{"id":3838,"date":"2022-12-21T10:53:18","date_gmt":"2022-12-21T15:53:18","guid":{"rendered":"https:\/\/www.bu.edu\/arion\/?page_id=3838"},"modified":"2026-06-18T17:44:09","modified_gmt":"2026-06-18T21:44:09","slug":"arions-contributors","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/arion\/about\/arions-contributors\/","title":{"rendered":"Arion’s Contributors"},"content":{"rendered":"

Eric Adler
\n<\/em><\/strong>The Closing of the American Classics Department (24.1)<\/p>\n

David Adshead
\n<\/em><\/strong>In the Darkness of the Horse (33.1)<\/p>\n

Peter\u00a0Aicher
\n<\/em><\/strong>Herodotus and the Vulnerability Ethic in Ancient Greece (21.2)
\nNew York\u2019s Democratic Aqueduct: Old Croton and Rome (26.2)
\nAqueduct Display Fountains in Rome and the USA (27.3)
\nReview of Antiquity in Gotham by Elizabeth Macaulay-Lewis (29.2)<\/p>\n

Jane Alison
\n<\/em><\/strong>Ancient Narrative Now (23.2)<\/p>\n

Robert Alter
\n<\/em><\/strong> Review of Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson by Camille Paglia (1.3)<\/p>\n

Ben F. S. Altshuler
\n<\/em><\/strong>Shedding New Light on Ancient Objects, with Thomas Mannack<\/em> (22.1)<\/p>\n

George Altshuler
\n<\/em><\/strong>A Vexed Pharmacopeia, with Roger Michel<\/em>, Alex Karenowska<\/em>,\u00a0and\u00a0Matthew\u00a0Cobb<\/em> (28.1)<\/p>\n

Michael Andrews
\n<\/em><\/strong>Translation of Archilochus<\/em>: Poems (18.3)
\nThe Shield and the Lyre: Archilochian Inspirations (19.2)<\/p>\n

Alan Ansen
\n<\/em><\/strong>Review of The Odes of Horace<\/em>, translated by David Ferry (6.3)<\/p>\n

Richard Apostol
\n<\/em><\/strong>Django Unchained, Terence\u2019s Eunuchus, and the Role of Roman Slavery in the American Imagination (23.1)<\/p>\n

Joan Mut Arb\u00f3s
\n<\/em><\/strong>On the Importance of the Classical Sources for G\u00e9r\u00f4me’s Circus Maximus (30.3)<\/p>\n

Amelia Arenas
\n<\/em><\/strong>Plato and Rauschenberg in Bed (6.2)
\nThe Boxer (7.1)
\nPopcorn and Circus: Gladiator and the Spectacle of Virtue (9.1)
\nBroken: The Venus de Milo (9.3)
\nWatching Mel Gibson\u2019s The Passion of the Christ (12.1)
\nTranslation of Augustine<\/em>: Quid Autem Amo (16.2)
\nTranslation of Hippocrates\u2019 Oath (17.3)
\nAntinous\u2019 Lips: A Note on the Slippery Matter of Realism in Portraiture (19.1)
\nTranslations from Catullus (20.2)
\nSex, Violence, and Faith: The Art of Caravaggio (23.3)<\/p>\n

Simon\u00a0Armitage
\n<\/em><\/strong>\u201cI Speak As Someone . . .\u201d (28.3)<\/p>\n

William Arrowsmith
\n<\/em><\/strong>Editions of The Classical Writings of John Jay Chapman: (2.2-3)
\nGreek as a Pleasure
\nChapman: A Sampling of Letters and Obiter Dicta
\nPlato
\nEuripides and the Greek Genius
\nThe Shame of the Graduate Schools: A Plea for a New American Scholar (2.2-3)
\nThe Future of Teaching (2.2-3)
\nTurbulence in the Humanities (2.2-3)
\nThe Heroic Voice\u2013Letters to Stephen Berg (2.2-3)
\nLetter from Rome (2.2-3)
\nThe Uses of Paganism (31.1)<\/p>\n

Wendy Artin
\n<\/em><\/strong>Palmyra Cover Art (25.1)<\/p>\n

Norman Austin
\n<\/em><\/strong>Review of A Commentary on Homer\u2019s Odyssey, vol. I by Alfred Heubeck, Stephanie West, and J. B. Hainsworth (1.2)
\nReview of Homeric Rhythm: A Philosophical Study by Paolo Vivante (9.1)
\nThe Great Soul Robbery in Sophocles\u2019 Philoktetes (14.2)
\nUncanny Homer (16.3)
\nReview of The Making of the Iliad: Disquisitions and Analytical Commentary by M. L. West (19.2)
\nHellenismos (20.1)
\nNausikaa and the Word that Must Not Be Spoken (25.1)
\nThe Goatherd: An Encounter with Virgil\u2019s First Eclogue (25.3)<\/p>\n

Helen Bacon
\n<\/em><\/strong>The Chorus in Greek Life and Drama (3.1)<\/p>\n

Josephine Balmer<\/em><\/strong>
\nBlot (24.2)
\nTwo Poems (27.2)
\nMateriality and the Paths of Survival with Elena Theodorakopoulos<\/em> (32.2)<\/p>\n

Ryan K. Balot
\n<\/em><\/strong>Utopian and Post-Utopian Paradigms in Classical Political Thought (16.2)<\/p>\n

Paul Barolsky
\n<\/em><\/strong>Florentine Metamorphoses of Ovid (6.1)
\nPoussin\u2019s Ovidian Stoicism (6.2)
\nAndromeda\u2019s Tears (6.3)
\nReview of Art, Desire, and the Body in Ancient Greece by Andrew Stewart (7.1)
\nLooking at Venus: A Brief History of Erotic Art (7.2)
\nReview of The Complete Poems of Michelangelo,<\/em> translated by John Frederick Nims (7.3)
\nBotticelli\u2019s Primavera and the Poetic Imagination of Italian Renaissance Art (8.2)
\nMichelangelo: A Version of the Pastoral (10.2)
\nOvid\u2019s Colors (10.3)
\nOvid\u2019s Web (11.2)
\nDante and the Modern Cult of the Artist (12.2)
\nOvid, Bernini, and the Art of Petrification (13.2)
\nOvid\u2019s Protean Epic of Art (14.3)
\nHomer and the Poetic Origins of Art History (16.3)
\nPygmalion\u2019s Doll, with Eve D\u2019Ambra<\/em> (17.1)
\nA Strip Tease and a Predicament: Two Ovidian Moments circa 1600 (17.3)
\nThere is No Such Thing as Narrative Art (18.2)
\nGiotto\u2019s Fleeing Apostle (18.3)
\nPhilip Marlowe Meets the Art Historian (19.2)
\nReview of Michelangelo: The Achievement of Fame, 1475-1534 by Michael Hirst (20.1)
\nThe Burlington Magazine and the Death of Vasari\u2019s Lives (20.2)
\nThe Strange Case of Young Michelangelo (21.1)
\nDante\u2019s Infernal Fart and the Art of Translation (22.1)
\nReview of The Classical Tradition: Art, Literature, Thought by Michael Silk, Ingo Gildenhard, and Rosemary Barrow (22.2)
\nThe Interpretation of Art is Never Finished: Some Renaissance Examples (23.2)
\nReview of Unfinished: Thoughts Made Visible by Kelly Baum et al. (24.2)
\nA Picture Is Not a Poem (24.3)
\nThe Visionary Architecture of the Pazzi Chapel (25.2)
\nReview of Michelangelo: Divine Draftsman and Designer by Carmen C. Bambach (25.3)
\nThe Role of Writing in the Interpretation\u00a0of the Visual Arts (26.1)
\nThree Ovidian Tales (26.3)
\nReview of Ovidio, amori, miti e altre storie, ed. Francesca Ghedini et al. (27.2)
\nThe Art of Interpreting Art (28.1)
\nReflections on Raphael (28.2)
\nReview of\u00a0A Study of Bronzino\u2019s Nano Morgante by Sefy Hendler (28.3)
\nOvid and the Art of\u00a0Metamorphoses\u00a0at the Met (29.2)
\nTitian\u2019s Poesie and the Rise of Early Modern European Mythological Painting (29.3)
\nThe Art of Scribbling; Review of Scarabocchio da Leonardo da Vinci a Cy Twombley by Francesca Alberti and Diane H. Bodart (30.2)
\nEkphrasis and the Craft of Writing Art History (31.1)
\nReview of The Artist\u2019s Studio by James Hall (31.2)
\nThe Double Duplicity of Bronzino\u2019s London \u201cAllegory\u201d (32.3)
\nA Ridiculous Painting by Paolo Veronese (33.2)<\/p>\n

Jill Pel\u00e1ez Baumgaertner
\n<\/em><\/strong>Play (30.1)<\/p>\n

Louise Beach
\n<\/em><\/strong>Regulus (17.2)<\/p>\n

Mary Beard
\n<\/em><\/strong>The Play of Desire: Casting Euripides\u2019 Hippolytus, with John Henderson<\/em> (4.3)<\/p>\n

Roderick Beaton
\n<\/em><\/strong>Translation of George Seferis<\/em>: Last Stop (13.2)
\nTranslation of George Seferis<\/em>: Poems (14.1)
\nReview of The Fall of Troy by Peter Ackroyd (16.1)<\/p>\n

Saul Bellow
\n<\/em><\/strong>Psychic Perennial (2.2-3)<\/p>\n

His Holiness Pope Benedict XVI
\n<\/em><\/strong>The Listening Heart: Reflections on the Foundations of Law (19.3)<\/p>\n

Martin W. Bennett
\n<\/em><\/strong>Translation of Salvatore Quasimodo<\/em>: Greek Lyrics (14.3)
\nImprovisations on Salvatore Quasimodo (19.2)
\nTranslation of Martial<\/em>: Selected Epigrams (20.2)
\nFinal Voyage: After Pascoli (21.1)
\nAfter Martial (26.1)
\nTranslation of Martial<\/em>:\u00a0Four Poems on Conviviality (30.1)
\nCatullus Recurring (31.1)\u00a0<\/em><\/strong><\/p>\n

Richard D. Benson
\n<\/em><\/strong>Humorously Ironic Homeric Epithets (29.1)<\/p>\n

Stephen Berg
\n<\/em><\/strong>From The Vote (6.2)<\/p>\n

Mary Bergstein
\n<\/em><\/strong>Palmyra and Palmyra (24.2)<\/p>\n

Martin Bernal
\n<\/em><\/strong>Review of The Orientalizing Revolution: Near Eastern Influence on Greek Culture in the Early Archaic Age by Walter Burkert (4.2)\u00a0<\/em><\/strong><\/p>\n

Ilya Bernstein
\n<\/em><\/strong>L\u2019Ottimo Artista (25.2)
\nMichelangelo (29.2)
\nMythology (29.3)\u00a0<\/em><\/strong><\/p>\n

Charles Rowan Beye
\n<\/em><\/strong>Review of The Argonautika of Apollonios Rhodios,<\/em> translated by Peter Green (7.3)
\nDefining Defending Odysseus (19.3)
\nReview of Homer, The Iliad, translated by Stephen Mitchell (20.3)
\nReview of War Music by Christopher Logue (24.1)
\nA Decade of Teaching Classics in a Mass. Prison (26.3)\u00a0<\/em><\/strong><\/p>\n

Rachelle Bijou
\n<\/em><\/strong>Ulysses Meets Ulysses (26.1)<\/p>\n

Joshua Billings
\n<\/em><\/strong>Oedipus at Colonus and German Idealism (21.1)<\/p>\n

Jane Blanchard
\n<\/em><\/strong>Two Poems (25.3)
\nThree Poems (26.3)
\nThree Lyrics (27.3)
\nRendezvous (29.1)
\nCupid Complaining to Venus (34.1)<\/p>\n

Francis Blessington
\n<\/em><\/strong>Paradise Lost and the Apotheosis of the Suppliant (6.2)
\nDionysos (8.1)
\nHomeric Simile (13.2)
\nThe Boxer at The Met (22.1)<\/p>\n

Benson Bobrick
\n<\/em><\/strong>Requiem: For the Innocents (33.2)<\/p>\n

Piero Boitani
\n<\/em><\/strong>Canzoniere from Ithaca: A Selection (33.3)<\/p>\n

David Bouvier
\n<\/em><\/strong>The Heritage of Jacqueline de Romilly (19.2)
\nArt as Weapon, or Murderous Beauty (20.2)<\/p>\n

Brendan Boyle
\n<\/em><\/strong>Stodgy Historicism and the Ancient Novel (18.2)<\/p>\n

Gordon Braden
\n<\/em><\/strong>Epic Annoyance, Homer to Palladas (24.1)
\nFrancis Bacon Translates from the Greek Anthology (27.1)
\nEpic Mess: Nonnus to Marino (31.1)
\nReview of The Choice of Odysseus by Sarah Van der Laan (32.3)<\/p>\n

Bracht Branham
\n<\/em><\/strong>Review of Rhetoric by Renato Barilli,\u00a0 Rhetoric: The Wit of Persuasion by Walter Nash, and In Defence of Rhetoric by Brian Vickers (1.1)<\/p>\n

David Braund
\n<\/em><\/strong>Review of Black Sea by Neal Ascherson (6.1)<\/p>\n

Susanna Morton Braund
\n<\/em><\/strong>Twenty-first Century Persius, with\u00a0Sarah Knight, Serena Connolly, Matte Wille, Stephanie Suzanne Spaulding, Chris van den Berg, Isaac Myers, Will Washburn, Brett Foster, Joseph Fouse<\/em> (9.3)<\/p>\n

Emory Brigden
\n<\/em><\/strong>Catullus 5 + 8 = Me at 25 (33.2)<\/p>\n

Ward Briggs
\n<\/em><\/strong>Layered Allusions in Gladiator (15.3)<\/p>\n

William<\/em><\/strong>\u00a0Brockliss
\n<\/strong><\/em>Nausikaa (29.3)
\nReview of Epic of the Earth by Edith Hall (33.3)<\/p>\n

Felix Budelmann
\n<\/em><\/strong>Ambiguity and Audience Response, with Laurie Maguire\u00a0and\u00a0Ben Teasdale<\/em> (23.3)<\/p>\n

Julia Budenz
\n<\/em><\/strong>From Diary Of Flora Baum (12.3)<\/p>\n

Torie Burmeister
\n<\/em><\/strong>Sibyl (34.1)<\/p>\n

Heather Burns
\n<\/em><\/strong>Michelangelo: Four Poems (8.3)<\/p>\n

Susana Bustos
\n<\/em><\/strong>Odysseus\u2019 Vision in Hades, with Robert Tindall<\/em> (22.1)<\/p>\n

Shane Butler
\n<\/em><\/strong>The Backward Glance (17.2)
\nCicero\u2019s Grief (26.1)<\/p>\n

Leslie Cahoon
\n<\/em><\/strong>Review of Ovid: The Love Poems,<\/em> translated by A. D. Melville, with introduction and notes by E. J. Kenney (2.1)<\/p>\n

Claude Calame
\n<\/em><\/strong>From Choral Poetry to Tragic Stasimon: The Enactment of Women\u2019s Song (3.1)
\nFrom the Civilization of Prometheus to Genetic Engineering: The Role of Technology and the Uses of Metaphor (13.2)
\nIn Dialogue with Marcel Detienne (32.2)<\/p>\n

William M. Calder III<\/em><\/strong>
\n<\/em>Review of Cretan Quests: British Explorers, Excavators,\u00a0and\u00a0Historians edited by Davina Huxley, A\u00a0Scholars Odyssey by Cyrus H. Gordon, and Minotaur: Sir Arthur Evans and the Archaeology of the Minoan Myth by Joseph\u00a0Alexander\u00a0MacGillivray (9.2)<\/p>\n

Mary Blaine Campbell
\n<\/em><\/strong>Review of French Odysseys: Greece in French Travel Literature from the Renaissance to the Romantic Era by Olga Augustinos, Travelers to an Antique Land: The History and Literature of Travel to Greece by Robert Eisner, and New Worlds, Ancient Texts: The Power of Tradition and the Shock of Discovery by Anthony Grafton, with April Shelford and Nancy Siraisi (4.2)<\/p>\n

Tian Yu Cao
\n<\/em><\/strong>The Habit of Meaning (14.2)<\/p>\n

John Carlevale
\n<\/em><\/strong>Education, Phusis, and Freedom in Sophocles\u2019 Philoctetes (8.1)
\nTranslation of Dio Chrysostom<\/em>: Dog Philosopher Attends the Games (Or. 9) (8.3)
\nDionysus Now: Dionysian Myth-History in the Sixties (13.2)<\/p>\n

D.S. Carne-Ross
\n<\/em><\/strong>Jocasta\u2019s Divine Head: English with a Foreign Accent (1.1)
\nBuck Mulligan and Ulysses, with Michelle Valerie Ronnick<\/em> and Fritz Senn<\/em> (2.1)
\nThe Bravery of Life (2.2-3)
\nJohn Herington, 1924-1997 (5.1)
\nTwo Greek Epigrams (7.2)
\nThree Pieces from Ariosto (8.3)<\/em><\/strong><\/p>\n

David Carrier
\n<\/em><\/strong>Review of Thoughtful Images by Thomas Wartenberg (31.1)<\/p>\n

Anne Carson
\n<\/em><\/strong>\u201cJust for the Thrill\u201d: Sycophantizing Aristotle\u2019s Poetics (1.1)
\nWriting on the World: Simonides, Exactitude, and Paul Celan (4.2)
\nContempts (16.3)
\nCy Twombly: A Rustle of Catullus (30.3)<\/p>\n

Paul Cartledge
\n<\/em><\/strong>Review of Ancient Greece: A Political, Social, and Cultural History by Sarah B. Pomeroy et al. (7.2)
\n\u201cMarathon-Lost! What if\u2026\u201d (18.3)<\/p>\n

Joseph Cary
\n<\/em><\/strong>Translating Montale (9.2)<\/p>\n

David Gomes\u00a0C\u00e1sseres<\/em><\/strong>
\nAthena (21.3)
\nPenelope (22.3)
\nAfter the War (27.2)\u00a0<\/em><\/p>\n

David Cast<\/em><\/strong>
\nReview of Classical Art: A Life History from Antiquity to Present by Caroline Vout (27.1)<\/p>\n

Keyne Cheshire
\n<\/em><\/strong>Between Daughter and Father (18.3)<\/p>\n

Chris Childers
\n<\/em><\/strong>Translation and introduction of Pindar<\/em>: Two Odes (21.2)<\/p>\n

Brooke Clark<\/em><\/strong>
\nEight Epigrams from The Greek Anthology (23.1)
\nThe Arrows of Apollo (27.2)
\n<\/em><\/strong>The Brush-Off (After Horace) (33.1)
\n<\/em><\/strong><\/p>\n

