{"id":3,"date":"2009-04-27T11:59:10","date_gmt":"2009-04-27T15:59:10","guid":{"rendered":"https:\/\/www.bu.edu\/arion\/home\/"},"modified":"2026-10-28T11:23:59","modified_gmt":"2026-10-28T15:23:59","slug":"home","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/arion\/","title":{"rendered":"<span style=\"font-family: sabon;\"><center>Arion: A Journal of Humanities and the Classics at Boston University<\/span><\/center>"},"content":{"rendered":"<h3 style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong>Inside Arion 34.2 Fall 2026 (coming soon)<\/strong><\/span><\/h3>\n<p style=\"text-align: center;\"><img loading=\"lazy\" src=\"\/arion\/files\/2026\/10\/34.2Cover_Web-188x300.jpg\" alt=\"\" width=\"188\" height=\"300\" class=\"size-medium wp-image-5329 aligncenter\" srcset=\"https:\/\/www.bu.edu\/arion\/files\/2026\/10\/34.2Cover_Web-188x300.jpg 188w, https:\/\/www.bu.edu\/arion\/files\/2026\/10\/34.2Cover_Web-642x1024.jpg 642w, https:\/\/www.bu.edu\/arion\/files\/2026\/10\/34.2Cover_Web-768x1225.jpg 768w, https:\/\/www.bu.edu\/arion\/files\/2026\/10\/34.2Cover_Web-963x1536.jpg 963w, https:\/\/www.bu.edu\/arion\/files\/2026\/10\/34.2Cover_Web-1284x2048.jpg 1284w, https:\/\/www.bu.edu\/arion\/files\/2026\/10\/34.2Cover_Web.jpg 1541w\" sizes=\"(max-width: 188px) 100vw, 188px\" \/><\/p>\n<p style=\"text-align: center;\"><em><strong>Olga Livshin<\/strong><\/em><span data-contrast=\"none\"> invokes the Mother Muse of Ukraine<\/span><span data-ccp-props=\"{&quot;335551550&quot;:2,&quot;335551620&quot;:2,&quot;335559739&quot;:0}\">\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><span data-contrast=\"none\">A generational milestone, <\/span><em><strong>Jon Solomon<\/strong><\/em><span data-contrast=\"none\"> on Nolan\u2019s <\/span><i><span data-contrast=\"none\">Odyssey<\/span><\/i><span data-ccp-props=\"{&quot;335551550&quot;:2,&quot;335551620&quot;:2,&quot;335559739&quot;:0}\">\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><span data-contrast=\"none\">Three poems by <\/span><em><strong>Peter Sullivan\u00a0<\/strong><\/em><\/p>\n<p style=\"text-align: center;\"><em><strong>Emily A. Fenichel<\/strong><\/em><span data-contrast=\"none\"> on Cellini\u2019s mastery of ancient tricks<\/span><span data-ccp-props=\"{&quot;335551550&quot;:2,&quot;335551620&quot;:2,&quot;335559739&quot;:0}\">\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><span data-contrast=\"none\">Propertius translated by <\/span><em><strong>A.M. Juster\u00a0<\/strong><\/em><\/p>\n<p style=\"text-align: center;\"><em><strong>Julian Knoll-Tudor<\/strong><\/em><span data-contrast=\"none\"> on the Library of Alexandria\u2019s loss and the threat of AI<\/span><span data-ccp-props=\"{&quot;335551550&quot;:2,&quot;335551620&quot;:2,&quot;335559739&quot;:0}\">\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><em><strong>Emma Aston<\/strong><\/em><span data-contrast=\"none\"> on the Greek mind and the animal sublime<\/span><span data-ccp-props=\"{&quot;335551550&quot;:2,&quot;335551620&quot;:2,&quot;335559739&quot;:0}\">\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><em><strong>Gordon Braden<\/strong><\/em><span data-contrast=\"none\"> looks at Latin literature backwards and forwards<\/span><span data-ccp-props=\"{&quot;335551550&quot;:2,&quot;335551620&quot;:2,&quot;335559739&quot;:0}\">\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><em><strong>Willi Goetschel<\/strong><\/em><span data-contrast=\"none\"> on the vintage of revolution<\/span><span data-ccp-props=\"{&quot;335551550&quot;:2,&quot;335551620&quot;:2,&quot;335559739&quot;:0}\">\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><em><strong>Christopher Ell<\/strong><\/em><span data-contrast=\"none\"> on whether ancient history has a future<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong>Inside Arion 34.1 Spring\/Summer 2026<\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" src=\"\/arion\/files\/2026\/06\/Front-cover-189x300.jpg\" alt=\"\" width=\"189\" height=\"300\" class=\"size-medium wp-image-5211 aligncenter\" srcset=\"https:\/\/www.bu.edu\/arion\/files\/2026\/06\/Front-cover-189x300.jpg 189w, https:\/\/www.bu.edu\/arion\/files\/2026\/06\/Front-cover-645x1024.jpg 645w, https:\/\/www.bu.edu\/arion\/files\/2026\/06\/Front-cover-768x1220.jpg 768w, https:\/\/www.bu.edu\/arion\/files\/2026\/06\/Front-cover-967x1536.jpg 