{"id":2237,"date":"2013-11-25T15:32:55","date_gmt":"2013-11-25T20:32:55","guid":{"rendered":"https:\/\/www.bu.edu\/arion\/?page_id=2237"},"modified":"2026-03-02T16:11:41","modified_gmt":"2026-03-02T21:11:41","slug":"volume-21","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/arion\/archive\/volume-21\/","title":{"rendered":"Vol. 21"},"content":{"rendered":"

Arion 21.1 Spring\/Summer 2013<\/strong><\/span>
\n\"Arion<\/a><\/p>\n

Martin W. Bennett<\/em><\/strong>: Final Voyage: After Pascoli
\nJames Tatum<\/em><\/strong>: Mrs. Vergil\u2019s Horrid Wars
\nLen Krisak <\/em><\/strong>translates Catullus<\/em>: Selected Songs
\nJeremy Mynott<\/em><\/strong>: Translating Thucydides
\nDiskin Clay<\/em><\/strong>: Phaedrus on the Lido: Tod in Venedig
\nNicholas Kilmer<\/em><\/strong>: Euripides\u2019 Hecuba: A Version (I)
\nPaul Barolsky<\/em><\/strong>: The Strange Case of the Young Michelangelo
\nJoshua Billings<\/em><\/strong>: Oedipus at Colonus and German Idealism
\nElena Dimov<\/em><\/strong> translates Maria Rybakova<\/em>: From Gnedich (II)
\nJustine McConnell<\/em><\/strong> reviews: <\/strong>Odyssey, Piccolo Teatro Strehler, Milan; National Theatre of Greece, Athens, by Robert Wilson
\nMary Maxwell<\/em><\/strong> reviews:\u00a0 Antigonick, directed by Kristin Horton; NYU-Gallatin Theater
\nDiskin Clay<\/em><\/strong> translates Heinrich Heine<\/em>: From The Gods in Exile
\nAmalia Sotiropoulou<\/em><\/strong>: Caryatids: A Photo Essay<\/a><\/strong><\/span><\/p>\n

<\/strong><\/strong><\/em>Arion 21.2 Fall 2013
\n\"Arion<\/a><\/span><\/strong><\/span><\/p>\n

Chris Childers <\/strong><\/em>translates and introduces Pindar<\/em>: Two Odes
\nSarah H. Nooter<\/em><\/strong>: <\/span>Can We Read Sophocles through Sizwe?
\nMichael Taylor<\/em><\/strong> translates Horace<\/em>: Six Odes
\nPeter Aicher<\/em><\/strong>: <\/strong><\/em>Herodotus and the Vulnerability Ethic in Ancient Greece
\n<\/em>Nicholas Kilmer<\/em><\/strong>: Euripides’ Hecuba: A Version (II)
\nNina Pick<\/em><\/strong>: Four Poems, After Sappho
\n<\/strong>W. M. Short<\/em><\/strong>: The “Wandering” Metaphor of Mistakenness in Roman Culture
\nMarianne McDonald<\/em><\/strong> reviews: <\/span>Reimagining Greek Tragedy on the American Stage by Helene Foley<\/p>\n

<\/a><\/span><\/span>SPECIAL ONLINE EXTRA: Peter Aicher’s Translation of Herodotus’ The Story of Croesus<\/em><\/a> (Word Document)<\/p>\n

Arion 21.3 Winter 2014<\/strong><\/span><\/strong><\/p>\n

\"Arion<\/a>David Faldet<\/em><\/strong>: Menage
\nDavid Rosand<\/em><\/strong>: The Passion of Adonis
\nA. M. Juster<\/em><\/strong> translates Christopher Marlowe<\/em>: On Manwood
\nTom<\/strong> Rendall<\/strong><\/em>: <\/em>Teaching the Western Classics to Students in China
\nBrooke Horvath<\/em><\/strong>: Stag Hunt
\nCharles Heiko<\/em> Stocking<\/em><\/strong>: Greco-Roman Sculpture and the Athletic Male Body
\nAvi Sharon <\/em><\/strong>translates Umberto Saba<\/em>: Like Snow in Sunlight
\nZhenya Gershman<\/em><\/strong>: <\/strong>Rembrandt: Turn Of The Key
\nDavid Gomes C\u00e1sseres<\/em><\/strong>: Athena<\/strong>
\nM. D.<\/strong> Usher<\/strong><\/em>: Field Notes on Pasolini’s\u00a0Appunti per un’ Orestiade africana<\/strong><\/strong><\/a>
\nMarianne<\/strong> McDonald<\/strong><\/em>: <\/em>In Memoriam: Seamus Heaney
\nConstanze G\u00fcthenke<\/em><\/strong> reviews: Caesar in the USA by Maria Wyke
\nWilli Goetschel<\/em><\/strong> reviews: <\/em><\/span>Socrates and the Jews: Hellenism and Hebraism from Moses Mendelssohn to Sigmund Freud by Miriam Leonard<\/p>\n","protected":false},"excerpt":{"rendered":"

Arion 21.1 Spring\/Summer 2013 Martin W. Bennett: Final Voyage: After Pascoli James Tatum: Mrs. Vergil\u2019s Horrid Wars Len Krisak translates Catullus: Selected Songs Jeremy Mynott: Translating Thucydides Diskin Clay: Phaedrus on the Lido: Tod in Venedig Nicholas Kilmer: Euripides\u2019 Hecuba: A Version (I) Paul Barolsky: The Strange Case of the Young Michelangelo Joshua Billings: Oedipus […]<\/p>\n","protected":false},"author":5718,"featured_media":0,"parent":24,"menu_order":21,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/2237"}],"collection":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/users\/5718"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/comments?post=2237"}],"version-history":[{"count":50,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/2237\/revisions"}],"predecessor-version":[{"id":5126,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/2237\/revisions\/5126"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/24"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/media?parent=2237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}