Boston University New Play Initiative (NPI)
The BU New Play Initiative (NPI) expresses our commitment to the School’s participation in the development of new work. This special initiative provides playwrights, directors, designers, and actors with a variety of developmental options to support the collaborative creation of new work for the theatre. Students, faculty, alumni, and guest artists are given the opportunity to utilize the creativity of the rehearsal room to develop their plays, which are then presented through workshop productions. But the life of these new plays doesn’t end on the BU stages. Many New Play Initiative productions are often later fully produced by member companies of our Professional Theatre Initiative.
New Works Festival
Curated by School of Theatre faculty member Kirsten Greenidge, the annual New Works Festival features readings from the work of emerging School of Theatre playwrights.
Join the School of Theatre for our 3rd New Works Festival where six new works will be presented in workshop-style script-in-hand readings!
“Jewels 1” Miller Studio Theatre 352
March 21-24, 2019
By Jo Cosio Mercado (CFA’21)
Directed by Kate Bergstrom
From the playwright: “In an unnamed contemporary city that is not unlike New York stands Verona, a lone ballroom. This grand cathedral of the gays hosts extravagant competitions where two households, much alike in dignity, throw shade, bitchslap, and vogue the house down to snatch the crown. Verona provides a feisty haven for otherwise disenfranchised queer people of color to celebrate themselves. But when two foreign faces step up to walk and stake their claim in the ballroom scene, Verona’s inhabitants are forced to tackle questions of inheritance, appropriation, otherness, and the safety of the fabric of their community.”
Reading Date Thursday, March 21 @7:30 PM
By Quentin Nguyen-Duy (CFA’20)
Directed by Michael Hisamoto (CFA’16)
From the playwright: “Three Asian boys in a house. No shoes. Mom lives somewhere else. One boy is trying to write a play about his dad. Chinese New Year is coming up. Exploring generational trauma in relation to the Vietnam war — with humor. And how our relationships to ourselves and our families are impacted by events that happened to our ancestors. Also lookin’ at the commonality of mental illnesses among the descendants of war refugees — again, with an eye towards the the funny side of things.”
Reading Date Friday, March 22 @7:30PM
ANA UNANG PINA AT KAALAMANG-BAYAN
By Michael A. Rosegrant (CFA’21)
Directed by Sarah Shin (CFA’18)
From the playwright: ” ‘A mixed-performance by a mixed performer’. The play’s title in English is The First Pineapple and Other Folktales, and it employs different mediums/forms of storytelling (poetry, food, music, rap, drag show, puppetry, and of course, theatre) to tell stories of identity, family, and history.”
Reading Date Saturday, March 23 @ 2PM
ON ONE SMALL FLOWER
By Jackie Collet (CFA’19)
Directed by Sarah Shin (CFA’19)
From the playwright: “A young woman must face her past mistakes and audience is asked to help her determine her fate.”
Reading Date Saturday, March 23 @ 7:30 PM
are you ready to smash white things?
By Ireon Roach (CFA’21)
Directed by Mackenzie Cala (CFA’18)
From the playwright: “A Memory play about another mad woman locked away in an attic. As her Father the Doctor’s party wages on downstairs we explore the inner-workings of her blood. We are introduced to Esther and her hyper-poetic reality’s displacement at The Party.”
Reading Date Sunday, March 24 @Noon
By Khadija Bangoura (CFA’21)
Directed by Ingrid Oslund
Consultant: Michael Ofori (CFA’18)
From the playwright: A reimagining of an African folktale.
Reading Date Sunday, March 24 @ 3 PM
Festival Dramaturg: Kristin Leahey
Creative Producer: Grace Georgiadi (CFA ’19)
The Month of April by Lily Hargis (CFA’18)
Panties by Molly Greville (CFA’18)
Not ( ) Enough by Isabella Pelz (CFA’18)
Tritone Paradox by Sam Noble (CFA’19)
The Hunchback of Camden Maine by Annalise Cain (CFA’18)
If You Give A Kid A Sucker by Annalise Cain (CFA’18)
Downtown by Kyle Chua (CFA’18)
Nasty Puss: A Collection of Work by Rachel Lager (CFA’17)
In Love and War by Dev Blair (CFA’19)
Productions and Production History
The School of Theatre strives to produce a full production of at least one world premiere play each season, written by an undergraduate student or recent alum. Every other year, we partner with the Boston Playwrights’ Theatre and BU’s MFA Playwriting program to co-produce the thesis work of the graduating cohort of MFA Playwriting students, directed by current MFA Directing students, in an exciting collaboration. See our full history, below:
NPI Production History
- Translations of Xhosa by Kira Lallas (CFA ’02). The playwright’s account of her personal journey while studying abroad in South Africa. Honored by the Kennedy Center and produced professionally by Olney Theatre Center in 2003. A 2004 nominee for the prestigious Charles MacArthur Award for Outstanding New Play.
- Brendan by Ronan Noone (CAS ’01), a former Huntington Theatre Company playwriting fellow. The story of an Irish immigrant’s struggle to acclimate to his new life in America. Workshopped by the School of Theatre (2005) and professionally produced by HTC (2006). Winner of the 2007 Independent Reviewers of New England (IRNE) award for Best New Play.
