Summer College Courses at Boston University (BU) Summer Term 2008
Current BU Students Courses

English

Note: the courses on this page reflect Summer Term 2008 offerings.
Please check back on December 15 for a list of courses available during Summer Term 2009.


College of Arts and Sciences


Creative Writing

CAS EN 202 Introduction to Creative Writing
An introduction to writing in various genres: poetry, fiction, plays. Students' work discussed in class. Designed mainly for those with little or no experience in creative writing. Enrollment limited. 4 cr.

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Literature

CAS EN 220 Seminar in Literature
The development of Gothic fiction, considering the following: Why do Gothic villains continue to fascinate? How does the genre affect our understandings of gender, race, class, and nationality? Readings by Walpole, Lewis, Poe, and Wilde. Satisfies CAS WR 150 requirement. 4 cr.

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CAS HU 221 Major Authors I
Introduction to the major works of ancient and medieval literatures that influenced later Continental, English, and American literature: the Bible, Homeric epic, Greek tragedy, Vergil's Aeneid, and Dante's The Divine Comedy. Required of concentrators in English. 4 cr.

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CAS EN 322 Survey of British Literature I
Literature from the beginnings to the Restoration. Includes works by Chaucer, Shakespeare, Milton, and others. 4 cr.

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CAS EN 323 Survey of British Literature II
Literature from the Restoration to the end of the nineteenth century. Required of concentrators in English. 4 cr.

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CAS EN 363 Shakespeare I
Six plays chosen from the following: Richard II, Henry IV (Part I), Troilus and Cressida, As You Like It, Hamlet, Othello, Antony and Cleopatra, and The Winter's Tale. 4 cr.

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CAS EN 364 Shakespeare II
Six or seven plays chosen from the following: Richard III, A Midsummer Night's Dream, Romeo and Juliet, The Merchant of Venice, Much Ado About Nothing, Measure for Measure, King Lear, Macbeth, Coriolanus, and The Tempest. 4 cr.

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CAS EN 377 Literature of the Harlem Renaissance
Prereq: junior standing or consent of the instructor. A study of the major writers of the Harlem Renaissance. Explores how they proclaimed a renewal of racial consciousness and cultural pride, and how they challenged racial and cultural barriers in American society. Meets with CAS AA 507. 4 cr.

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CAS EN 529 Romantic Age I
Readings in the "First Generation" of British Romantic authors, selected from the following: Blake, Wordsworth, Coleridge, Godwin, Burke, Wollstonecraft, and Radcliffe. Attention to political, cultural, and social contexts. 4 cr.

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CAS EN 587 Studies in African American Literature
Topic for Summer 2008: From New World to New Negro: Major African American Writers of the Eighteenth and Nineteenth Centuries. The writings of Wheatley and Equiano, who discussed slavery and Middle Passage; of Douglass and Jacobs, who constituted a slave-narrative tradition; and of Washington, Hopkins, Griggs, and Harper, who wrote about racial uplift in the post-slavery era. Meets with CAS AA 502 A1. 4 cr.

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CAS EN 588 Studies in African American Literature
Topic for Summer 2008: From New Negro to Postmodernism: Major African American Writers of the Twentieth Century. The writings of DuBois, who reflected on the New Negro; of Toomer and Larsen, who described the Harlem Renaissance; and of Wright, Ellison, Baraka, and Morrison, who represented naturalism, social realism, Black Arts, and postmodernism. Meets with CAS AA 502 B1. 4 cr.

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CAS EN 594 Studies in Literature and the Arts
Topic for Summer 2008: The Question of the Real in Fiction and Film. In fiction by Chekhov, Poe, Tolstoy, and Kafka, and films directed by Reed, Ray, Richardson, Schlesinger, and Lynch, we'll explore questions of the “real” and the “unreal.” 4 cr.

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CAS EN 596 Studies in Literary Topics
Topic for Summer 2008: Linguistic Approaches to Literature. Practical linguistic analysis of a range of English literary texts from the sixteenth century to the present. Cultivates a fundamental skill: how to identify and describe language structures and relate them to interpretation. Considers poetic styles of Swift, Wordsworth, and Hardy and the prose styles of Woolf, Lawrence, and Fitzgerald (among others). 4 cr.

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