

Op. 74<\/td>\nString Quartet No. 10 in E-flat major (\u201cHarp\u201d)<\/td>\n<\/a><\/td>\nLondon: Clementi & Comp[an]y (1810)<\/u><\/p>\n

GB-Lbl, Ob
\nUS-SJb<\/td>\n<\/tr>\n

<\/td>\n<\/td>\n<\/tr>\n
BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nBONN<\/a> 10
\nIMSLP<\/a><\/td>\n		Leipzig: Breitkopf & H\u00e4rtel (1810)<\/u><\/p>\n

Before corrections:<\/p>\n

A-Wgm
\nD-BNba (1<\/a>,\u00a02<\/a>, Also:\u00a03<\/a>,\u00a04<\/a>), DT, Mbs
\nGB-Lbl (2 ex)
\nUS-SJb<\/p>\n

After corrections:<\/p>\n

A-Wn (2 ex)
\nD-BNba (2 ex), Dl
\nUS-SLug<\/td>\n<\/tr>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4<\/td>\n		Vienna: Artaria et Comp.\u00a0(1810)<\/u><\/p>\n

A-Wgm, Wn (2 ex), Wst
\nD-BNba (2 ex)
\nGB-Lbl
\nH-Bn
\nJ-Tk
\nRUS-SPk
\nSK-BRm, BRsa, KE
\nUS-SJb (2 ex)<\/p>\n

 <\/td>\n<\/tr>\n

BONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		London: Clementi<\/td>\n<\/tr>\n
BONN<\/a><\/td>\nParis: Andre<\/td>\n<\/tr>\n
Op. 75<\/td>\nSix Songs (1809)<\/u><\/p>\n

No. 1: \u201cMignon\u201d<\/p>\n

No. 2: \u201cNeue Liebe neues Leben\u201d<\/p>\n

No. 3: \u201cEs war einmal ein K\u00f6nig\u201d<\/p>\n

No. 4: \u201cGretels Warnung\u201d<\/p>\n

No. 5: \u201cAn die fernen Geliebsten\u201d<\/p>\n

No. 6: \u201cDer Zufriedene\u201d<\/td>\n

BONN<\/a><\/td>\nNos. 5-6<\/p>\n

Vienna: Artaria und Comp. (1810)<\/u><\/p>\n

CZ-K
\nD-Mbs<\/td>\n<\/tr>\n

BONN<\/a><\/p>\n

 <\/td>\n

No. 4<\/p>\n

Leipzig: Allgemeine musikalische Zeitung (1810)<\/u><\/p>\n

 <\/td>\n<\/tr>\n

?<\/td>\nNos. 1-6<\/p>\n

London: Clementi, Banger, Collard, Davis & Collard (1810)<\/u><\/p>\n

D-Mbs
\nGB-Gu, Lbl, Ob, SA<\/td>\n<\/tr>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		Leipzig: Breitkopf & H\u00e4rtel (1810)<\/u><\/p>\n

A-Wgm, Wn (2 ex)
\nCZ-Nlobcowicz
\nD-B, BNba (1<\/a>,\u00a02<\/a>,\u00a03<\/a>,\u00a04<\/a>, 5), D\u00dck, Hmb, LEm, L\u00dch, Mbs
\nF-ASOlang
\nGB-Lbl (2 ex)
\nUS-SJb<\/td>\n<\/tr>\n

Op. 76<\/td>\nSix variations on an original theme for piano in D major<\/td>\nBONN<\/a><\/td>\nLondon: Clementi, Banger, Collard, Davis & Collard (1810)<\/u><\/p>\n

GB-Lbl, Ob
\nUS-SJb<\/a><\/td>\n<\/tr>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
Online<\/a>
\nJSBC<\/a>
\nIMSLP<\/a><\/td>\n		Leipzig: Breitkopf & H\u00e4rtel (1810)<\/u><\/p>\n

A-Wgm, Wn
\nCZ-K
\nD-B, BNba (1<\/a>,\u00a02<\/a>,\u00a03<\/a>,\u00a04<\/a>), Dl, LEm, Mbs
\nGB-Lbl
\nH-Bb (in Bl)
\nI-OS<\/td>\n<\/tr>\n

BONN<\/a><\/td>\nVienna: Artaria<\/td>\n<\/tr>\n
Op. 77<\/td>\nPiano Fantasia in G minor<\/td>\nOnline<\/a>
\nSJBC<\/a><\/td>\n		London: Clementi & Clementi & Comp[an]y\u00a0\u00a0(1810)<\/u><\/p>\n

GB-Lbl (2 ex), Ob
\nUS-SJb<\/a><\/td>\n<\/tr>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
Online<\/a>
\nIMSLP<\/a><\/td>\n		Leipzig: Breitkopf & H\u00e4rtel (1810)<\/u><\/p>\n

A-Wgm, Wn (2 ex)
\nCZ-Pnm (BROb)
\nD-B, Bhm, BNba (1<\/a>,\u00a02<\/a>), F, LEm, Mbs
\nGB-Lbl
\nJ-Tk
\nRUS-SPk
\nUS-SJb<\/a><\/td>\n<\/tr>\n

BONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		Vienna: Artaria<\/td>\n<\/tr>\n
Op. 78<\/td>\nPiano Sonata No. 24 in F-sharp major<\/td>\nOnline<\/p>\n
\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nOnline<\/a>
\nIMSLP<\/a><\/td>\n

London: Clementi, Banger, Collard, Davis & Collard (1810)<\/u><\/p>\n

A-Wgm
\nGB-Lbl (2 ex), Ob<\/p>\n

Leipzig: Breitkopf & H\u00e4rtel (1810)<\/u><\/p>\n

A-Wgm, Wn
\nD-BNba (1<\/a>, 2<\/a>, 3<\/a>), Dl, F, Lem, Mba, Rp
\nGB-Lbl (2 ex)
\nUS-NH, SJb<\/td>\n<\/tr>\n

Op. 79<\/td>\nPiano Sonata No. 25 in G major<\/td>\nOnline<\/a><\/p>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nIMSLP<\/a><\/td>\n

London:\u00a0Clementi, Banger, Collard, Davis & Collard (1810)<\/u><\/p>\n

with Op. 78 (see above)<\/p>\n

Leipzig: Breitkopf &\u00a0H\u00e4rtel (1810)<\/u><\/p>\n

A-Wgm, Wn
\nD-BNba (2 ex), Mbs, Rp
\nGB-Lbl, R
\nUS-NYp, Wc<\/td>\n<\/tr>\n

Op. 80<\/td>\n\u201cChoral Fantasy\u201d (Fantasia in C minor for piano, chorus, and orchestra)<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nIMSLP<\/a><\/td>\n		London:\u00a0Clementi & Comp [an] y (1810)<\/u><\/p>\n

GB-Ob
\nD-Mbs
\nGB-Lam, Lvl, Lcm, SA<\/p>\n

Leipzig: Breitkopf & H\u00e4rtel (1811)<\/u><\/p>\n

A-M, Wgm (2 ex), Wn, Wst
\nD-B, Bhm, Dl, Lem, Mbs, MEIr
\nGB-Lbl (2 ex)
\nS-Skma (3 ex)
\nUS-SJb (2 ex)<\/td>\n<\/tr>\n

Op. 81a<\/td>\nPiano Sonata No. 26 in E-flat major (\u201cLes Adieux\u201d)<\/td>\nOnline<\/a><\/td>\nLondon: Clementi & Co. (1811)<\/u><\/p>\n

GB-Lbl, Lcm, Ob
\nUS-SJb<\/p>\n

 <\/td>\n<\/tr>\n

<\/td>\n<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		Leipzig: Breitkopf & H\u00e4rtel (1811)<\/u><\/p>\n

French title: “Les Adieux…”: A-Wgm, Wn (2 ex)
\nCZ-Bm, Pu
\nD-BNba (2 ex), LB, Lem, Mbs
\nGB-Lbl
\nH-Bl
\nJ-Tk
\nS-Skma
\nUS-NYp, SJb, Wc<\/p>\n

German title: “Lebewohl…”:
\nA-Wn, Wst
\nD-BNba
\nGB-Lbl<\/td>\n<\/tr>\n

<\/td>\n<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		Vienna: Artaria<\/td>\n<\/tr>\n
Op. 81b<\/td>\nSextet in E-flat major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nIMSLP<\/a><\/td>\n		Bonn: N. Simrock (1810)<\/u><\/p>\n

A-Wn
\nD-BNba (3 ex), Lem
\nGB-Lbl (2 ex)
\nI-Vc<\/td>\n<\/tr>\n

Op. 82<\/td>\nFour Ariettas and a Duet<\/u><\/p>\n

No. 1: \u201cDimmi, ben mio, che m\u2019ami\u201d<\/p>\n

No. 2: \u201cT\u2019intendo si, mio cor\u201d<\/p>\n

No. 3: \u201cL\u2019amante impaziente\u201d (first version)<\/p>\n

No. 4: \u201cL\u2019amante impaziente\u201d (second version)<\/p>\n

No. 5: Duet, \u201cOdi \u2018laura che dolce sospira\u201d<\/td>\n

online<\/a><\/p>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n

London: Clementi, Banger, Collard, Davis & Collard (1811)<\/u><\/p>\n

D-Hs
\nGB-Gu, Lvl, Ob, SA
\nUS-SJb<\/p>\n

Leipzig: Breitkopf & H\u00e4rtel (1811)<\/u><\/p>\n

A-Wgm, Wn (2 ex), Wst
\nD-B, BNba (4 ex), Has, LCH, Lem (3 ex), Mbs (3 Ex)
\nF-Pn
\nGB-Lbl (3 ex)
\nI-Vc
\nRUS-Mk
\nS-Skma
\nUS-SJb, SLug<\/td>\n<\/tr>\n

Op. 83<\/td>\nThree Songs<\/u><\/p>\n

No. 1: \u201cWonne der Wehmut\u201d<\/p>\n

No. 2: \u201cSehnsucht\u201d<\/p>\n

No. 3: \u201cMit einen gemalten Band\u201d<\/td>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
Online<\/a>
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		Leipzig: Breitkopf & H\u00e4rtel (1811)<\/u><\/p>\n

A-Wgm, Wn
\nCZ-Pnm (2 ex)
\nD-B, Bhm, BNba (4 ex), D\u00dck, Lem, Mbs, MEIr, W
\nGB-Lbl (2 ex)
\nS-Skma
\nUS-SJb, STum, Wc<\/td>\n<\/tr>\n

