{"id":2891,"date":"2020-02-24T14:34:24","date_gmt":"2020-02-24T19:34:24","guid":{"rendered":"https:\/\/www.bu.edu\/arion\/?page_id=2891"},"modified":"2026-01-12T11:27:00","modified_gmt":"2026-01-12T16:27:00","slug":"volume-27","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/arion\/archive\/volume-27\/","title":{"rendered":"Vol. 27"},"content":{"rendered":"<p style=\"text-align: center;\"><strong><u>Arion 27.1 Spring\/Summer 2019<\/u><\/strong><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><em>John Shoptaw<\/em><\/strong>: Woah!<strong><u><img loading=\"lazy\" src=\"\/arion\/files\/2019\/12\/27.1Cover-e1566229161678-188x300.jpg\" alt=\"\" class=\"wp-image-2848 alignright\" width=\"150\" height=\"240\" srcset=\"https:\/\/www.bu.edu\/arion\/files\/2019\/12\/27.1Cover-e1566229161678-188x300.jpg 188w, https:\/\/www.bu.edu\/arion\/files\/2019\/12\/27.1Cover-e1566229161678.jpg 373w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/u><\/strong><br \/>\n<strong><em>Kathleen Riley<\/em><\/strong>: Little Eternities: Henry James&#8217;s Horation Sense of Time<br \/>\n<strong><em>Deborah Warren<\/em><\/strong>: Five Poems<br \/>\n<strong><em>Gordon Braden<\/em><\/strong>:\u00a0Francis Bacon Translates from the Greek Anthology<br \/>\n<em><strong>Avi Sharon<\/strong><\/em> translates <em>Nicolas Calas<\/em>: Seven Poems<br \/>\n<strong><em>James Tatum<\/em><\/strong>:\u00a0Iago&#8217;s Roman Ancestors<br \/>\n<strong><em>Amit Majmudar<\/em><\/strong>:\u00a0Five Poems<br \/>\n<strong><em>M. D. Usher<\/em><\/strong>:\u00a0Classics and complexity in Walden&#8217;s &#8220;Spring&#8221;<br \/>\n<em><strong>Caleb M. X. Dance<\/strong><\/em> translates <em>Ovid<\/em>: Note From a Narcissist (Amores I.II)<br \/>\n<strong><em>Lincoln Perry<\/em><\/strong>:\u00a0An Epiphany in Munich<br \/>\n<em><strong>Steven J. Willett<\/strong><\/em> translates <em>Giacomo Leopardi<\/em>: Canti VI, Bruto Minore<br \/>\n<strong><em>David Cast<\/em><\/strong> reviews:\u00a0Classical Art: A Life History from Antiquity to Present by Caroline Vout<br \/>\n<strong><em>Helaine L. Smith<\/em><\/strong> reviews: Like: Poems by A. E Stallings<\/p>\n<p style=\"text-align: center;\"><strong><u>Arion 27.2 Fall 2019<\/u><\/strong><\/p>\n<h1><img loading=\"lazy\" src=\"\/arion\/files\/2019\/12\/Cvr_1-page-001-189x300.jpg\" alt=\"\" class=\"wp-image-2854 alignright\" width=\"150\" height=\"238\" srcset=\"https:\/\/www.bu.edu\/arion\/files\/2019\/12\/Cvr_1-page-001-189x300.jpg 189w, https:\/\/www.bu.edu\/arion\/files\/2019\/12\/Cvr_1-page-001-768x1219.jpg 768w, https:\/\/www.bu.edu\/arion\/files\/2019\/12\/Cvr_1-page-001-645x1024.jpg 645w, https:\/\/www.bu.edu\/arion\/files\/2019\/12\/Cvr_1-page-001.jpg 779w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/h1>\n<p><strong><em>David Gomes\u00a0C\u00e1sseres<\/em><\/strong>:\u00a0After the War<br \/>\n<strong><em>Fred Licht<\/em><\/strong>:\u00a0A Milanese Quartet<br \/>\n<strong><em>Stephen Orgel<\/em><\/strong>: The Reform of Poetry in Elizabethan England<br \/>\n<strong><em>Brooke Clark<\/em><\/strong>:\u00a0The Arrows of Apollo<br \/>\n<strong><em>W. Robert Connor<\/em><\/strong>:\u00a0Women Poets and the Origin of the Greek Hexameter<br \/>\n<strong><em>Daniel Galef<\/em><\/strong>: \u00a0Two Sonnets<br \/>\n<em><strong>Richard McKim<\/strong><\/em> translates <em>Parmenides<\/em>: The Road to Reality<br \/>\n<strong><em>Benjamin Haller<\/em><\/strong>:\u00a0Kykilkoi Logoi<br \/>\n<em><strong>Anna Jackson<\/strong><\/em> translates <em>Catullus<\/em>: Attis at Large<br \/>\n<strong><em>Josephine Balmer<\/em><\/strong>:\u00a0Two Poems<br \/>\n<strong><em>Louis A. Ruprecht Jr<\/em><\/strong>.: A Retrospective Appreciation of Anne Carson&#8217;s Eros the Bittersweet<br \/>\n<strong><em>Paul Barolsky<\/em><\/strong> reviews: Ovidio, amori, miti e altre storie, ed. Francesca Ghedini et al.