Today’s Headlines
Editor’s Picks
- Beltway Expert to Direct LAW’s Graduate Tax ProgramDaniel M. Berman brings experience in Treasury, Congress
- Finding the Meaning of CitizenshipSED student helps CAEC launch essay contest
- BU LAW Professor Allan Macurdy Dies at 47Disability rights advocate oversaw Office of Disability Services
- Freak Frog Is an Evolutionary FindBU biologists discover frog has unique egg-laying ability
- Volunteers Find Their Place at FYSOPHow a week of service became a year-round commitment
More News
Arts & Entertainment
- From Stand-up to Sitcom Star
- An Artistic Ending for MFA Students
- Three 2008 Grads Get a Boost from CFA
- A Terrible Beauty: The Poetry of War
- Young Alums Take the Stage in The History Boys
Science & Technology
- Freak Frog Is an Evolutionary Find
- BMC Receives $15 million from Shapiro Family Foundation
- A New HVAC System for BU’s Scientists
- Cockroaches May Unlock Asthma Answers
- Pulitzer-Winning Reporter Joins WBUR
BU in the World
Sports
- Run, BU, Run!
- Fenway Goes Green
- New Track, Turf on Tap for Nickerson Field
- Six Strategies for Buying Red Sox Tickets
- Field Hockey Player Named America East Woman of the Year Finalist
Campus Life
- Catering to a Healthier BU
- Evergreen Students Receive, and Give, an Education
- Points of Departure: "Where Does the Love Begin?"
- Commencement Slideshow
- William H. Hayling to Baccalaureate Celebrants: “Become a Mentor.”
Marsh Chapel Summer Preaching Series
The Wolloch Haggadah: Lithographs
Summer Recreational Sailing 
The problem is the middleman
The sharing habit and dynamics of "content consuming" people and the social phenomenon are difficult to understand. The suggestion is to keep doing whatever you like to do as long as you don't get sued by entities like RIAA or MPAA who makes this practice a profitable business model. This could mean that you abide by the copyright law, or you sneak around the corner. Fortunately, at least the "content producing" part of the equation is beginning to take shape.
Some musicians, producers or artists simply don't care so much about profit, and they just would like to reach out to as many people as they can. These are typically talents who have not enjoyed commercial success yet, but they have other means to support themselves. It was traditionally expensive to build the media distribution network (radio/TV stations, retail stores, etc.), and the network was available only to a few selected talents. The Internet makes it available to any content producers to cheaply distribute their creations.
Eventually, most talents want to reap commercial success if they make it, so the question is, would the use of Internet as distribution medium forfeit their chance to make money? Fortunately, there are labels like Magnatune who have more Internet-friendly terms and does not prevent the musician from making money. YouTube is also sharing advertising profit with video makers. We now have more Internet-savvy middleman helping creative talents keep the cake and eat it.
At least, considering the terms of these new distributors, it is much easier to bypass aggressive middleman represented by RIAA and MPAA. Under the new terms, you get to abide by the copyright law and hopefully also satisfy your sharing habits.
As long as both content producers and content consumers choose the middleman wisely, we wouldn't have the abusive copyright litigation problems we see today.