Op. 84<\/td>\nEgmont, overture and incidental music<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nBONN<\/a> 10
\nBONN<\/a> 11
\nBONN<\/a> 12
\nBONN<\/a> 13
\nBONN<\/a> 14
\nBONN<\/a> 15
\nBONN<\/a> 16
\nIMSLP<\/a><\/td>\n		Overture:<\/p>\n

Stimmen<\/p>\n

Leipzig: Breitkopf & H\u00e4rtel (1810)<\/u><\/p>\n

A-Wgm, Wn
\nD-ANsv, D\u00dck, Gs, L\u00dch
\nGB-Lbl
\nSK-BRm<\/p>\n

(Widmungsexemplar, B-BNba)<\/p>\n

Klavierauszug<\/p>\n

Leipzig: Breitkopf & H\u00e4rtel (1811)<\/u><\/p>\n

A-Wn
\nCZ-Pst
\nD-BNba (2 ex), D\u00dck, F, Mbs
\nUS-NYp<\/p>\n

Ges\u00e4nge und Zwischenakte<\/p>\n

Stimmen<\/p>\n

Leipzig: Breitkopf & H\u00e4rtel (1812)<\/u><\/p>\n

A-Wgm, Wn (2 ex)
\nD-B, D\u00dck
\nGB-Lbl
\nI-Tf
\nUS-SJb<\/p>\n

Klavierauszug<\/p>\n

Leipzig: Breitkopf & H\u00e4rtel (1812)<\/u><\/p>\n

A-Wgm, Wn (3 ex)
\nCZ-Pnm
\nD-B, Dl, D\u00dck, KNh, Lem, Mbs, MEIr
\nGB-Lbl (2 ex)
\nUS-BApi, SJb<\/td>\n<\/tr>\n

Op. 85<\/td>\nChristus am \u00d6lberge(Christ on the Mount of Olives), Oratorio<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nBONN<\/a> 10
\nBONN<\/a> 11
\nBONN<\/a> 12
\nIMSLP<\/a><\/td>\n		Parts:<\/p>\n

Leipzig: Breitkopf & H\u00e4rtel (1811)<\/u><\/p>\n

A-M, SF, Wgm (2 ex), Wn (2 ex), Wst
\nCH-Bchristen
\nCZ-Bm, KRa
\nD-B, BNba, Dl, GLAU, Lr (2 ex), LEI, L\u00dch, Mbs, WS, W\u00dcu
\nGB-Lbl (2 ex), Ob
\nI-Fc
\nUS-SJb, SLug, (2 ex), Wc<\/p>\n

Handexemplar: D-F<\/p>\n

Piano reduction:<\/p>\n

Leipzig: Breitkopf & H\u00e4rtel (1811)<\/u><\/p>\n

A-HE, Wgm (3 ex), Wn (2 ex)
\nCZ-K, Plans
\nD-B, Bhm, BNba (2 ex), Dl, DT, Has, Lem, Mbs (2 ex), Mmb (2 ex), Sh, SWl
\nGB-Lbl
\nJ-Tk (2 ex)
\nPL-Kj
\nRUS-Mk, Mrg (5 ex)
\nUS-NYp, SJb (2 ex), Wc<\/td>\n<\/tr>\n

Op. 86<\/td>\nMass in C major<\/td>\nScore<\/a><\/p>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBO<\/a>NN 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nIMSLP<\/a><\/td>\n

Score<\/p>\n

Leipzig: Breitkopf & H\u00e4rtel (1812)<\/u><\/p>\n

D-BNba (3 ex), KA
\nUS-SLug (2 ex)<\/p>\n

Piano reduction:<\/p>\n

Leipzig: Breitkopf & H\u00e4rtel (1827)<\/u><\/p>\n

A-Wn, Wit
\nCZ-Bu
\nD-B, BNba, HER, Lem, Mbs, Mmb;
\nGB-Lbl
\nJ-Tk
\nRUS-Mk, SPsc
\nUS-Cn, SJb<\/td>\n<\/tr>\n

Op. 87<\/td>\nTrio for two Oboes and English Horn in C major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nIMSLP<\/a><\/td>\n		Vienna: Artaria et Comp. (1806)<\/u><\/p>\n

A-Wgm (2 ex), Wn
\nD-B, F, HAu
\nF-Pn
\nRUS-Mrg<\/td>\n<\/tr>\n

Op. 88<\/td>\n\u201cDas Gl\u00fcck der Freundschaft,\u201d song<\/td>\nBONN<\/a><\/p>\n

Online<\/a><\/p>\n

IMSLP<\/a><\/td>\n

Vienna: Eder (1803)<\/u><\/p>\n

A-Wgm
\nD-B
\nGB-Lbl<\/td>\n<\/tr>\n

Op. 89<\/td>\nPolonaise in C major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nOnline<\/a>
\nOnline<\/a>
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		Vienna: Pierre Mechetti (1815)<\/u><\/p>\n

A-Wgm, Wn (2 ex)
\nCZ-Bu, K, Pnm
\nD-B, BNba (2 ex), F, Lem, Mbs
\nGB-Lbl
\nH-Bb, Bl, Bn
\nJ-Tk
\nUS- SJb<\/a><\/td>\n<\/tr>\n

Op. 90<\/td>\nPiano Sonata No. 27 in E minor<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nSJBC 1<\/a>
\nSJBC 2<\/a>
\nSJBC 3<\/a>
\nSJBC [Clementi]<\/a>
\nSJBC [Simrock]<\/a>
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		Vienna: S. A. Steiner (1815)<\/u><\/p>\n

A-Wgm (2 ex), Wn (2 ex)
\nCZ-K
\nD-BNba, Lem, Mbs (2 ex)
\nGB-Lbl (2 ex)
\nH-Bb
\nJ-Tk (2 ex)
\nSFm
\nI-Tn
\nRUS-SPs
\nUS-NYp<\/td>\n<\/tr>\n

Op. 91<\/td>\nWellington\u2019s Victory\u00a0(\u201cBattle Symphony\u201d)<\/td>\n[Score]<\/p>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nIMSLP<\/a><\/p>\n

[Parts]
BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3<\/p>\n

[arrangement]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nBONN<\/a> 10
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n

Parts:<\/p>\n

Vienna: S. A. Steiner und Comp. (1816)<\/u><\/p>\n

A-Wn
\nD-BNba, Dl<\/p>\n

Stimmen:<\/p>\n

Vienna: S. A. Steiner und Comp. (1816)<\/u><\/p>\n

A-Wn
\nD-BNba, DT, Mh, Rp, SWI
\nGB-Lbl
\nHR-Zh
\nI-Vc
\nS-Skma
\nSK-BRm<\/p>\n

Piano Reduction:<\/p>\n

London: R. Birchall (1816)<\/u><\/p>\n

GB-Lbl<\/p>\n

Vienna: S. A. Steiner und Comp. (1816)<\/u><\/p>\n

A-Wn (2 ex), Wst;
\nCZ-Pnm (3 ex)
\nD-BNba
\nF-Pc
\nH-Bami, Bb, Bn
\nJ-Tk
\nUS-CA, SJb<\/td>\n<\/tr>\n

Op. 92<\/td>\nSymphony No. 7 in A major<\/td>\nIMSLP<\/a><\/p>\n

[Score]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nSJBC<\/a>
\nIMSLP<\/a><\/p>\n

[parts]<\/p>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nSJBC<\/a><\/td>\n

Parts:<\/p>\n

Vienna: S. A. Steiner und Comp. (1816)<\/p>\n

A-Wgm, Wn (2 ex), Wst
\nD-BNba (2 ex), Lem, Mbs
\nGB-Lbl<\/p>\n

[Corrections]
\nA-Wgm, Wn
\nD-LEm
\nUS-NYp, NYpm, Mk
\nS-Skma
\nUS-NH<\/p>\n

[Parts]<\/p>\n

Vienna: S. A. Steiner und Comp. (1816)<\/p>\n

A-Wn
\nD-DT
\nGB-Lbl (2 ex)
\nUS-Wc<\/td>\n<\/tr>\n

Op. 93<\/td>\nSymphony No. 8 in F major<\/td>\n[Steiner]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nSJBC [score]<\/a>
\nSJBC [parts]<\/a>
\nIMSLP<\/a>
[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nIMSLP<\/a><\/td>\n		Parts:<\/p>\n

Vienna: S. A. Steiner und Comp. (1817)<\/u><\/p>\n

A-Wgm, Wn (2 ex)
\nD-BNba, Dl, RUI|
\nF-Pn
\nGB-Lbl (2 ex)
\nS-Skma
\nUS-NYp (2 ex), SJb<\/p>\n

Stimmen:<\/p>\n

Vienna: S. A. Steiner und Comp. (1817)\u00a0<\/u><\/p>\n

A-Wgm, Wn (3 ex)
\nD-B, DT
\nF-Pn
\nGB-Lbl
\nH-Bn
\nS-Skma
\nUS-SJb. WS<\/p>\n

Piano reduction:<\/p>\n

Vienna: S. A. Steiner und Comp. (1817)<\/u><\/p>\n

A-Wst
\nCZ-Pu
\nD-B, BNba, Dl, Rp
\nGB-Lbl
\nUS-CA, NYp, SJb, Wc<\/td>\n<\/tr>\n

Op. 94<\/td>\n\u201cAn die Hoffnung,\u201d song<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		Vienna: S. A. Steiner und Comp. (1816)<\/u><\/p>\n

A-SEI, Wgm (4 ex), Wn (3 ex), Wst
\nCZ-K
\nD-Bhm, BNba (4 ex), F, Lem, Mbs
\nJ-Tk
\nRUS-Mk
\nUS-Bp, NH, NYp, SJb<\/td>\n<\/tr>\n

Op. 95<\/td>\nString Quartet No. 11 in F minor (\u201cSerioso\u201d)<\/td>\n[Steiner]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nSJBC<\/a>
\nIMSLP<\/a>
\n[Haslinger]
\nBONN<\/a><\/td>\n		Vienna: S. A. Steiner und Comp. (1816)<\/u><\/td>\n<\/tr>\n
Op. 96<\/td>\nViolin Sonata No. 10 in G major<\/td>\nIMSLP<\/a><\/p>\n

