{"id":1116,"date":"2011-11-15T11:48:01","date_gmt":"2011-11-15T16:48:01","guid":{"rendered":"https:\/\/www.bu.edu\/arion\/?page_id=1116"},"modified":"2025-06-19T12:18:50","modified_gmt":"2025-06-19T16:18:50","slug":"volume-19","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/arion\/archive\/volume-19\/","title":{"rendered":"Vol. 19"},"content":{"rendered":"<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong>Arion 19.1 Spring\/Summer 2011<\/strong><\/span><\/p>\n<p><a href=\"\/arion\/files\/2011\/09\/Arion19.1webCover-_01.jpg\"><img loading=\"lazy\" alt=\"Arion17.1Cover:Arion 15.1 Cover\" src=\"\/arion\/files\/2011\/09\/Arion19.1webCover-_01.jpg\" class=\"alignright wp-image-286\" width=\"150\" height=\"255\" \/><\/a><strong><strong><em>Amelia Arenas<\/em><\/strong><\/strong>: Antinous\u2019 Lips: A Note on the Slippery Matter of Realism in Portraiture<strong><strong><br \/>\n<\/strong><\/strong><strong><em>Ioannis Ziogas<\/em><\/strong>: Ovid in Rushdie, Rushdie in Ovid: A Nexus of Artistic Webs<br \/>\n<strong><em>E. T. Jeremiah<\/em><\/strong>: Reading the Classics<em><strong><br \/>\nWilliam Franke<\/strong><\/em>: The Aeneid&#8217;s Invention of Poetic Prophecy<em><strong><br \/>\nKenneth J. Reckford<\/strong><\/em>: \u201cA Short Song of Congratulations\u201d: Horace, Johnson, and Satire<strong><br \/>\n<em>Mark Anthony Signorelli<\/em><\/strong>: On the Sarcophagi<br \/>\n<strong><\/strong><em><strong>Susan McLean <\/strong><\/em>translates<em> Sir Thomas More<\/em>: Selected Epigrams<em><br \/>\n<\/em><strong><em>Peter Meineck<\/em><\/strong>: The Neuroscience of the Tragic Mask<strong><br \/>\n<\/strong><strong><em>Colin Wells<\/em> <\/strong>reviews: Monotheism Between Pagans and Christians in Late Antiquity edited by Stephen Mitchell and Peter van Nuffelen<br \/>\n<strong><em>Steven J. Willett<\/em><\/strong> reviews: Thucydides, The Peloponnesian War, translated by Martin Hammond, notes by P. J. Rhodes<\/p>\n<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong>Arion 19.2 Fall 2011<\/strong><\/span><br \/>\n<a href=\"\/arion\/files\/2011\/11\/Arion19.2_Cover.jpg\"><img loading=\"lazy\" alt=\"Arion17.2Cover:Arion 15.1 Cover\" src=\"\/arion\/files\/2011\/11\/Arion19.2_Cover.jpg\" class=\"alignright wp-image-286\" width=\"150\" height=\"249\" \/><\/a><\/p>\n<p><strong><em>Valerie Wohlfeld<\/em><\/strong>: Three Poems<strong><br \/>\n<\/strong><strong><em>Paul Barolsky<\/em><\/strong>: Philip Marlowe Meets the Art Historian<strong><br \/>\n<\/strong><strong><em>Martin Bennett<\/em><\/strong>: Improvisations on Salvatore Quasimodo<br \/>\n<strong><em>Colin Wells<\/em><\/strong>: Who Owns Reason?<strong><br \/>\n<\/strong> <strong><em>Michael Andrews<\/em><\/strong>: The Shield and the Lyre: Archilochian Inspirations<strong><br \/>\n<\/strong><strong><em>Zhenya Gershman<\/em><\/strong>: Rembrandt: The \u201cI\u201d Witness<strong><br \/>\n<\/strong><strong><em>Julia D. Hejduk<\/em><\/strong>: Facing the Minotaur: <em style=\"text-align: -webkit-auto;\">Inception<\/em> (2010) and <em style=\"text-align: -webkit-auto;\">Aeneid<\/em><span style=\"text-align: -webkit-auto;\"> 6<\/span><strong><span style=\"text-align: -webkit-auto;\"><br \/>\n<\/span><\/strong><strong><em>David Bouvier<\/em><\/strong>: The Heritage of Jacqueline de Romilly<strong><br \/>\n<\/strong><strong><em>Christopher Nield<\/em><\/strong>: Two Poems<strong><br \/>\n<\/strong><!