{"id":1288,"date":"2012-07-26T16:59:32","date_gmt":"2012-07-26T20:59:32","guid":{"rendered":"https:\/\/www.bu.edu\/arion\/?page_id=1288"},"modified":"2026-05-29T11:37:35","modified_gmt":"2026-05-29T15:37:35","slug":"volume-20","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/arion\/archive\/volume-20\/","title":{"rendered":"Vol. 20"},"content":{"rendered":"

<\/a>Arion 20.1 Spring Summer 2012<\/strong><\/span><\/p>\n

Valerie Wohlfield<\/em><\/strong>: Three Poems\"Arion20.1_Cover_Arion<\/a>
\nNorman Austin<\/em><\/strong>: Hellenismos
\nAdam Kirsch<\/em><\/strong>: The Dream of Scipio
\n<\/em>Meredith Peters<\/em><\/strong> translates Marcel Detienne<\/em>: On Efficacy in Practical Reason: Comparative Approaches: Greece-China, a Well-Timed Round-Trip
\nKarl Johnson<\/em><\/strong>: Beyond the Crash
\nRainer Friedrich<\/em><\/strong>: The Enlightenment Gone Mad (II) The Dismal Discourse of Postmodernism\u2019s Grand Narrative
\nAlistair Elliot<\/em><\/strong> translates Horace<\/em>: Satires II.8
\nPeter Green<\/em><\/strong>: From Mirrors are Lonely (I)
\nMarianne McDonald <\/em><\/strong>reviews: Ancient Rome at the Cinema: Story and Spectacle in Hollywood and Rome by Elena Theodorakopoulos
\nPaul Barolsky <\/em><\/strong>reviews: <\/em><\/strong>Michelangelo: The Achievement of Fame, 1475-1534 by Michael Hirst
\n<\/em><\/strong><\/strong>Richard Jenkyns <\/strong><\/em>reviews: Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity by Simon Goldhill<\/p>\n

<\/em><\/strong>Arion 20.2 Fall 2012<\/a><\/strong><\/span><\/p>\n

Herbert Golder<\/em><\/strong>: Unmodern Observations\"ARION20.2\"<\/a><\/strong><\/span>
\nJoseph Harrison<\/em><\/strong>: Three Horatian Epistles
\nEdmund Richardson<\/em><\/strong>: Nothing’s Lost Forever
\nAvi Sharon<\/em><\/strong>: From Asine to Engomi: George Seferis in Conversation with the Past
\nMartin Bennett <\/em><\/strong>translates Martial<\/em>: Selected Epigrams
\nPaul Barolsky<\/em><\/strong>: The Burlington Magazine and the Death of Vasari’s Lives
\nDavid Bouvier<\/em><\/strong>: Art as Weapon, or Murderous Beauty
\n Amelia Arenas<\/em><\/strong>: Translations from Catullus
\n<\/strong>Brian Jorgensen<\/em><\/strong>: In Memory of John R. Silber
\n<\/em><\/strong>Peter Green<\/em><\/strong>: From Mirrors are Lonely (II)
\n<\/span>Marianne McDonald <\/em><\/strong>reviews: Classics and Comics by George Kovacs and C. W. Marshall, eds.
\n<\/strong>Tessa Ransford <\/strong><\/em>reviews: The Gardens of Flora Baum by Julia Budenz<\/span><\/p>\n

Arion 20.3 Winter 2013<\/strong><\/span><\/a><\/p>\n

Alistair Elliot<\/em><\/strong>: Aeneas\"ARION20.3\"<\/a>
\nNeville Morley<\/em><\/strong>: Thucydides Quote Unquote
\nLawrence Dugan<\/em><\/strong>: Two Poems
\nSteven J. Cody<\/em>: <\/strong>Rubens and the “Smell of Stone”: The Translation of the Antique and the Emulation of Michelangelo
\nDiana Lueptow<\/em><\/strong>: Demeter
\nRaymond Geuss<\/em><\/strong>: The Wisdom of Oidipous and the idea of a Moral Cosmos
\nBrett Foster<\/em><\/strong>: Three Poems
\nMarguerite Johnson<\/em>: <\/strong>Medea, Fitzgerald Gallery, New York City, 1966 (After Euripides and Bernard Safran)
\nElena Dimov <\/em><\/strong>translates Maria Rybakova<\/em>: Gnedich (1)
\nTaryn Janati <\/em><\/strong>translates Dmitrii Volchek <\/em>and Maria Rybakova<\/em>: From a Svoboda Interview: “Disfigured Achilles”
\n<\/strong><\/em>Charles Rowan Beye <\/em><\/strong>reviews: Homer, The Iliad, translated by Stephen Mitchell
\n<\/strong>Colin Wells <\/em><\/strong>reviews: Cracking the Egyptian Code: The Revolutionary Life of Jean-Fran\u00e7ois Champollion by Andrew Robinson<\/strong>
\n <\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Arion 20.1 Spring Summer 2012 Valerie Wohlfield: Three Poems Norman Austin: Hellenismos Adam Kirsch: The Dream of Scipio Meredith Peters translates Marcel Detienne: On Efficacy in Practical Reason: Comparative Approaches: Greece-China, a Well-Timed Round-Trip Karl Johnson: Beyond the Crash Rainer Friedrich: The Enlightenment Gone Mad (II) The Dismal Discourse of Postmodernism\u2019s Grand Narrative Alistair Elliot […]<\/p>\n","protected":false},"author":5718,"featured_media":0,"parent":24,"menu_order":20,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/1288"}],"collection":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/users\/5718"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/comments?post=1288"}],"version-history":[{"count":50,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/1288\/revisions"}],"predecessor-version":[{"id":5187,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/1288\/revisions\/5187"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/24"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/media?parent=1288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}