Alumni

2012 2011 2010-2000 1999-1990 1989-1980 1979-1970 1969-1960 1959-1950 1949-1946

This listing is currently incomplete.

2012

Samantha Jones, MM in Ethnomusicology

• Thesis: Getting into the Irish Groove: Dancing in Boston Irish Music Sessions

Roxanne Roca, MM in Historical Musicology

• Thesis: Depictions of Non-Western Cultures in Disney’s Film Music of the 1990s

Andrew Shryock, PhD in Historical Musicology

• Dissertation: Handel and the Sublime: Crafting Librettos, Composing Oratorios, and Transfixing Audiences in Eighteenth-Century England

2011

Max DeCurtins, MM in Musicology

• Thesis: Aspects of Bach Reception in Israel
• Current Position: Research Associate, Harvard School of Public Health Center for Continuing Professional Education

Stefano Graziano, PhD in Musicology

• Dissertation: From Language to Music: Mapping the History of the Italian Lute Vocabulary

Laurence Spezzano, BA in Music (Concentration: Musicology)

• Terminal Project: “Exploring the Links Between the Ave Maria…virgo serena of Josquin Des Prez and Johannes Regis”

2010

Paula Bishop, PhD in Musicology

• Dissertation: The Roots and Influences of the Everly Brothers
• Current position: Adjunct Faculty, Bridgewater State University

Lauren Elizabeth Hastings, MM in Ethnomusicology

• Thesis: Musical Agents of a Complex Cultural Identity: an Investigation of the Multiple Musical Identities of Classically Trained String Players in Portland, Maine

Jane Leggiero, MM in Historical Performance and Musicology (double concentration)

• Thesis: Beyond the Bassline: the Violincello’s Function and Influence in the Italian Continuo Cantata Form

2009

Katherine Baltrush, MM in Musicology

• Thesis: The Magic of Metamorphoses: Character Development in Thomas Adès’ The Tempest
• Current Occupation: Finance & Operations Coordinator, OPERA America, New York, NY.

Luke Berryman, MM in Musicology

• Thesis: Quotation, Symbolism, Summation: Some Problems Surrounding Olivier Messiaen’s “Boris” Motif
• Current Occupation: PhD Candidate, King’s College, London. Staff, Oxford Philomusica

Anaar Desai-Stephens, MM in Ethnomusicology and Historical Performance (double concentration)

• Thesis: Kala Ramnath and the Hindustani Violin: Status and Strategy in the Hindustani Musical World
• Current Occupation: PhD Candidate, Cornell University

Janice Mahinka, MA in Musicology

• Thesis: Philip Hale: A Crucial Link in the History of American Music Criticism
• Current Occupation: PhD Candidate, Graduate Center, City University of New York

Philip Daniel Nauman, PhD in Music History and Theory

• Dissertation: Sirenes, Spectres, Ombres: Dramatic Vocalization in the Nineteenth and Twentieth Centuries

2008

Evan Cortens, MM in Musicology

• Thesis: The Installation Cantatas of C.P.E. Bach
• Current Occupation: PhD Candidate, Cornell University

Sally DeJoseph, MM in Musicology

• Thesis: The Chautauqua Symphony Orchestra: The Beginning Years

Jessica Getman, MM in Musicology and Historical Performance (double concentration)

• Thesis: The Air De Joconde: A Survey Of An Eighteenth-Century Timbre
• Current Occupation: PhD Candidate, University of Michigan

Lisa Naccara, MM in Musicology

• Thesis: Implicit Memory In The Cognition Of Music

Lisa Scoggin, PhD in Musicology

• Dissertation: Mark-Anthony Turnage’s The Silver Tassie: Text, Subtext, and Context
• Current Occupation: Instructor, Heald College

2007

Raymond Aglugub, MM in Musicology

• Thesis: Shape Shift: Riff Variation and Development in the Music of Metallica

2006

Christina Lee Kopp, PhD in History

• Dissertation: “A School of New Men”: Composing an American identity in the Early Twentieth Century

Jessica Trelka, MM in Musicology

• Thesis: Marching to the Beat of a Different Drummer: The History of the Steel Drum and its Many Applications
• Current Occupation: PhD Candidate, Ohio State University

2005

Paula Bishop, MM in Musicology

• Thesis: The Patronage of Composers in the United States
• Current position: Adjunct Faculty, Bridgewater State University