Diskin Clay
\n<\/em><\/strong>William Ayers Arrowsmith: The Years at Johns Hopkins (2.2-3)
\nTranslation of George Seferis<\/em>: On the Yellow Thistles (4.2)
\nReview of The Shade of Homer: A Study in Modern Greek Poetry by David Ricks (4.2)
\nTranslation of George Seferis<\/em>: Delphi (12.3)
\nGreek Poets and Strangers: A Memoir (18.3)
\nPhaedrus on the Lido: Tod in Venedig (21.1)
\nTranslation of Heinrich Heine<\/em>: From the Gods in Exile (21.1)
\nDante\u2019s Parnassus: and Raphael\u2019s Parnaso (22.2)
\nAthena, Daphne (23.2)<\/p>\n

Jenny Strauss Clay
\n<\/em><\/strong>Review of From a Sabine Jar <\/em>by Lowell Edmunds (3.2-3)
\nTraversing No-Man\u2019s Land (29.2)
\nPenelope\u2019s Nostos<\/em>: Weaving Wor[l]ds (32.3)<\/p>\n

Barbara Clayton
\n<\/em><\/strong>In Search of the Odyssey<\/em> in Alice Oswald\u2019s Nobody<\/em> (32.1)<\/p>\n

Matthew\u00a0Cobb
\n<\/em><\/strong>A Vexed Pharmacopeia, with Roger Michel<\/em>, Alex Karenowska<\/em>,\u00a0and\u00a0George Altshuller<\/em> (28.1)<\/p>\n

Steven J. Cody
\n<\/em><\/strong>Rubens and the \u201cSmell of Stone\u201d: The Translation of the Antique and the Emulation of Michelangelo (20.3)
\nAndrea del Sarto\u2019s Noli Me Tangere (26.2)<\/p>\n

James Como
\n<\/em><\/strong>The Salon:\u00a0Restoring Conversation (22.1)
\nRhetoric Renascent: Why Shakespeare Went to School (23.2)<\/p>\n

Tim Conley
\n<\/em><\/strong>Review of Time and Identity in Ulysses and the Odyssey by Stephanie Nelson (31.2)<\/p>\n

Robert Connor
\n<\/em><\/strong>When Hyperbole Enters Politics (26.3)
\nWomen Poets and the Origin of the Greek Hexameter (27.2)
\nUnmasking the Maxim (28.3)<\/p>\n

Catherine Connors
\n<\/em><\/strong>Review of Geographies of Myth and Places of Identity by Marco Beno\u00eet Carbone (30.3)<\/p>\n

Alison E. Cooley
\n<\/em><\/strong>Review of Escape from Pompeii by Steven L. Tuck (34.1)<\/p>\n

Maryann Corbett
\n<\/em><\/strong>Translation of Christine di Pizan<\/em>: Cent Ballades (30.3)
\nTranslation of Joachim du Bellay<\/em>: Les Antiquit\u00e9s de Rome III & VII (33.1)<\/p>\n

Bernadine Corrigan
\n<\/em><\/strong>Review of Bacchae<\/em> at the National Theatre, London (33.2)<\/p>\n

Tony Cousins
\n<\/em><\/strong>Two Poems (31.2)<\/p>\n

Elias Crim
\n<\/em><\/strong>Trimalchio\u2019s T.A. (2.2-3)<\/p>\n

Kevin Crotty
\n<\/em><\/strong>Review of Pindar\u2019s Homer: The Lyric Possession of an Epic Past by Gregory Nagy (1.3)<\/p>\n

Dallas Crow
\n<\/em><\/strong>Antigone in Her Tomb (11.3)<\/p>\n

Fergus Cullen
\n<\/em><\/strong>After Theognis (32.3)<\/p>\n

Eve D\u2019Ambra
\n<\/em><\/strong>Pygmalion\u2019s Doll, with Paul Barolsky<\/em> (17.1)<\/p>\n

Caleb M. X. Dance<\/em><\/strong>
\nTranslation of\u00a0Ovid<\/em>: Note From a Narcissist (Amores I.II) (27.1)<\/p>\n

Guy Davenport
\n<\/em><\/strong>Fragments from a Correspondence edited by Nicholas Kilmer (13.3)<\/p>\n

Luc Deitz
\n<\/em><\/strong>Review of Commerce with the Classics: Ancient Books and Renaissance Readers by Anthony Grafton (9.3)<\/p>\n

Will D. Desmond
\n<\/em><\/strong>The Five Paragraph Essay (23.2)<\/p>\n

Marcel Detienne
\n<\/em><\/strong>This Is Where I Intend To Build A Glorious Temple (4.3)
\nExperimenting in the Field of Polytheisms, translated by Janet Lloyd<\/em> (7.1)
\nFrom Practices of Assembly to the Forms of Politics: A Comparative Approach (7.3)
\nHistory and Nation (8.3)
\nThe Art of Founding Autochthony: Thebes, Athens, and Old-Stock French, translated by Elizabeth Jones<\/em> (9.1)
\nBeing Born Impure in the City of Cadmus and Oedipus (10.3)
\nThe Gods of Politics in Early Greek Cities, translated by Janet Lloyd<\/em> (12.2)
\nAnthropology and Classics (13.1)
\nDoing Comparative Anthropology in the Field of Politics, translated by Janet Lloyd<\/em> (13.3)
\nSo What Is the Sex of Mythology?, translated by Janet Lloyd<\/em> (15.3)
\nThe Metamorphoses of Autochthony in the Days of National Identity, translated by Janet Lloyd<\/em> (16.1)
\nHistorical Anthropology? Comparative Anthropology?, translated by Janet Lloyd<\/em> (17.1)
\nPour Jean-Pierre Vernant: En profonde amiti\u00e9 (17.2)
\nOn Efficacy in Practical Reason: Comparative Approaches: Greece-China, a Well-Timed Round-Trip, translated by Meredith Peters<\/em> (20.1)<\/p>\n

Marcus C. De Vaca
\n<\/em><\/strong>Mycenae (17.1)<\/p>\n

S. Di Piero
\n<\/em><\/strong>Different Tones (2.2-3)<\/p>\n

U.S. Dhuga
\n<\/em><\/strong>An Achaean Suitor (12.2)<\/p>\n

Elena Dimov
\n<\/em><\/strong>Translation of Maria Rybakova<\/em>: From Gnedich I (20.3)
\nTranslation of Maria Rybakova<\/em>: From Gnedich II (21.1)<\/p>\n

Walter Donlan
\n<\/em><\/strong>Review of Homer and the Sacred City by Stephen Scully (5.1)\u00a0<\/em><\/strong><\/p>\n

Carol L. Dougherty<\/em><\/strong>
\nWhy Aphrodite Has That Turtle on Her Foot (27.3)\u00a0<\/em><\/strong><\/p>\n

Stamatia Dova
\n<\/em><\/strong>Review of Winthropos by George Kalogeris (29.3)<\/p>\n

Adam L. Dressler
\n<\/em><\/strong>Two Poems (16.1)\u00a0<\/em><\/strong><\/p>\n

Casey Du\u00e9
\n<\/em><\/strong>The Politics of Song and Dance in Lysistrata and Chi-raq (24.1)\u00a0<\/em><\/strong><\/p>\n

Basil Dufallo
\n<\/em><\/strong>Optimism beyond Political Crisis in Pliny and Tacitus (32.2)<\/p>\n

Lawrence Dugan
\n<\/em><\/strong>Tim\u2019s Ajax (17.2)
\nThe Allegory of the Waterworks (18.2)
\nTwo Poems (20.3)
\nFour Poems (22.3)
\nThree Poems (23.3)
\nTwo Poems (25.1)
\nWhat Happened in the House of Zachary (27.3)
\nHurricane Gloria (28.2)
\nThree poems (29.2)
\nTo Phoebe (31.1)<\/p>\n

P.E. Easterling
\n<\/em><\/strong>George Eliot and Greek Tragedy (1.2)<\/p>\n

Lowell Edmunds
\n<\/em><\/strong>Review of The Quarrel Between Philosophy and Poetry: Studies in Ancient Thought by Stanley Rosen (1.1)
\nReview of Writing Space by Jay David Bolter, Perseus 1.0, edited by Gregory Crane; and HyperMyth 3.3 by Randy Stewart (3.2-3)<\/p>\n

Stephen Eide
\n<\/em><\/strong>A Philosopher and a Gentleman, with\u00a0Keith Whitaker<\/em> (24.2)<\/p>\n

Robert Eisner
\n<\/em><\/strong>Review of Sing Sorrow: Classics, History, and Heroines in Opera by Marianne McDonald (11.3)
\nThe Happy Couple (12.1)
\nReview of Greek Gods, Human Lives: What We Can Learn from the Myths by Mary Lefkowitz and The Writings of Orpheus: Greek Myth in a Cultural Context by Marcel Detienne (12.2)<\/p>\n

Max Roland Ekstrom
\n<\/em><\/strong>\u201cBriseis Mourns Achilles\u201d (30.2)<\/p>\n

Robert Eldridge
\n<\/em><\/strong>Review of Love\u2019s Knowledge: Essays on Philosophy and Literature by Martha C. Nussbaum (2.1)\u00a0<\/em><\/strong><\/p>\n

Alistair Elliot
\n<\/em><\/strong>Translation of Horace<\/em>: A Journey to Brindisi in 37 B.C., Satire I.5 (1.1)
\nCornelia (1.2)
\nTranslation of Juvenal<\/em>: Big Fish (Juvenal IV) (3.2-3)
\nTranslation of Juvenal<\/em>: Satire XI (18.3)
\nTranslation of Horace<\/em>: Satires II.8 (20.1)
\nAeneas (20.3)
\nTranslation of\u00a0Martial<\/em>: Epigram 10.63 (23.3)<\/p>\n

Karen Emmerich
\n<\/em><\/strong>Review of C.P. Cavafy, The Unfinished Poems: The first English translation, with introduction and commentary by Daniel Mendelsohn (17.3)<\/p>\n

Stephen Esposito
\n<\/em><\/strong>The Changing Roles of the Sophoclean Chorus (4.1)<\/p>\n

David Faldet
\n<\/em><\/strong>Menage (21.3)<\/p>\n

Alan Farrell
\n<\/em><\/strong>Cortez in Darien (4.2)
\nReview of Odysseus in America by Jonathan Shay (12.1)<\/p>\n

G.R.F. Ferrari
\n<\/em><\/strong>Strauss\u2019 Plato (5.2)<\/p>\n

David Ferry
\n<\/em><\/strong>Translation of Prayer to the Gods of the Night (1.1)
\nGilgamesh: Tablets X and XI (1.3)
\nTranslation of Horace<\/em>: Four (3.2, 3.3)
\nTranslation of Horace<\/em>: Four Epistles (5.3)
\nTranslation of Virgil<\/em>: Eclogue II (6.1)
\nTranslation of Virgil<\/em>: Eclogue X (6.2)
\nTranslation of Horace<\/em>: The Art of Poetry: Notes for Aspiring Poets and Playwrights (7.2)
\nTranslation of Horace<\/em>: To Augustus (Epistle 2.1) (8.2)
\nTranslation of Virgil<\/em>: From the First Georgic (10.3)
\nTranslation of Vergil<\/em>: Aeneid vi.679-751 (25.1)<\/p>\n

Ian Fielding
\n<\/em><\/strong>Roberto Bola\u00f1o Harasses Horace (25.1)<\/p>\n

Richard Finn
\n<\/em><\/strong>Review of\u00a0Moral\u00a0Conscience\u00a0Through the Ages by Richard Sorabji (24.1)<\/p>\n

M.J. Fitzgerald
\n<\/em><\/strong>The Odyssey\u2019s Slow Movement (30.1)
\nMeandering with Byblis (31.1)<\/p>\n

Helene P. Foley
\n<\/em><\/strong>Review of The Life and Loves of Edith Hamilton by Victoria Houseman (31.3)<\/p>\n

Andrew Ford
\n<\/em><\/strong>Review of Unity in Greek Poetics by Malcolm Heath (1.3)<\/p>\n

Brett Foster
\n<\/em><\/strong>Three Poems (20.3)<\/p>\n

William Franke
\n<\/em><\/strong>Translation of Damascius<\/em>: Of the Ineffable: Aporetics of the Notion of an Absolute Principle (12.1)
\nThe Aeneid\u2019s Invention of Poetic Prophecy (19.1)<\/p>\n

John Fraser
\n<\/em><\/strong>Translation of Marie-Jeanne Durry<\/em>: Orpheus\u2019 Plea (\u201cPri\u00e8re d\u2019Orph\u00e9e\u201d) (19.3)<\/p>\n

Ken Frieden
\n<\/em><\/strong>Review of The Five Books of Moses: A Translation with Commentary by Robert Alter<\/p>\n

Rachel D. Friedman
\n<\/em><\/strong>Herodotus and The English Patient (15.3)\u00a0<\/em><\/strong><\/p>\n

Rainer Friedrich
\n<\/em><\/strong>Dionysus among the Dons: The New Ritualism in Richard Seaford\u2019s Commentary on the Bacchae (7.3)
\nA Riposte to Seaford on the New Ritualism (9.1)
\n\u201cFlaubertian Homer\u201d: The Phrase Juste In Homeric Diction (10.2)
\nTheorese and Science Envy in the Humanities (11.1)
\nThe Enlightenment Gone Mad (I) The Dismal Discourse of Postmodernism\u2019s Grand Narratives (19.3)
\nThe Enlightenment Gone Mad (II) The Dismal Discourse of Postmodernism\u2019s Grand Narratives (20.1)\u00a0<\/em><\/strong><\/p>\n

Athol Fugard
\n<\/em><\/strong>Jason\u2014The End (15.1)\u00a0<\/em><\/strong><\/p>\n

Daniel<\/em><\/strong>\u00a0Galef
\n<\/em><\/strong>Two Sonnets (27.2)
\nTwo Sonnets (28.1)<\/p>\n

Karl Galinsky
\n<\/em><\/strong>Review of Fighting for Rome by John Henderson (7.1)
\n<\/em>Review of Virgil\u2019s Experience: Nature and History, Times, Names, and Places by Richard Jenkyns (9.1)
\n<\/em>Review of Virgil and the Augustan Reception by Richard F. Thomas (10.3)<\/p>\n

Mary-Kay Gamel
\n<\/em><\/strong>Review of Orestes: A Tragic Romp, translated\/adapted by Anne Washburn, directed by Aaron Posner; Folger Theater,<\/em> and Orestes, translated by Marianne McDonald and J. Michael Walton, directed by Douglas Lay; The Theatre, Inc., San Diego. (18.1)<\/p>\n

Robert Garland
\n<\/em><\/strong>Review of Thes\u00ea et l\u2019imaginaire Ath\u00eanien: L\u00eagende et culte en Gr\u00e8ce antique by Claude Calame (5.2)<\/p>\n

Daniel Garrison
\n<\/em><\/strong>The Locus Inamoenus: Another Part of the Forest (2.1)<\/p>\n

Peter Gay
\n<\/em><\/strong>Review of Electra After Freud: Myth and Culture by Jill Scott (14.1)<\/p>\n

T. H. M. Gellar-Goad
\n<\/em><\/strong>Scilicet et non est lignis tamen insitus ignis (After Lucretius) (33.1)<\/p>\n

Vincent Genin
\n<\/em><\/strong>Marcel Detienne, A Young Man of Long Ago (32.2)<\/p>\n

Zhenya Gershman
\n<\/em><\/strong>Rembrandt: The \u201cI\u201d Witness (19.2)
\nRembrandt: Turn of the Key (21.3)<\/p>\n

Kyle Gervais
\n<\/em><\/strong>What Virgil Should Have Said (28.2)
\nTranslation of Ovid<\/em>: Cupid\u2019s Laugh (Amores<\/em> 1.1) (30.1)
\nTranslation of Statius<\/em>: Oedipus Prays (Thebaid<\/em> 1.46-101) (33.2)<\/p>\n

Raymond Geuss
\n<\/em><\/strong>Poems and Adaptations (7.2)
\nVirtue and the Good Life (8.1)
\nShamelessness, Spirituality, and the Common Good (8.3)
\nHappiness and Politics (10.1)
\nPoetry and Knowledge (11.1)
\nPlato, Romanticism, and Thereafter (11.3)
\nAdorno\u2019s Gaps (12.2)
\nRichard Rorty at Princeton: Personal Recollections (15.3)
\nCulture as Ideal and as Boundary (16.1)
\nGoals, Origins, Disciplines (17.2)
\nReview of Who Owns Antiquity by James Cuno (18.2)
\nDid Williams Do Ethics? (19.3)
\nThe Wisdom of Oidipous and the idea of a Moral Cosmos (20.3)
\nNietzsche\u2019s Philosophical Ethnology (24.3)
\nTeaching Nietzsche (25.2)
\nSpeaking Well, Acting Well (33.1)<\/em><\/strong><\/p>\n

Richard Hughes Gibson
\n<\/em><\/strong>On Women Englishing Homer (26.3)<\/p>\n

Michael Gleason
\n<\/em><\/strong>The Maltese Milkshake (31.3)<\/p>\n

Willi Goetschel
\n<\/em><\/strong>Review of Socrates and the Jews: Hellenism and Hebraism from Moses Mendelssohn to Sigmund Freud by Miriam Leonard (21.3)<\/p>\n

Herbert Golder
\n<\/em><\/strong>Arion: Defining Space; Defying Category. Editorial Statement (1.1)
\nSophocles\u2019 Ajax: Beyond the Shadow of Time (1.1)
\nOn First Looking into Arrowsmith\u2019s Chapman (2.2-3)
\nPreface (3.1)
\nThe Tragic Chorus and Staging (4.1)
\nReview of Les Atrides at the Brooklyn Academy of Music, the Oedipus Trilogy, Royal Shakespeare Company, at the Barbican Theater, London, and Medea, at the Almeida Theatre, London \/ Lonacre Theater, New York (4.1)
\nForum, with Oliver Taplin and Bruce Thornton<\/em> (5.3)
\nMan Enough (15.2)
\nThe Iliad and The Seven Samurai (17.3)
\nThe Other Marathon (18.3)
\nThe Greek Invention of the Human (18.3)
\nUnmodern Observations (20.2)
\nFurther Unmodern Observations (23.1)
\nHer Infinitive Variety (24.3)
\nOn Reflection: Where Light Comes to Light (29.1)
\nIn My End Is My Beginning; Review of Ajax, National Theater of Greece, by Argyris Xafis (30.2)
\nRebel with a Curse (31.1)
\nTranslation of Euripides\u2019<\/em> Cyclops (32.1)
\nPens\u00e9es Sauvages, Why Not? (32.2)
\nSapphic Slices (32.3)<\/p>\n

Simon<\/em><\/strong>\u00a0Goldhill
\n<\/em><\/strong>Review of Sophocles\u2019 Oedipus: Evidence and Self-Conviction by Frederic Ahl, Oedipus and the Fabrication of the Father: Oedipus Tyrannus in Modern Criticism and Philosophy by Pietro Pucci, and Oedipus Tyrannus: Tragic Heroism and the Limits of Knowledge by Charles Segal (4.2)
\nFreud, Archaeology, and Egypt (28.3)<\/p>\n

