{"id":2597,"date":"2016-12-08T09:42:39","date_gmt":"2016-12-08T14:42:39","guid":{"rendered":"https:\/\/www.bu.edu\/arion\/?page_id=2597"},"modified":"2026-02-06T11:01:50","modified_gmt":"2026-02-06T16:01:50","slug":"volume-24","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/arion\/archive\/volume-24\/","title":{"rendered":"Vol. 24"},"content":{"rendered":"<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong>Arion 24.1 Spring\/Summer 2016<span><em><a href=\"https:\/\/www.bu.edu\/arion\/archive\/volume-24\/\"><img loading=\"lazy\" src=\"\/arion\/files\/2016\/07\/Arion-Cover-24.1-201x300.jpg\" alt=\"Arion Cover 24.1\" class=\"alignright wp-image-2504\" width=\"150\" height=\"224\" srcset=\"https:\/\/www.bu.edu\/arion\/files\/2016\/07\/Arion-Cover-24.1-201x300.jpg 201w, https:\/\/www.bu.edu\/arion\/files\/2016\/07\/Arion-Cover-24.1.jpg 576w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a><\/em><\/span><\/strong><\/span><span><em><\/em><\/span><\/p>\n<p style=\"text-align: left;\"><span><\/span><strong><em>Theodore Ziolkowski<\/em><\/strong>:\u00a0Robert Frost\u00a0in Roman Mode<span><em><br \/>\n<\/em><\/span><strong><em>Anna Jackson<\/em><\/strong>: Reading Virgil, the First Eclogue, On a Salary<br \/>\n<strong><em>Casey Du\u00e9<\/em><\/strong>: The Politics of Song and Dance in Lysistrata and Chi-raq<br \/>\n<strong><em>Karen Simons<\/em><\/strong>:\u00a0Reading Virgil in the Cariboo<br \/>\n<strong><em>Louis A. Ruprecht, Jr.<\/em><\/strong>:\u00a0Historical Greece and European Myths<br \/>\n<strong><em>Marianne McDonald<\/em><\/strong>: James Joyce, Portrait and Still Life<br \/>\n<strong><em>Len Krisak<\/em><\/strong>:\u00a0Three translations<br \/>\n<strong><em>Gordon Braden<\/em><\/strong>: Epic Annoyance,\u00a0Homer to Palladas<br \/>\n<strong><em>Kimberly Johnson <\/em><\/strong>translates <em>Hesiod<\/em>:\u00a0Works and Days<br \/>\n<strong><em>Spencer Hawkins<\/em><\/strong>:\u00a0Rhetoric of Reputation: Protagoras&#8217; Statement, Snoop Doggy Dogg&#8217;s Flow<br \/>\n<strong><em>Eric Adler<\/em><\/strong>: The Closing of the American Classics Department<br \/>\n<strong><em>Richard Finn<\/em>\u00a0<\/strong>reviews:\u00a0Moral\u00a0Conscience\u00a0Through the Ages by Richard Sorabji<br \/>\n<strong><em>Charles Rowan Beye<\/em><\/strong> reviews: War Music by Christopher Logue<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"text-decoration: underline;\">Arion 24.2 Fall 2016<img loading=\"lazy\" src=\"\/arion\/files\/2016\/12\/24.2-cover1-187x300.jpg\" alt=\"24-2-cover\" class=\"alignright wp-image-2607\" width=\"150\" height=\"241\" srcset=\"https:\/\/www.bu.edu\/arion\/files\/2016\/12\/24.2-cover1-187x300.jpg 187w, https:\/\/www.bu.edu\/arion\/files\/2016\/12\/24.2-cover1.jpg 199w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/span><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><em>Boris Johnson<\/em><\/strong>: Voting\u00a0for Classical Greece<br \/>\n<strong><em>Mary Bergstein<\/em><\/strong>:\u00a0Palmyra and Palmyra<br \/>\n<strong><em>David Podgurski<\/em><\/strong>: Red-Haired Atreides Speaks to Telemachus<br \/>\n<strong><em>Johan Tralau<\/em><\/strong>:\u00a0The Justice of the Chimaira<br \/>\n<strong><em>Robert Lloyd Mitchell<\/em><\/strong>:\u00a0On Poetry in Plato&#8217;s Republic<br \/>\n<strong><em>Josephine\u00a0Balmer<\/em><\/strong>:\u00a0Blot<br \/>\n<em><strong>Stephen Eide <\/strong><\/em>and <em><strong>Keith Whitaker<\/strong><\/em>: A Philosopher and a Gentleman<br \/>\n<strong><em>Claudia Zatta<\/em><\/strong>:\u00a0Plants\u2019 Interconnected Lives<br \/>\n<strong><em>M.D. Usher<\/em><\/strong>: Out of Shakespeare: A Villanelle<br \/>\n<strong><em>Fred Licht<\/em><\/strong>: L\u2019Appassionata: An American Story<br \/>\n<strong><em>Paul Barlosky<\/em><\/strong> reviews: Unfinished: Thoughts Made Visible by Kelly Baum et al.