Jane Snyder, PhD in Musicology

• Dissertation: Ritual and Drama in the Nineteenth-Century French Requiem

2004

Lisa Burnett, MM in Musicology

• Thesis: Nature Topoi in Richard Wagner’s Music Dramas
• Current Occupation: PhD Candidate, Stanford University

Eran Guter, PhD in Philosophy

• Dissertation: Where Languages End: Ludwig Wittgenstein at the Crossroads of Music, Language, and the World
• Current Occupation: Professor of Philosophy, University of Haifa

Michael Robert Nock, MM in Musicology

• Thesis: Orpheus in the Movies: The Portrayal of Composers in Dramatic Film
• Current Occupation: Assistant Director of Student Affairs, Boston Symphony Orchestra, Tanglewood Music Center

2003

Thomas Andrew Kingston, PhD in Interdisciplinary Studies (Independent Concentration: Philosophy and Music)

• Dissertation: Rhythm in the Aesthetics of Western Music
• Current Occupation: Faculty, St. John’s College, Santa Fe

Frank Toppa, MM in Musicology

• Thesis: Robert Schumann’s Fugues on B-A-C-H, Opus 60: Reflections on the Early Romantic Reception of Bach and the Baroque Fugue
• Current Occupation: Music Director, Unitarian Universalist Meeting House of Chatham; Faculty, Belmont Day School

2002

Zbiegnew Granat, PhD in Musicology

• Dissertation: Open Form and the “Work-Concept”: Notions of the Musical Work after Serialism
• Current Occupation: Assistant Professor of Music, Nazareth College

2001

Christopher Dempsey, MA in Musicology

• Current Occupation: PhD Candidate in Musicology, University of Michigan

Eftychia Papanikolaou, PhD in Musicology

• Dissertation: Profane Rites and Sacred Symphonies: Critical Perspectives on the Symphonic Mass
• Current Occupation: Assistant Professor of Music, Bowling Green State University

2000

Cheryl Charline Boots, PhD in American and New England Studies

• Dissertation: Earthly strains: The Cultural Work of Protestant Sacred Music in Three Nineteenth-Century American Popular Novels
• Current Occupation: Assistant Professor of the Humanities, College of General Studies, Boston University

Luisa Guembes-Buchanan, MM in Musicology

• Thesis: E. T. A. Hoffmann the Composer
• Current Occupation: Concert Pianist, Musicologist, and Editor

1999

Robert Todd Scott, PhD in Musicology

• Dissertation: Franco of Cologne’s Ars cantus mensurabilis: Complete Critical Edition, with Commentary, Translation, index verborum, and loci paralleli
• Current Occupation: Organist, St. Mark’s Episcopal Church (Casper, Wyoming); Instructor, Casper College

1998

Susan Bohandy, PhD in Interdisciplinary Studies (Independent Concentration: Literature and Music)

• Dissertation: Poetry Set to Music in Greece after the Civil War
• Last Known Occupation: Communications Analyst, RAND Corporation

Jonathan Hiam, MA Music History and Literature

• Current Occupation: Head, American Music Collection, The New York Public Library for the Performing Arts

Hwee Been Koh-Baker, PhD in Musicology

• Dissertation: East and West: The Aesthetics and Musical Time of Toru Takemitsu
• Current Occupation: Faculty of Music, Mount Vernon Nazarene University
  

Teresa Neff, PhD in Musicology

• Dissertation: Baron von Swieten and Late Eighteenth-Century Viennese Music Culture
• Current Occupation: Lecturer in Music, Massachusetts Institute of Technology; Music History Faculty, Boston Conservatory

1997

Thomas Francis Rooney, PhD in Interdisciplinary Studies (Independent Concentration: Literature and Music)

• Dissertation: Benjamin Britten’s “War Requiem”: Parody and the Transmutation of Myth
• Current Occupation: Retired from the Needham Public Schools

1996

This information is not currently available.