Anthony Grafton
\n<\/em><\/strong>Martin Bernal and His Critics, with Suzanne Marchand<\/em> (5.2)<\/p>\n

Jack Granath
\n<\/em><\/strong>Character is Fate (30.3)<\/p>\n

Paul Graves
\n<\/em><\/strong>Translation of Aleksandr Kushner<\/em>:\u00a0From Apollo in the Snow, As Catullus Wrote\u2026, with Carol Ueland<\/em> (1.2)<\/p>\n

Erik Gray
\n<\/em><\/strong>Tennyson, Virgil, and the Death of Christmas (6.2)<\/p>\n

C.M.C. Green
\n<\/em><\/strong>The Slayer and the King: Rex Nemorensis and the Sanctuary of Diana (7.3)<\/p>\n

Peter Green
\n<\/em><\/strong>Myth, Tradition, and Ideology in the Greek Literary Revival: The Paradoxical Case of Yannis Ritsos (4.2)
\nTranslation of Apollonius of Rhodes<\/em>: Jason in Lemnos (Argonautica I.774-887) (4.3)
\nHomer for the Kiddies (5.3)
\nTranslation of C.P. Cavafy<\/em>: Young Men of Sidon (6.1)
\nTranslation of Catullus<\/em>: Three for Aurelius (6.1)
\nThe Muses\u2019 Birdcage, Then and Now: Cameron on Apollonios Rhodios (6.2)
\nReview of In the footsteps of Alexander the Great: A Journey from Greece to Asia by Michael Wood (6.2)
\nMandarins and Iconoclasts (6.3)
\nReview of The Classical Novels: The Macedonian, Scenes from the Life of Cleopatra by Mary Butts, A Sacred Quest: The Life and Writings of Mary Butts, edited by Christopher Wagstaff, and Mary Butts: Scenes from the Life by Nathalie Blondel (6.3)
\nLerna and Other Poems (7.1)
\nTranslation of Diodorus Siculus<\/em>: The Sicilian Expedition: The Fate of the Athenians Debated (7.2)
\nReview of The Greeks: Crucible of Civilization, A PBS Empires Special; Companion volume: The Greeks: Crucible of Civilization by Paul Cartledge (8.1)
\nTranslation of C.P. Cavafy<\/em>: The City (8.3)
\n<\/em> <\/em>Ikaria (9.1)
\nTranslation of Ovid<\/em>: Ibis (9.3)
\nTranslation of C. P. Cavafy<\/em>: The Satrapy (10.1)
\nReview of Troy, directed by Wolfgang Pertersen (12.1)
\nEarly Travellers to Lesbos (13.2)
\nCleopatra: The Sphinx Revisited (14.1)
\nTranslation of A Hellenistic Garland (14.3)
\nThe Essential Nature of the Delphic Oracle (17.2)
\nFrom Mirrors are Lonely I (20.1)
\nFrom Mirrors are Lonely II (20.2)
\nTranslation of\u00a0Homer<\/em>: Iliad 24 (22.3)<\/p>\n

Emily Greenwood
\n<\/em><\/strong>Review of Derek Walcott and the Creation of a Classical Caribbean by Justine McConnell (33.2)<\/p>\n

John Griffin
\n<\/em><\/strong>Translation of Nonnus<\/em>: Proem to Dionysiaca 1 (31.1)
\nTranslation of Boethius<\/em>: Consolatio Philosophiae 1.1-1.3 (31.3)<\/p>\n

Charles L. Griswold, Jr.
\n<\/em><\/strong>Plato on Reconciliation with Imperfection (11.2)<\/p>\n

Erich S. Gruen
\n<\/em><\/strong>Review of\u00a0Rome and Jerusalem: The Clash of Ancient Civilizations by Martin Goodman (17.1)<\/p>\n

Constanze G\u00fcthenke
\n<\/em><\/strong>Review of Caesar in the USA by Maria Wyke (21.3)<\/p>\n

Rachel Hadas
\n<\/em><\/strong>Translation of Tibullus<\/em>: 1.2, 1.6, 1.10 (2.1)
\nReview of Archaic Greek Poetry: An Anthology by Barbara Hughs Fowler, and Sappho\u2019s Lyre: Archaic Lyric and Women Poets of Ancient Greece by Diane J. Rayor (4.3)
\nHelen Variations (5.2)
\nGreece in the Work of James Merill and Two Poems (6.3)
\nChange is the Stranger (7.3)
\nReview of The Poets\u2019 Dante: Twentieth Century Responses, edited by Peter S. Hawkins and Rachel Jacoff (9.3)
\nThree Roads (12.1)
\nBoy Heroes in the Sea (12.3)
\nPeripheral Vision (13.2)
\nThree Poems (14.1)
\nTwo Poems (15.1)
\nFour Poems (24.3)<\/p>\n

Adele Haft
\n<\/em><\/strong>\u201cThe Mercurial Significance of Raiding\u201d: Baby Hermes and Animal Theft in Contemporary Crete (4.2)\u00a0<\/em><\/strong><\/p>\n

Carolin Hahnemann
\n<\/em><\/strong>An Exploration of Alice Oswald\u2019s Memorial (22.1)<\/p>\n

S.J. Hales
\n<\/em><\/strong>Re-Casting Antiquity: Pompeii and the Crystal Palace (14.1)\u00a0<\/em><\/strong><\/p>\n

Edith Hall
\n<\/em><\/strong>Tony Harrison\u2019s\u00a0Prometheus<\/em>: A View from the Left (10.1)
\nTowards a Theory of Performance Reception (12.1)
\nClassics, Class, and Cloaca: Harrison\u2019s Humane Coprology (15.2)<\/p>\n

Sir Peter Hall
\n<\/em><\/strong>Ancient Greek Tragedy on the Stage, with Mary Louise Hart, Peter Sellars, Peter Stein,\u00a0<\/em>and\u00a0Lydia Koniordou <\/em>(11.1)<\/p>\n

Benjamin Haller<\/em><\/strong>
\nKykilkoi Logoi (27.2)<\/p>\n

Stephen Halliwell
\n<\/em><\/strong>Review of The Poet\u2019s Voice: Essays on Poetics and Greek Literature by Simon Goldhill (7.1)
\nReview of Aristotle: Poetics, translated and with a commentary by George Whalley (8.1)
\nReview of The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece\u00a0<\/em>by Andrew Ford (10.3)
\nNietzsche\u2019s \u201cDaimonic Force\u201d of Tragedy and Its Ancient Traces (11.1)
\nGreek Laughter and the Problem of the Absurd (13.2)\u00a0<\/em><\/p>\n

John Eric Hamel
\n<\/strong><\/em>Spring Fishing Song, Prehistoric Paros (28.3)<\/p>\n

Charles Handy
\n<\/em><\/strong>Review of A Company of Citizens: What the World\u2019s First Democracy Teaches Leaders about Creating Great Organizations by Brook Manville and Josiah Ober (11.3)<\/p>\n

John G.S. Hanson<\/em><\/strong>
\nLatin in New England Graveyards (27.3)<\/p>\n

Victor Davis<\/em><\/strong>\u00a0<\/em>Hanson
\n<\/em><\/strong>Who Killed Homer?, with John Heath<\/em> (5.2)
\nReview of Compromising Traditions, edited by Judith P. Hallett and Thomas Van Nortwick (6.1)
\nThe Good, the Bad, and the Ugly, with John Heath<\/em> (6.3)
\nA Reply to Steven Willett\u2019s review of Carnage and Culture (10.2)<\/p>\n

Philip Hardie
\n<\/em><\/strong>Review of English Humanism and Reception of Virgil by Matthew Day (31.3)<\/p>\n

Lorna Hardwick
\n<\/em><\/strong>Review of Found in Translation: Greek Drama in English by J. Michael Walton (15.3)<\/p>\n

Rob Hardy
\n<\/em><\/strong>R.C. Sherriff and the Excavation of Angmering Roman Villa (26.2)<\/p>\n

Jessica Harman<\/strong>
\n<\/em>Let\u2019s Kiss Like They Do in the Movies (17.3)<\/p>\n

Joseph Harrison
\n<\/em><\/strong>Three Horatian Epistles (20.2)<\/p>\n

Stephen Harrison
\n<\/em><\/strong>Review of Preposterous Virgil by Juan Christian Pellicer (32.1)<\/p>\n

Tony Harrison\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>
\n<\/em>The Kaisers of Carnuntum (3.2-3)
\nThe Labourers of Herakles (4.1)
\nVerses from The Trojan Women (5.1)
\nThe Tears and the Trumpets (9.2)
\nEgil & Eagle Bark (9.3)
\n<\/em>Reading the Rolls: An Arse Verse (12.1)
\nTranslation of Euripides<\/em>: From Hecuba (13.1)
\nEssays For His Seventieth (15.2)
\nThe Inky Digit of Defiance (17.3)\u00a0<\/em><\/strong><\/p>\n

Stephe Harrop
\n<\/em><\/strong>Review of Grounded by George Brant (23.1)
\nEuripides and the Politics of Form by Victoria Wohl (23.3)<\/p>\n

Carol Hart
\n<\/em><\/strong>Four Poems (31.3)<\/p>\n

Mary Louise Hart
\n<\/em><\/strong>Ancient Greek Tragedy on the Stage, with Oliver Taplin, Sir Peter Hall, Peter Sellars, Peter Stein<\/em>,\u00a0<\/em>and\u00a0Lydia Koniordou <\/em>(11.1)\u00a0<\/strong><\/p>\n

Katie Hartsock
\n<\/em><\/strong>Two Poems (23.2)
\nI Listen Like Nausicaa to NPR (26.3)<\/p>\n

Claudia Hauer
\n<\/em><\/strong>Review of Ancient Wisdom for Polarized Times by Emily Katz Anhalt (33.3)<\/p>\n

Greta Hawes
\n<\/em><\/strong>Herakles the Colonist and the Labours of Marian Maguire (23.2)<\/p>\n

Peter S. Hawkins
\n<\/em><\/strong>Review of Dante\u2019s Commedia by Sandow Birk and Marcus Sanders (13.1)<\/p>\n

Spencer Hawkins
\n<\/em><\/strong>Rhetoric of Reputation: Protagoras\u2019 Statement, Snoop Doggy Dogg\u2019s Flow (24.1)<\/p>\n

Kenneth Haynes\u00a0<\/strong>
\n<\/em>Review of The Oxford Encyclopedia of Archaeology in the Ancient Near East, Eric M. Myers, editor-in-chief (8.2)<\/p>\n

Timothy Healy
\n<\/em><\/strong>A Genius for Friendship (2.2-3)<\/p>\n

Seamus Heaney
\n<\/em><\/strong>Excerpts from The Cure at Troy (1.2)<\/p>\n

Robert Heard
\n<\/em><\/strong>Two Poems (30.1)<\/p>\n

John Heath
\n<\/em><\/strong>Who Killed Homer?, with Victor David Hanson<\/em> (5.2)
\nReview of Literature Lost: Social Agendas and the Corruption of the Humanities by John M. Ellis (6.2)
\nThe Good, the Bad, and the Ugly, with Victor David Hanson<\/em> (6.3)<\/p>\n

Anthony Hecht
\n<\/em><\/strong>Arrowsmith at Colonus (2.2-3)<\/p>\n

Jamey Hecht
\n<\/em><\/strong>The Sirens (25.3)<\/p>\n

Albert Heinrichs
\n<\/em><\/strong>\u201cWhy Should I Dance?\u201d: Choral Self-Referentiality in Greek Tragedy (3.1)<\/p>\n

Bruce Heiden
\n<\/em><\/strong>Review of Roman Erotic Elegy: Love, Poetry and the West by Paul Veyne (1.3)<\/p>\n

Julia D. Hejduk
\n<\/em><\/strong>Facing the Minotaur: Inception (2010) and Aeneid 6 (19.2)<\/p>\n

John Henderson
\n<\/em><\/strong>The Play of Desire: Casting Euripides\u2019 Hippolytus, with Mary Beard<\/em> (4.3)<\/p>\n

C.J. Herrington
\n<\/em><\/strong>The Poem of Herodotus (1.3)<\/p>\n

John Herington
\n<\/em><\/strong>William A. Arrowsmith: A Memory (2.2-3)
\nLitterae Inhumaniores (5.1)<\/p>\n

Werner Herzog
\n<\/em><\/strong>On the Absolute, the Sublime, and the Ecstatic Truth (17.3)
\nOn Pope Benedict’s Address to the Bundestag (19.3)
\nMathematics and the Sublime (34.1)<\/p>\n

Ernest Hilbert
\n<\/em><\/strong>From High Ashes (32.2)<\/p>\n

Geoffrey Hill
\n<\/em><\/strong>Cycle (2.2-3)<\/p>\n

Tom Holland
\n<\/em><\/strong>Review of 300 directed by Zack Snyder (15.1)<\/p>\n

Alexander Hollmann
\n<\/em><\/strong>Theater of Dionysus (30.1)\u00a0<\/em><\/p>\n

Niklas Holzberg
\n<\/em><\/strong>Lycurgus in Leaflets and Lectures: The Wei\u00dfe Rose and Classics at Munich University, 1941\u20131945 (23.1)<\/p>\n

Dan Hooley
\n<\/em><\/strong>Review of Elektra: A Play by Ezra Pound and Rudd Fleming edited by Richard Reid (1.2)
\nReview of The Invisible Satirist: Juvenal and Second-Century Rome by James Uden (23.3)<\/p>\n

David Hopkins
\n<\/em><\/strong>Review of Lucy Hutchinson\u2019s Translation of Lucretius, edited by Hugh de Quechen (5.3)<\/p>\n

Ron Horning<\/strong><\/em>
\n<\/em>Translation of Horace<\/em>: Epode 8 (32.3)
\nAt the Tevere (33.3)<\/p>\n

Brooke Horvath
\n<\/em><\/strong>Stag Hunt (21.3)<\/p>\n

Thomas K. Hubbard
\n<\/em><\/strong>Nature and Art in the Shield of Achilles (2.1)
\nPopular Perceptions of Elite Homosexuality in Classical Athens (6.1)
\nReview of The Collected Works & Commissioned Biography of Edward Perry Warren edited by Michael Matthew Kaylor (22.3)\u00a0<\/em><\/strong><\/p>\n

Justin Hudak
\n<\/em><\/strong>Cold Copulars: Notes Toward a Horatian Stevens (25.3)
\nReview of Call Me by Your Name (26.2)
\nHart Crane\u2019s Horatian \u201cParaphrase\u201d (33.2)<\/p>\n

Jefferson Hunter<\/strong>
\n<\/em>Praxilla\u2019s List (18.1)<\/p>\n

Richard Hunter
\n<\/em><\/strong>Review of Theocritus: Space, Absence, and Desire by William Thalmann (32.1)<\/p>\n

Laurie Glenn Hutcheson
\n<\/em><\/strong>Ovid and Michelangelo on the Metamorphoses of the Heliades (30.2)<\/p>\n

E.J. Hutchinson
\n<\/em><\/strong>The History of Scholarship (34.1)<\/p>\n

Teresa Iverson
\n<\/em><\/strong>Translation of Gottfried Benn<\/em>: Two Poems (11.2)<\/p>\n

Anna Jackson
\n<\/em><\/strong>Reading Virgil, the First Eclogue, On a Salary (24.1)
\nTranslation of\u00a0Catullus<\/em>: Attis at Large (27.2)<\/p>\n

Taryn Janati
\n<\/em><\/strong>Translation of\u00a0Dmitrii Volchek\u00a0<\/em>and\u00a0Maria Rybakova<\/em>: From a Svoboda Interview: \u201cDisfigured Achilles\u201d (20.3)\u00a0<\/em><\/strong><\/p>\n

Richard Jenkyns
\n<\/em><\/strong>Late Antiquity in English Novels of the 19th Century (3.2-3)
\nReview of Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity by Simon Goldhill (20.1)<\/p>\n

E.<\/em><\/strong>T. Jeremiah
\n<\/em><\/strong>Reading the Classics (19.1)<\/p>\n

Boris Johnson
\n<\/em><\/strong>Voting\u00a0for Classical Greece (24.2)<\/p>\n

Karl Johnson
\n<\/em><\/strong>Three Poems: Translation and Imitations (15.2)
\nTranslation of Horace<\/em>: Time and the City Boy: Odes 1.9 (16.1)
\nThe View from the Zenith (17.3)
\nBeyond the Crash (20.1)
\nTranslation of\u00a0Horace<\/em>: Counting His Blessings (25.1)<\/p>\n

Kimberly Johnson
\n<\/em><\/strong>Translation of Virgil<\/em>: The Plague (13.2)
\nTranslation of Virgil<\/em>: The Old Corycian (14.1)
\nTranslation of Virgil<\/em>: Wars and Rumors of War: Georgics 1.461-514 (15.3)
\nTranslation of\u00a0Hesiod<\/em>:\u00a0Works and Days (24.1)\u00a0<\/em><\/strong><\/p>\n

Marguerite Johnson
\n<\/em><\/strong>Clodia Muses (19.2)
\nMedea, Fitzgerald Gallery, New York City, 1966 (After Euripides and Bernard Safran) (20.3)
\nMemories of Erinna (22.1)<\/p>\n

P.J. Johnson
\n<\/em><\/strong>Review of Horace\u2019s Carmen Saeculare: Ritual Magic and the Poet\u2019s Art by Michael Putnam (10.2)<\/p>\n

Brandon Jones
\n<\/em><\/strong>Review of Cy Twombly: Making Past Present at the MFA, Boston (30.3)
\nTranslation of Vincent Genin<\/em>: Marcel Detienne, A Young Man of Long Ago (32.2)
\nThe Renaissance of Cremutius Cordus (32.3)<\/p>\n

Elizabeth Jones
\n<\/em><\/strong>Translation of Horace<\/em>: Five Odes (8.2)
\nTranslation of Marcel Detienne<\/em>: The Art of Founding Autochthony: Thebes, Athens, and Old-Stock French (9.1)
\nTranslation of Horace<\/em>: Beatus Ille (13.2)
\nHorace: Early Master of Montage (16.3)
\nTranslation of Horace<\/em>: Quantum distet (Odes 3.19) (16.3)<\/p>\n

\u00a0J.<\/em><\/strong>M. Jordan
\n<\/em><\/strong>Kore in April (29.1)<\/p>\n

Brian Jorgensen
\n<\/em><\/strong>In Memory of John D. Silber (20.2)<\/p>\n

Timothy Joseph
\n<\/em><\/strong>Review of Classics and Cosmopolitanism in the Thought of W.E.B. Du Bois by David Withun (31.2)<\/p>\n

Roger Just
\n<\/em><\/strong>Review of Demons and the Devil: Moral Imagination in Modern Greek Culture by Charles Stewart<\/p>\n

