{"id":121,"date":"2010-03-26T10:29:03","date_gmt":"2010-03-26T14:29:03","guid":{"rendered":"https:\/\/www.bu.edu\/arion\/?page_id=121"},"modified":"2025-03-27T14:37:07","modified_gmt":"2025-03-27T18:37:07","slug":"volume-4","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/arion\/archive\/volume-4\/","title":{"rendered":"Vol. 4"},"content":{"rendered":"

Arion 4.1 Spring\/Summer 1996<\/span><\/strong>\"cover<\/a><\/p>\n

Herbert Golder<\/em><\/strong>: The Tragic Chorus and Staging
\nCharles Segal<\/em><\/strong>: The Chorus and the Gods in Oedipus Tyrranus
\nWilliam C. Scott<\/em><\/strong>: Musical Design in Sophocles’ Oedipus Tyrranus
\n<\/em>Rush Rehm<\/em><\/strong>: Performing the Chorus: Choral Action, Interaction, and Absence in Euripides
\nStephen Scully<\/em><\/strong>: Orchestra and Stage in Euripides’ Suppliant Women
\nStephen Esposito<\/em><\/strong>: The Changing Roles of the Sophoclean Chorus
\n<\/span>Tony Harrison<\/em><\/strong>: The Labourers of Herakles
\nB. M. W. Knox<\/em><\/strong> reviews: <\/strong>Inszenierung der Antike. Das griechische Drama aur der B\u00fchne der Neuzeit by Hellmut Flashar and Ancient Sun, Modern Light by Marianne McDonald
\nHerbert Golder<\/em><\/strong> reviews: <\/strong>Les Atrides at the Brooklyn Academy of Music, the Oedipus Trilogy, Royal Shakespeare Company, at the Barbican Theater, London, and Medea, at the Almeida Theatre, London \/ Lonacre Theater, New York
\nOliver Taplin<\/em><\/strong> reviews: Les Atrides, directed by Ariane Mnouchkine, Th\u00e9\u00e2tre du Soleil, Vincennes
\nRuth Padel <\/strong><\/em>reviews: <\/strong>Ion, the Lost Boy, co-production of Actors Touring Company, London and Piramatiki Skini tis Technis, Thessaloniki and Ion, Royal Shakespeare Company at the Barbican Theatre, London
\nRobert Sonkowsky<\/em><\/strong> reviews: <\/strong>Clytemnestra at the Guthrie Theatre<\/p>\n

Arion 4.2 Fall 1996<\/span><\/strong>\"cover<\/a><\/span><\/p>\n

Anne Carson<\/em><\/strong>: Writing on the World: Simonides, Exactitude, and Paul Celan
\nAdele Haft<\/em><\/strong>: Baby Hermes and Animal Theft in Contemporary Crete
\nLeslie Kurke<\/em><\/strong>: Pindar and the Prostitutes, or Reading Ancient “Pornography”
\nRuth Padel<\/em><\/strong>: Labyrinth of Desire: Cretan Myth in Us
\nPeter Green<\/em><\/strong>: Myth, Tradition, and Ideology in the Greek Literary Revival: The Paradoxical Case of Yannis Ritsos
\nDiskin Clay<\/strong><\/em> translates George Seferis<\/em>: On the Yellow Thistles
\nAvi Sharon<\/strong><\/em> translates George Seferis<\/em> and Yannis Ritsos<\/em>: The King of Asine and Romiosini
\nAlan Farrell<\/em><\/strong>: Cortez in Darien
\nMartin Bernal<\/strong><\/em> reviews: The Orientalizing Revolution: Near Eastern Influence on Greek Culture in the Early Archaic Age by Walter Burkert
\nCharles Tomlinson<\/strong><\/em> reviews: The Oxford Book of Classical Verse in Translation, edited by Adrian Poole and Jeremy Maule
\nSimon Goldhill<\/strong><\/em> reviews: Sophocles’ Oedipus: Evidence and Self-Conviction by Frederic Ahl, Oedipus and the Fabrication of the Father: Oedipus Tyrannus in Modern Criticism and Philosophy by Pietro Pucci, and Oedipus Tyrannus: Tragic Heroism and the Limits of Knowledge by Charles Segal
\nMary Lefkowitz<\/strong><\/em> reviews:<\/strong> Feminist Theory and the Classics, edited by Nancy Sorkin Rabinowitz and Amy Richlin
\nRoger Just<\/strong><\/em> reviews: Demons and the Devil: Moral Imagination in Modern Greek Culture by Charles Stewart
\nDiskin Clay<\/strong><\/em> reviews: The Shade of Homer: A Study in Modern Greek Poetry by David Ricks
\nMary Blaine Campbell<\/strong><\/em> reviews: French Odysseys: Greece in French Travel Literature from the Renaissance to the Romantic Era by Olga Augustinos, Travelers to an Antique Land: The History and Literature of Travel to Greece by Robert Eisner, and New Worlds, Ancient Texts: The Power of Tradition and the Shock of Discovery by Anthony Grafton, with April Shelford and Nancy Siraisi<\/em><\/p>\n