967w, https:\/\/www.bu.edu\/arion\/files\/2026\/06\/Front-cover-1290x2048.jpg 1290w, https:\/\/www.bu.edu\/arion\/files\/2026\/06\/Front-cover.jpg 1570w\" sizes=\"(max-width: 189px) 100vw, 189px\" \/><\/p>\n<p style=\"text-align: center;\"><em><strong>Werner Herzog<\/strong><\/em> on mathematics and the sublime<\/p>\n<p style=\"text-align: center;\">A Sibylline poem from <em><strong>Torie Burmeister<\/strong><\/em><\/p>\n<p style=\"text-align: center;\">A comic ekphrasis of Cranach by <em><strong>Jane Blanchard<\/strong><\/em><\/p>\n<p style=\"text-align: center;\"><em><strong>Mario Tel\u00f2<\/strong> <\/em>drinks deeply from the draughts of tragic scholia<\/p>\n<p style=\"text-align: center;\"><em><strong>E.J. Hutchinson<\/strong><\/em>\u2019s rhyme on classical scholarship<\/p>\n<p style=\"text-align: center;\">Eight poems from <em><strong>George Kalogeris<\/strong><\/em><\/p>\n<p style=\"text-align: center;\"><em><strong>Glenn W. Most<\/strong><\/em> on the long and winding road of Euripidean reception<\/p>\n<p style=\"text-align: center;\"><em><strong>Rush Rehm<\/strong><\/em> reexamines the complexity of the tragic chorus<\/p>\n<p style=\"text-align: center;\"><em><strong>Florencia Nelli<\/strong><\/em>\u2019s take on tragic reception, a thespian\u2019s view<\/p>\n<p style=\"text-align: center;\">A survivor\u2019s guide to Pompeii by <em><strong>Alison E. Cooley<\/strong><\/em><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong>Inside Arion 33.3 Winter 2026<\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" src=\"\/arion\/files\/2026\/03\/Arion-33.3-Poster-web-178x300.jpg\" alt=\"\" width=\"178\" height=\"300\" class=\"wp-image-5105 size-medium aligncenter\" srcset=\"https:\/\/www.bu.edu\/arion\/files\/2026\/03\/Arion-33.3-Poster-web-178x300.jpg 178w, https:\/\/www.bu.edu\/arion\/files\/2026\/03\/Arion-33.3-Poster-web-608x1024.jpg 608w, https:\/\/www.bu.edu\/arion\/files\/2026\/03\/Arion-33.3-Poster-web-768x1293.jpg 768w, https:\/\/www.bu.edu\/arion\/files\/2026\/03\/Arion-33.3-Poster-web-912x1536.jpg 912w, https:\/\/www.bu.edu\/arion\/files\/2026\/03\/Arion-33.3-Poster-web-1216x2048.jpg 1216w\" sizes=\"(max-width: 178px) 100vw, 178px\" \/><\/p>\n<p style=\"text-align: center;\"><strong><em>Piero Boitani\u2019s<\/em><\/strong> poetic nostos: an Odyssey in reflection<\/p>\n<p style=\"text-align: center;\"><strong><em>Susan McLean<\/em><\/strong> translates old tales from Rilke\u2019s <em>New Poems<\/em><\/p>\n<p style=\"text-align: center;\"><strong><em>Louis A. Ruprecht Jr<\/em><\/strong>. sheds light on Greece\u2019s oldest cave art<\/p>\n<p style=\"text-align: center;\">Greco-Roman ruminations from <strong><em>Karl Kirchwey<\/em><\/strong><\/p>\n<p style=\"text-align: center;\"><strong><em>Richard Wollman\u2019s<\/em><\/strong> Ovidian woodblock sculptures<\/p>\n<p style=\"text-align: center;\">At the Tevere, a poem by <strong><em>Ron Horning<\/em><\/strong><\/p>\n<p style=\"text-align: center;\"><strong><em>Will Brockliss\u2019s<\/em><\/strong>\u00a0ecocritical review of Edith Hall\u2019s epic environmentalism<\/p>\n<p style=\"text-align: center;\"><strong><em>Claudia Hauer<\/em><\/strong> reinforces the value of Herodotean storytelling<\/p>\n<p style=\"text-align: center;\"><strong><em>Peter Meineck<\/em><\/strong> on <em>Oedipus<\/em> at Studio 54\u2014yes, that Studio 54<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Inside Arion 34.2 Fall 2026 (coming soon) Olga Livshin invokes the Mother Muse of Ukraine\u00a0 A generational milestone, Jon Solomon on Nolan\u2019s Odyssey\u00a0 Three poems by Peter Sullivan\u00a0 Emily A. Fenichel on Cellini\u2019s mastery of ancient tricks\u00a0 Propertius translated by A.M. Juster\u00a0 Julian Knoll-Tudor on the Library of Alexandria\u2019s loss and the threat of AI\u00a0 [&hellip;]<\/p>\n","protected":false},"author":1432,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/3"}],"collection":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/users\/1432"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/comments?post=3"}],"version-history":[{"count":58,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/3\/revisions"}],"predecessor-version":[{"id":5330,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/3\/revisions\/5330"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/media?parent=3"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}