A.M. Juster
\n<\/em><\/strong>Translation of Christopher Marlowe<\/em>: On Manwood (21.3)
\nTranslation of\u00a0Erasmus<\/em>: Epitaph for a Drunken Twit (22.2)
\nTranslation of the Elegies of Maximianus<\/em>: A Selection (23.1)
\nTranslation of\u00a0Lactantius<\/em>: On a Bird, the Phoenix (27.3)
\nTranslation of Petrarch<\/em>: From the Canzoniere (30.1)
\nFrom Aristophanes\u2019 Gerytades<\/em> (well, sort of…) (31.3)<\/p>\n

George Kalogeris
\n<\/em><\/strong>Two Poems (22.3)
\nSix Poems (28.3)
\nSeven Poems (32.1)
\nEight Poems (34.1)<\/p>\n

Robert Kaplan
\n<\/em><\/strong>From Thursdays Are Almost Images of Being (32.2)
\nFrom the Latin<\/em>, selected poems (33.2)<\/p>\n

Alex Karenowska
\n<\/em><\/strong>On the Archaeology of Science in the Science of Archaeology (27.3)
\nA Vexed Pharmacopeia, with Roger Michel, George Altshuller<\/em>,\u00a0and\u00a0Matthew\u00a0Cobb<\/em> (28.1)<\/p>\n

Edmund Keeley
\n<\/em><\/strong>Garden of Earthly Delights (7.1)
\nThe Madman of Athens (25.2)
\nTranslation of\u00a0Stavros Stavrou<\/em>: Every Time (26.2)<\/p>\n

Tom Keeline
\n<\/em><\/strong>Florilegium Housmanianum (22.3)<\/p>\n

Harold Keller
\n<\/em><\/strong>Iliad drawings (24.3)<\/em><\/strong><\/p>\n

Jascha Kessler
\n<\/em><\/strong>Mentor (6.1)<\/p>\n

Nicholas Kilmer
\n<\/em><\/strong>Ariadne\u2019s Dancing Ground (10.1)
\nA Cherry Tree By The River (11.3)
\nWisteria (13.1)
\nTranslation of Petrarch<\/em>: Poems Written After the Death of Laura (18.3)
\nEuripides\u2019 Hecuba: A Version I (21.1)
\nEuripides\u2019 Hecuba: A Version II (21.2)\u00a0<\/em><\/strong><\/p>\n

Joan Kimball
\n<\/em><\/strong>Hypatia, 415 CE (23.1)
\nTwo Poems (25.1)\u00a0<\/em><\/strong><\/p>\n

Karl\u00a0Kirchwey
\n<\/em><\/strong>Four Poems (16.3)
\n<\/em><\/strong>Five Poems (23.1)
\nFrom Mutabor: Palmyra and Colosseum (25.1)
\nMeditation on the Fall of Icarus (29.3)
\nSix Poems (33.3)<\/p>\n

Adam Kirsch
\n<\/em><\/strong>The Dream of Scipio (20.1)<\/p>\n

Molly Kirschner
\n<\/em><\/strong>Four poems (33.2)<\/p>\n

B.M.W. Knox
\n<\/em><\/strong>Lawrence\u2019s Odyssey (1.3)
\nReview of Inszenierung der Antike. Das griechische Drama aur der B\u00fchne der Neuzeit by Hellmut Flashar and Ancient Sun, Modern Light by Marianne McDonald (4.1)<\/p>\n

Lydia Koniordou
\n<\/em><\/strong>Ancient Greek Tragedy on the Stage, with Mary Louise Hart, Sir Peter Hall, Peter Sellars, and Peter Stein <\/em>(11.1)<\/p>\n

Oleg Kreymer
\n<\/em><\/strong>Translation of Aleksei Fedorovich Losev<\/em>: Twelve Theses on Antique Culture, with Kate Wilkinson<\/em> (11.1)<\/p>\n

Len Krisak
\n<\/em><\/strong>Translation of Catullus<\/em>: Selected Songs (21.1)
\nThree translations, Iliad and Aeneid (24.1)
\nTranslation of Propertius<\/em>: Elegy 4.7 (31.2)<\/p>\n

Steve Kronen
\n<\/em><\/strong>Four Poems (25.2)<\/p>\n

Leslie Kurke
\n<\/em><\/strong>Pindar and the Prostitutes, or Reading Ancient \u201cPornography\u201d (4.2)<\/p>\n

Michael Kustow
\n<\/em><\/strong>A Beast in the Coliseum (3.2-3)<\/p>\n

Ismene Lada-Richards
\n<\/em><\/strong>\u201cEstrangement\u201d or \u201cReincarnation\u201d?: Performers and Performance on the Classics Athenian Stage (5.2)
\nPantomine Dancing and the Figurative Arts in Imperial and Late Antiquity (12.2)
\nReview of Pots and Plays: Interactions between Tragedy and Greek Vase-painting of the Fourth Century B.C. by Oliver Taplin (17.2)<\/p>\n

Andrew Laird
\n<\/em><\/strong>Death, Politics, Vision, and Fiction in Plato\u2019s Cave (After Saramago) (10.3)<\/p>\n

Andr\u00e9 Laks
\n<\/em><\/strong>Review of\u00a0The Art of Reading by Jean Bollack (26.1)\u00a0<\/em><\/strong><\/p>\n

Joshua Landy
\n<\/em><\/strong>Socratic Sophistry and Platonic Perfection in Symposium and Gorgias (15.1)<\/p>\n

Mary Lefkowitz
\n<\/em><\/strong>Review of Feminist <\/em>Theory and the Classics, edited by Nancy Sorkin Rabinowitz and Amy Richlin (4.2)<\/p>\n

Janet Lembke
\n<\/em><\/strong>Skinny-Dipping with Pliny (2.1)<\/p>\n

J.E. Lendon
\n<\/em><\/strong>The Ignorance Factory (12.1)<\/p>\n

Bradford W. Lenmar
\n<\/em><\/strong>Ajax\u2019s Lament (32.3)<\/p>\n

Miriam<\/em><\/strong>\u00a0Leonard
\n<\/em><\/strong>Freud between Oedipus and the Sphinx (28.3)<\/p>\n

Seth Lerer
\n<\/em><\/strong>A Seussian Catullus on Egnatius (29.3)
\nA Seussian Catullus on Sparrows and Kisses: Carmina 2 & 5 (30.3)<\/p>\n

Philip A. Levine
\n<\/em><\/strong>Translation of Claude Calame<\/em>: In Dialogue with Marcel Detienne (32.2)<\/p>\n

Fred Licht<\/em><\/strong>
\nL\u2019Appassionata: An American Story (24.2)
\nInadvertent Beginnings (24.3)
\nThe Guard as Critic, or the Duchamp Factor (25.2)
\nA Lost Museum (25.3)
\nPeter Ehrlich (26.2)
\nA Milanese Quartet (27.2)<\/p>\n

Janet Lloyd
\n<\/em><\/strong><\/p>\n

Translation of Marcel Detienne<\/em>: This Is Where I Intend To Build A Glorious Temple (4.3)
\nTranslation of Marcel Detienne<\/em>: Experimenting in the Field of Polytheisms (7.1)
\nTranslation of Marcel Detienne<\/em>: The Gods of Politics in Early Greek Cities (12.2)
\nTranslation of Marcel Detienne<\/em>: Doing Comparative Anthropology in the Field of Politics (13.3)
\nTranslation of Jean Soler<\/em>: Why Monotheism (14.3)
\nTranslation of Marcel\u00a0Detienne<\/em>:\u00a0So What Is the Sex of Mythology? (15.3)
\nTranslation of Marcel<\/em> Detienne<\/em>: The Metamorphoses of Autochthony in the Days of National Identity (16.1)
\nTranslation of Marcel Detienne<\/em>: Historical Anthropology? Comparative Anthropology? (17.1)
\nTranslation of Marcel Detienne<\/em>: For Jean-Pierre Vernant: In Deepest Friendship (17.2)<\/p>\n

William Logan
\n<\/em><\/strong>Beauty (after Horace, Odes 1.25) (3.2-3)<\/p>\n

Steven Lonsdale
\n<\/em><\/strong>Homeric Hymn to Apollo, Prototype and Paradigm of Choral Performance (3.1)<\/p>\n

Glenn Loury
\n<\/strong>Review of Not out of Africa by Mary Lefkowitz (4.3)<\/p>\n

Nick Lowe
\n<\/em><\/strong>Review of Collected Film Poetry by Tony Harrison (15.2)<\/p>\n

Diana Lueptow
\n<\/em><\/strong>Three Poems (17.3)
\nDemeter (20.3)
\nThen Artemis Said (26.3)
\nCerulean: Variation on Lines of Durrell (30.3)<\/p>\n

Mark Lundy
\n<\/em><\/strong>Finding Medea in a Dream of Passion (30.1)<\/p>\n

Michael Lynn-George
\n<\/em><\/strong>Review of The Legacy of Homer: Four Centuries of Art from \u00c9cole Nationale Sup\u00e9rieure des Beaux Arts, Paris by Emmanuel Schwartz (16.2)<\/p>\n

Fiona Macintosh
\n<\/em><\/strong>Review of Irish Versions of Greek Tragedy edited by Marianne McDonald and J. Michael Walton (11.2)<\/p>\n

Alasdair MacIntyre
\n<\/em><\/strong>Review of\u00a0The Person and the Human Mind: Issues in Ancient and Modern Philosophy edited by Christopher Gill (1.3)<\/p>\n

Sara Mack
\n<\/em><\/strong>Acis and Galatea or Metamorphosis of Tradition (6.3)<\/p>\n

Jacob Louis Mackey
\n<\/em><\/strong>Translation of Horace<\/em>: Intermissa Venus (Ode 4.1) (9.1)<\/p>\n

Ramsay MacMullen
\n<\/em><\/strong>Review of Roman Papers, vols. VI – VII by Ronald Syme (2.1)<\/p>\n

Laurie Maguire
\n<\/em><\/strong>Ambiguity and Audience Response, with Felix Budelmann<\/em>and\u00a0Ben Teasdale<\/em> (23.3)<\/p>\n

Amit Majmudar
\n<\/em><\/strong>Five Poems (27.1)<\/p>\n

Margaret Malamud
\n<\/em><\/strong>As the Romans Did? Theming Ancient Rome on Contemporary Las Vegas (6.2)
\nThe Imperial Metropolis: Ancient Rome in Turn-of-the-Century New York (7.3)
\nA Funny Thing Happened on the Way to Brooklyn: Roman Comedy on Broadway and in Film (8.3)
\nAn American Immigrant in Imperial Caesar\u2019s Court: Romans in 1930s Films (12.2)
\nCold War Romans (14.3)
\nAbolitionist Use of the Classics (23.2)
\nThe Petrification of Cleopatra in 19th Century Art with Martha\u00a0Malamud<\/em> (28.1)<\/p>\n

Martha\u00a0Malamud
\n<\/em><\/strong>The Petrification of Cleopatra in 19th Century Art with Margaret\u00a0Malamud<\/em> (28.1)<\/p>\n

Thomas Mannack
\n<\/em><\/strong>Shedding New Light on Ancient Objects, with Ben F. S. Altshuler<\/em> (22.1)<\/p>\n

Suzanne Marchand
\n<\/em><\/strong>Martin Bernal and His Critics, with Anthony Grafton<\/em> (5.2)
\nReview of The Greeks and Greek Civilization by Jacob Burckhardt (8.3)
\nReview of Antiquity in Print by Daniel Orrells (32.2)<\/p>\n

Clinton W. Marrs
\n<\/em><\/strong>Ragged Dick, George Babbitt, and the Problem of a Modern Classical Education (15.2)<\/p>\n

C.W. Marshall
\n<\/em><\/strong>Alcestis and the Ancient Rehearsal Process (P. Oxy. 4546) (11.3)
\nTranslation of Sappho<\/em>: On Oldness (13.3)<\/p>\n

Hallie Rebecca Marshall
\n<\/em><\/strong>Tony Harrison and Jocelyn Herbert: A Theatrical Love Affair (15.2)
\nReview of Imitation and Contamination of the Classics in the Comedies of Ben Jonson by Tom Harrison (33.1)<\/p>\n

Charles\u00a0Martin
\n<\/em><\/strong>Tonight\u2019s Jeopardy (5.1)
\nTranslation of Ovid<\/em>: Selections from the Metamorphoses (6.1)
\nTranslation of Ovid<\/em>: Medea (6.2)
\nTranslation of Ovid<\/em>: From Metamorphoses 7 (6.3)
\nIphis and Ianthe (23.3)
\nNarcissism For Beginners (25.2)
\nTranslation of\u00a0Horace<\/em>: Three Odes (28.3)<\/p>\n

\u00a0<\/em><\/strong>Charles Martindale
\n<\/em><\/strong>Redeeming the Text: The Validity of Comparisons of Classical and Post-Classical Literature (1.3)
\nT.S. Eliot and the Presence of the Past (3.2-3)
\nDid He Die, or Was He Pushed? (6.3)
\nReview of The Idea of Ancient Literary Criticism by Yun Lee Too (8.3)
\nThe Aesthetic Turn: Latin Poetry and the Judgement of Taste (9.2)
\nReview of Texts, Ideas, and the Classics edited by S. J. Harrison and Latin Literature by Susanna Morton Braund (10.1)
\nReview of Out of Athens: The New Ancient Greeks by Page duBois (18.1)<\/p>\n

Boris Maslov
\n<\/em><\/strong>Translation of\u00a0Sergej Averintsev<\/em>: Symbolism of the Oedipus Myth (29.2)<\/em><\/strong><\/p>\n

David Mason
\n<\/em><\/strong>The Chorus of Sacrifice from The Mercy: A New Oresteia<\/em> (32.1)<\/p>\n

Mary Maxwell
\n<\/em><\/strong>H.D.: Pound\u2019s Sulpicia (10.2)
\n<\/em><\/strong>Review of The Mourning Voice: An Essay on Greek Tragedy by Nicole Loraux and Gender and the City in Euripides\u2019 Political Plays by Daniel Mendelsohn (11.3)
\nReview of Antigonick<\/em>, directed by Kristin Horton; NYU-Gallatin Theater (21.1)
\nOn Mary McCarthy\u2019s 1945 translation of Simone Weil (26.2)<\/p>\n

Andrew McCarron
\n<\/em><\/strong>A Remembrance of William C. Mullen (30.2)<\/p>\n

Justine McConnell
\n<\/em><\/strong>Review of Odyssey, Piccolo Teatro Strehler, Milan; National Theater of Greece, Athens by Robert Wilson (21.1)
\nReview of Stink Foot,\u00a0<\/em>Yard Theatre, Hackney, adapted and directed by Jeff James (22.3)
\nReview of The Oresteia, adapted and directed by Robert Icke & Medea, directed by Rupert Goold and adapted by Rachel Cusk, The Almeida Theater (23.3)
\nReview of Brand New Ancients by Kate Tempest (22.1)\u00a0<\/em><\/strong><\/p>\n

Thomas McCreight
\n<\/em><\/strong>Translation of\u00a0Apuleius<\/em>: Florida 6 (22.1)
\nTranslation of\u00a0Apuleius<\/em>: Some Protreptic Anecdotes about the Cynic Philosopher Crates (23.2)\u00a0<\/em><\/strong><\/p>\n

Marianne McDonald
\n<\/em><\/strong>Violent Words: Brian Friel\u2019s Living Quarters: after Hippolytus (6.1)
\nReview of Tantalus by John Barton; directed by Peter Hall (8.3)
\nFatal Commission (10.3)
\nAnouilh\u2019s Oedipus: Outer Light and Inner Darkness (10.1)
\nThe Return of the Myth: Athol Fugard and the Classics (14.2)
\nIn Memoriam Thomas Rosenmeyer (15.2)
\nMedea\u2014The Beginning (15.1)
\nBlack Antigone and Gay Oedipus (17.1)
\nSuzuki Tadashi and Greek Tragedy (17.3)
\nA Hero for our Time: Bernard Knox (18.2)
\nReview of Ancient Rome at the Cinema: Story and Spectacle in Hollywood and Rome by Elena Theodorakopoulos (20.1)
\nReview of Classics and Comics by George Kovacs and C. W. Marshall, eds. (20.2)
\nReview of Reimagining Greek Tragedy on the American Stage by Helene Foley (21.2)
\nIn Memoriam: Seamus Heaney (21.3)
\nReview of Dionysus Resurrected: Performances of Euripides\u2019 The Bacchae in a Globalizing World by Erika Fischer-Lichte (22.3)
\nMythical Musical Drama in Monteverdi (23.2)
\nJames Joyce, Portrait and Still Life (24.1)
\nReview of The Irish Classical Self by Laurie O\u2019Higgins (25.2)<\/p>\n

Molly McGrann
\n<\/em><\/strong>Hermaphroditus (7.3)<\/p>\n

Richard McKim<\/em><\/strong>
\nTranslation of\u00a0Parmenides<\/em>: The Road to Reality (27.2)<\/p>\n

Susan McLean
\n<\/em><\/strong>Two Poems (8.1)
\nLesbia Replies (11.3)
\nTranslation of Martial<\/em>:\u00a0Some Epigrams (15.2)
\nTranslation of Sir Thomas More<\/em>: Selected Epigrams (19.1)
\nTranslation of\u00a0Martial<\/em>: Epigrams from De Spectaculis (26.2)
\nTranslation of Rainer Maria Rilke<\/em>: From New Poems (30.2)
\nTranslation of Rainer Maria Rilke<\/em>: Three from New Poems<\/em> (33.3)<\/p>\n

Ellen McLaughlin
\n<\/em><\/strong>Oedipus: A New Version (12.3)<\/p>\n

Peter Meineck
\n<\/em><\/strong>Review of The Seven by Will Power and Lysistrata or The Nude Goddess\u00a0by Mark Adamo (14.1)
\nReview of Hippolytus at the Getty Villa (14.2)
\nReview of Euripides,\u00a0The Bacchae, Edinburgh International Festival and The Greek Plays by Ellen McLaughlin (15.2)
\nReview of Conversations at Tusculum by Richard Nelson (16.1)
\nReview of Theater of War \/ The Philoctetes Project,\u00a0directed by Bryan Doerries (17.1)
\nReview of Euripides, The Bacchae translated by Nicholas Rudall, directed by Joanne Akalaitis. The Public Theater at the Delacortt Theater (17.2)
\nThe Neuroscience of the Tragic Mask (19.1)
\nReview of Oedipus at Studio 54, New York (33.3)<\/p>\n

Daniel Mendelsohn
\n<\/em><\/strong>Review of Same-Sex Unions in Pre-modern Europe by John Boswell (3.2-3)
\nTranslation of C. P. Cavafy<\/em>: Six Poems (12.3)<\/p>\n