[Birchall]
\nBONN<\/a><\/p>\n

[Steiner]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nIMSLP<\/a><\/p>\n

[Haslinger]
\nBONN<\/a><\/td>\n

Vienna: S. A. Steiner und Comp. (1816)<\/u><\/p>\n

A-Wgm, Wn (2 ex), Wst
\nCZ-Bm, K
\nD-B, BNba (4 ex), DI, DS, DT, F, Mbs (2 ex), Sl
\nGB-Lbl (2 ex)
\nJ-Tk (3 Ex)
\nRUS-Mrg
\nUS-SJb, Wc<\/td>\n<\/tr>\n

Op. 97<\/td>\nPiano Trio No. 7 in B-flat major (\u201cArchduke\u201d)<\/td>\nIMSLP<\/a><\/p>\n

[Birchall]
\nBONN<\/a><\/p>\n

[Dunst]
\nBONN<\/a> 1
\nBONN<\/a> 2
[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/p>\n

[Steiner]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3<\/td>\n

Vienna: S. A. Steiner und Comp. (1816)<\/u><\/td>\n<\/tr>\n
Op. 98<\/td>\nAn die ferne Geliebte, song cycle<\/td>\nIMSLP<\/a><\/p>\n

BONN
\n[Birchall]<\/p>\n

[Dunst]<\/p>\n

[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3<\/p>\n

[Steiner]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nSJBC<\/a><\/td>\n

 <\/p>\n

Vienna: S. A. Steiner und Comp. (1816)<\/u><\/p>\n

A-Wn (2 ex)
\nCZ-Pnm
\nD-BNba (3 ex), F, Mbs
\nGB-Lbl (2 ex)
\nUS-SJb, Wc<\/td>\n<\/tr>\n

Op. 99<\/td>\n\u201cDer Mann von Wort,\u201d song<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nIMSLP<\/a><\/td>\n		Vienna: S. A. Steiner und Comp. (1816)<\/u><\/p>\n

A-Wgm (2 ex), Wn (2 ex), Wst.
\nD-Bhm, BNba (6 ex), DT, LEm, Mbs (2 Ex), W,\u00a0 WIl
\nGB-Lbl (2 ex)
\nH-Bb
\nI-BZtoggenburg.
\nRUS-Mk
\nS-Skma
\nSK-BRm
\nUS-NH, S]b<\/td>\n<\/tr>\n

Op. 100<\/td>\n\u201cMerkenstein,\u201d song<\/td>\nIMSLP<\/a><\/p>\n

[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/p>\n

[Steiner]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3<\/td>\n

<\/td>\n<\/tr>\n
Op. 101<\/td>\nPiano Sonata No. 28 in A major<\/td>\nArnold<\/a><\/p>\n

Dunst<\/a><\/p>\n

[Steiner]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nIMSLP<\/a><\/p>\n

[Haslinger]
\nBONN<\/a><\/td>\n

Vienna: S. A. Steiner und Comp. (1817)<\/u><\/p>\n

A-Wgm (5 ex), Wn (4 ex)
\nD-Bhm, BNba, LEm (2 ex), Mbs
\nGB-Lbl
\nJ-Tk
\nUS-SJb<\/td>\n<\/tr>\n

Op. 102<\/td>\nTwo Cello Sonatas<\/u><\/p>\n

No. 1: Cello Sonata No. 4 in C major<\/p>\n

No. 2: Cello Sonata No. 5 in D major<\/td>\n

No. 1<\/p>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nSJBC<\/a>
\nIMSLP<\/a><\/p>\n

No. 2<\/p>\n

BONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nSJBC<\/a>
\nIMSLP<\/a><\/p>\n

No. 1 & 2
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6 [arr. violin]<\/td>\n

Bonn & K\u00f6ln: N. Simrock (1817)<\/span><\/p>\n

A-Wgm (2 ex), Wn (2 ex), Wst (Nr. 2)
\nCH-Bu
\nD-Bhm, BNba (3 ex), Dl, Mbs, Mmb (Nr. 1)
\nGB-Lbl (3 ex)
\nS-Skma
\nUS-NYp, SJb<\/td>\n<\/tr>\n

Op. 103<\/td>\nOctet in E-flat major<\/td>\nBONN<\/a><\/p>\n

Andr\u00e9<\/a><\/p>\n

IMSLP<\/a><\/td>\n

Vienna: Artaria & Comp. (1830)<\/span><\/p>\n

A-Wgm, Wn (2 ex), Wst
\nD-B (2 ex), BNba, LErn, MZrni
\nGB-Lbl
\nI-Me, Vc
\nRUS-Mrg
\nUS-DMu, Wc<\/td>\n<\/tr>\n

Op. 104<\/td>\nString Quintet (arr. of Piano Trio No. 3)<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nIMSLP<\/a><\/td>\n		Vienna: Artaria & Comp. (1819)<\/span><\/p>\n

A-Wn (2 ex), Wsr
\nD-Mbs, BNba (4 ex)<\/td>\n<\/tr>\n

Op. 105<\/td>\nSix sets of variations for Piano and Flute<\/td>\nOnline<\/a>
\n[Artaria]
\nBONN<\/a> 1
\nBONN<\/a> 2 [1-3]
\nBONN<\/a> 3 [1-3]
\nBONN<\/a> 4 [4-6]
\nSJBC<\/a>
\nIMSLP<\/a>
[Thomson]
\nBONN<\/a><\/td>\n		London: T. Preston I\/ Edinburgh, G.<\/span>
\nThomson\u00a0 (1819)<\/span>A-Wn
\nD-BNba
\nGB-Cu, Lbl, Lcm, Ob
\nUS-NYpVienna: Artaria & Comp. (1819)<\/span><\/td>\n<\/tr>\n
Op. 106<\/td>\nPiano Sonata No. 29 in B-flat major (\u201cHammerklavier\u201d)<\/td>\n[Artaria]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nBONN<\/a> 10
\nBONN<\/a> 11
\nBONN<\/a> 12
\nBONN<\/a> 13
\nSJBC 1<\/a>
\nSJBC 2<\/a>
\nIMSLP<\/a><\/td>\n		Vienna: Artaria (1819)<\/span><\/p>\n

D-BNba (13 ex)<\/td>\n<\/tr>\n

Op. 107<\/td>\nTen National Airs with Variations for Flute and Piano<\/td>\n[Thompson]
\nBONN<\/a>
[Simrock]
\nBONN<\/a>
\nIMSLP<\/a><\/td>\n		D-BNba (2 ex)<\/td>\n<\/tr>\n
Op. 108<\/td>\nTwenty-Five Scottish Songs<\/td>\n[Thompson]
\nBONN<\/a>
[Schlesinger]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nIMSLP<\/a><\/td>\n		London: T. Preston I\/ Edinburgh, G.<\/span>
\nThomson\u00a0 (1819)<\/span>D-BNba (6 ex)
\nF-Pn
\nGB-A, En, Lbl (2 Ex), Ob
\nI-PESc, Vc
\nUS-Cn, CHum, LAum, NYpm, PO, PRY,
\nSJb<\/td>\n<\/tr>\n
Op. 109<\/td>\nPiano Sonata No. 30 in E major<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nSJBC 1<\/a>
\nSJBC 2<\/a>
\nIMSLP [with corrections]<\/a><\/td>\n		Berlin: Schlesinger (1821)<\/span><\/p>\n

A-Wgrn, Wn (2 ex).
\nD-BNba (2 ex), LErn (2 ex), Mbs
\nGB-Lbl
\nI-Vc
\nS-Skma
\nUS-NYp, SJb<\/td>\n<\/tr>\n

Op. 110<\/td>\nPiano Sonata No. 31 in A-flat major<\/td>\n[Capi & Diabelli]
\nBONN<\/a>
\nIMSLP<\/a>
[Clementi]
\nSJBC<\/a>
\n[Schlesinger]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		Paris: Maurice Schlesinger (1822)<\/span><\/p>\n

A-Wgm
\nF-Pn
\nGB-Lbl …<\/td>\n<\/tr>\n

Op. 111<\/td>\nPiano Sonata No. 32 in C minor<\/td>\n[Capi & Diabelli]
\nBONN<\/a>
\n[Clementi]
\nSJBC<\/a>
[Schlesinger]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nSJBC 1<\/a>
\nSJBC 2<\/a>
\nIMSLP<\/a><\/td>\n		<\/td>\n<\/tr>\n
Op. 112<\/td>\nMeeresstille und gl\u00fcckliche Fahrt\u00a0(Calm Sea and Prosperous Voyage), for chorus and orchestra<\/td>\n[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
[Steiner]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nIMSLP<\/a><\/td>\n		Vienna: S. A. Steiner &Comp. (1822)<\/span><\/p>\n

A-Wn, Wst
\nD-B, BNba, DT, Mbs
\nGB-Lbl
\nRUS-Mk, SPk
\nS-Skma (2 ex).<\/td>\n<\/tr>\n

Op. 113<\/td>\nDie Ruinen von Anthen, overture and incidental music<\/td>\n[Artaria]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nIMSLP<\/a>
[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2
[Steiner]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7<\/td>\n		Vienna: S. A. Steiner & Comp. (1823)<\/span> [score]
\n<\/span>A-Wgm, Wn (2 ex), Wst
\nD-ALt, B, BNba (3 ex), LEm, Mbs
\nF-Pn (2 ex)
\nGB-Lbl (3 ex)
\nH-Bsk
\nI-Me, OS
\nJ-Tk
\nRUS-SPk
\nUS-SJb\u00a0[parts]<\/span>A-Wgm, Wn (2 ex), Wst
\nD-B, BNba, LEm, MT, Rp
\nGB-Lbl
\nI-BZtoggenburg, Tf
\nS-Skma
\nUS-SJb (2 ex)<\/td>\n<\/tr>\n
Op. 114<\/td>\nDie Ruinen von Anthen, March and Chorus<\/td>\n[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nIMSLP<\/a>
[Steiner] (keyboard)
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4<\/td>\n		<\/td>\n<\/tr>\n
Op. 115<\/td>\nZur Namensfeier, overture<\/td>\n[Haslinger]
\nBONN<\/a>
[Steiner]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nIMSLP<\/a>
[Steiner] (keyboard)
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4<\/td>\n		Vienna: S. A. Steiner & Comp. (1823)<\/span><\/p>\n