<u><\/u><\/p>\n<p style=\"text-align: center;\"><strong><u>Arion 27.3 Winter 2020<\/u><\/strong><\/p>\n<h3><img loading=\"lazy\" src=\"\/arion\/files\/2022\/07\/ArionCvr_27.3-1-189x300.jpg\" alt=\"\" class=\"wp-image-3361 alignright\" width=\"150\" height=\"238\" srcset=\"https:\/\/www.bu.edu\/arion\/files\/2022\/07\/ArionCvr_27.3-1-189x300.jpg 189w, https:\/\/www.bu.edu\/arion\/files\/2022\/07\/ArionCvr_27.3-1.jpg 374w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/h3>\n<p><strong><em>A.M. Juster <\/em><\/strong>translates<em> Lactantius<\/em>: On a Bird, the Phoenix<em><br \/>\n<\/em><strong><em>Alex D. Karenowska<\/em><\/strong>: On the Archaeology of Science in the Science of Archaeology<br \/>\n<strong><em>Carol L. Dougherty<\/em><\/strong>:\u00a0Why Aphrodite Has That Turtle on Her Foot<br \/>\n<em><strong>Parker Thomas <\/strong><\/em>translates<em> Horace<\/em>: Two Odes<br \/>\n<strong><em>John G.S. Hanson<\/em><\/strong>:\u00a0Latin in New England Graveyards<br \/>\n<strong><em>Peter Aicher<\/em><\/strong>:\u00a0Aqueduct Display Fountains in Rome and the USA<br \/>\n<strong><em>Derek Mong<\/em><\/strong>:\u00a0Three Poems<br \/>\n<strong><em>Avi Sharon<\/em><\/strong>: Henry Miller and Lawrence Durrell, Men of the Karaghiozi Breed<br \/>\n<strong><em>Jane Blanchard<\/em><\/strong>:\u00a0Three Lyrics<br \/>\n<strong><em>Froma Zeitlin<\/em><\/strong>:\u00a0Return to the Land of the Sun: In Homage to J.-P. Vernant<br \/>\n<strong><em>Lawrence Dugan<\/em><\/strong>:\u00a0What Happened in the House of Zachary<br \/>\n<strong><em>Helaine L. Smith<\/em><\/strong> reviews:\u00a0The Bacchae as Staged by the Classical Theatre of Harlem<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arion 27.1 Spring\/Summer 2019 John Shoptaw: Woah! Kathleen Riley: Little Eternities: Henry James&#8217;s Horation Sense of Time Deborah Warren: Five Poems Gordon Braden:\u00a0Francis Bacon Translates from the Greek Anthology Avi Sharon translates Nicolas Calas: Seven Poems James Tatum:\u00a0Iago&#8217;s Roman Ancestors Amit Majmudar:\u00a0Five Poems M. D. Usher:\u00a0Classics and complexity in Walden&#8217;s &#8220;Spring&#8221; Caleb M. X. Dance [&hellip;]<\/p>\n","protected":false},"author":1432,"featured_media":0,"parent":24,"menu_order":27,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/2891"}],"collection":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/users\/1432"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/comments?post=2891"}],"version-history":[{"count":45,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/2891\/revisions"}],"predecessor-version":[{"id":5072,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/2891\/revisions\/5072"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/24"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/media?parent=2891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}