What
made mom tick? If
the greatest truths are to be found in fiction, what can one say about
autobiography presented as fiction? In the hands of Keith Botsford,
the particular and the general mix to produce a deeply personal book
that is not only the story of a life but also a meditation on how parents—mothers
in particular—continue to trouble their
children long after their own death.
Botsford's
thesis is that mothers (always with a capital M) are a destructive force.
Despite this, the book ends up being a tribute to his mother and the
women in his life. Botsford vividly paints his written portraits, and
is unsparing of Jim Mount, his alter ego and the main character in his
novel, while taking a mostly generous look at the women in his life
who all, in the end, leave him.
All
the women in Mount's life are escaping from something; his first wife
Lou—truly awful parents; his second wife
and true love, Maria—the confines of a narrow
life; Natasha, his girlfriend—a dull husband;
Francine, his third wife—a sense of nihilism
and worthlessness. All had suffered at the hands of parents, generally
mothers.
These
are people who cannot exorcise parental demons. Lou takes her mother's
death as the last in a line of personal insults. Francine, whose mother
beat her terribly, spends the first weeks of her marriage leaving notes
for Mount, telling him how worthless she really is.
Mount
himself is escaping from his mother, who after being abandoned by her
husband looks to her sons for love. He tumbles into marriage too young.
Six children later Lou leaves and it doesn't take long before Mount
falls in love again.
Natasha,
the one who never married Mount, is the most vivid and perhaps interesting
of the women. She is also the most self-aware, in the sense of what
she's doing and why, although this does not protect her.
Botsford
is painfully good at portraying the torment residing in people; especially
his own when describing the decline and death of his youngest child
or of his mother, his wives, a chance-met stranger. When Natasha looks
back at her youth, "she'd look up with anguish—how
had her body grown and her soul shrunk?—and
then anyone could see the skull beneath the skin."
Already
a grandfather, he agrees to marry his third wife, who is still in her
twenties, after one meeting - proving insanity can strike a man at any
age. Mount is in love with being married and it's impossible to avoid
the thought that, perhaps, he doesn't really know the women in his life.
For their part, the women find they cannot make Mount happy. He is too
much for them.
As
for the book's thesis, what happens to girls when they become Mothers?
They simply grow up. The unpredictable shifts and destructiveness of
the Mothers that Mount describes are the actions of women trying to
keep themselves whole in a world trying to tear them apart.
Botsford
keeps the pace going and the book is a well- balanced blend of action
and reflection. In the enigmatic final chapter Mount measures his past
and turns to a critical moment in his life for explanation. Following
World War II, Mount was sent to Eastern Europe as a young military translator,
dealing with the leftover dregs of war. He worked as an interrogator,
interviewing those who denied all involvement in mass murder or said
that they were merely following orders. His life briefly intersected
with that of a young displaced person, dressed in rags and obsessively
putting one foot in front of the other, walking aimlessly. No words
were exchanged, but that meeting stayed with Mount; "if life is all
repetition, one step after another until you come to the end, then death
is something new."
But
Mount's life is a denial of that nihilism. Despite everything, this
is a strangely optimistic book, a book about people who make compromises
with life to survive, but do, in the end, succeed in living.
The
ending is hopeful. Peace and acceptance are at last in sight. "Henceforth
I shall be as the mayfly, that lives but twenty-seven days, and considers
that adequate for its needs." Wisdom is one of the advantages of old
age.