A-Wgrn (2 Ex), Wn (Hoboken). – D-B, Bhrn, BNba (5 Ex, eines BesitzverrnerkAnton Schindler), KA
\n(DO), LErn, Mbs. – GB-Lbl. – RUS-SPk, SPsc. – US-SJb<\/td>\n<\/tr>\n

Op. 116<\/td>\n\u201cTremate, empi tremate,\u201d vocal trio with orchestra<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a>
[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
[Steiner]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nIMSLP<\/a><\/td>\n		Vienna: S. A. Steiner & Comp. (1826)<\/span><\/p>\n

A-Wgm (2 ex), Wn (3 ex), Wst
\nCZ-Pu\u00a0 …<\/td>\n<\/tr>\n

Op. 117<\/td>\nK\u00f6nig Stephan (King Stephen), overture and incidental music<\/td>\n[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nIMSLP<\/a>
[Mechetti](keyboard)
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5<\/td>\n		Vienna: S. A. Steiner & Comp. (1826) <\/span>[score]<\/p>\n

D-MZfederhofer<\/p>\n

[parts]<\/p>\n

A-Wgm
\nD-DDhh<\/p>\n

 <\/td>\n<\/tr>\n

Op. 118<\/td>\n\u201cElegischer Gesang,\u201d for four voices and string quartet<\/td>\n[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nIMSLP<\/a>
[Haslinger] (keyboard)
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		<\/td>\n<\/tr>\n
Op. 119<\/td>\nEleven new Bagatelles for piano<\/td>\nBONN<\/a>
\nSJBC<\/a>
\nIMSLP<\/a> (Diabelli 1826 edition first with 12th Bagatelle)<\/td>\n		<\/u><\/td>\n<\/tr>\n
Op. 120<\/td>\nThirty-three variations on a waltz by Diabelli for piano in C major<\/td>\n[Cappi & Diabelli]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nIMSLP<\/a>
[Diabelli]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nIMSLP<\/a><\/td>\n		Vienna: Cappi u. Diabelli (1823)<\/span><\/p>\n

…<\/td>\n<\/tr>\n

Op. 121a<\/td>\nKakadu Variations, for Piano Trio (Variations on \u201cIch bin der Schneider Kakadu\u201d)<\/td>\n[Dunst]
\nBONN<\/a>
[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
[Steiner]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		 <\/p>\n

Vienna: S. A. Steiner & Comp. (1824)<\/span><\/p>\n

A-Wgrn (3 ex), Wn (3 ex), Wst
\nD-B, Bhrn, BNba (4 ex), Dl, HAu, KA, LErn, Mbs, Rp
\nGB-Lbl (2 ex)
\nIVc
\nRUS-Mrg SPsc
\nUS-SJb<\/p>\n

London, Chappell & Co. (1824)<\/span><\/p>\n

GB-Cu, Lbl, Ob<\/td>\n<\/tr>\n

Op. 121b<\/td>\n\u201cOpferlied,\u201d for soprano, chorus, and orchestra<\/td>\n[Schott]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nIMSLP<\/a>
[Schott] (keyboard)
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3<\/td>\n		Mainz: B. Schott S\u00f6hne (1825)<\/span><\/p>\n

[score]
\nA-SEI, Wgrn (2 ex), Wn (2 ex)
\nCZ-Pu
\nD-BNba (3 ex), Dl, DT, DDhh, Km, LErn, Mbs, MZsch, Rp
\nF-Pn (2 Ex)
\nGB-Lbl (2 ex)
\nH-Bb (in: BI), Bn
\nI-Ye
\nJ-Tk
\nRUS-Mrg, SPk
\nS-Skma
\nUS-SJb, Wc<\/p>\n

[parts]<\/p>\n

A-SEI, Wgrn, Wn (2 ex)
\nCZ-KRa, LIa, Prag, Chram
\nD-BNba, Dl, DT, DDhh, Km, MZseh
\nGB-Lbl
\nH-Bb (in: BI), Bn
\nI-Ye
\nNL-At
\nRUS-Mrg, SPk
\nS-Skma
\nUS-SJb, Wc<\/td>\n<\/tr>\n

Op. 122<\/td>\n\u201cBundeslied,\u201d for voices, chorus and wind instruments<\/td>\n[Schott]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nBONN<\/a> 10
\nIMSLP<\/a>
[Schott] (keyboard)
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		Mainz: B. Schott S\u00f6hne (1825)
\n<\/span>[score]A-Wgm.
\nD-DT, MZsch
\nGB-Lbl (2 ex)
\nI-PESc
\nUS-SJb<\/td>\n<\/tr>\n
Op. 123<\/td>\nMissa Solemnis in D major<\/td>\n[Schott]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nBONN<\/a> 10
\nBONN<\/a> 11
\nIMSLP<\/a>
[Schott] (keyboard)
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		Mainz: Schott (1827)<\/span><\/p>\n

A-Wgm, Wn
\nCZ-KRa
\nD-Bhm, BNba (5 ex), Dl, Gs, LEm, Mbs,
\nMms, MZsch. MZl (in: MZmi), Rp, RUh (in: RUl)
\nF-ASOlang
\nGB-Cu, Eu, Lbl, Lcm, Ob
\nJ-Tk
\nRUS-Mk (2 Ex), SPk, SPsc
\nUS-NH, NYp. US-I, STum<\/td>\n<\/tr>\n

Op. 124<\/td>\nDie Weihe des Hauses <\/em>(Consecration of the House), overture<\/td>\n[Schott]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nIMSLP<\/a>
[Schott] (keyboard)
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		Mainz: B. Schott Fils (1824)<\/span><\/p>\n

US:BETm<\/td>\n<\/tr>\n

Op. 125<\/td>\nSymphony No. 9 in D minor (\u201cChoral\u201d)<\/td>\n[Schott]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nBONN<\/a> 10
\nBONN<\/a> 11
\nBONN<\/a> 12
\nBONN<\/a> 13
\nBONN<\/a> 14
\nIMSLP<\/a>
[Schott] (keyboard)
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		Mainz and Paris: B. Schotts S\u00f6hne (1826)<\/p>\n

US-WS<\/td>\n<\/tr>\n

Op. 126<\/td>\nSix Bagatelles for piano<\/td>\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		Mainz: B. Schott Fils (1825)<\/span><\/p>\n

A-Wn
\nD-B, BNba (2 ex), DI (2 ex), LEm, Mbs, STEmurschel
\nGB-Lbl
\nRUS-Mcm, Mrg
\nUS-NYp, SJb<\/td>\n<\/tr>\n

Op. 127<\/td>\nString Quartet No. 12 in E-flat major<\/td>\n[Schlesinger]
\nBONN<\/a>
[Schott]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nBONN<\/a> 10
\nSJBC 1<\/a>
\nSJBC 2<\/a>
\nIMSLP<\/a>
\n
[Soci\u00e9t\u00e9 pour la Publication \u00e0 bon March\u00e9]
\nBONN
<\/a>Online<\/a><\/td>\n		Stimmen:<\/p>\n

Paris: Les Fils de B. Schott (1826)<\/u><\/p>\n

A-Wgm; D-BNba (2 ex), KA; GB-Lbl (2 ex); US-SJb<\/p>\n

Mainz: Les Fils de B. Schott (1826)<\/u><\/p>\n

A-Wgm, Wn (2 ex); D-AMms, BNba, DL (2 ex), Kl, F, Mbs, MEIr, SWI; GB-Lbl (2 ex); RUS-Mrg, SPsc; SK-BRm; US-SJb<\/p>\n

Parts:<\/p>\n

Mainz: B. Schott Fils (1826)<\/u><\/p>\n

A-Wgm, Wn (2 ex), Wst; D-BNba, LEm; GB-Lbl; J-Tk; US-NYp, SJb<\/td>\n<\/tr>\n

Op. 128<\/td>\n\u201cDer Kuss,\u201d song<\/td>\n[Schott]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		Mainz and Paris: B. Schotts S\u00f6hne (1825)<\/p>\n

A-M, Wgm, Wn, Wst
\nD-BNba (2 ex), HAu, D-KA, LEm, Mbs, MZsch
\nGB-LbI (2 ex)
\nUS-SJb<\/td>\n<\/tr>\n

Op. 129<\/td>\nRondo \u00e0 Capriccio for piano in G major (\u201cRage over a lost penny\u201d)<\/td>\n[Diabelli]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		Vienna: Ant. Diabelli e Co. (1828)<\/p>\n

A-SEl, Wgm (3 ex), Wn (3 ex), Wst
\nCZ-Pnm
\nD-B (2 ex), BNba (4 ex), Dl, DT, F, LEm, Mbs
\nGB-Lbl (2 ex)
\nH-Bn
\nI-Vc
\nJ-Tk (2 ex)
\nRUS-Mrg, SPsc
\nUS-NYp, SJb, SLC<\/p>\n

 <\/td>\n<\/tr>\n

Op. 130<\/td>\nString Quatet No. 13 in B-flat major<\/td>\n[Artaria]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nSJBC<\/a>
\nIMSLP<\/a><\/p>\n

[Schlesinger]
\nBONN
<\/a>Online<\/a><\/td>\n

Vienna:\u00a0 Mathias Artaria (1827)<\/span><\/p>\n

A-GO, Wgrn, Wn (2 ex), Wst
\nD-B (3 ex), Bhrn, BNba (4 ex), LErn, Mbs (2 ex), Rp, SWl
\nGB-Lbl (2 ex)
\nH-Bb (in: Bl)
\nJ-Tk
\nRUS-SPse
\nUS-SJb, Wc<\/td>\n<\/tr>\n

Op. 131<\/td>\nString Quartet No. 14 in C-sharp minor<\/td>\n[Schlesinger]
\nBONN<\/a>
[Schott]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nBONN<\/a> 10
\nBONN<\/a> 11
\nBONN<\/a> 12
\nBONN<\/a> 13
\nSJBC [score]<\/a>
\nSJBC [parts]<\/a>
\nIMSLP<\/a><\/p>\n

[Soci\u00e9t\u00e9 pour la Publication \u00e0 bon March\u00e9]
\nBONN<\/a><\/td>\n

Paris: Les fils de B. Schott (1827)<\/u><\/p>\n

D-BNba; F-Pn (2 ex); US-SJb<\/p>\n

Mainz: Les fils de B. Schott (1827)<\/u><\/p>\n

D-BNba, LEm, Mbs<\/p>\n

Parts:<\/p>\n

Mainz: Les fils de B. Schott (1828)<\/u><\/p>\n

A-Wgm, Wn (2 ex); D-B, BNba (2 ex), DT, F, LEm; F-Pn; GB-Lbl; J-Tk; US-NYp (2 ex), SJb<\/td>\n<\/tr>\n

