{"id":866,"date":"2010-10-28T09:58:52","date_gmt":"2010-10-28T13:58:52","guid":{"rendered":"https:\/\/www.bu.edu\/arion\/?page_id=866"},"modified":"2026-04-27T13:25:53","modified_gmt":"2026-04-27T17:25:53","slug":"volume-18","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/arion\/archive\/volume-18\/","title":{"rendered":"Vol. 18"},"content":{"rendered":"

Arion 18.1 Spring\/Summer 2010<\/strong><\/span><\/p>\n

\"Arion17.1Cover:Arion<\/a>Randall Skalsky<\/em><\/strong>: An Unseen Attribute, An Unseen Plan, and A New Analysis of the Portland Vase Frieze
\nMartin Mueller<\/em><\/strong>: Mozart’s Encounter with Ancient Tragedy in Idomeneo
\nCaroline<\/strong> Vout<\/strong><\/em>: <\/em>Hadrian, Hellenism, and the Social History of Art
\nJefferson Hunter<\/em><\/strong>: Praxilla’s List
\nMark Rudman<\/em><\/strong>: Achilles As Earthwork
\nAvi Sharon<\/strong><\/em> translates Christos Vakalopoulos<\/em>: <\/strong><\/strong><\/span>The Line of the Horizon (Selected Scenes)<\/strong>
\nMary-Kay Gamel<\/strong> <\/em>reviews: <\/span>Orestes: A Tragic Romp, translated\/adapted by Anne Washburn, directed by Aaron Posner; Folger Theater<\/span>,
\n<\/em>and Orestes, translated by Marianne McDonald and J. Michael Walton, directed by Douglas Lay; The Theatre, Inc., San Diego.
\nCharles Martindale <\/strong><\/em>reviews: <\/em>Out of Athens: The New Ancient Greeks by Page duBois
\nBronwen L. Wickkiser<\/strong> <\/em>reviews: <\/strong>The Acropolis Museum: Professor Dimitrios Pandermalis, Director; Bernard Tschumi, Architect.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arion<\/strong> 18.2 Fall 2010\"Arion17.1Cover:Arion<\/a><\/strong><\/span><\/p>\n

<\/a>Colin Wells<\/em><\/strong>: How Did God Get Started?
\n<\/strong><\/em>Valerie Wohlfeld<\/em><\/strong>: Three Sonnets on Three Legends
\n<\/em>Brendan Boyle<\/em><\/strong><\/strong>: Stodgy Historicism and the Ancient Novel
\n<\/strong>Paul Barolsky<\/em><\/strong>: There is No Such Thing as Narrative Art
\nLawrence Dugan<\/em><\/strong>: The Allegory of the Waterworks
\n<\/strong>Emily Pillinger<\/em><\/strong>: Translating Classical Visions in Berloiz’s Les Troyens
\n<\/strong>J. Michael Walton <\/em><\/strong>translates Horace<\/em>:\u00a0Satires I.5, 50-70
\n<\/strong>Raymond Geuss<\/em><\/strong><\/span> reviews: Who Owns Antiquity by James Cuno
\nMarianne McDonald<\/em><\/span><\/strong>: A Hero for our Time: Bernard Knox<\/span><\/p>\n

Arion 18.3 Winter 2011<\/strong><\/span><\/p>\n

Herbert Golder<\/em><\/strong>: The Greek Invention of the Human<\/strong>
\nNicholas Kilmer <\/em><\/strong>translates Petrarch<\/em>: Poems Written After the Death of Laura
\n<\/strong>Kenneth J. Reckford<\/em><\/strong>: Horace Through Johnson (1): The Sky Odes\"Arion17.1Cover:Arion<\/a>
\nMichael Andrews<\/em><\/strong> translates Archilochus<\/em>: Poems
\nR. J. Shork<\/em><\/strong>: The Dendur Temple in New York: The Gallus Connection
\n<\/strong><\/strong>Alistair Elliot <\/strong><\/em>translates Juvenal<\/em>: Satire XI
\nPaul Barolsky<\/strong><\/em>: Giotto’s Fleeing Apostle
\n<\/strong>Diskin Clay<\/em><\/strong>: Greek Poets and Strangers: A Memoir
\nKeyne Cheshire<\/em><\/strong>: Between Daughter and Father
\nHerbert Golder<\/em><\/strong>: The Other Marathon
\nPaul Cartledge<\/em><\/strong>: “Marathon-Lost! What if…”
\nLoren J. Samons II<\/em><\/strong>: Marathon and Athenian “Collaboration”
\nStamatis N. Astra<\/em><\/strong>: My Marathon Journey
\nSteven J. Willett <\/em><\/strong>reviews: The Greek Poets, edited by Peter Constantine et al.<\/strong>
\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Arion 18.1 Spring\/Summer 2010 Randall Skalsky: An Unseen Attribute, An Unseen Plan, and A New Analysis of the Portland Vase Frieze Martin Mueller: Mozart’s Encounter with Ancient Tragedy in Idomeneo Caroline Vout: Hadrian, Hellenism, and the Social History of Art Jefferson Hunter: Praxilla’s List Mark Rudman: Achilles As Earthwork Avi Sharon translates Christos Vakalopoulos: The […]<\/p>\n","protected":false},"author":1432,"featured_media":0,"parent":24,"menu_order":18,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/866"}],"collection":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/users\/1432"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/comments?post=866"}],"version-history":[{"count":47,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/866\/revisions"}],"predecessor-version":[{"id":5155,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/866\/revisions\/5155"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/24"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/media?parent=866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}