W.S. Merwin
\n<\/em><\/strong>William Arrowsmith: An Afterword (2.2-3)<\/p>\n

Martin W.<\/em><\/strong> Michalek
\n<\/em><\/strong>Dislanguaged: David Ferry\u2019s Orphic Turn (30.3)
\nByron\u2019s Carpe Diem<\/em> Poetics (31.3)
\nReview of The Penguin Book of Greek and Latin lyric Verse by Christopher Childers (33.1)<\/p>\n

Roger Michel
\n<\/em><\/strong>A Vexed Pharmacopeia, with Alex Karenowska, George Altshuller,\u00a0<\/em>and Matthew\u00a0Cobb<\/em> (28.1)<\/p>\n

Ann. N. Michelini
\n<\/em><\/strong>Review of Euripides and the Instruction of the Athenians by Justina Gregory, Euripides and the Poetics of Sorrow: Art, Gender, and Commemoration in Alcestis, Hippolytus, and Hecuba by Charles Segal, and Anxiety Veiled: Euripides\u2019 Traffic in Women by Nancy Sorkin Rabinowitz (4.3)
\nReview of Playing the Other: Gender and Society in Classical Greek Literature by Froma Zeitlin (7.2)<\/p>\n

Christopher Middleton
\n<\/em><\/strong>Some Souvenirs (2.2-3)<\/p>\n

John F. Miller
\n<\/em><\/strong>Piero Di Cosimo\u2019s Ovidian Diptych (15.2)
\nMusing on Ezekiel\u2019s Homer at UVA (31.2)<\/p>\n

Jack Mitchell
\n<\/em><\/strong>Lesbia\u2019s Sparrow: Catullus 2 (30.2)<\/p>\n

Robert Lloyd Mitchell
\n<\/em><\/strong>On Poetry in Plato\u2019s Republic (24.2)<\/p>\n

W. J. T. Mitchell
\n<\/em><\/strong>Seeing through Madness: A Roman Holiday (30.2)<\/p>\n

Sidney Monas
\n<\/em><\/strong>At Princeton and Austin (2.2-3)<\/p>\n

Derek Mong<\/em><\/strong>
\nThree Poems (27.3)
\nTwo Poems (31.2)<\/p>\n

Trish Montemuro
\n<\/em><\/strong>Postcards From a Well-Traveled Poet (15.2)<\/p>\n

Ken Moore
\n<\/em><\/strong>Plato\u2019s Puppets of the Gods (22.2)<\/p>\n

Neville Morley
\n<\/em><\/strong>Thucydides Quote Unquote (20.3)<\/p>\n

Andrew Morrison
\n<\/em><\/strong>Translation of Horace<\/em>: Ode 1.5 (31.3)<\/p>\n

Nick Moschovakis
\n<\/em><\/strong>Translation of\u00a0Stamatis Polenakis<\/em>: The Glorious Stone (30.1)
\nTranslation of Virgil<\/em>: Aeneid II.402\u201352 (30.2)
\nReview of Homer in Wittenberg by William Weaver (32.3)<\/p>\n

Glenn W. Most
\n<\/em><\/strong>Canon Fathers: Literacy, Mortality, Power (1.1)
\nTranslation of Barbara E. Borg<\/em>: The Face of the Elite (8.1)
\nHeidegger\u2019s Greeks (10.1)
\n<\/em><\/strong>Poetry, Knowledge, and Dr. Geuss (11.2)
\nDante\u2019s Greeks (13.3)
\nPaired Receptions: Comparing Euripides\u2019 Hecuba<\/em> with His Trojan Women<\/em> (34.1)<\/p>\n

Martin Mueller
\n<\/em><\/strong>Hamlet and the World of Ancient Tragedy (5.1)
\nMozart\u2019s Encounter with Ancient Tragedy in Idomeneo (18.1)<\/p>\n

William Mullen
\n<\/em><\/strong>Sailing Homer\u2019s Baltic: \u201cOr Is This All Hallucination?\u201d (15.1)<\/p>\n

Thomas M. Mulligan
\n<\/em><\/strong>Plato\u2019s New Dialogue (15.2)<\/p>\n

Dana L.\u00a0Munteanu<\/strong>
\n<\/em>Placing Thebes and Ithaca in Eastern Europe (17.1)<\/p>\n

Gilbert Murray
\n<\/em><\/strong>A Sword in Pity\u2019s Hand: It Shall Prove that Right Still Lives Among Nations (13.1)<\/p>\n

Jeremy Mynott
\n<\/em><\/strong>Translating Thucydides (21.1)<\/p>\n

Gregory Nagy
\n<\/em><\/strong>Transformations of Choral Lyric Traditions in the Context of Athenian State Theater (3.1)<\/p>\n

Alexander Nehamas
\n<\/em><\/strong>Review of Ironist and Moral Philosopher by Gregory Vlastos (2.1)<\/p>\n

Florencia Nelli
\n<\/em><\/strong>Review of The Performance Reception of Greek Tragedy in Ancient Theatres by Sebastiana Nervegna (34.1)<\/p>\n

Stephanie Nelson
\n<\/em><\/strong>Review of Aristophanes and the Carnival of Genres by Charles Platter (15.3)
\nUlysses at 100 (29.3)
\nReview of Classics and Celtic Literary Modernism by Gregory Baker (30.1)<\/p>\n

Paul Nemser
\n<\/em><\/strong>From Taurus and Europa in St. Petersburg (16.3)<\/p>\n

Rebecca Nemser
\n<\/em><\/strong>Review of Fram by Tony Harrison,\u00a0directed by Tony Harrison and Bob Crowley, National Theatre, London (16.2)<\/p>\n

Carole E. Newlands
\n<\/em><\/strong>G. Douglas\u2019s The Palis of Honoure and D. Walcott\u2019s \u201cThe Hotel Normandie Pool\u201d (26.3)<\/p>\n

Wade Newman
\n<\/em><\/strong>Sisyphus (30.2)
\nAfter Plutarch Sonnet 61 (31.1)<\/p>\n

Christopher Nield
\n<\/em><\/strong>Two Poems (19.2)<\/p>\n

Andrea Nightingale
\n<\/em><\/strong>On Wandering and Wondering: Theoria in Greek Philosophy and Culture (9.2)
\nNight-Vision: Epicurean Eschatology (14.3)
\nAuto-Hagiography: Augustine and Thoreau (16.2)
\nHomecoming and the Humic: Eleanor Wilner, Brian Jungen, and Derek Walcott (19.3)
\nThe \u201cI\u201d and \u201cNot I\u201d in Augustine\u2019s Confessions (23.1)
\nCave Myths and the Metaphysics of Light (24.3)
\nDivine Epiphany and Pious Discourse in Plato\u2019s Phaedrus (26.1)\u00a0<\/em><\/strong><\/p>\n

James Nikopoulos
\n<\/em><\/strong>Eleni and Her Rhapsodists (22.3)<\/p>\n

Gideon Nisbet
\n<\/em><\/strong>Review of Troy: From Homer\u2019s Iliad to Hollywood Epic, edited by Martin Winkler (15.2)
\nLouis Alexis\u2019s School of Nero<\/em> (32.1)<\/p>\n

Sarah H. Nooter
\n<\/em><\/strong>Can We Read Sophocles Through Sizwe? (21.2)<\/p>\n

Martha C. Nussbaum
\n<\/em><\/strong>The Transfigurations of Intoxication: Nietzsche, Schopenhauer, and Dionysus (1.2)
\nReply to Robert Eldridge (2.1)
\nReview of Marginal Comment: A Memoir by Kenneth Dover (4.3)\u00a0<\/em><\/strong><\/p>\n

Megan O\u2019Donald
\n<\/em><\/strong>Drawings from Greece and Italy (30.2)<\/p>\n

Patrick O\u2019Donnell
\n<\/em><\/strong>Two Poems (24.3)
\nAn Interview with Caroline Alexander (25.2)
\nThree Poems (32.3)<\/p>\n

T. O\u2019Hara
\n<\/em><\/strong>St. Peter\u2019s Creek, 23 July (17.2)<\/p>\n

Paul Oppenheimer
\n<\/em><\/strong>The Dream of Anachronism in Goethe\u2019s Roman Elegies (6.1)
\nReview of The Sin of Knowledge by Theodore Ziolkowski (10.2)\u00a0<\/em><\/strong><\/p>\n

Stephen Orgel
\n<\/em><\/strong>The Reform of Poetry in Elizabethan England (27.2)
\nThe Elizabethan\u00a0Bacchae (28.3)<\/p>\n

Daniel<\/em><\/strong>\u00a0Orrells
\n<\/em><\/strong>Freud and Leonardo in Egypt (28.3)<\/p>\n

Robin Osborne
\n<\/em><\/strong>Review of A City of Images: Iconography and Society in Ancient Greece edited by C. B\u00e9rard (1.2)<\/p>\n

Steven F. Ostrow
\n<\/em><\/strong>Bernini and the Poetics of Sculpture (29.1)\u00a0<\/em><\/strong><\/p>\n

James Owens<\/em><\/strong>
\nTranslation of John Owen<\/em>: Four Epigrams (31.1)<\/p>\n

Ruth Padel
\n<\/em><\/strong>Review of Ion, the Lost Boy, co-production of Actors Touring Company, London and Piramatiki Skini tis Technis, Thessaloniki and Ion, Royal Shakespeare Company at the Barbican Theatre, London (4.1)
\nLabyrinth of Desire: Cretan Myth in Us (4.2)<\/p>\n

Camille Paglia
\n<\/em><\/strong>Review of The Constraints of Desire by John Winkler and One Hundred Years of Homosexuality by David Halperin (1.2)
\nReview of The Odyssey on NBC (5.2)
\nThe Mighty River of Classics: Tradition and Innovation in Modern Education (9.2)
\nCults and Cosmic Consciousness: Religious Vision in the American 1960s (10.3)
\nWord and Picture in a Media Age (11.3)
\nErich Neumann: Theorist of the Great Mother (13.3)
\nReligion and the Arts in America (15.1)
\nFeminism: Past and Present: Ideology, Action, and Reform (16.1)
\nThe Selection Process for Break, Blow, Burn (16.2)<\/p>\n

Thomas G. Palaima
\n<\/em><\/strong>Monad Noir (3.2-3)
\nWar Stories Told, Untold and Retold (23.3)<\/p>\n

John Palmer
\n<\/em><\/strong>Review of Early Greek Philosophy by Andr\u00e9 Laks and Glenn W. Most (25.3)<\/p>\n

Colin Cromwell Pang
\n<\/em><\/strong>Catullus, Hip-hop, and Masculinity (25.1)\u00a0<\/em><\/strong><\/p>\n

Ricardo Pao-Llosa
\n<\/em><\/strong>Four Poems (23.2)
\nThree Poems (25.2)
\nThree Poems (28.2)
\nTwo Pairs of Poems (29.3)
\nFive Reflections (31.2)
\nTwo Poems (33.1)<\/p>\n

Zooey Park
\n<\/em><\/strong>Translation of Alexander Pushkin<\/em>: Arion and Cyclops (30.1)<\/p>\n

Douglass Parker
\n<\/em><\/strong>WAA\u2013An Intruded Gloss (2.2-3)
\nThree Times Horass\u2019 I.38 (23.2)<\/p>\n

John Peck
\n<\/em><\/strong>From Nova Cantica (6.2)<\/p>\n

Simon Perris
\n<\/em><\/strong>Genre, Identity, and Parody in Derek Mahon\u2019s Bacchae (16.1)<\/p>\n

Lincoln Perry
\n<\/em><\/strong>An Epiphany in Munich (27.1)
\nSculpture: Only Connect (29.1)<\/p>\n

Ted Perry
\n<\/em><\/strong>Il mestiere di vivere, il mestiere di scrivere (2.2-3)<\/p>\n

Meredith Peters<\/strong><\/em>
\nTranslation of Marcel Detienne<\/em>: On Efficacy in Practical Reason: Comparative Approaches: Greece-China, a Well-Timed Round-Trip (20.1)<\/p>\n

Richard Pevear
\n<\/em><\/strong>Translation of Sergei Averintsev<\/em>: Ancient Greek \u201cLiterature\u201d and Near Eastern \u201cWritings\u201d: The Opposition and Encounter of Two Creative Principles: Part One, with Larissa Volokhonsky<\/em> (7.1)
\nTranslation of Sergei Averintsev<\/em>: Ancient Greek \u201cLiterature\u201d and Near Eastern \u201cWriting\u201d: The Opposition and Encounter of Two Creative Principles: Part Two, with Larissa Volokhonsky<\/em> (7.2)
\nTranslation of Sergei Averintsev<\/em>: Genre as Abstraction and Genres as Reality: The Dialectics of Closure and Openness, with Larissa Volokhonsky<\/em> (9.1)<\/p>\n

Carl Phillips
\n<\/em><\/strong>Renderings (4.3)<\/p>\n

Nina Pick
\n<\/em><\/strong>Four Poems, After Sappho (21.2)<\/p>\n

Emily Pillinger<\/strong>
\n<\/em>Translating Classical Visions in Berloiz\u2019s Les Troyens (18.2)<\/p>\n

David Podgurski
\n<\/em><\/strong>Red-Haired Atreides Speaks to Telemachus (24.2)<\/p>\n

Michael Poliakoff
\n<\/em><\/strong>Vergil and the Heart of Darkness: Observations on a Recurring Theme (2.1)<\/p>\n

Aaron Poochigian
\n<\/em><\/strong>Two Poems (16.3)<\/p>\n

Adrian Poole
\n<\/em><\/strong>War and Grace: The Force of Simone Weil on Homer (2.1)<\/p>\n

David Poole
\n<\/em><\/strong>Review of Tragedy and the Tragic, edited by M.S. Silk (5.2)<\/p>\n

Iggy Pop
\n<\/em><\/strong>Caesar Lives (23.1)<\/p>\n

James I. Porter
\n<\/em><\/strong>Homer: The Very Idea (10.2)
\nWhat Is \u201cClassical\u201d About Classical Antiquity? (13.1)<\/p>\n

Barry B. Powell
\n<\/em><\/strong>The House of Odysseus (14.2)<\/p>\n

Elizabeth Powers
\n<\/em><\/strong>Henry James and William Wetmore Story (16.2)
\nIn Their Father\u2019s Library: Furnishing a Tradition (28.1)
\nCamilla and the Revenge of Dido (29.1)\u00a0<\/em><\/strong><\/p>\n

Alex Priou
\n<\/em><\/strong>Keaton\u2019s Yoke (26.3)
\nThe Plan of Zeus and the Plight of the Octopus (31.1)<\/p>\n

Michael C. J. Putnam
\n<\/em><\/strong>The Lyric Genius of the Aeneid (3.2-3)
\nReview of The Walking Muse by Kirk Freudenberg (3.2-3)
\nReview of Roman Epic, edited by A. J. Boyle and The Epic Successors of Virgil by Philip Hardie (6.3)
\nVirgil and Heaney: \u201cRoute 110\u201d (19.3)<\/p>\n

David Quint
\n<\/em><\/strong>Erictho and Demogorgon: Poetry against Metaphysics (28.2)<\/p>\n

Tessa Ransford
\n<\/em><\/strong>Review of The Gardens of Flora Baum by Julia Budenz (20.2)<\/p>\n

Mark Rasmussen
\n<\/em><\/strong>Euripides\u2019 Alcestis<\/em>, Chaucer\u2019s Franklin\u2019s Tale<\/em>, and Ironic Reading (33.1)<\/p>\n

Kenneth J. Reckford
\n<\/em><\/strong>The Atrocity of Euripides\u2019 Hecuba (1.2)
\nReview of Horace by David Armstrong (1.3)
\nRecognizing Venus I: Aeneas Meets His Mother (3-3)
\nRecognizing Venus II: Dido, Aeneas, and Mr. Eliot (3.2-3)
\nStoppard\u2019s Housman (9.2)
\nHorace Through Johnson (1): The Sky Odes (18.3)
\n\u201cA Short Song of Congratulations\u201d: Horace, Johnson, and Satire (19.1)<\/p>\n

James Redfield
\n<\/em><\/strong>Classics and Anthropology (1.2)<\/p>\n

Bruce Redwine<\/strong>
\n<\/em>The Melting Mirage of Lawrence Durrell\u2019s White City (16.1)
\nReview of Alexandria: City of Memory and Vintage Alexandria: Photographs of the City, 1860-1960 by Michael Haag (17.3)<\/p>\n

Rush Rehm
\n<\/em><\/strong>Performing the Chorus: Choral Action, Interaction, and Absence in Euripides (4.1)
\nReview of Playing the Chorus in Greek Tragedy by Rosa And\u00fajar (34.1)<\/p>\n

Tom<\/em><\/strong>\u00a0Rendall
\n<\/em><\/strong>Teaching the Western Classics to Students in China (21.3)
\nMigrating Character in\u00a0Don Quijote\u00a0and the\u00a0Aeneid (28.1)<\/p>\n

Martin Revermann
\n<\/em><\/strong>The Appeal of Dystopia: Latching onto Greek Drama in the Twentieth Century (16.1)<\/p>\n

Alysse Rich
\n<\/em><\/strong>Three Poems (30.2)<\/p>\n

Edmund Richardson
\n<\/em><\/strong>Nothing\u2019s Lost Forever (20.2)<\/p>\n

Daniel Richter
\n<\/em><\/strong>Lives and Afterlives of Lucian of Samosata (13.1)<\/p>\n

Christopher Ricks
\n<\/em><\/strong>Racine\u2019s Phedre: Lowell\u2019s Phaedra (1.2)
\nOn Heroes and Antihero-Worship (2.2-3)<\/p>\n

David Ricks
\n<\/em><\/strong>Greek Tout Court? (1.3)
\nReview of After Antiquity: Greek Language, Myth, and Metaphor by Margaret Alexiou and Eroticism in Ancient and Medieval Greek Poetry by J. C. B. Petropoulos (13.1)
\nWalter Shewring\u2019s Sallies (30.1)<\/p>\n

Kathleen Riley
\n<\/em><\/strong>The Classical Style of P. G. Wodehouse and R. Chandler (26.2)
\nLittle Eternities: Henry James\u2019s Horation Sense of Time (27.1)<\/p>\n

Deborah Roberts
\n<\/em><\/strong>Horace Odes 1.5: A Reversal (3.2-3)<\/p>\n

Jennifer Roberts
\n<\/em><\/strong>Review of The Cambridge Illustrated History of Ancient Greece by Paul Cartedge et al. (8.2)<\/p>\n

Helen Roche
\n<\/em><\/strong>Review of The Fasces by T. Corey Brennan (32.1)<\/p>\n

Brett M. Rogers
\n<\/em><\/strong>Review of Amazing Antiquity: Ancient Greece and Rome in Modern Science Fiction by Ross Clare (33.1)<\/p>\n

Pat Rogers
\n<\/em><\/strong>Why Trivia? Myth, Etymology, and Topography (12.3)<\/p>\n

