“Experimenting with Apsara: Mei Lanfang’s New Opera ‘Fairy Gives Flowers to the Earth’ and Peking Opera Modernism” Workshop

Starts:
9:00 am on Friday, March 7, 2014
Ends:
5:00 pm on Friday, March 7, 2014
Location:
CAS 200 | 725 Commonwealth Avenue
URL:
http://www.bu.edu/asian/?p=5481
Mei Lanfang’s new opera “Tiannv sanhua” performed in 1917 can be considered as a milestone in the history of Peking opera. It was an artistic tour de force: an opera newly written by Mei’s supporters and tailored to him; a new dance arrangement that integrated singing, new types of costumes, a new makeup (including hairdo), and a new stage design and lighting with props. It was also an event of unprecedented social engagement of literati, politicians turned patrons, a new breed of newspaper theater critics, as well as photographers and eventually painters. Billed as a major event at the time it turned out to be a historical moment for Peking opera that also propelled Mei Lanfang to international stardom. The piece was the much discussed highlight of his Japan tour in 1919, and provided one of the advertising photos for his New York 49th Street theater performance in 1930. || This conference explores the different dimensions of this event as an expression of the 20th century Chinese search for cultural and artistic identity and of Republican period modernity. Scholars will explore the text of the opera (Wai-Yee Li, Harvard University), the performance (David Wang, Harvard University), the echo in film and the press (Eileen Chow, Duke University), Xu Beihong’s paining on the subject (Eugene Wang, Harvard University), the international dimension and impact of the piece (Catherine Yeh, Boston University), and the piece’s relationship with new drama (Rudolf Wagner, Heidelberg University).