{"id":3708,"date":"2022-10-26T11:43:14","date_gmt":"2022-10-26T15:43:14","guid":{"rendered":"https:\/\/www.bu.edu\/arion\/?page_id=3708"},"modified":"2026-05-29T11:18:10","modified_gmt":"2026-05-29T15:18:10","slug":"vol-30","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/arion\/archive\/vol-30\/","title":{"rendered":"Vol. 30"},"content":{"rendered":"

Arion 30.1 Spring\/Summer 2022<\/u><\/strong>\"\"<\/em><\/p>\n

Robert Heard<\/strong><\/em>: Two Poems
\nKevin Solez<\/strong><\/em>: The Rage and the Kill-Ease
\nM. J. Fitzgerald<\/em><\/strong>: The Odyssey’s Slow Movement
\nNick Moschovakis <\/strong><\/em>translates Stamatis Polenakis<\/em>: The Glorious Stone
\nAlexander Hollmann<\/i><\/b>: Theater of Dionysus
\nOliver<\/strong> Taplin<\/strong><\/em>: Tragedy in the Time of Plague
\nJill Pel\u00e1ez Baumgaertner<\/b><\/em>: Play
\nMark Lundy<\/i><\/b><\/strong><\/em>: Finding Medea in a Dream of Passion
\nKyle Gervais <\/strong><\/em>translates Ovid<\/em>: Cupid’s Laugh (Amores 1.1)
\nA. M. Juster <\/strong><\/em>translates Petrarch<\/em>: From the Canzoniere
\nDavid Ricks<\/strong><\/em>: Walter Shewring’s Sallies
\nMartin Bennett <\/strong><\/em>translates Martial<\/em>: Four Poems on Conviviality<\/a>
\nZooey Park <\/strong><\/em>translates Alexander Pushkin<\/em>: Arion and Cyclops
\nKonrad Weeda <\/strong><\/em>reviews: Strategic Humanism by Claudia Hauer
\nStephanie Nelson <\/strong><\/em>reviews: Classics and Celtic Literary Modernism by Gregory Baker<\/p>\n

Arion 30.2 Fall 2022\"\"<\/u><\/strong><\/p>\n

Andrew McCarron<\/strong><\/em>: Death of the Mentor: A Remembrance of William C. Mullen
\nAlysse Rich<\/strong><\/em>: Three Poems
\nWade Newman<\/strong><\/em>: \u201cSisyphus\u201d
\nLaurie Glenn Hutcheson<\/strong><\/em>: Ovid and Michelangelo on the Heliades
\n<\/span>Nick Moschovakis<\/strong><\/em>\u00a0<\/span>translates Vergil<\/em>: Aeneid II. 402-452
\nJack Mitchell<\/strong><\/em> <\/span>translates Catullus<\/em>: Lesbia’s Sparrow
\nC. Luke Soucy<\/strong><\/em>: The Gnomes of Rome: On the Carmina Priapea
\nSusan McLean<\/strong><\/em>\u00a0<\/span>translates Rilke<\/em>: New Poems
\nMax Roland Ekstrom<\/strong><\/em>: \u201cBriseis Mourns Achilles\u201d
\nW.J.T. Mitchell<\/strong><\/em>: Seeing through Madness: A Roman Holiday
\nPaul Barolsky<\/strong><\/em> reviews: Scarabocchio da Leonardo da Vinci a Cy Twombly by Francesca Alberti and Diane H. Bodart
\nHerbert Golder<\/strong><\/em> <\/span>reviews: Ajax by Argyris Xafis and the National Theater of Greece
\nMegan O\u2019Donald<\/strong><\/em>: Drawings from Greece and Italy<\/p>\n

<\/h3>\n

\"\"<\/p>\n

Arion 30.3 Winter 2023<\/strong><\/span><\/p>\n

Anne Carson<\/strong><\/em>: Cy Twombly: A Rustle of Catullus
\nDiana Lueptow<\/strong><\/em>: Cerulean: Variation on Lines of Durrell
\nJ. Michael Walton<\/strong><\/em>: The Theatre Historian’s Perspective
\nJack Granath<\/strong><\/em>: Character is Fate
\nSeth Lerer<\/strong><\/em>: A Seussian Catullus on Sparrows and Kisses: Carmina 2 & 5
\nPatrick Whalen <\/strong><\/em>translates Horace<\/em>: To Thaliarcus (Ode 1.9)
\nMartin W.<\/strong> Mich\u00e1lek<\/strong><\/em>: Dislanguaged: David Ferry’s Orphic Turn
\n<\/em>Clifford Weber<\/strong><\/em> and Robert Stoddart<\/strong><\/em>: 1.5.25 Ovidianorum Amorum Responsio
\nJoan Mut Arb\u00f3s<\/strong><\/em>: On the Importance of the Classical Sources for G\u00e9r\u00f4me’s Circus Maximus
\nMaryann Corbett<\/strong><\/em> translates Christine de Pizan<\/em>: Cent Ballades
\nHannah Sullivan<\/strong><\/em>: \u201cZeno\u2019s Arrow\u201d
\nCatherine Connors<\/strong><\/em> reviews:\u00a0 Geographies of Myth and Places of Identity by Marco Beno\u00eet Carbone
\nBrandon Jones<\/strong><\/em> reviews: Cy Twombly: Making Past Present at the MFA, Boston<\/p>\n","protected":false},"excerpt":{"rendered":"

Arion 30.1 Spring\/Summer 2022 Robert Heard: Two Poems Kevin Solez: The Rage and the Kill-Ease M. J. Fitzgerald: The Odyssey’s Slow Movement Nick Moschovakis translates Stamatis Polenakis: The Glorious Stone Alexander Hollmann: Theater of Dionysus Oliver Taplin: Tragedy in the Time of Plague Jill Pel\u00e1ez Baumgaertner: Play Mark Lundy: Finding Medea in a Dream of […]<\/p>\n","protected":false},"author":20330,"featured_media":0,"parent":24,"menu_order":30,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/3708"}],"collection":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/users\/20330"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/comments?post=3708"}],"version-history":[{"count":51,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/3708\/revisions"}],"predecessor-version":[{"id":5186,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/3708\/revisions\/5186"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/24"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/media?parent=3708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}