1995

Laura Dolp, MA in Music History and Literature

• Thesis: The Silent Garden: Inventive Procedure and Ancient Principle in the Berlin Mass of Arvo Pärt
• Current Occupation: Assistant Professor of Music in Music History, Cali School of Music, Montclair State University

Eftychia Papanikolaou, MM in Musicology

• Thesis: Brahms’s Reception of Greek Antiquity with Emphasis on the Gesang der Parzen
• Current Occupation: Assistant Professor of Music, Bowling Green State University

Betty Karol Fairchilds Wilson, PhD in Musicology

• Dissertation: Choral Pedagogy: Crossroads of Theory and Practice in Sixteenth-Century Germany
• Current Occupation: Artistic Director, Masterworks Chorus

1994

John Louis Howland, MA in Music History and Literature

• Thesis: Hugo Wolf’s Wilhelm Meister Lieder as fin-de-siecle Music Drama
• Current Occupation: Associate Professor of Music, Rutgers University

1993

James Andrew Davis, PhD in Music History and Theory

• Dissertation: Positivistic Philosophy and the Foundations of Atonal Music Theory
• Current Occupation: Chair of Musicology and Professor of Musicology, State University of New York at Fredonia

Simon Keefe, MM in Musicology

• Dissertation: Issues of Influence in the Mature Chamber Music of Haydn and Mozart
• Current Occupation: Head of Department and Professor of Music, University of Sheffield

Matthew John Ruggiero, PhD in Interdisciplinary Studies

• Dissertation: Verdi’s “Macbeth” Libretto and its Literary Context
• Current Occupation: Faculty, Boston University School of Music; Faculty, New England Conservatory of Music

Elizabeth Anne Seitz, PhD in Musicology

• Dissertation: Manuel de Falla’s Years in Paris, 1907-1914
• Current Occupation: Music History Faculty, Boston Conservatory

Randall Wurschmidt, MM in Musicology

• Thesis: Friedrich Stellwagen and North German Organ Building in the Seventeenth Century
• Current Occupation: Director of Music, West Portal Lutheran Church and School

1992

Ladson Jonathan Saylor, PhD in Musicology

• Dissertation: Antonio Eximeno’s “Del Origen y Reglas de la Musica con la Historia de su Progreso, Decadencia y Restauracion” (1796, Spanish edition): Introduction, Commentary, and Translation. (Volumes I-IV)
• Current Occupation: Professor of Music, Wheaton College

1991

Elizabeth Brinsden, Master of Music in Musicology

• Thesis: The Relationship between Improvisation and Composition from 1700-1850
• Current Occupation: Lecturer, Univerzita Jana Evangelisty Purkyně v Ústí nad Labem (Czech Republic)

Hwee Been Koh-Baker, MM in Musicology

• Thesis: An Analytical Inquiry into the Unity and Coherence of Arnold Schoenberg’s Drei Klavierstucke, op. 11, no. 3
• Current Occupation: Faculty of Music, Mount Vernon Nazarene University

Edward Joseph Traves, Jr., MA in Music History and Literature

• Thesis: Fugal Form in Book I of J. S. Bach’s Das wohltemperirte Clavier

Margarita Restrepo, MA in Music History and Literature

• Thesis: The Requiem Masses of Juan de Herrera (c. 1670-1738), Chapelmaster and Composer at the Cathedral of Santa Fe de Bogota

1990

Robert Anthony Buning, Master of Music in Musicology

• Thesis: Alessandro Moreschi and the Castrato Voice

1989

Richard Marc Friedman, PhD in Music History and Theory

• Dissertation: The Original Cadenzas in the Piano Concertos of Beethoven: An Analysis
• Current Occupation: Film Composer

1988

Donna M. Cassidy, PhD in Art History

• Dissertation: The Painted Music of America in the Worlds of Arthur G. Dove, John Marin, and Joseph Stella: an Aspect of Cultural Nationalism (Jazz)
• Current Occupation: Professor of American & New England Studies and Art History, University of Southern Maine

1987

Camilla Cai, PhD in Musicology

• Dissertation: Brahms’ Short, Late Piano Pieces–Opus Numbers 116-119: A Source Study, an Analysis, and Performance Practice
• Current Occupation: Professor Emerita of Music, Kenyon College

Francis Lee Gramenz, PhD in Music Deceased

• Dissertation: John Stafford Smith, 1750-1836: an Early English Musicologist
• Last Occupation: Head, Music Library, Boston University

1986

Anna Maria Busse Berger, PhD in Musicology

• Dissertation: Mensuration signs and proportions in Italian theory from ca. 1400 to ca. 1600
• Current Occupation: Professor of Music, UC Davis

1985

Ladson Jonathan Saylor, MA in Musicology

• Dissertation: Italian Instrumental Trio-Texture, 1600-1621
• Current Occupation: Professor of Music, Wheaton College