Op. 132<\/td>\nString Quartet No. 15 in A minor<\/td>\n[Schlesinger]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nBONN<\/a> 9
\nBONN<\/a> 10
\nBONN<\/a> 11
\nBONN<\/a> 12
\nBONN<\/a> 13
\nSJBC<\/a>
\nIMSLP<\/a>
[Soci\u00e9t\u00e9 pour la Publication \u00e0 bon March\u00e9]
\nBONN<\/a><\/td>\n		Paris: Maurice Schlesinger (1827)<\/span><\/p>\n

 <\/td>\n<\/tr>\n

Op. 133<\/td>\nGro\u00dfe Fuge in B-flat major for string quartet (original final of Op. 130)<\/td>\n[Artaria]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nSJBC (score)<\/a>
\nIMSLP<\/a><\/td>\n		Vienna:\u00a0 Mathias Artaria (1827)<\/span><\/p>\n

A-Wgrn (3 Ex), Wn
\n(2 Ex, eines Hoboken)
\nCZ-Pnrn (BROb), Pr
\nD-B (2 Ex), Bhrn, BNba (2 ex), LErn, Mbs
\nGB-Lbl (2 ex)
\nJ:I-Bb (in: BI), Bn.
\nJ-Tk
\nRUS-SPsc
\nS-Skma
\nSK-BRm
\nUS-NYp, SJb.<\/p>\n

A-SEI, SF, Wgrn (4 ex), Wn (3 ex),
\nWsr
\nCZ-Pnrn (BROb)
\nD-B, BNba (3 ex), Dl, F, KI, LErn, Mbs (3 ex), Mrnb
\nGB-Lbl (2 ex)
\nHR-Zha
\nI-Vc
\nJ-Tk
\nS-Skma|
\nUS-KN, PRu, SJb, U<\/td>\n<\/tr>\n

Op. 134<\/td>\nPiano (arr. of Gro\u00dfe Fuge, Op. 133)<\/td>\n[Artaria]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nSJBC<\/a>
\nIMSLP<\/a><\/td>\n		<\/td>\n<\/tr>\n
Op. 135<\/td>\nString Quartet No. 16 in F major<\/td>\n[Schlesinger]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\nBONN<\/a> 8
\nSJBC [score]<\/a>
\nSJBC [parts]<\/a>
\nIMSLP<\/a><\/p>\n

[Soci\u00e9t\u00e9 pour la Publication \u00e0 bon March\u00e9]
\nBONN<\/a><\/td>\n

Paris: Maurice Schlesinger (1827)<\/span><\/td>\n<\/tr>\n
Op. 136<\/td>\nCantata:\u00a0Der glorreiche Augenblick<\/td>\n[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
[Haslinger] (Keyboard)
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3<\/td>\n		Vienna: Tobias Haslinger (1835)<\/span><\/td>\n<\/tr>\n
Op. 137<\/td>\nFugue for String Quintet in D major<\/td>\n[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nIMSLP<\/a><\/td>\n		Vienna: Tobias Haslinger (1827)<\/span><\/p>\n

A-L, SEI, Wgm, Wn (3 ex), Wst
\nCZ-Bu
\nD-BNba, DI, LEm
\nGB-Lbl
\nH-Bn
\nI-OS
\nJ-Tk (2 ex)
\nS-Skma
\nUS-NYp, SJb, SLug<\/td>\n<\/tr>\n

Op. 138<\/td>\nLeonore, Leonore Overture 1<\/td>\n[Haslinger]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 1<\/td>\nMusik zu einem Ritterballett (Music for a ballet on horseback)<\/td>\nBONN<\/a><\/td>\n<\/td>\n<\/tr>\n
WoO 2a<\/td>\nTriumphal March for orchestra for Christoph Kuffner\u2019s tragedy\u00a0Tarpeja<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a>
[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		Vienna: Artaria et Compagnie (1832)<\/span><\/p>\n

A-Wgm, Wn, Wst
\nRUS-Mrg<\/td>\n<\/tr>\n

WoO 3<\/td>\n\n
Minuet for Orchestra<\/div>\n<\/td>\n
[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 4<\/td>\n\n
Concerto for piano and orchestra in E-flat major<\/div>\n<\/td>\n
BONN<\/a><\/td>\n<\/td>\n<\/tr>\n
WoO 5<\/td>\nConcerto for Violin & Orchestra<\/td>\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		<\/td>\n<\/tr>\n
WoO 6<\/td>\nRondo in B-flat major<\/td>\n[Diabelli]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nSJBC 1<\/a>
\nSJBC<\/a> 2<\/td>\n		Vienna: A. Diabelli et Comp. (1829)<\/td>\n<\/tr>\n
WoO 7<\/td>\n12 Minuets, arr. for piano<\/td>\nOnline<\/a><\/p>\n

[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/p>\n

[Artaria] (Keyboard)
\nBONN<\/a>
\nSJBC<\/a><\/td>\n

<\/td>\n<\/tr>\n
WoO 8<\/td>\n12 German Dances<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a>
[Artaria] (Keyboard)
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 9<\/td>\n12 Minuets for two violins and bass<\/td>\n[Schott]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 10<\/td>\n6 Minuets<\/td>\n[Czerny]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 11<\/td>\n7 L\u0101ndler<\/td>\n[Artaria]
\nBONN<\/a>
[Cappi]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 12<\/td>\n12 Minuets<\/td>\n–<\/td>\n<\/span><\/td>\n<\/tr>\n
WoO 13<\/td>\n12 German Dances<\/td>\n[Strache]
\nBONN<\/a><\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 14<\/td>\n6 Contredances<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN
<\/a>[Mollo]
\nBONN<\/a><\/td>\n		Vienna: T. Mollo & Comp. (1802)<\/span><\/p>\n

A-Wn
\nRUS-SPit<\/td>\n<\/tr>\n

WoO 15<\/td>\n6 L\u0101ndler<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a>
[Artaria] (Keyboard)
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 16a<\/td>\n12 Ecossaises<\/td>\n[Werckmeister]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 17<\/td>\n11 Dances<\/td>\n[Beyer]
\nBONN<\/a>
[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 18<\/td>\nMarch & Trio for Wind Band in F major<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a>
[Reinecke]
\nBONN<\/a><\/td>\n		Vienna: Chemische Druckerei [S. A. Steiner] (1810)<\/p>\n

 <\/td>\n<\/tr>\n

WoO 19<\/td>\nMarch & Trio for Wind Band in F major<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN
<\/a>[Reinecke]
\nBONN<\/a><\/td>\n		Vienna: Chemische Druckerei [S. A. Steiner] (1810)<\/p>\n

CZ-Pnm<\/td>\n<\/tr>\n

WoO 20<\/td>\nMarch for Military Band<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 21<\/td>\nPolonaise for Military Band<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 22<\/td>\nEcossaise for Military Band<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 23<\/td>\nEcossaise for Military Band<\/td>\n[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 24<\/td>\nMarch for Military Band<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a>
[Cappi & Czerny]
\nBONN<\/a> 1
\nBONN<\/a> 2
[Witzendorf]
\nBONN<\/a><\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 25<\/td>\nRondino<\/td>\n[Diabelli]
\nBONN<\/a><\/td>\n		Vienna: Ant. Diabelli u. Comp. (1830)<\/span><\/p>\n

A-Wgm, Wn (2 ex), Wsr
\nD-BNba, Dl, DT
\nGB-Lbl
\nRUS-Mk
\nUS-SJb<\/td>\n<\/tr>\n

WoO 26<\/td>\nDuo for 2 Flutes<\/td>\n[Thayer]
\nBONN<\/a><\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 27<\/td>\n3 Duos for Clarinet & Bassoon<\/td>\n[Andr\u00e9]
\nBONN
<\/a>[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 28<\/td>\nDuo No. 2 for Clarinet & Bassoon in F major<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		Leipzig: Breitkopf & H\u00e4rtel (1914)<\/span><\/td>\n<\/tr>\n
WoO 29<\/td>\nMarch for 2 Clarinets, 2 Horns, & 2 Bassoons<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 30<\/td>\n3 Equali<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a>
[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 31<\/td>\nFugue for Organ<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 32<\/td>\nDuo for Viola & Cello<\/td>\n[Peters]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3<\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 33a<\/td>\nPiece for Musical Clock<\/td>\nBONN<\/a>
\nBONN<\/a><\/td>\n		Die Musik 1 (1902), Heft 12<\/span><\/td>\n<\/tr>\n
WoO 33b<\/td>\nPiece for Musical Clock<\/td>\n[Schott]
\nBONN<\/a><\/td>\n		\u00a0Mainz-Leipzig: B. Schott’s S\u014dhne (1940)<\/span><\/td>\n<\/tr>\n
\u00a0WoO 34<\/td>\nDuo for Violins in A major<\/td>\n[Frimmel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 35<\/td>\nCanon for 2 cellos<\/td>\n[Nohl]
\nBONN<\/a><\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 36<\/td>\n3 Piano Quartets<\/td>\n[Artaria]
\nBONN<\/a> 1 [#1]
\nBONN<\/a> 2 [#1]
\nBONN<\/a> 3 [#1-3]
\nBONN<\/a> 4 [#1-3]
\nBONN<\/a> 5 [#1-3][Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		Vienna: Artaria et Comp. (1828)<\/span><\/td>\n<\/tr>\n
WoO 37<\/td>\nTrio for Piano, Flute, & Bassoon<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 38<\/td>\nTrio for Piano, Violin, & Cello<\/td>\n[Dunst]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		<\/td>\n<\/tr>\n
WoO 39<\/td>\nAllegretto for Piano Trio in B flat major<\/td>\n[Dunst]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nSJBC<\/a><\/td>\n		Frankfurt am Main: Franz Philipp Dunst (1830)<\/td>\n<\/tr>\n
WoO 40<\/td>\n12 Variations on ‘Se vuol ballare’<\/td>\n[Artaria]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 41<\/td>\nRondo for Piano & Violin<\/td>\n[Simrock]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4<\/td>\n		<\/td>\n<\/tr>\n
WoO 42<\/td>\n6 German Dances for Piano & Violin<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 43a<\/td>\nSonatina for Mandolin & Keyboard<\/td>\nBONN<\/a><\/td>\n<\/td>\n<\/tr>\n
WoO 43b<\/td>\nAdagio for Mandolin & Keyboard<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 44a<\/td>\nSonatina for Mandolin & Keyboard<\/td>\n[Merker]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 44b<\/td>\nVariations for Mandolin & Keyboard<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 45<\/td>\n12 Variations for Piano & Cello in G major<\/td>\n[Artaria]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\n[Dunst]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		Vienna: Artaria et Comp. (1797)<\/p>\n