-- @page { margin: 0.79in } P { margin-bottom: 0.08in } --><span><strong><em>Marguerite Johnson<\/em><\/strong>: Clodia Muses<br \/>\n<strong><em>Norman Austin<\/em><\/strong> reviews: <\/span><span>The Making of the Iliad: Disquisitions and Analytical Commentary by M. L. West<em><br \/>\n<\/em><\/span><strong><em>Myles Weber<\/em><\/strong>: Here by Wis\u0142awa Szymborska<em><br \/>\n<strong>Avi Sharon <\/strong><\/em>translates: <!-- @page { margin: 0.79in } P { margin-bottom: 0.08in } -->A Crusade for the Humanities: From the Letters of Cardinal Bessarion<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"text-decoration: underline;\">Arion 19.3 Winter 2012<\/span><\/strong><br \/>\n<a href=\"\/arion\/files\/2011\/11\/19.3_Arion_Cvr-1-copy1.jpg\"><img loading=\"lazy\" class=\"alignright wp-image-1997\" title=\"Arion19.3_Cover_Arion 15.1 Cover\" alt=\"Arion19.3_Cover_Arion 15.1 Cover\" src=\"\/arion\/files\/2011\/11\/19.3_Arion_Cvr-1-copy1.jpg\" width=\"150\" height=\"241\" srcset=\"https:\/\/www.bu.edu\/arion\/files\/2011\/11\/19.3_Arion_Cvr-1-copy1.jpg 370w, https:\/\/www.bu.edu\/arion\/files\/2011\/11\/19.3_Arion_Cvr-1-copy1-186x300.jpg 186w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p><strong><em>Werner Herzog<\/em><\/strong>: On Pope Benedict&#8217;s Address to the Bundestag<br \/>\n<strong><em>His Holiness Pope Benedict XVI<\/em><\/strong>: The Listening Heart: Reflections on the Foundations of Law<br \/>\n<em><\/em><strong><em>Andrea Nightingale<\/em><\/strong>: Homecoming and the Humic: Eleanor Wilner, Brian Jungen, and Derek Walcott<br \/>\n<strong><em>Steven J. Willett<\/em><\/strong>: After Du Fu<br \/>\n<strong><em>Rainer Friedrich<\/em><\/strong>: The Enlightenment Gone Mad (I) The Dismal Discourse Of Postmodernism&#8217;s Grand Narratives<br \/>\n<strong><em>Michael C. J. Putnam<\/em><\/strong>: Virgil and Heaney: &#8220;Route 110&#8221;<br \/>\n<strong><em>Charles Rowan Beye<\/em><\/strong>: Defining Defending Odysseus<br \/>\n<strong><em>John Fraser <\/em><\/strong>translates<em> Marie-Jeanne Durry<\/em>: Orpheus&#8217; Plea (&#8220;Pri\u00e8re d\u2019Orph\u00e9e&#8221;)<em><br \/>\n<\/em><strong><em>Raymond Geuss<\/em><\/strong>: Did Williams Do Ethics?<br \/>\n<strong><em>James Tatum <\/em><\/strong> reviews: The War That Killed Achilles: The True Story of Homer&#8217;s &#8220;Iliad&#8221; and the Trojan War by Caroline Alexander<em><br \/>\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arion 19.1 Spring\/Summer 2011 Amelia Arenas: Antinous\u2019 Lips: A Note on the Slippery Matter of Realism in Portraiture Ioannis Ziogas: Ovid in Rushdie, Rushdie in Ovid: A Nexus of Artistic Webs E. T. Jeremiah: Reading the Classics William Franke: The Aeneid&#8217;s Invention of Poetic Prophecy Kenneth J. Reckford: \u201cA Short Song of Congratulations\u201d: Horace, Johnson, [&hellip;]<\/p>\n","protected":false},"author":1432,"featured_media":0,"parent":24,"menu_order":19,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/1116"}],"collection":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/users\/1432"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/comments?post=1116"}],"version-history":[{"count":45,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/1116\/revisions"}],"predecessor-version":[{"id":4760,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/1116\/revisions\/4760"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/pages\/24"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/arion\/wp-json\/wp\/v2\/media?parent=1116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}