1984

Nelly Maude Case, PhD in Music

• Dissertation: Stylistic Coherency in the Piano Works of Aaron Copland
• Current Occupation: Professor of Music History, Crane School of Music, State University of New York at Potsdam

Joan Adeline Evans, PhD in Music

• Dissertation: The Life and Works of Michael East (c1580-1648)

Melissa Theresa Howe, PhD in Musicology

• Dissertation: Recognition of Structural Function in Tonal Music by Professional and Novice Musicians
• Current Occupation: Chair of Strings, Berklee College of Music

1983

Mark Sumner Harvey, PhD in Religion

• Dissertation: Charles Ives: Prophet of American Civil Religion
• Current Occupation: Lecturer in Music, Massachusetts Institute of Technology; Director, Aardvark Jazz Orchestra

John Joseph Daverio, PhD in Music Deceased

• Dissertation: Formal Design and Terminology in the Pre-Corellian ”Sonata” and Related Instrumental Forms in the Printed Sources
• Last Occupation: Professor of Music and Chair, Department of Musicology, Boston University

1982

This information is not currently available.

1981

Daniel James Koury, PhD in Music

• Dissertation: The Orchestra in the Nineteenth Century: Physical Aspects of Its Performance Practice
• Current Occupation: Professor Emeritus of Music, Westfield State College

David Joseph Smucker, PhD in Music

• Dissertation: Philip Paul Bliss and the Musical, Cultural and Religious Sources of the Gospel Music Tradition in the United States, 1850-1876

1980

This information is not currently available.

1979

John C. Duffy, PhD in Music Deceased

• Dissertation: The Vocal Works Of Alfonso Ferrabosco, the Younger, c.1575-1628
• Last Occupations: Conductor and Music Critic

1978

Marie Annette Burkart, SND, MA in Musicology

• Thesis: Gioseffo Zarlino’s Practice of Counterpoint: A Musical Supplement to Part III of Le istitutioni harmoniche, 1558
• Current Occupation: Vocations Ministry, Archdiocese of San Francisco

1977

Thomas Christensen, BM in Composition

• Current Occupation: Associate Dean and Master of the Humanities Division and Professor of Music and the Humanities, University of Chicago

John Ken Ogasapian, PhD in Music Deceased

• Dissertation: Organ Building in New York City: 1700 to 1900
• Last Occupation: Professor of Music, University of Massachusetts – Lowell

1976

This information is not currently available.

1975

This information is not currently available.

1974

Rebecca Anne Baltzer, PhD in Music

• Dissertation: Notation, Rhythm, and Style in the Two-Voice Notre Dame Clausula
• Current Occupation: Professor Emerita, Musicology, University of Texas at Austin

Raymond Harrison Kelton, Jr., PhD in Music

• Dissertation: Christ Church (Oxford), Music ms. #89: A Seventeenth-century Organ Book
• Current Occupation: Associate Professor of Music, Suffolk University
  

Sara Yehuda-Mandel, MA in Music

• Thesis: Four Selected Cantatas by Allessandro Scarlatti: Transcription from Manuscript Number M360.10 of the Boston Public Library and Commentary.
• Current Occupation: Associate Professor of Music, Miclalah-Jerusalem College

1973

Eugene Casjen Cramer, PhD in Music

• Dissertation: The Officium hebdomadae sanctae of Tomás Luis de Victoria: A Study of Selected Aspects and an Edition and Commentary
• Current Occupation: Professor Emeritus of Music, University of Calgary

Anne Mildred Germain, PhD in Music

• Dissertation: Scottish Gaelic Heroic Ballads: An Historical and Analytical Study

1972

David Stephen Cushman, PhD in Music Note: Author’s name on published dissertation: D. Stephen Cushman

• Dissertation: Joseph Haydn’s Melodic Materials: An Exploratory Introduction to the Primary and Secondary Sources Together with an Analytical Catalogue and Tables of Proposed Melodic Correspondence and/or Variance
• Last Known Occupation: Professor of Music, Wheaton College, Retired

Francis Lee Gramenz, MA in Music Deceased

• Thesis: Georg Phillip Telemann, Fantasies pour le Clavessin, 3 Douzaines
• Last Occupation: Head, Music Library, Boston University
  

1971

Joseph Henry Dyer, PhD in Music

• Dissertation: The Offertories of Old-Roman Chant: A Musico-Liturgical Investigation
• Current Occupation: Emeritus, University of Massachusetts, Boston

Bradford R. DeVos, PhD in Music

• Dissertation: The Emergence of Tudor Church Music in the Vernacular

1970

This information is not currently available.