Nicholas Romanos
\n<\/em><\/strong>Reading Virgil with Racine (32.2)<\/p>\n

Michelle Valerie Ronnick
\n<\/em><\/strong>Forum: Buck Mulligan and Ulysses, with Fritz Senn<\/em> and D.S. Carne-Ross<\/em> (2.1)
\nTwelve Black Classicists (11.3)<\/p>\n

Amelie Oksenberg Rorty
\n<\/em><\/strong>The Cockrel Weathervane Swerves and As Diotima Saw Socrates (4.3)<\/p>\n

David Rosand
\n<\/em><\/strong>Ekphrasis and the Generation of Images (1.1)
\nWilliam Arrowsmith and Visual Thinking (2.2, 2.3)
\nTitian\u2019s Triumph of Marsyas (17.3)
\nThe Passion of Adonis (21.3)<\/p>\n

Jonathan Rosand
\n<\/em><\/strong>A Tribute to My Father (22.3)<\/p>\n

Peter W. Rose
\n<\/em><\/strong>Review of The Rise and Fall of Classical Greece by Josiah Ober (26.3)<\/p>\n

Stanley Rosen
\n<\/em><\/strong>Review of Listening to the Cicadas: A Study of Plato\u2019s \u201cPhaedrus\u201d by Giovanni R. F. Ferrari (1.1)
\nSuspicion, Deception, and Concealment (1.2)<\/p>\n

Thomas G. Rosenmeyer
\n<\/em><\/strong>\u2018Metatheater\u2019: An Essay on Overload (10.2)<\/p>\n

M.L. Rosenthal
\n<\/em><\/strong>Bill Arrowsmith\u2013 \u201cNoble Acerbity\u201d (2.2-3)<\/p>\n

Christopher Rowe
\n<\/em><\/strong>Review of The Flood from Heaven: Deciphering the Atlantis Legend by Eberhard Zangger (5.3)<\/p>\n

Niall Rudd
\n<\/em><\/strong>Reception: Some Caveats (With Special Reference to the Aeneid) (14.1)
\nOn Wenlock Edge (15.3)<\/p>\n

Vasily Rudich
\n<\/em><\/strong>The Tower Builder: The Works and Days of Vyacheslav Ivanov (5.3)
\nPushkin and Virgil (10.1)
\nLiterature and Censorship in the Early Roman Empire (14.1)\u00a0<\/em><\/strong><\/p>\n

Mark Rudman
\n<\/em><\/strong>William Arrowsmith in Heaven: A Sketch (2.2-3)
\nThe Diver (after Ovid) and Aesacus Risen (3.2-3)
\nThree Horatian Palimpsests (5.1)
\nTwo Horatian Palimpsests (5.3)
\nTrio: Perseus Surprised, Andromeda Unbound; Deceptive Practicality: The Change Seminars (6.3)
\nVolterra (9.2)
\n<\/em>Cutting Edge Production: Medea (November 2003) (11.2)
\nAchilles As Earthwork (18.1)<\/p>\n

Martin A. Ruehl
\n<\/em><\/strong>Review of A Most Dangerous Book by Christopher Krebs (22.2)<\/p>\n

Ian Ruffell
\n<\/em><\/strong>Review of Comic Business: Theatricality, Dramatic Technique, and Performance Contexts of Aristophanic Comedy\u00a0by Martin Revermann (16.3)<\/p>\n

Louis A. Ruprecht Jr.
\n<\/em><\/strong>Translation of Odysseas Elytis<\/em>: Diary from April As Yet Unseen (12.2)
\nTranslation of Nello\u00a0Vian<\/em>: Winckelmann at the Vatican Library (15.3)
\nAntoine Chrysostome Quatrem\u00e8re de Quincy (22.1)
\nHistorical Greece and European Myths (24.1)
\nReview of Comic Democracies by Angus Fletcher (25.1)
\nWinckelmann and the Vatican\u2019s Museo Profano (25.2)
\nReview of The Classical Debt by Johanna Hanink (26.1)
\nA Retrospective Appreciation of Anne Carson\u2019s Eros the Bittersweet (27.2)
\nReview of An Ethnography of Despair and Resilience in Greece\u2019s Second City by Kathryn A. Kozaitis (28.2)
\nCrete\u2019s Asphendou Cave and Greece\u2019s Oldest Figural Art (33.3)<\/p>\n

Joseph Russo
\n<\/em><\/strong>Gambling with Demeter, with Bennett Simon<\/em> (25.1)<\/p>\n

Ian Rutherford
\n<\/em><\/strong>Apollo in Ivy: The Tragic Paean (3.1)<\/p>\n

Barrie Rutter
\n<\/em><\/strong>Performing Tony Harrison (15.2)<\/p>\n

Maria Rybakova
\n<\/em><\/strong>Imagination versus Attention: Simone Weil Translating the Iliad (15.2)
\nTwo Genders of the Soul Regarding the Love God (16.1)
\nFrom a Svoboda Interview: Disfigured Achilles, with Dmitri Volchek, translated by Taryn Janati (20.3)
\nFrom Gnedich I, translated by Elena Dimov (20.3)
\nFrom Gnedich II, translated by Elena Dimov (21.1)\u00a0<\/em><\/strong><\/p>\n

George Saad
\n<\/em><\/strong>Limb-loosening: Tracing a Motif in Vergil (28.2)\u00a0<\/em><\/strong><\/p>\n

Scarlett Sabet
\n<\/em><\/strong>23rd February 1821: In Remembrance of John Keats (28.3)<\/p>\n

Loren J. Samons II
\n<\/em><\/strong>Review of The Other Greeks: The Family Farm and the Agrarian Roots of Western Civilization by Victor Davis Hanson and The Athenian Revolution by Josiah Ober (5.3)
\nReview of Democracy, Empire, and the Arts in Fifth-Century Athens, edited by Deborah Boedeker and Kurt A. Raaflaub (8.3)
\nMarathon and Athenian \u201cCollaboration\u201d (18.3)<\/p>\n

George Santayana
\n<\/em><\/strong>The Human Scale (6.2)<\/p>\n

John Savoie
\n<\/em><\/strong>Consider This (16.1)<\/p>\n

Seth L. Schein
\n<\/em><\/strong>Rachel Bespaloff\u2019s\u00a0On the Iliad (26.1)<\/p>\n

Raymond Scheindlin
\n<\/em><\/strong>Translation of Book of Job (Chapters 3, 9, 10, 29, 30) (4.3)<\/p>\n

R.J. Schork
\n<\/em><\/strong>Buck Mulligan as a Grammaticus Gloriosus in Joyce\u2019s Ulysses (1.3)
\nThe Singular Circumstance of an Errant Papyrus <\/em>(16.2)<\/p>\n

Clayton Schroer
\n<\/strong><\/em>Review of The Poetic World of Statius’ Silvae<\/em> by Michael Putnam (32.3)<\/p>\n

Ronald Schuchard<\/strong>
\n<\/em>Emory\u2019s Arrowsmith: Arrowsmith\u2019s Eliot (2.2-3)<\/p>\n

William C. Scott
\n<\/em><\/strong>Musical Design in Sophocles\u2019 Oedipus Tyrranus (4.1)<\/p>\n

Stephen Scully
\n<\/em><\/strong>Orchestra and Stage in Euripides\u2019 Suppliant Women (4.1)
\nReview of The Sigmund Freud Antiques: Fragments of a Buried Past at the Boston University Art Gallery, and Sigmund Freud and Art: His Personal Collection of Antiquities, edited by Lynn Gamwell and Richard Wells (5.2)
\nReview of Homer in the Twentieth Century: Between World Literature and the Western Canon edited by Barbara Graziosi and Emily Greenwood (17.1)
\nReview of The Epic Cycle: A Commentary on the Lost Troy Epics by M. L. West (23.2)\u00a0<\/em><\/strong><\/p>\n

Richard Seaford
\n<\/em><\/strong>The Dionysiac Don responds to Don Quixote: Rainer Friedrich on the New Ritualism (8.2)
\nReview of Coins, Bodies, Games and Gold: The Politics of Meaning in Archaic Greece\u00a0by Leslie Kurke (9.3)
\nBacchae, Ritual, and Tragedy: Concluding Remarks (9.3)
\nDionysos, Money, and Drama (11.2)\u00a0<\/em><\/strong><\/p>\n

Matthew A. Sears
\n<\/em><\/strong>Mother Canada and Mourning Athena (25.3)<\/p>\n

Charles Segal
\n<\/em><\/strong>Review of <\/em>Essays Ancient and Modern by Bernard Knox (1.1)
\nThe Chorus and the Gods in Oedipus Tyrranus (4.1)
\nArt, Gender and Violence in the Metamorphoses (5.3)
\nJupiter in Ovid\u2019s Metamorphoses (9.1)
\nBlack and White Magic in Ovid\u2019s Metamorphoses: Passion, Love, and Art (9.3)<\/p>\n

Daniel L. Selden
\n<\/em><\/strong>Classics and Contemporary Criticism (1.1)<\/p>\n

Peter Sellars
\n<\/em><\/strong>Ancient Greek Tragedy on the Stage, with Mary Louise Hart, Sir Peter Hall, Peter Stein,\u00a0<\/em>and\u00a0Lydia Koniordou <\/em>(11.1)
\n<\/em><\/p>\n

Fritz Senn<\/strong>
\n<\/em>Forum: Buck Mulligan and Ulysses, with Michelle Valerie Ronnick<\/em> and D.S. Carne-Ross<\/em> (2.1)<\/p>\n

Steven Shankman
\n<\/em><\/strong>Xenophilia (28.2)<\/p>\n

Avi Sharon
\n<\/em><\/strong>Translation of George Seferis<\/em>: The King of Asine and Yannis Ritsos<\/em>: Romiosini (4.2)
\nTranslation of Attilio Bertolucci<\/em>: Iphigenia (5.3)
\nNew Friends for New Places: England Rediscovers Greece (8.2)
\nFinding Tradition Through Translation Among Seferis, Eliot, and Keats (11.3)
\nTranslation of C. P. Cavafy<\/em>: Five Poems (12.2)
\nTranslation of Odyseas Elytis<\/em>: Helen (15.1)
\nTranslation of Alexandros Papadiamandis<\/em>: Poor Saint (15.3)
\nTranslation of George Seferis<\/em>: From Erotikos Logos (16.2)
\nTranslation of Christos Vakalopoulos<\/em>: The Line of the Horizon (Selected Scenes) (18.1)
\nTranslation of A Crusade for the Humanities: From the Letters of Cardinal Bessarion<\/em> (19.2)
\nFrom Asine to Engomi: George Seferis in Conversation with the Past (20.2)
\nTranslation of Umberto Saba<\/em>: Like Snow in Sunlight (21.3)
\nTranslation of\u00a0Paulus Silentarius<\/em>: Four Poems (22.2)
\nLawrence Durrell, Rex Warner, and the \u201cCaptain\u201d of Modern Greek Letters (23.1)
\nReview of Antigone, Brooklyn Academy of Music, directed by Ivo van Hove, translated by Anne Carson & Antigona, Noche Flamenca, adapted and directed by Mart\u00edn Santangelo (23.3)
\nTranslation of\u00a0Nicolas Calas<\/em>: Seven Poems (27.1)
\nHenry Miller and Lawrence Durrell, Men of the Karaghiozi Breed (27.3)
\nTranslation of\u00a0Nicolas Aliferis<\/em>: From the Front (28.2)
\nTranslation of\u00a0Michalis Ganas<\/em>:\u00a0Ballad (29.1)
\nTranslation of George Seferis<\/em>: Mythistory (32.2)
\nTranslation of Nicolas Aliferis<\/em>: From Days of Crisis<\/em> (33.1)<\/p>\n

Roger Shattuck
\n<\/em><\/strong>The Bodily Presence of the Man (2.2-3)<\/p>\n

Philip Sherrard<\/em><\/strong>
\nThe Light and the Blood, edited by Avi Sharon<\/em> (7.1)<\/p>\n

John Shoptaw
\n<\/em><\/strong>Woah! (27.1)<\/p>\n

R. J. Shork
\n<\/em><\/strong>The Dendur Temple in New York: The Gallus Connection (18.3)<\/p>\n

Robert Shorrock
\n<\/em><\/strong>Roberto Calasso and The Marriage of Cadmus and Harmony (11.2)<\/p>\n

W.M. Short
\n<\/em><\/strong>The \u201cWandering\u201d Metaphor of Mistakeness in Roman Culture (21.2)<\/p>\n

Marilyn Sides
\n<\/em><\/strong>The Consolations of Literature (26.2)<\/p>\n

Mark Anthony Signorelli
\n<\/em><\/strong>On the Sarcophagi (19.1)<\/p>\n

John Silber
\n<\/em><\/strong>In Memoriam (2.2-3)<\/p>\n

Michael Silk
\n<\/em><\/strong>Hughes, Plath, and Aeschylus: Allusion and Poetic Language (14.3)<\/p>\n

Ian L. Silva
\n<\/em><\/strong>Five Poems (32.3)<\/p>\n

Bennett Simon
\n<\/em><\/strong>Gambling with Demeter, with Joseph Russo<\/em> (25.1)<\/p>\n

Karen Simons
\n<\/em><\/strong>Translation of Aeschylus<\/em>: Agamemnon: A Poem in Several Voices (17.1)
\nReview of Virgil\u2019s Garden: The Nature of Bucolic Space by Frederick Jones (22.1)
\nAgamemnon, My Mother, and Me: Reflections on Life and Translation (23.1)
\nReading Virgil in the Cariboo (24.1)
\nReview of\u00a0Three Rings by Daniel Mendelsohn (29.2)<\/p>\n

Giulia Sissa
\n<\/em><\/strong>Recognition and the Structural Emotions of Tragedy (14.1)
\n<\/strong><\/em>The Logic of the Concrete in Ovid\u2019s Metamorphoses (32.2)<\/p>\n

Randall L. Skalsky<\/strong>
\n<\/em>Visual Trope and the Portland Vase Frieze: A New Reading and Exegesis (2.1)
\nAn Unseen Attribute, An Unseen Plan, and A New Analysis of the Portland Vase Frieze (18.1)<\/p>\n

Niall W. Slater
\n<\/em><\/strong>Entrances and Exits in Menander by K. B. Frost (1.3)
\nWaiting in the Wings: Aristophanes\u2019 Ecclesiazusae (5.1)\u00a0<\/em><\/strong><\/p>\n

Jocelyn Penny Small
\n<\/em><\/strong>The Origin of Eureka (23.3)<\/p>\n

Graham Smith<\/em>
\n<\/strong>Photographs of Classical Art in the Writings of E. M. Forster (11.1)<\/p>\n

Helaine L. Smith
\n<\/em><\/strong>Frogs for Middle School (22.2)
\nReview of Phaedra(s) of Od\u00e9on-Th\u00e9\u00e2tre de l\u2019Europe (24.2)
\nReview of The Berlin Painter and His World (25.1)
\nReview of The Birds, at St. Anne\u2019s Warehouse in Brooklyn, May 2\u201316, 2018 (26.2)
\nReview of Like: Poems by A. E Stallings (27.1)
\nReview of The Bacchae as Staged by the Classical Theatre of Harlem (27.3)
\nReview of Virginia Woolf\u2019s Greek Tragedy by Nancy Worman (28.1)
\nReview of\u00a0After Callimachus: Poems by Stephanie Burt (29.1)
\nGrave Stele of Girl with Doves, A Beloved Child (29.3)
\nReview of Homer\u2019s Iliad by Emily Wilson (31.3)<\/p>\n

Brian Sneeden
\n<\/em><\/strong>Persephone (22.1)
\nPhthisis: A Letter (22.2)
\nTranslation of\u00a0Phoebe Giannisi<\/em>: Two Poems (24.3)<\/p>\n

Frank Snowden
\n<\/em><\/strong>Misconceptions about African Blacks in the Ancient Mediterranean World: Specialists and Afrocentrists (4.3)<\/p>\n

Jean Soler
\n<\/em><\/strong>Why Monotheism, translated by Janet Lloyd (14.3)<\/p>\n

Kevin Solez
\n<\/em><\/strong>The Rage and the Kill-Ease (30.1)<\/p>\n

Jon Solomon
\n<\/em><\/strong>Review of Alexander by Oliver Stone (13.1)<\/p>\n

Claire Sommers
\n<\/em><\/strong>School of Shadows: The Return to Plato\u2019s Cave (25.3)<\/p>\n

Robert Sonkowsky
\n<\/em><\/strong>Review of Clytemnestra at the Guthrie Theatre (4.1)<\/p>\n

Amalia Sotiropoulou
\n<\/em><\/strong>Caryatids: A Photo Essay (21.1)<\/p>\n

C.<\/em><\/strong> Luke Soucy
\n<\/em><\/strong>Translation of\u00a0Ovid<\/em>:\u00a0Metamorphoses: I.5\u2013162, 274\u2013415 (28.3)
\nOvid\u2019s Golden Age (29.3)
\nThe Gnomes of Rome, from the Carmina Priapea<\/em> (30.2)
\nTranslation and annotation of Silius Italicus<\/em>: Punica 1 (31.2)<\/p>\n

Sarah Spence
\n<\/em><\/strong>Geography Made Personal in Vergil and Elizabeth Bishop (31.3)<\/p>\n

Blaise D. Staples
\n<\/em><\/strong>Graeco-Roman Ruins in the New World (11.2)
\nInvitation to the Dance: Hanal Pixan and the Anthesteria (12.2)<\/p>\n

Howard Stein
\n<\/em><\/strong>Response to Medea and Antigone (10.3)
\nReview of Aristophanes\u2019 The Frogs at Lincoln Center (12.2)
\nReview of Lysistrata, The National Theater of Greece at the New York City Center (12.3)
\nReview of Hecuba: The Royal Shakespeare Company at the Brooklyn Academy of Music; translated and directed by Tony Harrison (13.2)
\nReview of The Persians: The National Theatre of Greece at the New York City Center (14.3)
\nReview of Antigone by Jean Anouilh; The Queen written by Peter Morgan, directed by Stephen Frears; The Burial at Thebes by Seamus Heaney (15.1)
\nReview of Sophocles, Electra. The Greek National Theatre, directed by Peter Stein (16.1)
\nReview of Sophocles, Antigone; translated by Seamus Heaney as\u00a0The Burial at Thebes<\/em>; directed by Lucy Pitman-Wallace with the Nottingham Playhouse Theatre Company (16.2)
\nReview of The Necessity of Theater: The Art of Watching and Being Watched by Paul Woodruff (16.3)<\/p>\n

Peter Stein
\n<\/em><\/strong>Ancient Greek Tragedy on the Stage, with Mary Louise Hart, Sir Peter Hall, Peter Sellars,\u00a0<\/em>and\u00a0Lydia Koniordou (11.1)<\/em>\u00a0<\/em><\/p>\n

Deborah Steiner<\/strong>
\n<\/em>Review of Homer and the Origin of the Greek Alphabet by Barry Powell (5.1)<\/p>\n

Otto Steinmayer<\/strong>
\n<\/em>Review of Ancient Greek Music by M.L. West (4.3)
\nThe Bow in the Groves of India (5.1)<\/p>\n