Arion 4.3 Winter 1997<\/span><\/strong>\"cover4.3\"<\/a><\/span><\/p>\n

Marcel Detienne<\/em><\/strong>: This Is Where I Intend To Build A Glorious Temple
\nFrank Snowden<\/em><\/strong>: Misconceptions about African Blacks in the Ancient Mediterranean World: Specialists and Afrocentrists
\nMaria Wyke<\/em><\/strong>: Herculean Muscle!: The Classicizing Rhetoric of Bodybuilding
\nMary Beard <\/strong><\/em>and<\/strong> John Henderson<\/strong><\/em>: The Play of Desire: Casting Euripides’ Hippolytus
\n<\/em><\/span>Raymond Scheindlin <\/em><\/strong>translates: Book of Job (Chapters 3, 9, 10, 29, 30)
\nCarl Phillips<\/em><\/strong>: Renderings
\nPeter Green<\/strong><\/em> translates Apollonius of Rhodes<\/em>: Jason in Lemnos (Argonautica I.774-887)
\nAmelie Oksenberg Rorty<\/em><\/strong>: The Cockrel Weathervane Swerves and As Diotima Saw Socrates
\nMartha Nussbaum<\/strong><\/em> reviews: Marginal Comment: A Memoir by Kenneth Dover
\nJ.-P. Vernant<\/strong><\/em> reviews: In and Out of the Mind by Ruth Padel
\nGlenn Loury<\/strong><\/em> reviews: Not out of Africa by Mary Lefkowitz
\nEmily Vermeule<\/em><\/strong> reviews: <\/span><\/strong>Permanent Collection of Nubian Artifacts, Museum of Fine Arts, Boston
\nRachel Hadas<\/strong><\/em> reviews: Archaic Greek Poetry: An Anthology by Barbara Hughs Fowler and Sappho’s Lyre: Archaic Lyric and Women Poets of Ancient Greece by Diane J. Rayor
\nAnn Michelini<\/strong><\/em> reviews: <\/em><\/strong>Euripides and the Instruction of the Athenians byJustina Gregory, Euripides and the Poetics of Sorrow: Art, Gender, and Commemoration in Alcestis, Hippolytus, and Hecuba by Charles Segal, and Anxiety Veiled: Euripides’ Traffic in Women by Nancy Sorkin Rabinowitz
\n<\/em><\/strong>Otto Steinmayer<\/em><\/strong> reviews: Ancient Greek Music by M.L. West
\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Arion 4.1 Spring\/Summer 1996 Herbert Golder: The Tragic Chorus and Staging Charles Segal: The Chorus and the Gods in Oedipus Tyrranus William C. Scott: Musical Design in Sophocles’ Oedipus Tyrranus Rush Rehm: Performing the Chorus: Choral Action, Interaction, and Absence in Euripides Stephen Scully: Orchestra and Stage in Euripides’ Suppliant Women Stephen Esposito: The Changing […]<\/p>\n","protected":false},"author":2949,"featured_media":0,"parent":24,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/121"}],"collection":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/users\/2949"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/comments?post=121"}],"version-history":[{"count":19,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/121\/revisions"}],"predecessor-version":[{"id":4699,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/121\/revisions\/4699"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/24"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/media?parent=121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}