1969

Arthur Holterman Hauge, PhD in Music Deceased

• Dissertation: Thomas Linnemann Laub (1852-1927) and and His Influence on the Revitalization of Danish Music
• Last Occupation: Professor Emeritus of Music, Boston State College

Holmes Ambrose, PhD in Music Deceased

• Dissertation: The Anglican Anthems and Roman Catholic Motets of Samuel Wesley
• Last Occupation: Minister of Music and Visitation, First United Methodist Church, Glendale (Arizona)

HC Robbins Landon, DMus (honorary) Deceased

• Last Occupation: Independent Scholar

1968

Robert James Coran, PhD in Musicology

• Dissertation: The Ensemble Song of the Nineteenth Century: A Study of Representative Repertory for Solo Voice and Two to Five Instruments.
• Last Known Occupation: Professor of Music, Duquesne University

1967

James Roland Braithwaite, PhD in Music

• Dissertation: The Introduction of Franco-Netherlandish Manuscripts to Early Tudor England: The Motet Repertory

Rufus Hallmark, MA in Musicology

• Current Occupation: Professor of Music, Rutgers University

John Kucaba, Jr., PhD in Music

• Dissertation: The Symphonies of Georg Christoph Wagenseil
• Last Known Occupation: Faculty, State University of New York at Geneseo

Paul Eric Paige, PhD in Music

• Dissertation: Musical Organizations in Boston: 1830-1850
• Current Occupation: Professor Emeritus of Music, Grand Canyon University

1966

Henry J. Wing, Jr., PhD in Music

• Dissertation: The Polychoral Motets of Leone Leoni
• Last Occupation: Associate Professor Emeritus of Music, University of New Hampshire; Music Director Emeritus, Rockingham Choral Society

1965

Ellen Koskoff, BM in Piano Performance and Music Education

• Current Occupation: Professor of Ethnomusicology and Director, World Music Certificate and Ethnomusicology Diploma Program, Eastman School of Music

Bonnie Wade, BM in Musicology

• Current Occupation: Professor of Ethnomusicology and Chair, Center for South Asia Studies, University of California-Berkeley

1964

Ruth Ester Hillilä, PhD in Music

• Dissertation: The Songs of Toivo Kuula and Leevi Madetoja and Their Place in Twentieth-Century Finnish Art Song
• Last Known Position: Founder, Helsinki Cathedral Boys’ Choir

Linda Suzanne Rogols Siegel, PhD in Music

• Dissertation: The Influence of Romantic Literature on Romantic Music in Germany during the First Half of the Nineteenth Century
• Current Occupation: Professor Emeritus, Notre Dame de Namur University

1963

Richard Bobbitt, PhD in Music Deceased

• Dissertation: The Harmonic Idiom in the Works of “Les Six”
• Former Occupations: Dean, Boston Conservatory of Music; Dean, Berklee College of Music

Joan Anne Boucher, PhD in Music

• Dissertation: The Religious Music of Gilles Binchois

Bradford R. DeVos, MS

• Thesis: The History and Development of the Bassoon Reed and Embouchure

Donald Harrison Von Ess, PhD in Music

• Dissertation: The Stylistic Evolution of the English Brass Ensemble
• Last Known Occupation: Professor of Music Emeritus, State University of New York

Milton Gerald Hehr, PhD in Music

• Dissertation: Musical Activities in Salem, Massachusetts: 1783-1823
• Current Occupation: Associate Professor Emeritus of Music, University of Missouri-Kansas City

1962

Richard Carroll Davis, PhD in Music

• Dissertation: Self Parody among the Cantatas of Johann Sebastian Bach

Joseph William King, PhD in Music

• Dissertation: The English Anthem from the Early Tudor Period through the Restoration Era

1961

James Edward Houlihan, PhD in Music

• Dissertation: The Music Educators National Conference in American Education
• Last Occupation: President, Middlesex Community College

Arthur G. Spiro, PhD in Musicology

• Dissertation: The Five-Part Madrigals of Luzzasco Luzzaschi
• Last Occupation: Professor Emeritus, Youngstown University

1960

Gaston Georges Allaire, PhD in Musicology Deceased

• Dissertation: The Masses of Claudin de Sermisy
• Last Occupation: Professor Emeritus of Music, Université de Moncton

