Assistant Professor of English
BA, Columbia University
My research and teaching focus on American and British literature of the eighteenth and nineteenth centuries. As a scholar with roots in Atlantic studies and the history of the book, I am interested in exploring the literary, historical, and material connections that brought the Anglophone Atlantic together into a single, though internally various, culture. The transatlantic circulation of texts is my point of departure for telling new stories about literary history – especially the history of aesthetics, the rise of nationalism, and the culture and politics of the early black Atlantic. My forthcoming book, London and the Making of Provincial Literature, argues that modern aesthetic theory was shaped by the success of Irish, Scottish, and American authors who triumphed in the London book trade, including Maria Edgeworth, Walter Scott, Washington Irving, and James Fenimore Cooper. Faced with London’s dominance of the marketplace, such authors developed two lasting and contradictory notions about artistic production: that literature both transcends nationality and indelibly expresses it. This paradox preoccupied many writers of the Romantic period who offered competing ideological claims for literature’s universality and its embodiment of a particular nation’s spirit. My book traces a new genealogy of this paradox through investigating the intertwined histories of aesthetics and the transatlantic book trade. In so doing, it argues that the effects of provinciality helped define the distinctly modern idea that literature itself inhabits an autonomous sphere in society. I have also published essays related to a second project, Early Black Writing and the Book, 1760-1831, which argues for the importance of a media-specific approach to the earliest printed texts by black writers, beginning with Briton Hammon, Phillis Wheatley, and Ignatius Sancho.
As a teacher in the English department and American Studies, I specialize in the history of the novel, theories of modernity and the Atlantic world, and the history of print in American culture. I am Co-Chair of the “American Literature and Culture” seminar at the Mahindra Center at Harvard University, which focuses on American literature from all periods and draws together scholars from around Boston area. I am also Associate Editor of Studies in Romanticism, which has been published by the Graduate School of Boston University since 1961.
- London and the Making of Provincial Literature: Aesthetics and the Transatlantic Book Trade, 1800-1850 (University of Pennsylvania Press, forthcoming, 2015)
- “What We Need from Transatlantic Studies” American Literary History 26.4 (Winter 2014). Full text available here.
- “The Aesthetics of Archival Evidence,” co-authored with Carrie Hyde (UCLA), introduction to “Forum: Evidence and the Archive” (J19: The Journal of Nineteenth-Century Americanists 2.1, Spring 2014). Full text available here
- “Furious Booksellers: The ‘American Copy’ of the Waverley Novels and the Language of the Book Trade” (Early American Studies, 11.3, Fall 2013). Full text available here.
- “The Print Atlantic: Phillis Wheatley, Ignatius Sancho, and the Cultural Significance of the Book,” in Early African American Print Culture, ed. Jordan A. Stein and Lara Cohen (University of Pennsylvania Press, 2012). Full text available here.
- “Cooper and Scott in the Anglophone Literary Field: The Pioneers, The Heart of Mid-Lothian, and the Effects of Provinciality” (ELH 78:4, Winter 2011). Full text available here.
- “The Orations on the Abolition of the Slave Trade and the Uses of Print in the Early Black Atlantic” (Early American Literature 45:3, Fall 2010). Full text available here.
- “A Story about History: PBS Takes on the War of 1812.” Contribution to “1812: New Perspectives on an Old War.” Common-Place 12.4 (July 2012). Full text available here.
- “Hail to the Chief: The Americanization of Walter Scott during the War of 1812.” Martin Ridge Lecture at the Huntington Library. Available as a podcast click here
Work in Progress
- Early Black Writing and the Book
- “Richard Bentley’s Standard Novelist: James Fenimore Cooper”
- “The Unauthorized Lives of the Early Black Atlantic: John Marrant”
Honors, Grants, and Awards
- Junior Faculty Fellow, Boston University Center for the Humanities (2013-4)
- Newberry Library Short-Term Research Fellowship (2012)
- The Katharine Pantzer Fellowship in the British Book Trades, Bibliographical Society of America (2012)
- The Richard Beale Davis Prize, for the best article published in Early American Literature (2009-2010)
- Barra Foundation Postdoctoral Fellow, McNeil Center for Early American Studies
- Carl H. Pforzheimer, Jr., Research Grant from the Keats-Shelley Association of America
- Mayers Fellowship, Huntington Library
- Albert M. Greenfield Dissertation Fellowship, Library Company of Philadelphia
- Outstanding Graduate Student Paper Award, North American Society for the Study of Romanticism