{"id":2441,"date":"2015-10-30T09:43:07","date_gmt":"2015-10-30T13:43:07","guid":{"rendered":"https:\/\/www.bu.edu\/arion\/?page_id=2441"},"modified":"2026-05-01T12:33:57","modified_gmt":"2026-05-01T16:33:57","slug":"volume-23","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/arion\/archive\/volume-23\/","title":{"rendered":"Vol. 23"},"content":{"rendered":"

Arion 23.1 Spring\/Summer 2015\"ArionFrontCover23-1\"<\/a><\/b><\/em><\/strong><\/span><\/a><\/b><\/em><\/p>\n

<\/strong><\/span><\/p>\n

Theodore Ziolkowski<\/strong><\/em>: Aeschylus Offers Paradigms for Today’s Politics
\nKaren Simons<\/em><\/strong>: Agamemnon, My Mother, and Me: Reflections on Life and Translation
\nSteven J. Willett<\/em><\/strong> translates Giacomo Leopardi<\/em>: Wild Broom Or, The Flower of the Desert
\nNiklas Holzberg<\/em><\/strong>: Lycurgus in Leaflets and Lectures: The Wei\u00dfe Rose and Classics at Munich University, 1941\u20131945
\nJoan Alice Wood Kimball<\/em><\/strong>: Hypatia, 415 CE
\nAndrea Nightingale<\/em><\/strong>: The “I” and “Not I” in Augustine’s Confessions
\nA. M. Juster<\/em><\/strong>: The Elegies of Maximianus: A Selection
\nRichard Apostol<\/em><\/strong>: Django Unchained, Terence’s Eunuchus, and the Role of Roman Slavery in the American Imagination
\nBrooke Clark<\/em><\/strong>: Eight Epigrams from The Greek Anthology
\n<\/em>Avi Sharon<\/em><\/strong>: Lawrence Durrell, Rex Warner, and the “Captain” of Modern Greek Letters
\nKarl Kirchwey<\/em><\/strong>: Five Poems
\nHerbert Golder<\/em><\/strong>: Further Unmodern Observations
\n<\/strong><\/span>J. Michael Walton<\/em><\/strong> reviews: The Eating of the Gods: An Interpretation of Greek Tragedy by Jan Kott and Euripides: Medea, A New Version by Ben Power
\nStephe Harrop<\/em><\/strong> reviews: Grounded by George Brant
\nIggy Pop<\/em><\/strong>: Caesar Lives<\/p>\n

Arion 23.2 Fall\u00a02015\"23.2_ArionCoverFront\"<\/em><\/strong><\/span><\/p>\n

Jane Alison<\/em><\/strong>: Ancient Narrative Now
\nGreta Hawes<\/em><\/strong>: Herakles the Colonist and the Labours of Marian Maguire
\nRicardo<\/em> Pau-Llosa<\/em><\/strong>: Four Poems
\nJames Como<\/em><\/strong>: Rhetoric Renascent: Why Shakespeare Went to School
\nDouglass Parker<\/strong><\/em>: Three Times Horass\u2019 I.38
\nMargaret Malamud<\/em><\/strong>: Abolitionist Use of the Classics
\nKatie Hartsock<\/strong><\/em>: Two Poems
\nColin Wells<\/em><\/strong>: The Coming Classics Revolution, Part II: Synthesis
\nDiskin Clay<\/em><\/strong>: Athena, Daphne
\nMarianne McDonald<\/em><\/strong>: Mythical Musical Drama in Monteverdi
\nThomas McCreight<\/strong><\/em> translates Apuleius<\/em>: Some Protreptic Anecdotes about the Cynic Philosopher Crates
\nWill D. Desmond<\/em><\/strong>: The Five Paragraph Essay
\nP. Whalen<\/em><\/strong>: Three Poems
\nPaul Barolsky<\/em><\/strong>: The Interpretation of Art is Never Finished: Some Renaissance Examples
\nStephen Scully<\/em><\/strong> reviews: The Epic Cycle: A Commentary on the Lost Troy Epics by M. L. West<\/p>\n

Arion 23.3 Winter 2016\"cover<\/span><\/strong><\/span><\/p>\n

Thomas G. Palaima<\/em><\/strong>: War Stories Told, Untold and Retold
\nAmelia Arenas<\/em><\/strong>: Sex, Violence, and Faith: The Art of Caravaggio
\nLawrence Dugan<\/em><\/strong>: Three Poems
\nTheodore Ziolkowski<\/em><\/strong>: Petronius the Man in Modern Fiction
\nAlistair Elliot<\/strong><\/em> translates Martial<\/em>: Epigram 10.63
\nFelix Budelmann, Laurie Maguire, <\/em>and Ben Teasdale<\/em><\/strong>: Ambiguity and Audience Response
\n<\/em><\/strong>Jocelyn Penny Small<\/em><\/strong>: The Origin of Eureka
\nCharles Martin<\/em><\/strong>: Iphis and Ianthe
\nDan Hooley<\/em><\/strong> reviews: The Invisible Satirist: Juvenal and Second-Century
\nRome by James Uden
\nStephe Harrop<\/em><\/strong> reviews: Euripides and the Politics of Form by Victoria Wohl
\nAvi Sharon<\/em><\/strong> reviews: Antigone, Brooklyn Academy of Music, directed by Ivo van Hove, translated by Anne Carson & Antigona, Noche Flamenca, adapted and directed by Mart\u00edn Santangelo
\nJustine Mc<\/sup>Connell<\/em><\/strong> reviews: The Oresteia, adapted and directed by Robert Icke & Medea, directed by Rupert Goold and adapted by Rachel Cusk, The Almeida Theater<\/p>\n","protected":false},"excerpt":{"rendered":"

Arion 23.1 Spring\/Summer 2015 Theodore Ziolkowski: Aeschylus Offers Paradigms for Today’s Politics Karen Simons: Agamemnon, My Mother, and Me: Reflections on Life and Translation Steven J. Willett translates Giacomo Leopardi: Wild Broom Or, The Flower of the Desert Niklas Holzberg: Lycurgus in Leaflets and Lectures: The Wei\u00dfe Rose and Classics at Munich University, 1941\u20131945 Joan […]<\/p>\n","protected":false},"author":5718,"featured_media":0,"parent":24,"menu_order":23,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/2441"}],"collection":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/users\/5718"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/comments?post=2441"}],"version-history":[{"count":53,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/2441\/revisions"}],"predecessor-version":[{"id":5159,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/2441\/revisions\/5159"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/24"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/media?parent=2441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}