Robert William Holmes, PhD in Music Deceased

• Dissertation: The Use of Contrafacta in the Large Choral Works of J. S. Bach
• Last Occupation: President Emeritus, Music Academy of the West

Donald Rochester Key, PhD in Music Deceased

• Dissertation: Two Manuscripts of Instrumental Ensemble Music from the Elizabethan Period (British Museum Add. Ms 31390 and Bodleian Library Mss D. 212-216)
• Last Known Occupation: Chair, Department of Music, Moorhead State University

1959

Jean Horstman, PhD in Music

• Dissertation: The Instrumental Music of Johann Ludwig Krebs

1958

Douglass Marshall Green, PhD in Music

• Dissertation: The Instrumental Ensemble Music of Leonardo Leo against the Background of Contemporary Neapolitan Music

1957

Milton Gerald Hehr, MM in Musicology

• Thesis: An Analysis of the Tonal Features Apparent in the Late Magnificats of Palestrina
• Current Occupation: Associate Professor Emeritus of Music, University of Missouri-Kansas City

Angela Maria Jaffé, PhD in Music

• Dissertation: The Cantatas of Johann Ludwig Bach

Edna Dorothy Parks, PhD in Music

• Dissertation: English Hymns and Their Tunes in the Sixteenth and Seventeenth Centuries

Linda Suzanne Rogols Siegel, MM in Musicology

• Dissertation: The use of the variation technique in the music of the first half of the seventeenth century
• Current Occupation: Professor Emeritus, Notre Dame de Namur University

Henry Samuel Wolf, PhD in Music Deceased

• Dissertation: The Twentieth-Century Piano Sonata
• Last Occupation: Professor of Music, Morris Harvey College

 

1956

This information is not currently available.

1955

Robert William Holmes, MA in Music History Deceased

• Thesis: The chansons of Clement Jannequin and Claudin de Sermisy.
• Last Occupation: President Emeritus, Music Academy of the West

1954

Edna Dorothy Parks, MA in Music

• Thesis: A History of the Building Techniques and Liturgical Uses of the Organ in the Churches of Boston.

Sewall Bennett Potter, PhD in Music Note: Author’s name on published dissertation: Saul Bernard Podolsky

• Dissertation: The Variation Canzona for Keyboard Instruments in Southern Italy and Italy and Austria in the Seventeenth Century
• Last Known Position: Lecturer of Music, Curry College

1953

Alden Putnam Buker, PhD in Music

• Dissertation: Choralbearbeitung from Johann Walther to Dietrich Buxtehude: the Treatment of Protestant Chorale Melodies in German Vocal and Organ music from 1524 to 1707.
• Last Known Occupation: Dean of Arts & Sciences, Bloomsburg State College

Angela Maria Jaffé, MS in Music

• Thesis: Johannes Brahms: Variations on a Theme by Haydn. Analysis and Comparison of the Version for Two Pianos, Op. 56a, and the Version for Orchestra, Op. 56b.

1952

John Michael Glowacki, PhD in Music

• Dissertation: The History of Polish Opera
• Last Known Occupation: Head, Division of Fine Arts, New Mexico State University (retired)

1951

This information is not currently available.

1950

John E. Hasson, MA in Music

• Thesis: The Problem of Form in the Symphonic Works of Anton Bruckner
• Current Position: Professor Emeritius of Music, Boston University

1949

This information is not currently available.

1948

Arthur Holterman Hauge, MA in Music Deceased

• Thesis: J.S. Bach’s Organ as Compared with the “Baroque Organ” of the Twentieth Century
• Last Occupation: Professor Emeritus of Music, Boston State College

David Austin Shand, PhD in Music Deceased

• Dissertation: The Sonata for Violin and Piano from Schumann to Debussy (1851-1917)
• Last Known Occupation: Professor of Music, University of Utah; Assistant Director, Utah Symphony Orchestra

1947

HC Robbins Landon, BM in Musicology Deceased

• Last Occupation: Independent Scholar

1946

John Michael Glowacki, MA in Music

• Thesis: The Chamber Music of Karol Szymanowski
• Last Known Occupation: Head, Division of Fine Arts, New Mexico State University (retired)

Dorothy Slepian, PhD in Music

• Dissertation: The Use of Polyphonic Forms and Devices by Contemporary American Composers