{"id":258,"date":"2010-03-29T11:47:32","date_gmt":"2010-03-29T15:47:32","guid":{"rendered":"https:\/\/www.bu.edu\/arion\/?page_id=258"},"modified":"2024-12-12T16:50:56","modified_gmt":"2024-12-12T21:50:56","slug":"volume-16","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/arion\/archive\/volume-16\/","title":{"rendered":"Vol. 16"},"content":{"rendered":"

\"1\"<\/a><\/span><\/h1>\n

Arion 16.1 Spring\/Summer 2008<\/span><\/strong><\/p>\n

Camille Paglia<\/em><\/strong>: Feminism: Past and Present: Ideology, Action, and Reform
\n<\/em><\/strong>Bruce Redwine<\/em><\/strong>: The Melting Mirage of Lawrence Durrell’s White City
\nColin Sydenham<\/span><\/em><\/strong>: Translating Housman and Housman Translating
\nSimon Perris<\/em><\/span><\/strong>: Genre, Identity, and Parody in Derek Mahon’s Bacchae
\nAdam L. Dressler<\/em><\/strong>: Two Poems
\nJanet Lloyd <\/span><\/em><\/strong>translates Marcel Detienne<\/em>: The Metamorphoses of Autochthony in the Days of National Identity
\n<\/span>Martin Revermann<\/em><\/strong>: The Appeal of Dystopia: Latching onto Greek Drama in the Twentieth Century
\nMaria Rybakova<\/em><\/strong>: Two Genders of the Soul Regarding the Love God
\n<\/em>Karl Johnson<\/strong><\/span><\/em> translates Horace<\/em>: Time and the City Boy: Odes 1.9
\n<\/span>Raymond<\/span><\/em><\/strong> Geuss<\/strong>: Culture as Ideal and as Boundary
\nJohn Savoie<\/em><\/strong>: Consider This
\nRoderick Beaton<\/strong> <\/span><\/em>reviews: The Fall of Troy by Peter Ackroyd
\nHoward Stein<\/em><\/strong> reviews: Sophocles, Electra. The Greek National Theatre, directed by Peter Stein<\/span>
\nPeter Meineck<\/em><\/strong> reviews: Conversations at Tusculum by Richard Nelson<\/p>\n

\"Arion_16.2Cover\"<\/a><\/span> <\/span><\/em><\/span> <\/em><\/h1>\n

Arion 16.2 Fall 2008<\/span><\/strong><\/p>\n

Camille Paglia<\/em><\/strong>: The Selection Process for Break, Blow, Burn<\/em>
\n<\/em>R.J.<\/em><\/strong> Schork<\/strong>: The Singular Circumstance of an Errant Papyrus<\/em>
\n<\/em>Avi Sharon <\/em><\/strong>translates George Seferis<\/span><\/em>: From Erotikos Logos
\n<\/span><\/em>Elizabeth Powers<\/em><\/strong>: Henry James and William Wetmore Story
\nSteven J. Willett<\/strong><\/span><\/em> translates Tibullus<\/span><\/em>: Elegy 1.10
\n<\/span>Ryan K. Balot<\/em><\/strong>: Utopian and Post-Utopian Paradigms in Classical Political Thought
\n<\/strong>Garry Wills<\/strong><\/em><\/span> translates Martial<\/em>: From Book Eleven
\n<\/span>Andrea Nightingale<\/em><\/strong>: Auto-Hagiography: Augustine and Thoreau
\nAmelia Arenas <\/span><\/em><\/strong>translates Augustine<\/em>: Quid Autem Amo
\nColin Wells<\/em><\/strong>: The Mystery of Socrates\u2019 Last Words
\nRebecca Nemser<\/em><\/strong> reviews: Fram by Tony Harrison,<\/span> directed by Tony Harrison and Bob Crowley, National Theatre, London
\nMichael Lynn-George<\/strong><\/em> reviews:<\/span><\/span><\/em> The Legacy of Homer: Four Centuries of Art from \u00c9cole Nationale Sup\u00e9rieure des Beaux Arts, Paris by Emmanuel Schwartz
\nHoward Stein<\/strong> <\/em>reviews: Sophocles, Antigone; translated by Seamus Heaney as The Burial at Thebes<\/em>; directed by Lucy Pitman-Wallace with the Nottingham Playhouse Theatre Company<\/span><\/strong><\/em><\/a> <\/strong><\/span><\/span> <\/span><\/p>\n

Arion 16.3 Winter 2009<\/strong>\"Arion_16.3Cover\"<\/a><\/span><\/p>\n

Anne Carson<\/em><\/span><\/strong>: Contempts
\n<\/span>Aaron Poochigian<\/em><\/span><\/strong>: Two Poems
\n<\/span>Paul Barolsky<\/em><\/span><\/strong>: Homer and the Poetic Origins of Art History
\n<\/span>Karl Kirchwey<\/em><\/span><\/strong>: Four Poems
\nElizabeth Jones<\/em><\/strong>: <\/span>Horace: Early Master of Montage
\n<\/span>Elizabeth Jones<\/strong><\/em> translates Horace<\/em>: Quantum distet (Odes 3.19)
\n<\/span>Norman Austin<\/em><\/span><\/strong>: Uncanny Homer
\n<\/span>Kristin Wei\u00dfenberger<\/em><\/span><\/strong>: My Cousin is Medea: Styria, Winter 2006
\n<\/span>J. Michael Walton<\/em><\/span><\/strong>: Theobald and Lintott: A Footnote on Early Translations of Greek Tragedy
\n<\/span>John Talbot<\/strong><\/em> translates Horace<\/em>: Two Odes
\n<\/span>Paul Nemser<\/em><\/span><\/strong>: From Taurus and Europa in St. Petersburg
\n<\/span>Ian Ruffell<\/em><\/strong> reviews: Comic Business: Theatricality, Dramatic Technique, and Performance Contexts of Aristophanic Comedy<\/span> by Martin Revermann
\n<\/em><\/span>Howard Stein<\/strong><\/em> reviews: The Necessity of Theater: The Art of Watching and Being Watched by Paul Woodruff<\/span>
\n
\n
\n<\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Arion 16.1 Spring\/Summer 2008 Camille Paglia: Feminism: Past and Present: Ideology, Action, and Reform Bruce Redwine: The Melting Mirage of Lawrence Durrell’s White City Colin Sydenham: Translating Housman and Housman Translating Simon Perris: Genre, Identity, and Parody in Derek Mahon’s Bacchae Adam L. Dressler: Two Poems Janet Lloyd translates Marcel Detienne: The Metamorphoses of Autochthony […]<\/p>\n","protected":false},"author":2949,"featured_media":0,"parent":24,"menu_order":16,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/258"}],"collection":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/users\/2949"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/comments?post=258"}],"version-history":[{"count":32,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/258\/revisions"}],"predecessor-version":[{"id":4598,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/258\/revisions\/4598"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/24"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/media?parent=258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}