![Headshot of Astrid Tvetenstrand](/amnesp/files/2018/09/Screen-Shot-2022-02-03-at-12.02.02-PM.png)
Buying a View: American Landscape Painting and Gilded Age Vacation Culture, 1870-1910
Astrid studies the history of American painting, decorative arts, and architecture. She explores these fields through practices of collection, economic development, and the consumption of American property. Her dissertation traces the connections between American art patronage, second homeownership, and landscape painting at the end of the nineteenth century. She argues that the process of collecting art and land was an effort made by affluent Americans to “buy a view.” By recognizing landscape paintings as investments and monetary goods, Astrid sheds new light on Gilded Age consumerism, aesthetics, and taste. She also localizes art market exchanges within a larger conversation about the privatization of public space.
Astrid’s work is encouraged by positions and fellowships held at the New York Public Library, Museum of Fine Arts, Boston, Massachusetts Historical Society, Nichols House Museum, Bundy Museum of History and Art, Peabody Essex Museum, deCordova Sculpture Park and Museum, Decorative Arts Trust, and Winter Antiques Show. She is currently serving as the Social History Fellow at the Preservation Society of Newport County.