Tom<\/em><\/strong>\u00a0Stern
\n<\/em><\/strong>Nietzsche, Freedom, and Writing Lives (17.1)<\/p>\n

Benjamin Eldon Stevens
\n<\/em><\/strong>Translation of Gwena\u00eblle Aubry<\/em>: Persephone 2014 (25.3)
\nTranslation of\u00a0Nathalie\u00a0Azoulai<\/em>: Titus n\u2019amait pas B\u00e9r\u00e9nice (29.3)<\/p>\n

Mary Stieber
\n<\/em><\/strong>Statuary in Euripides\u2019 Alcestis (5.3)<\/p>\n

Charles H. Stocking
\n<\/em><\/strong>Greco-Roman Sculpture and the Athletic Male Body (21.3)<\/p>\n

Robert Stoddart
\n<\/em><\/strong>Versui 1.5.25 Ovidianorum Amorum Responsio with Clifford Weber<\/em> (30.3)<\/p>\n

Barry Strauss
\n<\/em><\/strong>Review of Warrior Politics: Why Leadership Demands a Pagan Ethos by Robert D. Kaplan (11.3)
\nFlames Over Athens (12.1)
\nThe Black Phalanx: African-Americans and the Classics After the Civil War (12.3)<\/p>\n

Thomas E. Strunk
\n<\/em><\/strong>Bob Dylan and Classical Poetry and Myth (17.1)<\/p>\n

Hannah Sullivan
\n<\/em><\/strong>\u201cZeno\u2019s Arrow\u201d (30.3)<\/p>\n

Alan Sumler
\n<\/em><\/strong>Ingredients and Ecstatic Outcomes in Magical Papyri (25.1)<\/p>\n

Daniel Sutton
\n<\/em><\/strong>Cain and Alcmaeon: Repetition and Variation in Thucydides (31.2)<\/p>\n

Diane Arnson Svarlien
\n<\/em><\/strong>Translation of Propertius\u00a0<\/em>and\u00a0Horace<\/em>: Dream, Propertius II.26A and Pyrrha, after Horace Odes I.5 (1.1)<\/p>\n

John Svarlien
\n<\/em><\/strong>Cyclops (Theocritus 11) (5.1)
\nTranslation of Horace<\/em>: Satires 1.4 (12.3)<\/p>\n

Colin Sydenham
\n<\/em><\/strong>Translating Housman and Housman Translating (16.1)<\/p>\n

Georgia Syribeys
\n<\/em><\/strong>From Hades to Zeus and Demeter (17.2)<\/p>\n

Andrew Szegedy-Maszak
\n<\/em><\/strong>A Perfect Ruin: Nineteenth-Century Views of the Colosseum (2.1)<\/p>\n

John Talbot
\n<\/em><\/strong>The Secret Accretions (after Horace, Odes 4.7) (5.3)
\nReview of Horace, The Odes: New Translations by Contemporary Poets edited by J. D. McClatchy (11.2)
\nReview of The Poems of Callimachus by Frank Nisetich (12.1)
\nReview of Collected Poems by Ted Hughes (13.3)
\nTranslation of\u00a0Horace<\/em>: Two Odes (16.3)<\/p>\n

Robert B. Talisse
\n<\/em><\/strong>Misunderstanding Socrates (9.3)<\/p>\n

Oliver Taplin
\n<\/em><\/strong>Review of Omeros by Derek Walcott (1.2)
\nReview of Les Atrides, directed by Ariane Mnouchkine, Th\u00e9\u00e2tre du Soleil, Vincennes (4.1)
\nForum, with Herbert Golder and Bruce Thornton (5.3)
\nAncient Greek Tragedy on the Stage, with Mary Louise Hart, Sir Peter Hall, Peter Sellars, Peter Stein,\u00a0<\/em>and\u00a0Lydia Koniordou <\/em>(11.1)
\n<\/em>Greek Tragedy, Chekhov, and Being Remembered (13.3)
\nTragedy in the Time of Plague (30.1)<\/p>\n

James Tatum
\n<\/em><\/strong>Review of The War That Killed Achilles: The True Story of Homer\u2019s \u201cIliad\u201d and the Trojan War by Caroline Alexander (19.3)
\nMrs. Vergil\u2019s Horrid Wars (21.1)
\nIago\u2019s Roman Ancestors (27.1)<\/p>\n

Ann Taylor
\n<\/em><\/strong>Hypotenuses (9.1)<\/p>\n

Michael Taylor
\n<\/em><\/strong>Translation of Horace<\/em>: Six Odes (21.2)\u00a0<\/em><\/strong><\/p>\n

Ben Teasdale
\n<\/em><\/strong>Ambiguity and Audience Response, with Felix Budelmann<\/em> and Laurie Maguire<\/em> (23.3)<\/p>\n

Mario Tel\u00f2
\n<\/em><\/strong>Scholiastic Hermeneutics and Tragic Form: Three Readings around Pathos<\/em> (34.1)<\/p>\n

Elena Theodorakopoulos
\n<\/em><\/strong>Materiality and the Paths of Survival with Josephine Balmer<\/em> (32.2)<\/p>\n

Parker Thomas
\n<\/em><\/strong>Translation of\u00a0Horace<\/em>: Two Odes (27.3)<\/p>\n

Norma Thompson
\n<\/em><\/strong>Public or Private? An Artemesian Answer (7.2)<\/p>\n

Bruce S. Thornton
\n<\/em><\/strong>Forum, with Herbert Golder<\/em> and Oliver Taplin<\/em> (5.3)
\nReview of Man in the Middle Voice: Name and Narration in the Odyssey by John Peradotto, Innovations of Antiquity by Ralph Hexter and Daniel Selden, and History, Tragedy, Theory: Dialogues on Athenian Drama by Barbara Goff (5.1)
\nReview of Cultivating Humanity: A Classical Defense of Reform in Liberal Education by Martha C. Nussbaum (6.2)
\nThe False Goddess and Her Lost Paradise (7.1)
\nReview of Courtesans and Fishcakes by James Davidson (7.3)
\nReview of Theorrhea and After by Raymond Tallis (8.2)<\/p>\n

Allen Tice
\n<\/em><\/strong>Translation of\u00a0Sappho<\/em>:\u00a0Very Late, in Spring (28.2)<\/p>\n

Robert Tindall
\n<\/em><\/strong>Odysseus\u2019 Vision in Hades, with Susana Bustos (22.1)<\/p>\n

Charles Tomlinson
\n<\/em><\/strong>Review of The Oxford Book of Classical Verse in Translation, edited by Adrian Poole and Jeremy Maule (4.2)
\nReview of Satura by Eugenio Montale, translated by William Arrowsmith and edited by Rosanna Warren (9.2)<\/p>\n

Isabelle Torrance
\n<\/em><\/strong>The Politics of Literary Allusion in Marina Carr\u2019s Ariel (25.3)<\/p>\n

Johan Tralau
\n<\/em><\/strong>The Justice of the Chimaira (24.2)<\/p>\n

Michael\u00a0Trocchia
\n<\/em><\/strong>Two Poems (28.1)<\/p>\n

Aaron Tugendhaft
\n<\/em><\/strong>Review of The Law of God: The Philosophical History of an Idea by Remi Brague (15.3)<\/p>\n

James Uden
\n<\/em><\/strong>Review of\u00a0How We Write Plagues by Hunter H. Gardiner & Brian Walters (28.1)<\/p>\n

Carol Ueland
\n<\/em><\/strong>Translation of Aleksandr Kushner<\/em>:\u00a0From Apollo in the Snow, As Catullus Wrote\u2026, with Paul Graves (1.2)<\/p>\n

Jonathan Unglaub
\n<\/em><\/strong>The Concert Champ\u00eatre: The Crises of History and the Limits of Pastoral (5.1)<\/p>\n

M.<\/em><\/strong>D. Usher
\n<\/em><\/strong>Field Notes on Pasolini\u2019s Appunti per un\u2019 Orestiade Africana (21.3)
\nOut of Shakespeare: A Villanelle (24.2)
\nReview of Hesiod\u2019s Theogony by Stephen Scully (24.3)
\nClassics and complexity in Walden\u2019s \u201cSpring\u201d (27.1)<\/p>\n

William Vance
\n<\/em><\/strong>Review of The Legacy of Rome by Richard Jenkyns (3.2, 3.3)<\/p>\n

Patricia V\u00e1zquez
\n<\/em><\/strong>Dante\u2019s Cannibal Count (28.1)<\/p>\n

Thorstein Veblen
\n<\/em><\/strong>From The Theory of the Leisure Class, 1899 (3.2, 3.3)<\/p>\n

Emily Vermeule
\n<\/em><\/strong>Review of Permanent Collection of Nubian Artifacts, Museum of Fine Arts, Boston (4.3)<\/p>\n

J.P. Vernant
\n<\/em><\/strong>Review of In and Out of the Mind by Ruth Padel (4.3)<\/p>\n

Brian Vickers
\n<\/em><\/strong>Review of Sacred Rhetoric: The Christian Grand Style in the English Renaissance by Debora K. Shuger and Rhetorics of Reason and Desire: Vergil, Augustine, and the Troubadours by Sarah Spence (1.1)<\/p>\n

Paolo Vivante
\n<\/em><\/strong>Review of The Iliad: A Commentary Volume II, Books 5-8 by G. S. Kirk (1.3)
\nThe Sculptural Moment in Pindar (13.2)<\/p>\n

Larissa Volokhonsky
\n<\/em><\/strong>Translation of Sergei Averintsev<\/em>: Ancient Greek \u201cLiterature\u201d and Near Eastern \u201cWritings\u201d: The Opposition and Encounter of Two Creative Principles: Part One, with Richard Pevear \u00a0(7.1)
\nTranslation of Sergei Averintsev<\/em>: Ancient Greek \u201cLiterature\u201d and Near Eastern \u201cWriting\u201d: The Opposition and Encounter of Two Creative Principles: Part Two, with Richard Pevear \u00a0(7.2)
\nTranslation of Sergei Averintsev<\/em>: Genre as Abstraction and Genres as Reality: The Dialectics of Closure and Openness, with Richard Pevear (9.1)<\/p>\n

Caroline Vout
\n<\/em><\/strong>Hadrian, Hellenism, and the Social History of Art (18.1)<\/p>\n

Margaret Wack
\n<\/em><\/strong>Two Poems (25.1)<\/p>\n

William E. Wallace
\n<\/em><\/strong>Michelangelo\u2019s Wet Nurse (17.2)<\/p>\n

Brian Walters
\n<\/em><\/strong>From Propertius (25.1)
\nTranslation of Lucretius<\/em>: A Prayer for Peace, De Rerum 1.1-43 (25.3)<\/p>\n

J.Michael Walton
\n<\/em><\/strong>Benson, Mushri, and the First English Oresteia (14.2)
\nTheobald and Lintott: A Footnote on Early Translations of Greek Tragedy (16.3)
\nTranslation of Horace<\/em>:\u00a0Satires I.5, 50-70 (18.2)
\nFrogspawn: A Play for Radio (22.3)
\nReview of The Eating of the Gods: An Interpretation of Greek Tragedy by Jan Kott and Euripides: Medea, A New Version by Ben Power (23.1)
\nReview of Aristophanes and His Tragic Muse by Stephanie Nelson (24.2)
\nReview of\u00a0Lost Plays and Neglected Authors by Matthew Wright (24.3)
\nThe Theatre Historian\u2019s Perspective (30.3)<\/p>\n

John Warden
\n<\/em><\/strong>Translation of\u00a0Timotheus: The\u00a0Persians (28.1)<\/p>\n

Deborah Warren
\n<\/em><\/strong>Translation of A Garland from Alcman (1.1)
\nThree Poems (26.2)
\nFive Poems (27.1)<\/p>\n

Rosanna Warren
\n<\/em><\/strong>Quietus. Arrowsmith\u2019s Pavese: Rebellion and Mastery (2.2-3)
\nTurnus (3.2, 3.3)
\nTranslation of Horace<\/em>: Two Odes (9.1)<\/p>\n

Katherine Washburn
\n<\/em><\/strong>From The Greek Anthology (8.2)<\/p>\n

Clifford Weber
\n<\/em><\/strong>Versui 1.5.25 Ovidianorum Amorum Responsio with Robert Stoddart<\/em><\/strong> (30.3)<\/p>\n

Myles Weber
\n<\/em><\/strong>Review of Here by Wis\u0142awa Szymborska (19.2)<\/p>\n

Gary Webster
\n<\/em><\/strong>Context (7.2)<\/p>\n

Konrad Weeda
\n<\/em><\/strong>Egypt or Maine, Horace and the Sublime in R. Lowell (29.2)
\nReview of Strategic Humanism by Claudia Hauer (30.1)<\/p>\n

Henry Weinfield
\n<\/strong><\/em>Translation of Giacomo Leopardi<\/em>: To Spring, or Concerning the Ancient Fables (32.3)<\/p>\n

Kristin <\/em>Wei\u00dfenberger
\n<\/em><\/strong>My Cousin is Medea: Styria, Winter 2006 (16.3)
\n<\/em>
\nColin Wells
\n<\/em><\/strong>The Mystery of Socrates\u2019 Last Words (16.2)
\nHow Did God Get Started? (18.2)
\nReview of Monotheism Between Pagans and Christians in Late Antiquity edited by Stephen Mitchell and Peter van Nuffelen (19.1)
\nWho Owns Reason? (19.2)
\nReview of Cracking the Egyptian Code: The Revolutionary Life of Jean-Fran\u00e7ois Champollion by Andrew Robinson (20.3)
\nThe Coming Classics Revolution, Part I: Argument (22.3)
\nThe Coming Classics Revolution, Part II: Synthesis (23.2)<\/p>\n

Michael West
\n<\/em><\/strong>Just How \u201cLike Horace in the True Horatian Vein\u201d Was Robert Frost (22.1)
\nMock\u00a0Heroic before the Enlightenment\u2014\u00a0and After (29.2)<\/p>\n

Patrick Whalen
\n<\/em><\/strong>Three Poems (23.2)
\nTranslation of\u00a0Horace<\/em>:\u00a0Ode 1.11 (29.1)
\nTranslation of Horace<\/em>: To Thaliarcus (Ode 1.9) (30.3)<\/p>\n

Keith Whitaker
\n<\/em><\/strong>A Philosopher and a Gentleman, with Stephen Eide<\/em> (24.2)<\/p>\n

Gary Whited
\n<\/em><\/strong>Review of Some Things I Said by David Ferry (32.2)<\/p>\n

Bronwen L. Wickkiser
\n<\/em><\/strong>Review of The Acropolis Museum: Professor Dimitrios Pandermalis, Director; Bernard Tschumi, Architect (18.1)<\/p>\n

David Wiles
\n<\/em><\/strong>Sophoclean Diptychs (13.1)<\/p>\n

Kate Wilkinson
\n<\/em><\/strong>Translation of Aleksei Fedorovich Losev<\/em>: Twelve Theses on Antique Culture, with Oleg Kreymer (11.1)<\/p>\n

Keir Willett
\n<\/em><\/strong>Beauty in the Hymn to Aphrodite<\/em> and the Hippias Major<\/em> (33.2)<\/p>\n

Steven J. Willett
\n<\/em><\/strong>Can Classicists \u201cThink Like the Greeks\u201d? (6.3)
\nReview of The Peloponnesian War, translated by Walter Blanco and The Peloponnesian War, translated by Steven Lattimore (7.2)
\nReview of Herodotus: The Histories, translated by Robin Waterfield (8.1)
\nTranslation of Anna Akhmatova<\/em>: Rosa Moretur (8.3)
\nTranslation of Osip Mandelstam<\/em>: The Horseshoe Finder (9.2)
\nReview of Carnage and Culture by Victor Davis Hanson (10.1)
\nTranslation of Giacomo Leopardi<\/em>: Ultimo Canto di Saffo (11.1)
\nTranslation of Nishiwaki Junzaburo<\/em>: Ambarvalia (12.1)
\nReview of Ezra Pound, Poems and Translations, edited by Richard Sieburth (12.3)
\nReview of The Poems of Catullus: A Bilingual Edition by Peter Green (14.2)
\nTranslation of Tibullus<\/em>: Elegy 1.3: A Chopin Nocturne on War (15.1)
\nTranslation of Tibullus<\/em>: Elegy 1.10 (16.2)
\nReview of The Greek Poets, edited by Peter Constantine et al. (18.3)
\nReview of Thucydides, The Peloponnesian War, translated by Martin Hammond, notes by P. J. Rhodes (19.1)
\nAfter Du Fu (19.3)
\nTranslation of\u00a0Giacomo Leopardi<\/em>: Wild Broom Or, The Flower of the Desert (23.1)
\nTranslation of\u00a0Giacomo Leopardi<\/em>: Canti VI, Bruto Minore (27.1)
\nTranslation of\u00a0Propertius<\/em>:\u00a0Elegia I.3 (28.2)
\nTranslation of\u00a0Giacomo Leopardi<\/em>: La Sera del d\u00ec di Festa (29.1)<\/p>\n

Garry Wills
\n<\/em><\/strong>Augustine\u2019s Hippo: Power Relations (410-417) (7.1)
\nAugustine\u2019s Pears and the Nature of Sin (10.1)
\nTranslation of Martial<\/em>: From Book One (15.3)
\nTranslation of Martial<\/em>: From Book Eleven (16.2)<\/p>\n

Jessica Lynn Wolfe
\n<\/em><\/strong>Nostos (33.2)<\/p>\n

Valerie Wohlfeld
\n<\/em><\/strong>Returning the Cestus of Venus (10.3)
\nTwo Poems (13.3)
\nVenus in the Afterlife (14.1)
\nThree Persephone Poems (17.3)
\nThree Sonnets on Three Legends (18.2)
\nThree Poems (19.2)
\nThree Poems (20.1)<\/p>\n

Richard Wollman
\n<\/em><\/strong>Likeness (10.2)
\nMetamorphoses (33.3)<\/p>\n

Erica Wright
\n<\/em><\/strong>Greece Is This Run-Down (17.1)<\/p>\n

April Wuensch
\n<\/em><\/strong>Translation of Marcel Detienne<\/em>: From Practices of Assembly to the Forms of Politics: A Comparative Approach (7.3)<\/p>\n

Maria Wyke
\n<\/em><\/strong>Herculean Muscle!: The Classicizing Rhetoric of Bodybuilding (4.3)
\nReview of Classics and Cinema, edited by Martin M. Winkler (6.1)<\/p>\n

Douglas Young
\n<\/em><\/strong>A Problem in Egypto-Canadian Cultural Relations (24.3)<\/p>\n

Harvey Yunis
\n<\/em><\/strong>Demosthenes and the Burden of the Athenian Past (8.1)
\nEros in Plato\u2019s Phaedrus and the Shape of Greek Rhetoric (13.1)<\/p>\n