A-Wgm (4 ex), Wn (2 ex)
\nCZ-Bm, K, KRa, Pnm, Pu.
\nD-BNba (2 ex), Dl, LEm.
\nGB-Lbl (2 ex,), Lcm
\nJ-Tk<\/td>\n<\/tr>\n

WoO 46<\/td>\n7 Variations for Piano & Cello in E flat major:<\/td>\n[Artaria]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\n[Dunst]
\nBONN<\/a> 1
\nBONN<\/a> 2
D-LEm\u00a0<\/a><\/td>\n		\u00a0Vienna: T. Mollo et Comp. (1802<\/span>)<\/p>\n

A-Wgm, Wn (2 ex)
\nD-Bhm, BNba, LErn<\/td>\n<\/tr>\n

WoO 47<\/td>\n3 Piano Sonatas<\/td>\n[Bo\u03b2ler]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 48<\/td>\nRondo for Piano in C<\/td>\n[Bo\u03b2ler]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 49<\/td>\nRondo for Piano in A<\/td>\n[Bo\u03b2ler]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 50<\/td>\n2 Sonata Movements for Piano in F major<\/td>\n[Henle]
\nBONN<\/a>
\n[Pelikan]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 51<\/td>\nEasy Piano Sonata in C major<\/td>\nBONN<\/a><\/td>\nFrankfurt am Main: Fr. Ph. Dunst (1830)<\/span><\/p>\n

CZ-Bu
\nD-B
\nUS-SJb<\/td>\n<\/tr>\n

WoO 52<\/td>\nBagatelle for Piano in C minor:<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 53<\/td>\nAllegretto for Piano<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 54<\/td>\nPiece for Piano<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 55<\/td>\nPrelude for Piano<\/td>\n[Bureau des Arts et d’Industrie]
\nBONN<\/a>
\n[Riedl]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 56<\/td>\nBagatelle for Piano in C major<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 57<\/td>\nAndante for Piano in F<\/td>\n[Bureau des Arts et d’Industrie]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\n[Riedl]
\nBONN<\/a><\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 58, No. 1<\/td>\nCadenza for Piano in D minor: for Mozart\u2019s piano concerto in D minor K 466 1st mvmt<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		Wiener Zeitschrift f\u00fcr Kunst, Literatur, Theater und Mode 21 (1836), Nr. 10<\/span><\/td>\n<\/tr>\n
WoO 59<\/td>\nBagatelle for Piano<\/td>\n[Nohl]
\nBONN<\/a>
\nSJBC<\/a><\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 60<\/td>\nPiece for Piano in B flat<\/td>\n–<\/td>\n<\/span><\/td>\n<\/tr>\n
WoO 61<\/td>\nPiece for Piano in B Minor<\/td>\n[Deutsche Kunst- und Musik-Zeitung]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 61a<\/td>\nPiece for Piano in G Minor<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 62<\/td>\nQuintet in C<\/td>\n[Diabelli]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 63<\/td>\n9 Variations on a Dressler theme<\/td>\n[G\u00f6tz]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 64<\/td>\n6 Variations for Piano or Harp in F major<\/td>\n[Simrock]
\nBONN<\/a><\/td>\n		Bonn: N. Simrock (ca<\/em> 1798)<\/span><\/p>\n

D-Dl, L\u00dch<\/td>\n<\/tr>\n

WoO 65<\/td>\n24 Variations on “Vienni Amore”<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 66<\/td>\n13 Variations on “Es war einmal”<\/td>\n[Simrock]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nSJBC<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 67<\/td>\n8 Variations for Piano Four Hands in C major<\/td>\n[Simrock]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3<\/td>\n		<\/td>\n<\/tr>\n
WoO 68<\/td>\n12 Variations on “Minuet \u00e0 la Vigano”<\/td>\n[Artaria]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3<\/td>\n		<\/td>\n<\/tr>\n
WoO 69<\/td>\n9 Variations on “Quant \u00e8 pi\u00f9 bello”<\/td>\n[Cappi & Diabelli]
\nBONN<\/a>
\n[Traeg]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 70<\/td>\n6 Variations on “Nel cor pi\u00f9 non mi sento”<\/td>\n[Diabelli]
\nBONN<\/a>
\n[Traeg]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 71<\/td>\n12 Variations on a Russian dance<\/td>\n[Artaria]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5<\/td>\n		<\/td>\n<\/tr>\n
WoO 72<\/td>\n8 Variations on “Mich brennt ein hei\u03b2es Fieber”<\/td>\n[Traeg]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nSJBC<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 73<\/td>\n10 Variations on “La stessa, la stessissima”<\/td>\n[Artaria]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3<\/td>\n		<\/td>\n<\/tr>\n
WoO 74<\/td>\n6 Variations on “Ich denke dein”<\/td>\n[Bureau des Arts et d’Industrie]
\nBONN<\/a> 1
\nBONN<\/a> 2[Riedl]
\nBONN<\/a><\/td>\n		\u00a0Vienna:\u00a0 Kunst- und Indusrrie-Comptoir (1805)<\/span><\/p>\n

A-Wgm, Wn (2 ex)
\nCZ-Pnm (2 ex)
\nD-BNba (3 ex), Dl,\u00a0 D\u00dck, Mmb
\nGB-Lbl
\nH-Bn
\nJ-Tk<\/td>\n<\/tr>\n

WoO 75<\/td>\n7 Variations for Piano in F major: on the Quartet “Kind, willst du ruhig schlafen?”<\/td>\n[Mollo]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		Vienna:\u00a0 T. Molla e Co. (1799)<\/span><\/p>\n

A-M, Wn, Wst
\nCZ-Bm, K (3 ex)
\nD-B, BNba
\nGB-Lbl (2 ex)
\nHR-Zh<\/td>\n<\/tr>\n

WoO 79<\/td>\n5 Variations for Piano in D major: on the English song “Rule Britannia” from Arne\u2019s “Alfred”<\/td>\n[Bureau des Arts et d’Industrie]
\nBONN<\/a> 1
\nBONN<\/a> 2
\n[Haslinger]
\nBONN<\/a><\/td>\n		Vienna: Kunst- und Industrie-Comptoir [Bureau d’Arts et d’Industrie] (1804)<\/span><\/p>\n

 <\/td>\n<\/tr>\n

WoO 80<\/td>\n32 Variations on an original theme<\/td>\n[Bureau des Arts et d’Industrie]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\n[Haslinger]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 81<\/td>\nAllemande for Piano in A major<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 82<\/td>\nMinuet for Piano in E Flat major<\/td>\n[Bureau des Arts et d’Industrie]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 83<\/td>\n6 Ecossaises for piano<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 84<\/td>\nWaltz for Piano in E flat major<\/td>\n–<\/td>\nVienna:\u00a0 C. F. M\u00fcller (1824)<\/span><\/td>\n<\/tr>\n
WoO 85<\/td>\nWaltz for Piano in D major<\/td>\n–<\/td>\nVienna:\u00a0 C. F. M\u00fcller (1824)<\/span><\/p>\n

A-Wn (2 ex)
\nCZ-K<\/td>\n<\/tr>\n

WoO 86<\/td>\nEcossaise for Piano in E flat major<\/td>\n–<\/td>\nVienna:\u00a0 C. F. M\u00fcller (1825)<\/span><\/p>\n

A-Wgm
\nCZ-K<\/td>\n<\/tr>\n

WoO 87<\/td>\nCantata on the Death of Joseph II<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 88<\/td>\nCantata on the Elevation of Leopold II<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 89<\/td>\nAria “Pr\u00fcfung des K\u00fcssens”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 90<\/td>\nAria “Mit M\u00e4deln sich vertragen”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 91<\/td>\nTwo Arias for “Die sch\u00f6ne Schusterin”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 92<\/td>\nScene and Aria “Erste Liebe, HImmelslust”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 92a<\/td>\nScene and Aria “No, non turbati”<\/td>\n[Bruckner]
\nBONN<\/a>
\n[Nott]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 93<\/td>\nDuet “Ne’ giorni tuoi felici”<\/td>\n[Eulenburg]
\nBONN 1
\nBONN 2<\/td>\n		<\/td>\n<\/tr>\n
WoO 94<\/td>\n“Germania”, finale for Trietschke\u2019s Singspiel “Die gute Nachricht”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a>
\n[Hoftheater]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		<\/td>\n<\/tr>\n
WoO 95<\/td>\nChorus “Ihr weisen Gr\u00fcnder”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 96<\/td>\n“Leonore Prohaska”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 97<\/td>\n“It is Finished”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a>
\n[Haslinger]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 98<\/td>\nChorus “Wo die Pulse sich jugendlich jagen”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 99<\/td>\nPolyphonic Italian Songs<\/td>\n[Ataria]
\nBONN<\/a> 1
\nBONN<\/a> 2
\n[Atlantis]
\nBONN<\/a>[Breitkopf & H\u00e4rtel]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nBONN<\/a> 5
\nBONN<\/a> 6
\nBONN<\/a> 7
\n[Eidgen\u00f6ssisches S\u00e4ngerblatt]
\nBONN<\/a>
\n[Nott]
\nBONN<\/a>
\n[Schweizer musikp\u00e4dagogische Bl\u00e4tter]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 100<\/td>\n“Lob auf den Dicken” “Schuppanzigh ist ein Lump”<\/td>\n[Grove]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 101<\/td>\n“Graf, Graf, liebster Graf”<\/td>\n[Nohl]
\nBONN<\/a>
\n[Thayer]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 102<\/td>\n“Abschiedsgesang” (Song of Farewell) for tenor & 2 basses “Die Stunde schl\u00e4gt”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 103<\/td>\nCantata “Cantata campestre”<\/td>\n[Gold]
\nBONN<\/a>[Literarische Verinigung]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 104<\/td>\n“Gesang der M\u00f6nche”<\/td>\n[Neue Zeitschrift f\u00fcr Musik]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		<\/td>\n<\/tr>\n
WoO 105<\/td>\n“Auf, Freunde, singt dem Gott der Ehen”<\/td>\n[B\u00e4r]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 106<\/td>\nCantata “Es lebe unser teurer F\u00fcrst”<\/td>\n[Nohl]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 107<\/td>\n“Schilderung eines M\u00e4dchens”<\/td>\n[Bo\u03b2ler]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 108<\/td>\n“An einen S\u00e4ugling”<\/td>\n[Bo\u03b2ler]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		<\/td>\n<\/tr>\n
WoO 109<\/td>\nParting Song<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 110<\/td>\nElegey on the Death of a Poodle<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 111<\/td>\n“Punschlied”<\/td>\n[Schiedmair]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 112<\/td>\n“An Laura”; “Freud\u2019 umbl\u00fche dich auf allen Wegen”<\/td>\n[Heyer]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 113<\/td>\n“Klage”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 114<\/td>\n“Ein Selbstgespr\u00e4ch”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 115<\/td>\n“An Minna”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 116<\/td>\n“Que le temps me dure”<\/td>\nBONN<\/a><\/td>\n<\/td>\n<\/tr>\n
WoO 117<\/td>\n“Der freie Mann”<\/td>\n[Simrock]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 118<\/td>\n“Seufzer eines Ungeliebten”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3<\/td>\n		<\/td>\n<\/tr>\n
WoO 119<\/td>\n“O care selve”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 120<\/td>\n“Man strebt, die Flamme zu verhehlen”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 121<\/td>\n“Abschiedsgesang an Wiens B\u00fcrger”<\/td>\n[Artaria]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 122<\/td>\n“Kriegslied der Osterreicher”<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 123<\/td>\n“Z\u00e4rtliche Liebe” (Tender Love); “Ich liebe dich, so wie du mich”<\/td>\n[Mechetti]
\nBONN<\/a><\/td>\n		Vienna: Johann Traeg (1803)<\/span><\/p>\n

