Max Clee<\/strong>, “Out of Sight: Technologies of Mass Waste in America 1920-1970” (<\/span>Will Moore)<\/span><\/p>\n Reut Odinak<\/strong>, “Womb for Rent: The Politics of Surrogacy, Reproduction, and Motherhood on Television”\u00a0(Deborah Jaramillo)<\/p>\n Betsy Walters<\/strong>, “Oscar\u2019s New Rules: Industrial Shifts, Cultural Controversies, and the Changing Status of the Academy Awards in the 21st Century”\u00a0(Deborah Jaramillo)<\/p>\n Anne Boyd<\/strong>, \u201cNationalizing the Confederacy: Physical Representations of the Lost Cause Mythology Across the United States from World War II to Present Day\u201d (Nina Silber)<\/p>\n Ga\u00eblle Bouaziz<\/strong>, “‘You Are Watching NASA Television’ Space, Science, and NASA’s Governmental Television Model” (Deborah Jaramillo)<\/p>\n Arthur Kamya<\/strong>, “Policing for Profit: Massachusetts Bay Colony, 1630-1690.\u201d (Brendan McConville)<\/p>\n Meghan Townes<\/strong>, “Beyond Monument Avenue: Art, Authority, and Visions of the Future in Reconstruction and New South Richmond.” (Ross Barrett)<\/span><\/p>\n Perri Meldon,<\/strong> “Dwelling with Ditches: Conservation, Cultural Memory, and Ecological Resilience in the Great Dismal Swamp<\/span>” (Sarah Phillips)<\/p>\n <\/p>\n Emily Palombella<\/strong>, “Precious Speculation: Developing American Gem Extraction Across the Long Nineteenth Century”\u00a0(Brooke Blower)<\/p>\n Julia Carroll<\/strong>, “The Protestant Sanctioning of Slavery in the Anglo-American South: George Whitefield, The Huntingdon Connexion, and Black Bethesdans, 1739-1791” (Joseph Rezek)<\/span><\/p>\n Grace McGowan<\/strong>, \u201cVenus Worked in Bronze\u201d: African American Women Writers and Classical Beauty Myths\u201d (Anita Patterson)<\/span><\/p>\n Kayli Rene\u00e9 Rideout<\/strong>, <\/span>\u201cNot made by hands, built by memory and devotion\u201d: Tiffany\u2019s Confederate Memorial Windows” (William Moore)<\/span><\/p>\n Marina Wells<\/b>, \u201cMaking Men From Whales: Gender and American Whaling Art, 1814-1861\u201d (Ross Barrett)<\/span><\/p>\n <\/p>\n Katherine<\/strong> Evans<\/strong>, “‘I am Going to be a Veteran of this War:’ American Women’s Explorations of Domestic Life on the Western Front” (William Huntting Howell)<\/span><\/p>\n Megan LeBarron<\/strong>, \u201cHeartland Cosmopolitanism: The Midwest and Literary Modernism in the Work of Willa Cather and Sinclair Lewis” (John T. Matthews)<\/span><\/p>\n Astrid Tvetenstrand, <\/strong>“Buying a View: American Landscape Painting and Gilded Age Vacation Culture, 1870-1910” (Ross Barrett)<\/p>\n Sean Case, <\/strong>“To Balance the World: The Development of the United States\u2019 National Interest, 1919-1969” (Bruce Schulman)<\/p>\n Madeline Webster<\/strong>, “Race and Reuse: Black Historic Preservation Efforts in Boston, 1876-1976” (Daniel Abramson)<\/p>\n Megan Hermida<\/strong>\u00a0Lu<\/strong>, \u201cAmateur Travel Films of the American Pacific, 1923-1975″ (Roy Grundmann)<\/span><\/p>\n Alyssa <\/strong>Kreikemeier<\/strong>, “Aerial Empire: Contested Sovereignties and the American West” (Sarah Phillips)<\/span><\/p>\n Dan DeFraia,\u00a0<\/em><\/strong>“State Work: A History of the American Reporter and Journalistic Independence” (Bruce Schulman)<\/p>\n <\/p>\n Frankie Vanaria,\u00a0<\/strong>“The Global Screen: Intercultural Dialogue and Community in the Filmmaking of Alfonso Cuar\u00f3n, Guillermo del Toro, and Alejandro G. I\u00f1\u00e1rritu” (Roy Grundmann)<\/span><\/p>\n Rachel Kirby<\/strong>, “Consuming the South: Representations of Taste, Place, and Agriculture” (Ross Barrett)<\/span><\/p>\n Christopher Stokum,\u00a0<\/strong>“A Working Dress: American Intellectuals and Manual Labor, 1800-1860” <\/strong>(Jon Roberts)<\/p>\n Christine D’Auria:<\/strong>\u00a0<\/span>\u201cBefore the Blacklist: The Fiction and Film Work of Hollywood Screenwriters\u201d<\/span>\u00a0(<\/span>Susan Mizruchi)<\/p>\n Samantha Pickette:<\/strong>\u00a0<\/span>“Bridging the JAP: The Female-Driven Reconception of the Young Jewish Woman in American Popular Culture during the 1970s” (Ingrid Anderson)<\/span><\/p>\n Will Edmonstone: <\/strong>“Plantation America: the US South and the Caribbean in the Literary Culture of Empire, 1898-1959” (Louis Chude-Sokei)<\/p>\n <\/p>\n Jessica S. Samuel:\u00a0<\/strong>“From Virgin Land to Virgin Islands: Conserving ‘America’s Paradise’” (Julian Go)<\/p>\n Aaron Ahlstrom:<\/strong>\u00a0“Revitalizing Forests: Multiple Management and the Evolving Landscapes of Massachusetts’s State Forests and Parks, 1891-1941” (Keith Morgan)<\/p>\n Mariah Gruner:<\/strong> “”…Has Ever Been the Appropriate Occupation of Woman”: Crafting Femininity in American Women’s Decorative Needlework, 1820 to 1920″ (Ross Barrett)<\/p>\n Emma Thomas: <\/strong>“Art Against Docility Visual Culture and Imperialism in Late Nineteenth-Century Hawai’i” (William Moore)<\/p>\n <\/p>\n P.J. Carlino: <\/strong>“Docile by Design: Commercial Furniture and the Education of American Bodies 1840-1920” (William Moore)<\/p>\n Samuel R. Palfreyman:\u00a0<\/strong><\/strong>“The Landscape of Modern Mormonism: Understanding the Church of Jesus Christ of Latter-Day Saints Through it’s Twentieth-Century Architecture” (William Moore)<\/p>\n Kate Viens:<\/strong> “‘To Try the Speed’: Adventures in the Development of Massachusetts Railroads, 1826-1850” (Sarah Phillips)<\/span><\/p>\n <\/p>\n 2010-2019<\/a><\/p>\n 2000-2009<\/a><\/p>\n2025<\/h2>\n
2024<\/h2>\n
2023<\/h2>\n
2022<\/h2>\n
2021<\/h2>\n
2020<\/h2>\n
Archives<\/span><\/h3>\n