{"id":117,"date":"2010-03-25T16:15:44","date_gmt":"2010-03-25T20:15:44","guid":{"rendered":"https:\/\/www.bu.edu\/arion\/?page_id=117"},"modified":"2023-08-10T13:39:49","modified_gmt":"2023-08-10T17:39:49","slug":"volume-3","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/arion\/archive\/volume-3\/","title":{"rendered":"Vol. 3"},"content":{"rendered":"

Arion 3.1 Fall 1994 \/ Winter 1995<\/span><\/span><\/strong><\/p>\n

<\/em><\/a><\/em><\/span><\/strong><\/span><\/strong>The Chorus in Greek Tragedy and Culture\"cover<\/a><\/span><\/strong><\/em>
\nedited by Herbert Golder and Stephen Scully<\/em><\/a><\/em><\/span><\/strong><\/p>\n

<\/span>Herbert Golder<\/em><\/strong>: Preface<\/a><\/em><\/span><\/strong><\/em><\/strong>
\nHelen Bacon<\/em><\/strong>: The Chorus in Greek Life and Drama
\n<\/strong>Steven Lonsdale<\/strong><\/em>: Homeric Hymn to Apollo, Prototype and Paradigm of Choral Performance
\nGregory Nagy<\/em><\/strong>: Transformations of Choral Lyric Traditions in the Context of Athenian State Theater
\nAlbert Henrichs<\/em><\/strong>: “Why Should I Dance?”: Choral Self-Referentiality in Greek Tragedy
\nIan Rutherford<\/em><\/strong>: Apollo in Ivy: The Tragic Paean
\nClaude Calame<\/em><\/strong>: From Choral Poetry to Tragic Stasimon: The Enactment of Women’s Song<\/p>\n

 <\/p>\n

Arion 3.2 & 3.3 Fall 1995 \/ Winter 1996<\/span><\/strong><\/a><\/p>\n

Kenneth Reckford<\/em><\/strong>: Recognizing Venus I: Aeneas Meets His Mother\"cover<\/a><\/strong>
\nKenneth Reckford<\/em><\/strong>: Recognizing Venus II: Dido, Aeneas, and Mr. Eliot
\nMichael C. J. Putnam<\/em><\/strong>: The Lyric Genius of the Aeneid
\nCharles Martindale<\/em><\/strong>: T. S. Eliot and the Presence of the Past
\nRichard Jenkyns<\/em><\/strong>: Late Antiquity in English Novels of the 19th Century
\nDavid Ferry <\/em><\/strong>translates: Four from Horace<\/em>
\nRosanna Warren<\/strong><\/em>: Turnus
\nWilliam Logan<\/em><\/strong>: Beauty (after Horace, Odes 1.25)
\nDeborah Roberts<\/em><\/strong>: Horace Odes 1.5: A Reversal
\nThomas G. Palaima<\/em><\/strong>: Monad Noir
\nMark Rudman<\/em><\/strong>: The Diver (after Ovid) and Aesacus Risen<\/strong>
\nAlistair Elliot <\/em><\/strong>translates Juvenal<\/em>: Big Fish (Juvenal IV)
\nTony Harrison<\/em><\/strong>: The Kaisers of Carnuntum
\nMichael Kustow<\/em><\/strong>: A Beast in the Coliseum
\nDaniel Mendelsohn<\/em><\/strong> reviews:\u00a0Same-Sex Unions in Pre-modern Europe by John Boswell
\nJenny Strauss Clay<\/em><\/strong> reviews: From a Sabine Jar by Lowell Edmunds
\nWilliam Vance<\/em><\/strong> reviews: <\/strong>The Legacy of Rome by Richard Jenkyns
\nMichael C. J. Putnam<\/em><\/strong> reviews: <\/strong>The Walking Muse by Kirk Freudenberg
\nLowell Edmunds<\/em><\/strong> reviews: <\/strong>Writing Space by Jay David Bolter, Perseus 1.0, edited by Gregory Crane, and HyperMyth 3.3 by Randy Stewart
\nThorstein Veblen<\/strong><\/em>: from The Theory of the Leisure Class, 1899<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Arion 3.1 Fall 1994 \/ Winter 1995 The Chorus in Greek Tragedy and Culture edited by Herbert Golder and Stephen Scully Herbert Golder: Preface Helen Bacon: The Chorus in Greek Life and Drama Steven Lonsdale: Homeric Hymn to Apollo, Prototype and Paradigm of Choral Performance Gregory Nagy: Transformations of Choral Lyric Traditions in the Context […]<\/p>\n","protected":false},"author":2949,"featured_media":0,"parent":24,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/117"}],"collection":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/users\/2949"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/comments?post=117"}],"version-history":[{"count":13,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/117\/revisions"}],"predecessor-version":[{"id":4095,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/117\/revisions\/4095"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/24"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/media?parent=117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}