A-Wn (2 ex)<\/td>\n<\/tr>\n

WoO 124<\/td>\n“La partenza” (Der Abschied)<\/td>\n[Mechetti]
\nBONN<\/a><\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 125<\/td>\n“La tiranna”<\/td>\n–<\/td>\n<\/span><\/td>\n<\/tr>\n
WoO 126<\/td>\n“Opferlied” (Sacrificial Song); “Die Flamme lodert”<\/td>\n[Simrock]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4<\/td>\n		Bonn: N. Simrock (1808)<\/span><\/td>\n<\/tr>\n
WoO 127<\/td>\n“Neue Liebe, neues Leben”<\/td>\n[Simrock]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\nSJBC<\/a><\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 128<\/td>\n“Plaisir d\u2019aimer”<\/td>\nBONN<\/a><\/td>\n<\/span><\/td>\n<\/tr>\n
WoO 129<\/td>\n“Der Wachtelschlag” (The Quail\u2019s Call) “Ach, wie schalt\u2019s dorten so lieblich hervor”<\/td>\n[Bureau des Arts et d’Industrie]
\nBONN<\/a> 1
\nBONN<\/a> 2[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2[Riedl]
\nBONN<\/a><\/td>\n		Vienna: Kunst- und Indusuie-Comptoir (1804)<\/span><\/p>\n

A-Wgm (2 Ex), Wn
\nD-BNba, Hmb, KA (DO), LCH,
\nGB-Lbl
\nH-Bl
\nUS-Wc<\/td>\n<\/tr>\n

WoO 130<\/td>\n“Gedenke mein”<\/td>\n[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		<\/td>\n<\/tr>\n
WoO 131<\/td>\n“Erlk\u00f6nig” [sketch]<\/td>\n[Schuberth]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 132<\/td>\n“Als die Geliebte sich trennen wollte”<\/td>\n[Allgemeine musikalische Zeitung]
\nBONN<\/a><\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 133<\/td>\n“In questa tomba oscura”, Arietta (In this dark Tomb)<\/td>\n[Clementi]
\nBONN<\/a>
\n[DUNST]
\nBONN<\/a>
\n[Peters]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		Vienna: T. Mollo (1808)<\/span><\/td>\n<\/tr>\n
WoO 134<\/td>\n“Sehnsucht”; “Nur wer die Sehnsucht kennt” (1st setting)<\/td>\n[Bureau des Arts et d’Industrie]
\nBONN<\/a>
\n[Haslinger]
\nBONN<\/a>
\n[Riedl]
\nBONN<\/a>
\n[Steiner]
\nBONN<\/a><\/td>\n		Vienna: Anton Strau\u00df (1808)<\/span><\/p>\n

D-D\u00dck, Mbs, WRt
\nGB-Lbl<\/td>\n<\/tr>\n

WoO 135<\/td>\n“Die laute Klage”; “Turteltaube, du klagtest so laut”<\/td>\n[Diabelli]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nSJBC<\/a><\/td>\n		Vienna: Ant. Diabelli u. Comp. (1837<\/span>)<\/p>\n

 <\/td>\n<\/tr>\n

WoO 136<\/td>\n“Andenken” (Memories); “Ich denke dein”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4<\/td>\n		Leipzig: Breitkopf & H\u00e4rtel (1810)<\/span><\/p>\n

D-B, BNba (2 Ex)
\nGB-Lbl
\nUS-STum<\/td>\n<\/tr>\n

WoO 137<\/td>\n“Gesang aus der Ferne” (Song from far away); “Als mir noch die Tr\u00e4ne” (2nd setting)<\/td>\n[Artaria]
\nBONN<\/a> 1
\nBONN<\/a> 2
\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nSJBC<\/a><\/td>\n		Leipzig: Breitkopf & H\u00e4rtel (1810)<\/span><\/p>\n

 <\/td>\n<\/tr>\n

WoO 138<\/td>\n“Der J\u00fcngling in der Fremde”; “Der Fr\u00fcling entbl\u00fchet dem Scho\u00df der Natur”<\/td>\n[Artaria]
\nBONN<\/a><\/td>\n		Vienna: Artaria und Comp. (1810)<\/span><\/p>\n

 <\/td>\n<\/tr>\n

WoO 139<\/td>\n“Der Liebende”; “Welch ein wunderbares Leben”<\/td>\n[Artaria]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		Vienna: Artaria und Comp. (1810)<\/span><\/td>\n<\/tr>\n
WoO 140<\/td>\n“An die Geliebte”; “O da\u00df ich dir vom stillen Auge” (1st setting)<\/td>\n[Europa]
\nBONN<\/a>
\n[Friedensbl\u00e4tter]
\nBONN<\/a>
\n[Simrock]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		“Friedensbl\u00e4tter. \/ Eine Zeitschrift \/ f\u00fcr Leben, Literatur<\/span>
\nund Kunst. \/ Von einer Gesellschaft herausgegeben [J. K. Chr. Fischer und F. A.<\/span>
\nKlinkowstr\u00f6m]. \/ Erstes Jahr, 1814.<\/span>A-Wn
\nD-B, BNba, Mbs
\nGB-Lbl<\/td>\n<\/tr>\n
WoO 141<\/td>\n“Der Gesang der Nachtigall”;<\/td>\n–<\/td>\n<\/span><\/td>\n<\/tr>\n
WoO 142<\/td>\n“Der Bardengeist”<\/td>\n[Musen-Almanach]
\nBONN<\/a><\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 143<\/td>\n“Des Kriegers Abschied”<\/td>\n–<\/td>\n<\/span><\/td>\n<\/tr>\n
WoO 144<\/td>\n“Merkenstein”<\/td>\n[Selam]
\nBONN<\/a><\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 145<\/td>\n“Das Geheimnis (Liebe and Wahrheit)”<\/td>\n[Sauer & Leidsdorf]
\nBONN<\/a>
\n[Simrock]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4
\n[Wiener Moden-Zeitung]
\nBONN<\/a><\/td>\n		<\/span><\/td>\n<\/tr>\n
WoO 146<\/td>\n“Sehnsucht” (Longing); “Die stille Nacht umdunkelt”<\/td>\n[Artaria]
\nBONN<\/a>
\nSJBC<\/a><\/td>\n		Vienna: Artaria und Comp. (1816)<\/span><\/p>\n

A-Wn
\nH-Bb<\/td>\n<\/tr>\n

WoO 147<\/td>\n“Ruf vom Berge”; “Wenn ich ein V\u00f6glein w\u00e4r”<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 148<\/td>\n“So oder so”<\/td>\n[Sauer]
\nBONN<\/a>
\n[Wiener Moden-Zeitung]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		<\/td>\n<\/tr>\n
WoO 149<\/td>\n“Resignation”<\/td>\n[Sauer]
\nBONN<\/a>
\n[Wiener Moden-Zeitung]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		<\/td>\n<\/tr>\n
WoO 150<\/td>\n“Abendlied unter\u2019m gestirnten Himmel” (Evening Song beneath the Starry Sky); “Wenn die Sonne nieder sinket”<\/td>\n[Sauer]
\nBON<\/a>
\n[Wiener Moden-Zeitung]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		Vienna: Anton Strauss (1820)<\/td>\n<\/tr>\n
WoO 151<\/td>\n\n
\n

“Der edle Mensch sei hilfreich und gut”<\/p>\n<\/div>\n<\/td>\n

[Lange]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 152<\/td>\n63 Irish songs [1-29]<\/td>\n[Thompson]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3<\/td>\n		<\/td>\n<\/tr>\n
WoO 153<\/td>\n63 Irish songs [30-59]<\/td>\n[Thompson]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\nBONN<\/a> 4<\/td>\n		<\/td>\n<\/tr>\n
WoO 154<\/td>\n63 Irish Songs [60-63]<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3<\/td>\n		<\/td>\n<\/tr>\n
WoO 155<\/td>\n26 Welsh Song<\/td>\n[Thomson]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 156<\/td>\n12 Folk Song Settings<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 157<\/td>\n12 Folk Song Settings<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 158<\/td>\n29 Folk Song Settings<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a>
\n[Die Musik]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 159<\/td>\nCanon: “Im Arm der Liebe ruht sich\u2019s wohl”<\/td>\n[Seyfried]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 160<\/td>\n3-part Canon in G major<\/td>\n[Seyfried]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		<\/td>\n<\/tr>\n
WoO 161<\/td>\n3-part Canon: “Ewig dein!” (Forever thine!)<\/td>\n[Allgemeine musikalische Zeitung]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 162<\/td>\nCanon: “Ta ta ta, lieber M\u00e4lzel” [dubious]<\/td>\n–<\/td>\n<\/span><\/td>\n<\/tr>\n
WoO 163<\/td>\n3-part Canon in F minor: “Kurz ist der Schmerz, und ewig ist die Freude” (Suffering is transitory, but joy is eternal) (1st setting)<\/td>\n[Helferich]
\nBONN<\/a><\/td>\n		Halle, Rengersehe Verlagsbuchhandlung (1828)<\/span><\/p>\n

