{"id":214,"date":"2010-03-26T15:59:17","date_gmt":"2010-03-26T19:59:17","guid":{"rendered":"https:\/\/www.bu.edu\/arion\/?page_id=214"},"modified":"2025-05-15T17:30:02","modified_gmt":"2025-05-15T21:30:02","slug":"volume-12","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/arion\/archive\/volume-12\/","title":{"rendered":"Vol. 12"},"content":{"rendered":"

\"cover<\/a><\/span><\/h1>\n

Arion 12.1 Spring\/Summer 2004<\/span><\/strong><\/p>\n

Amelia Arenas<\/em><\/strong>: Watching Mel Gibson’s The Passion of the Christ
\nRachel Hadas<\/strong><\/em>: Three Roads
\n<\/strong>William Franke <\/strong><\/em>translates Damascius<\/em>: Of the Ineffable: Aporetics of the Notion of an Absolute Principle
\n<\/em><\/strong>Steven J. Willett <\/strong><\/em>translates Nishiwaki Junzaburo<\/em>: Ambarvalia
\nEdith Hall<\/strong><\/em>: Towards a Theory of Performance Reception
\nTony Harrison<\/em><\/strong>: Reading the Rolls: An Arse Verse
\nBarry Strauss<\/em><\/strong>: Flames Over Athens
\nRobert Eisner<\/em><\/strong>: The Happy Couple
\n<\/strong><\/span><\/strong>Alan Farrell<\/em><\/strong> reviews: Odysseus in America by Jonathan Shay
\n<\/strong>John Talbot<\/strong><\/em> reviews: The Poems of Callimachus by Frank Nisetich
\n<\/em><\/strong>Peter Green <\/strong><\/em>reviews: Troy, directed by Wolfgang Pertersen
\nJ.E. Lendon<\/em><\/strong>: The Ignorance Factory<\/strong><\/a> <\/em><\/span><\/p>\n

Arion 12.2 Fall 2004\"12.2cover\"<\/a><\/a><\/span><\/strong><\/p>\n

Paul Barolsky<\/em><\/strong>: Dante and the Modern Cult of the Artist
\n<\/a><\/strong>Ismene Lada-Richards<\/em><\/strong>: Pantomine Dancing and the Figurative Arts in Imperial and Late Antiquity
\nU. S. Dhuga<\/em><\/strong>: An Achaean Suitor
\n<\/strong><\/strong>Janet Lloyd<\/strong><\/em> translates Marcel Detienne<\/em>: The Gods of Politics in Early Greek Cities
\n<\/strong><\/strong>Louis S. Ruprecht, Jr. <\/strong><\/em>translates Odysseas Elytis<\/em>: Diary from April As Yet Unseen
\n<\/em>Blaise D. Staples<\/em><\/strong>: Invitation to the Dance: Hanal Pixan and the Anthesteria
\nMargaret Malamud<\/em><\/strong>: An American Immigrant in Imperial Caesar’s Court: Romans in 1930s Films
\nRaymond Geuss<\/em><\/strong>: Adorno’s Gaps
\n<\/strong><\/strong>Avi Sharon<\/strong><\/em> translates C. P. Cavafy<\/em>: Five Poems
\n<\/em><\/strong>Robert Eisner<\/strong><\/em> reviews: Greek Gods, Human Lives: What We Can Learn from the Myths by Mary Lefkowitz and The Writings of Orpheus: Greek Myth in a Cultural Context by Marcel Detienne<\/strong>
\n<\/strong><\/em><\/strong>Howard Stein<\/strong><\/em> reviews: Aristophanes’ The Frogs at Lincoln Center<\/em><\/p>\n

Arion 12.3 Winter 2005 \"12.3cover\"<\/a><\/em>
\n<\/span><\/strong><\/p>\n

<\/strong> Diskin Clay<\/strong><\/em> translates George Seferis<\/em>: Delphi
\nJulia Budenz<\/strong><\/em>: From Diary Of Flora Baum
\n<\/em><\/strong><\/em>Pat Rogers<\/strong><\/em>: Why Trivia<\/em>? Myth, Etymology, and Topography
\n<\/strong><\/strong>Daniel Mendelsohn <\/strong><\/em>translates C. P. Cavafy<\/em>: Six Poems
\nBarry Strauss<\/strong><\/em>: The Black Phalanx: African-Americans and the Classics After the Civil War
\n<\/strong><\/strong>John Svarlien <\/strong><\/em>translates Horace<\/em>: Satires 1.4
\nRachel Hadas<\/strong><\/em>: Boy Heroes in the Sea
\n<\/strong>Ellen McLaughlin<\/em><\/strong>: Oedipus: A New Version
\n<\/em><\/span>Howard Stein <\/em><\/strong>reviews: <\/strong>Lysistrata, The National Theater of Greece at the New York City Center
\nSteven J.<\/strong> Willett <\/strong><\/em>reviews: Ezra Pound, Poems and Translations, edited by Richard Sieburth<\/em><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Arion 12.1 Spring\/Summer 2004 Amelia Arenas: Watching Mel Gibson’s The Passion of the Christ Rachel Hadas: Three Roads William Franke translates Damascius: Of the Ineffable: Aporetics of the Notion of an Absolute Principle Steven J. Willett translates Nishiwaki Junzaburo: Ambarvalia Edith Hall: Towards a Theory of Performance Reception Tony Harrison: Reading the Rolls: An Arse […]<\/p>\n","protected":false},"author":2949,"featured_media":0,"parent":24,"menu_order":12,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/214"}],"collection":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/users\/2949"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/comments?post=214"}],"version-history":[{"count":40,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/214\/revisions"}],"predecessor-version":[{"id":4737,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/214\/revisions\/4737"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/24"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/media?parent=214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}