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Christopher Winship Professor of Sociology, Harvard
University
Project Title: Cops, Ministers, and the Boston Miracle
Abstract: This project is based upon seven years of participant-observation
of a group of black ministers in inner city Boston collectively known
as the Ten Point Coalition. A book is to be written on the so-called "Boston
Miracle" - the historically unprecedented drop in violent crime and improvement
in community-police relations that took place in the city during the 1990s.
This is an immensely sociologically rich story raising questions about
how the Ten Point ministers came to be seen as legitimate representatives
of Boston's African American community, and how the city's "racial narrative"
was transformed from an oppositional stance to one that evidences a determination
not to "play the race card."
June E. Roberts Ph.D. in Caribbean Literature,
Boston College, 1999
Project Title: A Developing Aesthetic in the Fiction of Erna Brodber
Abstract: This project focuses on the interdisciplinary and Afrocentrist
work of historian and novelist Erna Brodber, who writes postmodern allegorical
fiction about the Caribbean and its history. It is argued that, in addition
to their unique style, post-colonial concerns and feminist discourse,
Brodber's novels illustrate a developing interdisciplinary aesthetic -
one encouraging return to folk community and to African-derived folk spirit
practices.
Robert W. Mickey Ph.D. in Political Science,
Harvard University, 2001
Project Title: Paths Out of Dixie: Southern Democrats in Transition from
Authoritarian Rule, 1944-1972
Abstract: This project undertakes, through cross-national comparative
study, to understand paths taken and rejected in the American South's
post-WWII political development. In so doing, the hope is to generate
testable hypotheses that comparativists may modify for use elsewhere.
Nicholas Rowe Assoc. Professor of History, Eastern
Nazarene College
Project Title: Romans and Carthaginians in the 18th Century: Race and
National Identity in Britain and France during the Seven Years War
Abstract: This project explores the various contours of identity expressed
by British and French writers in the context of 18th century colonial
competition between these powers. It is argued that depictions by British
and French writers of the peoples of North America, the Caribbean and
India during this period not only shaped their readers' conception of
the non-European "other," but served also to define and reinforce boundaries
among the Europeans themselves.
Rebeccah E. Welch Ph.D. in History, New York
University, 2001
Project Title: Black Arts and Activism in Postwar New York, 1950-1965
Abstract: This project documents how artists self-consciously utilized
their professional training to expand the role of culture in civic participation.
Towards the end of the 1950s, mass media intersected with Cold War liberalism
to create a unique public context for race talk in the mainstream. Evidence
suggests that black artists active on the left in New York City during
the postwar period took sound advantage of this historical moment to address
an extended domestic and global audience on the subject of racial democracy.
In the end, it is argued, the black cultural left not only forged a politics
of the African Diaspora during this era, but did so without abandoning
their struggle to build a multiracial social movement.
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