“Unrelieved” History: A Belated Prologue for American English Translation with Ammiel Alcalay
- 1:00 pm on Friday, April 18, 2014
- 3:00 pm on Friday, April 18, 2014
- School of Theology, 745 Commonwealth Avenue, Room 625
BU's Translation Seminar presents Ammiel Alcalay.
Poet, novelist, translator, critic, and scholar, Ammiel Alcalay is deputy chair of the PhD Program in English at The Graduate Center, CUNY, and former chair of Classical, Middle Eastern & Asian Languages & Cultures at Queens College. He was the first holder of the Lannan Visiting Chair in Poetics at Georgetown University and has been a visiting professor at Stanford University.
His books include a little history (2013), from the warring factions, 2nd edition (2012), “neither wit nor gold”(from then) (2011), Islanders (2010), Scrapmetal (2007), Memories of Our Future: Selected Essays, 1982-1999 (1999), and After Jews and Arabs: Remaking Levantine Culture (1993). In 2012, The Center for Contemporary Arab Studies and the Department of Arabic & Islamic Studies at Georgetown University convened a symposium marking 20 years since the publication of After Jews and Arabs.
During the war in former Yugoslavia, he was one of the only translators working from Bosnian, and published widely, including Sarajevo: A War Journal by Zlatko DizdareviÄ and The Tenth Circle of Hell by camp survivor Rezak HukanoviÄ. Other translations include Sarajevo Blues (1998) and Nine Alexandrias (2003) by Bosnian poet Semezdin MehmedinoviÄ, Keys to the Garden: New Israeli Writing (1996), and the co-translation (with Oz Shelach) of Outcast by Shimon Ballas (2007). With Megan Paslawski, he co-edited Michael Rumaker’s Robert Duncan in San Francisco (City Lights, 2013).
He is founder and general editor, under the auspices of the Center for the Humanities and the PhD program in English at the CUNY Graduate Center, of Lost & Found: The CUNY Poetics Document Initiative (http://centerforthehumanities.org/lost-and-found), along with its offshoot Lost & Found Elsewhere, and has edited texts by Robert Creeley, Robert Duncan, Diane di Prima, Joanne Kyger, and Michael Rumaker for these projects.