College of Arts & Sciences
Art of Poetry Video Repository
Menu
Search
About
Conversations
Lectures
Poets
Poems
Topics
Search
Search for:
Filter By:
Poet
Alan Dugan
Alexander Pope
Ben Jonson
David Ferry
Edna St. Vincent Millay
Edwin Arlington Robinson
Elise Partridge
Elizabeth Bishop
Frank O'Hara
Gail Mazur
Gerard Manley Hopkins
H.D.
Henry Reed
John Donne
John Dowland
Lady Mary Wortley Montagu
Lewis Carrol
Mark Halliday
Michael Drayton
Michelangelo Buonarroti
Robert Frost
Robert Hayden
Robert Pinsky
Samuel Daniel
Sappho
Sara Peters
Sir Phillip Sidney
Stevie Smith
T.S. Eliot
Thomas Campion
Walt Whitman
William Butler Yeats
William Carlos Williams
William Shakespeare
Poem
Abortion
Astrophil and Stella 63: O Grammar rules O now your virtues show
At the Fishhouses
Chard Whitlow
Chemo Side Effects: Memory
Epistle to Miss Blount: On Her Leaving the Town After the Coronation
Eros Turannos
Fine Knacks for Ladies
Four Quartets
Gilgamesh
Ginza Samba
God's Grandeur
His Excuse for Loving
Holy Sonnet
How many paltry foolish painted things
How We Heard the Name
I shall forget you presently my dear
Jabberwocky
Michelangelo: To Giovanni da Pistoia When the Author was Painting the Vault of the Sistine Chapel
Now Winter Nights Enlarge
Read in my face a volume of despairs
Sailing to Byzantium
Sea Rose
Sonnet 129: The heav'n that leads men to this hell
Sonnet in Search of an Author
The Hearts
The Lover
The Students
Those Winter Sundays
Thoughts About the Person from Portlock
To a Poor Old Woman
To Earthward
To Waken an Old Lady
Vigil Strange I Kept on the Field one Night
Why I Am Not a Painter
Topic
Difficulty and Pleasure
Form as a Quality
Freedom & Meaning
Kidding and Tribute
Music and Poetry
Teasing, Flirting, and Courting
What is "Great"
Video Type:
All Types
Lectures
Conversations
Apply
Filtering By: William Carlos Williams
“A Sonnet Might Be Made of It” and Authenticity
Teasing, Flirting, and Courting
5:18
Williams: Teasing the Teasing
Teasing, Flirting, and Courting
2:09
Frost: “To Earthward”
Form as a Quality
4:34
Williams: “a solace of ripe plums”
Form as a Quality
2:51
Understanding or Interpreting?
Difficulty and Pleasure
5:23
