Interested in the mediated realities we construct, normalize and inhabit, Jim Skuldt’s work probes our dwindling relationship with physicality: from the construction (and locking) of a renegade structure in the back yard of his Art school, to the acquisition and distribution of the 48-foot-diameter circular rotating touring stage formerly belonging to Neil Diamond, to the cataloguing of each piece of his neighbors’ profuse trash droppings over the course of a year, to the ongoing quest to ship himself worldwide within a modified shipping container. Part of the Tuesday Night MFA Lecture Series at BU School of Visual Arts.