{"id":2646,"date":"2017-08-28T12:00:12","date_gmt":"2017-08-28T16:00:12","guid":{"rendered":"https:\/\/www.bu.edu\/arion\/?page_id=2646"},"modified":"2026-03-10T13:28:07","modified_gmt":"2026-03-10T17:28:07","slug":"volume-25","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/arion\/archive\/volume-25\/","title":{"rendered":"Vol. 25"},"content":{"rendered":"

Arion 25.1 Spring\/Summer 2017\"Screen<\/span><\/strong><\/p>\n

Wendy Artin<\/em><\/strong>: Palmyra (cover)
\nDavid Ferry<\/strong><\/em> translates Virgil<\/em>: Aeneid\u00a0vi.679\u2013751
\nNorman Austin<\/em><\/strong>:\u00a0Nausikaa and the Word that Must Not Be Spoken
\nBrian Walters<\/em><\/strong>:\u00a0From Propertius
\nIan Fielding<\/em><\/strong>: Roberto Bola\u00f1o Harasses Horace
\nKarl Johnson <\/strong><\/em>translates Horace<\/em>: Counting His Blessings
\nColin Cromwell Pang<\/em><\/strong>:\u00a0Catullus, Hip-hop, and Masculinity
\nMargaret Wack<\/em><\/strong>:\u00a0Two Poems
\nAlan Sumler<\/em><\/strong>: Ingredients and Ecstatic Outcomes in Magical Papyri
\nJoan Kimball<\/em><\/strong>:\u00a0Two Poems
\nJoseph Russo<\/em><\/strong> and Bennett Simon<\/em><\/strong>:\u00a0Gambling with Demeter
\nLawrence Dugan<\/em><\/strong>:\u00a0Two Poems
\nKarl Kirchwey<\/em><\/strong>: From Mutabor: “Palmyra” and “Colosseum”
\nLouis A. Ruprecht Jr.<\/em><\/strong> reviews:\u00a0Comic Democracies by Angus Fletcher
\nHelaine L. Smith<\/em><\/strong> reviews:\u00a0The Berlin Painter and His World
\n<\/span><\/p>\n

Arion 25.2 Fall 2017\"Screen<\/a><\/em><\/span><\/strong><\/p>\n

<\/em><\/em>Paul Barolsky<\/em><\/strong>:\u00a0The Visionary Architecture of the Pazzi Chapel
\nRicardo Pau-Llosa<\/em><\/strong>:\u00a0Three Poems
\nTheodore Ziolkowski<\/em><\/strong>:\u00a0Why Roman Poets In Modern Guise?
\nSteve Kronen<\/em><\/strong>:\u00a0Four Poems
\nRaymond Geuss<\/em><\/strong>:\u00a0Teaching Nietzsche
\nVanda Zajko<\/em><\/strong>:\u00a0Ancient Tragedy, Shakespeare and the Concept of Character
\nCharles Martin<\/em><\/strong>:\u00a0Narcissism For Beginners
\nLouis A. Ruprecht Jr<\/em><\/strong>.:\u00a0Winckelmann and the Vatican\u2019s Museo Profano
\nEdmund Keeley<\/em><\/strong>:\u00a0The Madman of Athens
\nFred Licht<\/em><\/strong>:\u00a0The Guard as Critic, or the Duchamp Factor
\nIlya Bernstein<\/em><\/strong>:\u00a0L\u2019Ottimo Artista
\nPatrick O\u2019Donnell<\/em><\/strong>: An Interview with Caroline Alexander
\nMarianne McDonald<\/em><\/strong> reviews: The Irish Classical Self by Laurie O\u2019Higgins<\/p>\n

Arion 25.3\u00a0Winter 2018\"Screen<\/a><\/em><\/strong><\/span><\/a><\/em><\/p>\n

Norman Austin<\/em><\/strong>:\u00a0The Goatherd: An Encounter with Virgil\u2019s First Eclogue
\nMatthew A. Sears<\/em><\/strong>: Mother Canada and Mourning Athena
\nJane Blanchard<\/em><\/strong>:\u00a0Two Poems
\nIsabelle Torrance<\/em><\/strong>:\u00a0The Politics of Literary Allusion in Marina Carr\u2019s Ariel
\nJustin Hudak<\/em><\/strong>:\u00a0Cold Copulars: Notes Toward a Horatian Stevens
\nJamey Hecht<\/em><\/strong>:\u00a0The Sirens
\nClaire Sommers<\/em><\/strong>:\u00a0School of Shadows: The Return to Plato\u2019s Cave
\nBrian Walters <\/strong><\/em>translates Lucretius<\/em>: A Prayer For Peace
\nFred Licht<\/em><\/strong>:\u00a0A Lost Museum
\nBenjamin Eldon Stevens <\/strong><\/em>translates Gwena\u00eblle Aubry<\/em>: Persephone 2014
\n<\/a>Paul Barolsky<\/em><\/strong> reviews:\u00a0Michelangelo: Divine Draftsman and Designer by Carmen C. Bambach
\nJohn Palmer<\/em><\/strong> reviews: Early Greek Philosophy by Andr\u00e9 Laks and Glenn W. Most<\/p>\n","protected":false},"excerpt":{"rendered":"

Arion 25.1 Spring\/Summer 2017 Wendy Artin: Palmyra (cover) David Ferry translates Virgil: Aeneid\u00a0vi.679\u2013751 Norman Austin:\u00a0Nausikaa and the Word that Must Not Be Spoken Brian Walters:\u00a0From Propertius Ian Fielding: Roberto Bola\u00f1o Harasses Horace Karl Johnson translates Horace: Counting His Blessings Colin Cromwell Pang:\u00a0Catullus, Hip-hop, and Masculinity Margaret Wack:\u00a0Two Poems Alan Sumler: Ingredients and Ecstatic Outcomes in […]<\/p>\n","protected":false},"author":11471,"featured_media":0,"parent":24,"menu_order":25,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/2646"}],"collection":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/users\/11471"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/comments?post=2646"}],"version-history":[{"count":50,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/2646\/revisions"}],"predecessor-version":[{"id":5129,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/2646\/revisions\/5129"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/24"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/media?parent=2646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}