{"id":2974,"date":"2021-01-21T11:52:08","date_gmt":"2021-01-21T16:52:08","guid":{"rendered":"https:\/\/www.bu.edu\/arion\/?page_id=2974"},"modified":"2025-09-11T11:31:20","modified_gmt":"2025-09-11T15:31:20","slug":"volume-28","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/arion\/archive\/volume-28\/","title":{"rendered":"Vol. 28"},"content":{"rendered":"

Arion 28.1 Spring\/Summer 2020<\/u><\/strong><\/em><\/u><\/strong><\/p>\n

Roger Michel, Alex Karenowska, George Altshuler,\u00a0<\/em><\/strong>and\u00a0Matthew\u00a0<\/em>Cobb<\/em><\/strong>: A Vexed Pharmacopeia\"\"<\/em><\/u><\/strong>
\nMargaret Malamud\u00a0<\/em><\/strong>and\u00a0Martha\u00a0<\/em>Malamud<\/em><\/strong>: The Petrification of Cleopatra in 19th Century Art
\nDaniel<\/em> Galef<\/em><\/strong>: Two Sonnets
\nThomas<\/em> Rendall<\/em><\/strong>: Migrating Character in\u00a0Don Quijote and the\u00a0Aeneid
\n<\/em>Michael\u00a0<\/em>Trocchia<\/i><\/strong>:\u00a0Two Poems
\nPatricia V\u00e1zquez<\/em><\/strong>:\u00a0Dante’s Cannibal Count
\nJohn Warden<\/strong><\/em>\u00a0<\/strong>translates\u00a0Timotheus<\/em>: The\u00a0Persians
\nPaul Barolsky<\/em><\/strong>:\u00a0The Art of Interpreting Art
\nElizabeth Powers<\/em><\/strong>:\u00a0In Their Father’s Library: Furnishing a Tradition
\nJames Uden<\/em><\/strong>\u00a0reviews:\u00a0How We Write Plagues by Hunter H. Gardiner & Brian Walters
\nHelaine L. Smith <\/em><\/strong>reviews:\u00a0Virginia Woolf’s Greek Tragedy by Nancy Worman<\/p>\n

Arion 28.2 Fall 2020<\/strong><\/u><\/p>\n

David Quint<\/em><\/strong>: Erictho and Demogorgon: Poetry against Metaphysics \"\"<\/strong><\/u>
\nKyle Gervais<\/em><\/strong>: What Virgil Should Have Said
\nGeorge Saad<\/em><\/strong>: Limb-loosening: Tracing a Motif in Vergil
\nLawrence<\/em> Dugan<\/em><\/strong>: Hurricane Gloria
\nRicardo Pau-Llosa<\/em><\/strong>: Three poems
\nSteven Shankman<\/em><\/strong>: Xenophilia
\nAllen Tice\u00a0<\/strong><\/em>translates Sappho<\/em>:\u00a0Very Late, in Spring
\nSteven J. Willett <\/em><\/strong>translates Propertius<\/em>:\u00a0Elegia I.3
\nPaul Barolsky<\/em><\/strong>:\u00a0Reflections on Raphael
\nAvi\u00a0Sharon <\/em><\/strong>translates Nicolas Aliferis<\/em>: From the Front
\nLouis A. Ruprecht Jr.<\/em><\/strong> reviews: An Ethnography of Despair and Resilience in Greece\u2019s Second City by Kathryn A. Kozaitis<\/p>\n

Arion 28.3 Winter 2021<\/u><\/strong><\/p>\n

\"\"<\/h2>\n

Scarlett Sabet<\/em><\/strong>: \u201c23rd February 1821: In Remembrance of John Keats\u201d
\nSimon <\/em>Armitage<\/em>:<\/strong> \u201cI Speak As Someone . . .\u201d
\nW. Robert Connor<\/em><\/strong>:\u00a0Unmasking the Maxim
\n\u00a0John Eric Hamel<\/strong><\/em>: Spring Fishing Song, Prehistoric Paros
\nC.\u00a0Luke Soucy <\/em><\/strong>translates Ovid<\/em>:\u00a0Metamorphoses: I.5\u2013162, 274\u2013415
\nGeorge Kalogeris<\/em><\/strong>: Six Poems
\nStephen Orgel<\/em><\/strong>: The Elizabethan Bacchae
\n<\/em>Charles\u00a0Martin <\/em><\/strong>translates Horace<\/em>: Three Odes
\nSimon<\/em> <\/strong>Goldhill<\/strong><\/em>: Freud, Archaeology, and Egypt
\nDaniel<\/em> Orrells<\/em><\/strong>: Freud and Leonardo in Egypt
\nMiriam<\/em> Leonard<\/em><\/strong>: Freud between Oedipus and the Sphinx
\nPaul Barolsky<\/strong>\u00a0<\/em>reviews:\u00a0A Study of Bronzino\u2019s Nano Morgante by Sefy Hendler<\/p>\n","protected":false},"excerpt":{"rendered":"

Arion 28.1 Spring\/Summer 2020 Roger Michel, Alex Karenowska, George Altshuler,\u00a0and\u00a0Matthew\u00a0Cobb: A Vexed Pharmacopeia Margaret Malamud\u00a0and\u00a0Martha\u00a0Malamud: The Petrification of Cleopatra in 19th Century Art Daniel Galef: Two Sonnets Thomas Rendall: Migrating Character in\u00a0Don Quijote and the\u00a0Aeneid Michael\u00a0Trocchia:\u00a0Two Poems Patricia V\u00e1zquez:\u00a0Dante’s Cannibal Count John Warden\u00a0translates\u00a0Timotheus: The\u00a0Persians Paul Barolsky:\u00a0The Art of Interpreting Art Elizabeth Powers:\u00a0In Their Father’s Library: […]<\/p>\n","protected":false},"author":2948,"featured_media":0,"parent":24,"menu_order":28,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/2974"}],"collection":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/users\/2948"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/comments?post=2974"}],"version-history":[{"count":51,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/2974\/revisions"}],"predecessor-version":[{"id":4864,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/2974\/revisions\/4864"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/24"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/media?parent=2974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}