<br \/>\n<strong><em>J. Michael Walton<\/em><\/strong> reviews: Aristophanes and His Tragic Muse by Stephanie Nelson<br \/>\n<strong><em>Helaine L. Smith<\/em><\/strong>\u00a0reviews:\u00a0Phaedra(s) of Od\u00e9on-Th\u00e9\u00e2tre de l\u2019Europe<\/p>\n<p style=\"text-align: center;\"><span><span style=\"text-decoration: underline;\"><strong>Arion 24.3 Winter 2017<em><img loading=\"lazy\" src=\"\/arion\/files\/2017\/03\/24.3-Arion-Cover-187x300.jpg\" alt=\"24.3 Arion Cover_Final_r1.qxp_Cvr\" class=\"alignright wp-image-2627\" width=\"150\" height=\"241\" srcset=\"https:\/\/www.bu.edu\/arion\/files\/2017\/03\/24.3-Arion-Cover-187x300.jpg 187w, https:\/\/www.bu.edu\/arion\/files\/2017\/03\/24.3-Arion-Cover-768x1235.jpg 768w, https:\/\/www.bu.edu\/arion\/files\/2017\/03\/24.3-Arion-Cover-637x1024.jpg 637w, https:\/\/www.bu.edu\/arion\/files\/2017\/03\/24.3-Arion-Cover.jpg 1539w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/em><\/strong><\/span><\/span><span><em><\/em><\/span><\/p>\n<p style=\"text-align: left;\"><strong><em>Herbert Golder<\/em><\/strong>: Her Infinitive Variety<br \/>\n<strong><em>Rachel Hadas<\/em><\/strong>:\u00a0Four Poems<br \/>\n<strong><em>Paul Barolsky<\/em><\/strong>:\u00a0A Picture Is Not a Poem<br \/>\n<strong><em>Andrea Nightingale<\/em><\/strong>:\u00a0Cave Myths and the Metaphysics of Light<br \/>\n<strong><em>Brian Sneeden <\/em><\/strong>translates <em>Phoebe Giannisi<\/em>: Two Poems<br \/>\n<strong><em>Harold Keller<\/em><\/strong>:\u00a0Iliad drawings<br \/>\n<strong><em>Patrick O\u2019Donnell<\/em><\/strong>: Two Poems<br \/>\n<strong><em>Raymond Geuss<\/em><\/strong>:\u00a0Nietzsche\u2019s Philosophical Ethnology<br \/>\n<strong><em>Theodore Ziolkowski<\/em><\/strong>:\u00a0Propertius and the Outsiders<br \/>\n<strong><em>Fred Licht<\/em><\/strong>:\u00a0Inadvertent Beginnings<br \/>\n<strong><em>J. Michael Walton<\/em><\/strong> reviews: Lost Plays and Neglected Authors by Matthew Wright<br \/>\n<em><\/em><strong><em>M. D. Usher<\/em><\/strong>\u00a0reviews:\u00a0Hesiod\u2019s Theogony by Stephen Scully<br \/>\n<span><strong><em>Douglas Young<\/em><\/strong>: A Problem in Egypto-Canadian Cultural Relations<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arion 24.1 Spring\/Summer 2016 Theodore Ziolkowski:\u00a0Robert Frost\u00a0in Roman Mode Anna Jackson: Reading Virgil, the First Eclogue, On a Salary Casey Du\u00e9: The Politics of Song and Dance in Lysistrata and Chi-raq Karen Simons:\u00a0Reading Virgil in the Cariboo Louis A. Ruprecht, Jr.:\u00a0Historical Greece and European Myths Marianne McDonald: James Joyce, Portrait and Still Life Len Krisak:\u00a0Three [&hellip;]<\/p>\n","protected":false},"author":11471,"featured_media":0,"parent":24,"menu_order":24,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/2597"}],"collection":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/users\/11471"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/comments?post=2597"}],"version-history":[{"count":40,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/2597\/revisions"}],"predecessor-version":[{"id":5094,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/2597\/revisions\/5094"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/24"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/media?parent=2597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}