D-BNba<\/td>\n<\/tr>\n

WoO 164<\/td>\n3-part Canon in C major: “Freundschaft ist die Quelle wahrer Gl\u00fcckseligkeit” (Friendship is the source of true bliss)<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 165<\/td>\nCanon: “Gl\u00fcck zum neuen Jahr!”<\/td>\n[Haslinger]
\nBONN<\/a> 1
\nBONN<\/a> 2
\n[Riedl]
\nBONN<\/a> 1
\nBONN<\/a> 2
\nBONN<\/a> 3
\n[Steiner]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		<\/td>\n<\/tr>\n
WoO 166<\/td>\n3-part Canon in F major: “Kurz ist der Schmerz, und ewig ist die Freude” (Suffering is transitory, but joy is eternal) (2nd setting)<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 167<\/td>\nCanon: “Brauchle, Linke”<\/td>\n[Thayer]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 168<\/td>\nCanons: “Das Schweigen” “Das Reden”<\/td>\n[Allgemeine musikalische Zeitung]
\nBONN<\/a>
\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 169<\/td>\nRiddle Canon: “Ich k\u00fc\u00dfe Sie, dr\u00fccke Sie an mein Herz”<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 170<\/td>\nCanon: “Ars longa, vita brevis” version 1<\/td>\n[Nohl]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 171<\/td>\nCanon: G major: “Gl\u00fcck fehl\u2019 dir vor allem!” [dubious]<\/td>\n[Frimmel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 172<\/td>\n3-part Canon in E flat major: “Ich bitt\u2019 dich, schreib\u2019 mir die Es-Scala auf”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 173<\/td>\nCanon: “Hol\u2019 euch der Teufel! B\u2019h\u00fct euch Gott!”<\/td>\n[Thayer]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 174<\/td>\n4-part Canon in B flat major: “Glaube und hoffe”<\/td>\n[Nohl]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 175<\/td>\n4-part Riddle Canon: “Sankt Petrus war ein Fels\/ Bernardus war ein Sankt”<\/td>\n[Thayer]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 176<\/td>\n3-part Canon in F major: “Gl\u00fcck zum neuen Jahr!” (2nd setting)<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 177<\/td>\nCanon in E major: “Bester Magistrat, Ihr friert”; canon for 2 male voices & 2 double-basses<\/td>\n[MacArdle]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 178<\/td>\nCanon: “Signor Abate”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 179<\/td>\nCanon: “Seiner Kaiserlichen Hoheit…alles Gute, alles Sch\u00f6ne”<\/td>\n[Nohl]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 180<\/td>\nCanon: “Auf einen, welcher Hoffmann gehei\u00dfen”<\/td>\n[C\u00e4cilia]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 181<\/td>\nCanons: “Gedenket heute an Baden” “Gehabt euch wohl”\u00a0 “Tugend ist kein leerer Name”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a>
\n[Sch\u00fcnemann]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 182<\/td>\n3-part Canon in D minor: “O Tobias!”<\/td>\n[Allgemeine musikalische Zeitung]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 183<\/td>\nCanon: “Bester Herr Graf, Sie sind ein Schaf”<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 184<\/td>\nCanon: “Falstafferel, lass dich sehen!”<\/td>\n[Musik]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 185<\/td>\n6-part Canon: “Edel sei der Mensch, h\u00fclfreich und gut”<\/td>\n[Wiener Zeitschrift f\u00fcr Kunst, Literatur, Theater und Mode]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 186<\/td>\nCanon: “Te solo adoro”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 187<\/td>\nCanon: “Auf einen, welcher Schwenke gehei\u00dfen”<\/td>\n[C\u00e4cilia]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 188<\/td>\nRiddle Canon: “Gott ist eine feste Burg”<\/td>\n[Kalischer]
\nBONN<\/a>
\n[Prelinger]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 189<\/td>\nCanon: “Doktor, sperrt das Tor dem Tod”<\/td>\n[Nohl]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 190<\/td>\nCanon: “Ich war hier, Doktor, ich war hier”<\/td>\n[MacArdle]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 191<\/td>\nCanon: “K\u00fchl, nicht lau”<\/td>\n[Seyfried]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 192<\/td>\nRiddle Canon: “Ars longa, vita brevis” version 2<\/td>\n[Thayer]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 193<\/td>\nRiddle Canon: “Ars longa, vita brevis” version 3<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 194<\/td>\nRiddle Canon: “Si non per portas, per muros”<\/td>\n[Nohl]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 195<\/td>\nCanon: “Freu dich des Lebens”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 196<\/td>\nRiddle Canon: “Es mu\u00df sein!”<\/td>\n[Thayer]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 197<\/td>\n5-part Canon in C major: “Das ist das Werk, sorgt um das Geld!”<\/td>\n[Hug]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 198<\/td>\nRiddle Canon: “Wir irren allesamt”<\/td>\n[Nohl]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 199<\/td>\n“Ich bin der Herr von zu”<\/td>\n[Nohl]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 200<\/td>\nPiece for Piano in G major: “O Hoffnung!”<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 201<\/td>\n“Ich bin bereit! Amen”<\/td>\n[Thayer]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 202<\/td>\nRiddle Canon: “Das Sch\u00f6ne zum Guten!”<\/td>\n[Thayer]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 203<\/td>\nRiddle Canon: “Das Sch\u00f6ne zu dem Guten!”<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 204<\/td>\n“Holz, Holz, geigt die Quartette so”<\/td>\n[Thayer]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 205a<\/td>\nMusical greetings for Solo Voice(s) in C major: “Baron, Baron, Baron”<\/td>\n[Nohl]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 205b<\/td>\nMusical greetings for Solo Voice(s) in C major: “Allein, allein, allein, jedoch. Silentium!!”<\/td>\n[Marx]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 205c<\/td>\nMusical greetings for Solo Voice(s) in A minor: “O Adjutant”<\/td>\n[Seyfried]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 205d<\/td>\nMusical greetings for Solo Voice(s) in C major: “Wo? Wo?”<\/td>\n[Nohl]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 205e<\/td>\nMusical greetings for Solo Voice(s) in D major: “Erf\u00fcllung, Erf\u00fcllung”<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 205f<\/td>\nMusical greetings for Solo Voice(s) in F major: “Scheut euch nicht<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 205g<\/td>\nMusical greetings for Solo Voice(s) in E major: “Tobias! Paternosterg\u00e4\u00dfler. Tobias!<\/td>\n[Die Musik]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 205h<\/td>\nMusical greetings for Solo Voice(s) in D major: “Tobias Tobias”<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 205i<\/td>\nMusical greetings for Solo Voice(s) in C major: “Bester To—-(bias)”<\/td>\n[Nohl]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 205k<\/td>\nMusical greetings for Solo Voice(s) in C major: “Erster aller Tobiasse”<\/td>\n[Thayer]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 206<\/td>\nConcerto for Oboe<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 207<\/td>\nRomance for Flute, Bassoon, Piano, and orchestra<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 208<\/td>\nQuintet for Oboe, 3 Horns, and Bassoon<\/td>\n[Schott]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 209<\/td>\nMenuett for String Quartet<\/td>\n[Beethoven-Jahrbuch]
\nBONN<\/a>
\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a> 1
\nBONN<\/a> 2<\/td>\n		<\/td>\n<\/tr>\n
WoO 210<\/td>\nAllegretto for String Quartet<\/td>\n[Bodmer]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 211<\/td>\nAndante for Piano<\/td>\n[Henle]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 212<\/td>\nAnglaise for Piano<\/td>\n[Schmitz]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 213<\/td>\n4 Bagatelles for Piano<\/td>\n[Novello]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 214<\/td>\nBagatelle for Piano<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 215<\/td>\nThree-voice Fugue for Piano<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 216<\/td>\n2 Bagatelles for Piano<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 217<\/td>\nMinuet for Piano<\/td>\n[Henle]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 218<\/td>\nMinuet for Piano<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 219<\/td>\nWaltz for Piano<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 220<\/td>\n“War Song for the Allied Forces”<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 221<\/td>\n“Herr Graf, ich komme zu fragen”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 222<\/td>\nCanon in A flat<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 223<\/td>\nCanon: “Tut auf”<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 224<\/td>\nCanon: “Cacatum non est pictum”<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 225<\/td>\nCanon:”Gro\u00dfen Dank f\u00fcr solche Gnade”<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 226<\/td>\nCanon: “Fettl\u00fcmmel, Bankert haben triumphiert”<\/td>\n[Sch\u00fcnemann]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 227<\/td>\nCanon: “Esel aller Esel”<\/td>\n[Breitkopf & H\u00e4rtel]
\nBONN<\/a><\/td>\n		<\/td>\n<\/tr>\n
WoO 228a<\/td>\nMusical Joke: “Ah Tobias”<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
WoO 228b<\/td>\nMusical Joke: “Tobias”<\/td>\n–<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>\n

<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

(work in progress) List of First Editions\u00a0Compiled from Ludwig van Beethoven: Thematisch-bibliographisches Werkverzeichnis (2014) [Library sigla can be searched here] BONN = Beethoven-Haus Bonn IMSLP =\u00a0\u00a0International Music Score Library Project SJBC =\u00a0The Ira F. Brilliant Center for Beethoven Studies at San Jose State University   Catalog # Work Online First Editions\u00a0 Op. 1 Three Piano […]<\/p>\n","protected":false},"author":8544,"featured_media":0,"parent":0,"menu_order":38,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/pages\/1211"}],"collection":[{"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/users\/8544"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/comments?post=1211"}],"version-history":[{"count":52,"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/pages\/1211\/revisions"}],"predecessor-version":[{"id":3874,"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/pages\/1211\/revisions\/3874"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/beethovencenter\/wp-json\/wp\/v2\/media?parent=1211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}