Vanda Zajko
\n<\/em><\/strong>Ancient Tragedy, Shakespeare and the Concept of Character (25.2)<\/p>\n

Claudia Zatta
\n<\/em><\/strong>Plants\u2019 Interconnected Lives (24.2)<\/p>\n

Froma Zeitlin<\/em><\/strong>
\nReturn to the Land of the Sun: In Homage to J.-P. Vernant (27.3)<\/p>\n

Ioannis Ziogas
\n<\/em><\/strong>Ovid in Rushdie, Rushdie in Ovid: A Nexus of Artistic Webs (19.1)<\/p>\n

Theodore Ziolkowski
\n<\/em><\/strong>Aeschylus Offers Paradigms for Today\u2019s Politics (23.1)
\nPetronius the Man in Modern Fiction (23.3)
\nRobert Frost\u00a0in Roman Mode (24.1)
\nPropertius and the Outsiders (24.3)
\nWhy Roman Poets in Modern Guise? (25.2)
\nThe Bildgedichte of Keas, Leconte de Lisle, and Rilke (26.1)<\/p>\n

 <\/p>\n

In addition to our direct contributors, the following authors have been translated in Arion’<\/em>s pages.<\/h5>\n

Aeschylus<\/strong>
\n<\/em>Agamemnon: A Poem in Several Voices, translated by Karen Simons (17.1)<\/p>\n

Anna Akhmatova<\/strong>
\n<\/em>Rosa Moretur, translated by Steven Willett (8.3)<\/p>\n

Nicolas Aliferis<\/strong>
\n<\/em>From the Front, translated by Avi Sharon (28.2)
\nFrom Days of Crisis<\/em>, translated by Avi Sharon (33.1)<\/p>\n

Apollonius of Rhodes<\/strong>
\n<\/em>Jason in Lemnos (Arg. 1.774\u2013887), translated by Peter Green (4.3)<\/p>\n

Apuleius<\/strong>
\n<\/em>Florida 6, translated by Thomas McCreight (22.1)
\nSome Protreptic Anecdotes about the Cynic Philosopher Crates, translated by Thomas McCreight (23.2)<\/p>\n

Archilochus<\/strong>
\n<\/em>Poems, translated by Michael Andrews (18.3)<\/p>\n

Gwena\u00eblle Aubry<\/strong>
\n<\/em>Persephone 2014, translated by Benjamin Eldon Stevens (25.3)<\/p>\n

Augustine<\/strong>
\n<\/em>Quid Autem Amo, translated by Amelia Arenas (16.2)<\/p>\n

Sergej Averintsev<\/strong>
\n<\/em>Ancient Greek \u201cLiterature\u201d and Near Eastern \u201cWritings\u201d: The Opposition and Encounter of Two Creative Principles: Part One, translated by Richard Pevear and Larissa Volokhonsky (7.1)
\nAncient Greek \u201cLiterature\u201d and Near Eastern \u201cWriting\u201d: The Opposition and Encounter of Two Creative Principles: Part Two, translated by Richard Pevear and Larissa Volokhonsky (7.2)
\n<\/em>Genre as Abstraction and Genres as Reality: The Dialectics of Closure and Openness, translated by Richard Pevear and Larissa Volokhonsky (9.1)
\nSymbolism of the Oedipus Myth, translated by Boris Maslov (29.2)<\/p>\n

Nathalie<\/em>\u00a0<\/strong>Azoulai<\/strong>
\n<\/em>Titus n\u2019amait pas B\u00e9r\u00e9nice, translated by Benjamin Eldon Stevens (29.3)<\/p>\n

Gottfried Benn<\/strong>
\n<\/em>Two Poems, translated by Teresa Iverson (11.2)<\/p>\n

Attilio Bertolucci<\/strong>
\n<\/em>Iphigenia, translated by Avi Sharon (5.3)\u00a0<\/em><\/strong><\/p>\n

Cardinal Bessarion<\/strong>
\n<\/em>A Crusade for the Humanities: From the Letters, translated by Avi Sharon (19.2)<\/p>\n

Boethius
\n<\/em><\/strong>Consolatio Philosophiae 1.1-1.3, translated by John Griffin (31.3)<\/p>\n

Barbara E. Borg<\/strong>
\n<\/em>The Face of the Elite, translated by Glenn W. Most (8.1)<\/p>\n

Nicolas Calas<\/strong>
\n<\/em>Seven Poems, translated by Avi Sharon (27.1)<\/p>\n

Carmina Priapea
\n<\/em><\/strong>Selections, translated by C. Luke Soucy (30.2)<\/p>\n

Catullus<\/strong>
\n<\/em>Three for Aurelius, translated by Peter Green (6.1)
\nTranslations by Amelia Arenas (20.2)
\nSelected Songs, translated by Len Krisak (21.1)
\nAttis at Large, translated by Anna Jackson (27.2)
\nSeussian Egnatius Poems, translated by Seth Lerer (29.3)
\nLesbia\u2019s Sparrow: Catullus 2, translated by Jack Mitchell (30.2)<\/p>\n

C. P. Cavafy<\/strong>
\n<\/em>Young Men of Sidon, translated by Peter Green (6.1)
\nThe City, translated by Peter Green (8.3)
\nThe Satrapy, translated by Peter Green (10.1)
\nFive Poems, translated by Avi Sharon (12.2)
\nSix Poems, translated by Daniel Mendelsohn (12.3)<\/p>\n

Damascius<\/strong>
\n<\/em>Of the Ineffable: Aporetics of the Notion of an Absolute Principle, translated by William Franke (12.1)<\/p>\n

Dio Chrysostom<\/strong>
\n<\/em>Dog Philosopher Attends the Games (Or. 9), translated by John Carlevale ( 8.3)<\/p>\n

Diodorus Siculus<\/strong>
\n<\/em>The Sicilian Expedition: The Fate of the Athenians Debated, translated by Peter Green (7.2)<\/p>\n

Joachim du Bellay
\n<\/em><\/strong>Les Antiquit\u00e9s de Rome III & VII, translated by Maryann Corbett (33.1)<\/p>\n

Marie-Jeanne Durry<\/strong>
\n<\/em>Orpheus\u2019 Plea (\u201cPri\u00e8re d\u2019Orph\u00e9e\u201d), translated by John Fraser (19.3)<\/p>\n

Odyseas Elytis<\/strong>
\n<\/em>Diary from April As Yet Unseen, translated by Louis A. Ruprecht, Jr. (12.2)
\nHelen, translated by Avi Sharon (15.1)\u00a0<\/em><\/strong><\/p>\n

Erasmus<\/strong>
\n<\/em>Epitaph for a Drunken Twit, translated by A.M. Juster (22.2)<\/p>\n

Euripides<\/strong>
\n<\/em>From Hecuba, translated by Tony Harrison<\/em> (13.1)
\nCyclops, translated by Herbert Golder<\/em> (32.1)<\/p>\n

Michalis Ganas<\/strong>
\n<\/em>Ballad, translated by Avi Sharon (29.1)\u00a0<\/em><\/strong><\/p>\n

Phoebe Giannisi<\/strong>
\n<\/em>Two Poems, translated by Brian Sneeden (24.3)<\/p>\n

The Greek Anthology<\/strong>
\n<\/em>Selections, translated by Katherine Washburn (8.2)
\nEight Epigrams, translated by Brooke Clark (23.1)<\/p>\n

Heinrich Heine<\/strong>
\n<\/em>From the Gods in Exile, translated by Diskin Clay (21.1)<\/p>\n

Hesiod<\/strong>
\n<\/em>Works and Days, translated by Kimberly Johnson (24.1)<\/p>\n

Hippocrates<\/strong>
\n<\/em>Hippocrates\u2019 Oath, translated by Amelia Arenas (17.3)<\/p>\n

Homer<\/strong>
\n<\/em>Iliad 24, translated by Peter Green (22.3)
\nIliad selections, translated by Len Krisak (25.2)<\/p>\n

Horace<\/strong>
\n<\/em>A Journey to Brindisi in 37 B.C., Satire I.5, translated by Alistair Elliot (1.1)
\nPyrrha, after Horace Odes I.5, translated by Diane Arnson Svarlien (1.1)
\n<\/em>Four Odes, translated by David Ferry (3.2-3)
\nFour Epistles, translated by David Ferry (5.3)
\nThe Art of Poetry: Notes for Aspiring Poets and Playwrights, translated by David Ferry (7.2)
\nFive Odes, translated by Elizabeth Jones (8.2)
\nTo Augustus (Epistle 2.1), translated by David Ferry (8.2)
\nTwo Odes, translated by Rosanna Warren (9.1)
\nIntermissa Venus (Ode 4.1), translated by Jacob Louis Mackey (9.1)
\nSatires 1.4, translated by John Svarlien (12.3)
\nBeatus Ille, translated by Elizabeth Jones (13.2)
\nTime and the City Boy: Odes 1.9, translated by Karl Johnson (16.1)
\nTwo odes, translated by John Talbot (16.3)
\nQuantum distet (Odes 3.19), translated by Elizabeth Jones (16.3)
\nSatires I.5, 50-70, translated by J. Michael Walton (18.2)
\nSatires II.8, translated by Allistair Elliot (20.1)
\nSix Odes, translated by Michael Taylor (21.2)
\nSelections, Counting His Blessings, translated by Karl Johnson (25.1)
\nTwo Odes, translated by Parker Thomas (27.3)
\nThree Odes, translated by Charles Martin (28.3)
\nOde 1.11, translated by Patrick Whalen (29.1)
\nOde 1.5, translated by Andrew Morrison (31.3)
\nEpode 8, translated by Ron Horning (32.3)<\/p>\n

Job<\/strong>
\n<\/em>Book of Job (Chapters 3, 9, 10, 29, 30), translated by Raymond Scheindlin (4.3)\u00a0<\/strong><\/p>\n

Nishiwaki Junzaburo<\/strong>
\n<\/em>Ambarvalia, translated by Steven J. Willett (12.1)\u00a0<\/em><\/strong><\/p>\n

Juvenal<\/strong>
\n<\/em>Big Fish (Juvenal IV), translated by Alistair Elliot (3.2-3.3)
\nSatire XI, translated by Alistair Elliot (18.3)\u00a0<\/strong><\/p>\n

Lactantius<\/strong>
\n<\/em>On a Bird, the Phoenix, translated by A.M. Juster (27.3)<\/p>\n

Giacomo Leopardi<\/strong>
\n<\/em>Ultimo Canto di Saffo, translated by Steven J. Willett (11.1)
\nWild Broom Or, The Flower of the Desert, translated by Steven J. Willett (23.1)
\nCanti VI, Bruto Minore, translated by Steven J. Willett (27.1)
\nLa Sera del d\u00ec di Festa, translated by Steven J. Willett (29.1)
\nTo Spring, or Concerning the Ancient Fables, translated by Henry Weinfield (32.3)<\/p>\n

Aleksei Fedorovich Losev<\/strong>
\n<\/em>Twelve Theses on Antique Culture, translated by Oleg Kreymer and Kate Wilkinson (11.1)\u00a0<\/em><\/strong><\/p>\n

Lucretius<\/strong>
\n<\/em>De Rerum Natura 1.1\u201343, translated by Brian Walters (25.3)<\/p>\n

Osip Mandelstam<\/strong>
\n<\/em>The Horseshoe Finder, translated by Stephen J. Willet (9.2)<\/p>\n

Christopher Marlowe<\/strong>
\n<\/em>On Manwood, translated by A. M. Juster (21.3)<\/p>\n

Martial<\/strong>
\n<\/em>Some Epigrams, translated by Susan McLean (15.2)
\nFrom Book One, translated by Garry Wills (15.3)
\nFrom Book Eleven, translated by Garry Wills (16.2)
\nSelected Epigrams, translated by Martin W. Bennett (20.2)
\nEpigram 10.63, translated by Alistair Elliot (23.3)
\nEpigrams from De Spectaculis, translated by Susan McLean (26.2)
\nFour Poems on Conviviality, translated by Martin Bennett (30.1)<\/p>\n

Maximianus<\/strong>
\n<\/em>Selections from the Elegies, translated by A.M. Juster (23.1)<\/p>\n

Mimnermus<\/strong><\/em>
\n<\/em>F1, translated by Patrick O’Donnell (32.3)<\/p>\n

Sir Thomas More<\/strong>
\n<\/em>Selected Epigrams, translated by Susan McLean (19.1)\u00a0<\/strong><\/p>\n

Nonnus<\/em>
\n<\/strong>Proem to Dionysiaca 1, translated by John Griffin (31.1)<\/p>\n

Ovid<\/strong>
\n<\/em>Selections from the Metamorphoses, translated by Charles Martin (6.1)
\nMedea, translated by Charles Martin (6.2)
\nFrom Metamorphoses 7, translated by Charles Martin (6.3)
\nIbis, translated by Peter Green (9.3)
\nNote From a Narcissist (Amores I.II), translated by Caleb M. X. Dance (27.1)
\nMetamorphoses: I.5\u2013162, 274\u2013415, translated by C. Luke Soucy (28.3)
\nCupid\u2019s Laugh (Amores 1.1), translated by Kyle Gervais (30.1)<\/p>\n

John Owen<\/strong><\/em>
\n<\/em>Four Epigrams, translated by James Owens (31.1)<\/p>\n

Alexandros Papadiamandis<\/strong>
\n<\/em>Poor Saint, translated by Avi Sharon (15.3)<\/p>\n

Parmenides<\/strong>
\n<\/em>The Road to Reality, translated by Richard McKim (27.2)<\/p>\n

Paulus Silentarius<\/strong>
\n<\/em>Four Poems translated by Avi Sharon (22.2)<\/p>\n

Petrarch<\/strong>
\n<\/em>Poems Written After the Death of Laura, translated by Nicholas Kilmer (18.3)
\nFrom the Canzoniere, translated by A. M. Juster (30.1)<\/p>\n

Pindar<\/strong>
\n<\/em>Two Odes, translated and introduced by Chris Childers (21.2)<\/p>\n

Stamatis Polenakis<\/strong>
\n<\/em>From The Glorious Stone, translated by Nick Moschovakis (30.1)<\/p>\n

Propertius<\/strong>
\n<\/em>Dream, Propertius II.26A, translated by Diane Arnson Svarlien (1.1)
\nElegia I.3, translated by Stephen J. Willett (28.2)
\nElegy 4.7, translated by Len Krisak (31.2)<\/p>\n

Alexander Pushkin<\/strong>
\n<\/em>Arion and Cyclops, translated by Zooey Park (30.1)<\/p>\n

Salvatore Quasimodo<\/strong>
\n<\/em>Greek Lyrics, translated by Martin Bennett (14.3)<\/p>\n

Silius Italicus<\/em><\/strong>
\nPunica 1, translated by C. Luke Soucy (31.2)<\/p>\n

Rainer Maria Rilke
\n<\/em><\/strong>From New Poems, translated by Susan McLean (30.2)
\nThree from New Poems, translated by Susan McLean (33.3)<\/p>\n

Yannis Ritsos<\/strong>
\n<\/em>Romiosini, translated by Avi Sharon (4.2)<\/p>\n

Umberto Saba<\/strong>
\n<\/em>Like Snow in Sunlight, translated by Avi Sharon (21.3)<\/p>\n

Sappho<\/strong>
\n<\/em>On Oldness, translated by C.W. Marshall (13.3)
\nVery Late, in Spring, translated by Allen Tice (28.2)
\nSapphic Slices, translated by Herbert Golder (32.3)<\/p>\n

George Seferis<\/strong>
\n<\/em>The King of Asine, translated by Avi Sharon (4.2)
\nDelphi, translated by Diskin Clay (12.3)
\nLast Stop, translated by Roderick Beaton (13.2)
\nPoems, translated by Roderick Beaton (14.1)
\nFrom Erotikos Logos, translated by Avi Sharon (16.2)
\nMythistory, translated by Avi Sharon (32.2)<\/p>\n

Jean Soler<\/strong>
\n<\/em>Why Monotheism, translated by Janet Lloyd (14.3)<\/p>\n

Statius
\n<\/em><\/strong>Oedipus Prays (Thebaid<\/em> 1.46-101), translated by Kyle Gervais (33.2)<\/p>\n

Stavros Stavrou<\/strong>
\n<\/em>Every Time, translated by Edmund Keeley (26.2)<\/p>\n

Theocritus<\/strong>
\n<\/em>Cyclops (Theocritus 11), translated by John Svarlein (5.1)<\/p>\n

Theognis
\n<\/strong><\/em>After Theognis, translated by Fergus Cullen (32.3)<\/p>\n

Tibullus<\/strong>
\n<\/em>1.2, 1.6, 1.10, translated by Rachel Hadas (2.1)
\nElegy 1.3: A Chopin Nocturne on War, translated by Steven J. Willett (15.1)
\nElegy 1.10, translated by Steven J. Willett (16.2)<\/p>\n

Timotheus<\/strong>
\n<\/em>The\u00a0Persians, translated by John Warden (28.1)<\/p>\n

Christos Vakalopoulos<\/strong>
\n<\/em>The Line of the Horizon (Selected Scenes), translated by Avi Sharon (18.1)<\/p>\n

Nello Vian<\/strong>
\n<\/em>Winckelmann at the Vatican Library, translated by Louis A. Ruprecht, Jr. (15.3)<\/p>\n

Virgil<\/strong>
\n<\/em>Eclogue II, translated by David Ferry (6.1)
\nEclogue X, translated by David Ferry (6.2)
\nFrom the First Georgic, translated by David Ferry (10.3)
\nThe Plague, translated by Kimberly Johnson (13.2)
\nThe Old Corycian, translated by Kimberly Johnson (14.1)
\nWars and Rumors of War: Georgics 1.461-514, translated by Kimberly Johnson (15.3)
\nAeneid vi.679-751, translated by David Ferry (25.1)
\nAeneid selections, translated by Len Krisak (25.2)
\nAeneid II.402\u201352, translated by Nick Moschovakis (30.2)<\/p>\n

Dmitri Volchek<\/strong>
\n<\/em>From a Svoboda Interview: Disfigured Achilles, with Maria Rybakova, translated by Taryn Janati (20.3)<\/p>\n","protected":false},"excerpt":{"rendered":"

Eric Adler The Closing of the American Classics Department (24.1) David Adshead In the Darkness of the Horse (33.1) Peter\u00a0Aicher Herodotus and the Vulnerability Ethic in Ancient Greece (21.2) New York\u2019s Democratic Aqueduct: Old Croton and Rome (26.2) Aqueduct Display Fountains in Rome and the USA (27.3) Review of Antiquity in Gotham by Elizabeth Macaulay-Lewis […]<\/p>\n","protected":false},"author":20330,"featured_media":0,"parent":27,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/3838"}],"collection":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/users\/20330"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/comments?post=3838"}],"version-history":[{"count":50,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/3838\/revisions"}],"predecessor-version":[{"id":5220,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/3838\/revisions\/5220"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/27"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/media?parent=3838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}