- Song of Miriam, a dance-based performance piece developed by alumna Gabrielle Orcha (CFA ’06), was the School of Theatre’s award-winning 2007 Kennedy Center American College Theatre Festival entry.
- Sow and Weep by Nitzan Halperin (CFA ’07). An intimate look at the Israeli-Palestinian conflict through the eyes of two families, one from each side of the battle line. Produced as part of the InCite Arts Festival 2008 and directed by alumnus Jason McDowell-Green (CFA ’07), the play took 3rd prize in the Kennedy Center American College Theatre Festival’s David Mark Cohen Playwriting Award competition.
- King of the Jews by Leslie Epstein, director of BU’s graduate Creative Writing Program, tells the darkly humorous story of I.C. Trumpelman, a man whose fancy determines the fate of others. Co-produced by the Boston Playwrights’ Theatre and the School of Theatre in 2007, this new play received its world premiere at Olney Theatre Center in March 2009.
- Lizzie Stranton by Lydia R. Diamond, former BU School of Theatre assistant professor and author of the critically acclaimed plays Stick Fly, Voyeurs de Venus, and The Bluest Eye. This re-imagining of Aristophanes’ classic comedy Lysistrata was commissioned and workshopped by the School of Theatre in 2008 at the Boston Center for the Arts Calderwood Pavilion.
- Call of the Wild—The Musical by Jon Lipsky, School of Theatre professor and author of the Elliot Norton Award-winning play Coming up for Air: An Autojazzography. Call of the Wild—The Musical, based on the novel by Jack London, received its world premiere at Olney Theatre Center in April 2009, under the direction of BU MFA Directing alumnus Clay Hopper (CFA ’05).
- Pope Joan by School of Theatre alumna Michelle Poynton (CFA ’08) was first produced by the School of Theatre in February 2008. A compelling drama that recounts the scandal surrounding the ninth-century German woman who supposedly became Pope, Pope Joan was featured in the 2009 InCite Arts Festival in New York City.
- Deported/a dream play by BU alumna Joyce Van Dyke (CAS ’96), a Huntington Theatre Company playwriting fellow, was workshopped by the School in February 2009. Subsequently, in May 2009, the play received a staged reading at New Repertory Theatre as part of New Voices @ New Rep. The story of two female survivors of the Armenian genocide, the play has been developed as a collaborative experiment by the playwright, director Judy Braha (SOT assistant professor), and a company of ten actors including SOT faculty members Paula Langton, Rob Najarian, and Marc Cohen.
- diventare by alumna Jenny Rachel Weiner (CFA ’09) was the School of Theatre’s official 2010 Kennedy Center American College Theatre Festival entry. When Linda’s life fractures, she escapes to an imaginary underwater kingdom. As a hurricane once again approaches, Linda must choose to retreat further or face the storm. diventare was featured in the 2010 InCite Arts Festival in New York City. The play was awarded the Kennedy Center American College Theatre Festival National Student Playwriting Award, and the BU production was later presented at the national KCACTF in Washington, D.C.
- The Hill, by Huntington Theatre Company playwriting fellow John Shea, received an October 2009 workshop production at BU, directed by SOT Lecturer Ilana Brownstein. It’s 1974 on Boston’s Bunker Hill, and federal district court judge Arthur Garrity has just handed down an order to begin school busing as a remedy to segregation. Charlestown’s Irish-Catholic community erupts in violent protest, and the turmoil on the streets threatens to infect the lives of everyone on the Hill.
- Fallujah by BU alumnus Evan Sanderson (CFA ’09) was the School of Theatre’s 2011 KCACTF official entry. Like diventare the year prior, Fallujah was awarded the KCACTF National Student Playwriting Award and featured at both the national KCACTF festival and InCite 2011 in New York City. The play also received the KCACTF Quest for Peace playwriting award. Fallujah tells the story of an American journalist, embedded with a combat unit in Iraq, who becomes captivated by the stories of the people he encounters overseas. He returns home, but his heart cannot abandon the deserts of Baghdad and Basra. Following a powerful encounter with a dead soldier, the journalist is compelled to return to Fallujah on the eve of its destruction. In Fall 2012, Fallujah received a European premiere at The Cockpit in London, presented by Liminal Space Productions.
- Our Lady, by BU alumnus James Fluhr (CFA ’10) and directed by BU alumna Ellie Heyman (CFA ’10), received a workshop production at the BU Theatre in October 2011 and was the School of Theatre’s 2012 KCACTF official entry. By exploring one young man’s journey to fully express, accept, and be proud of himself, Our Lady honors the many gay teenagers who have turned to suicide in response to unjust societal pressures. A politically charged, passionate, and engaging one-man show, Our Lady was subsequently featured in the 2012 New York Fringe Festival.
- Confines of a Carcass by Edmund Donovan (CFA ’12) received a workshop production in February 2012, directed by Thomas Martin. An investigation into the mind of a man on the brink of utter estrangement from the world around him, this new play follows Angus’s journey of self-discovery and irreversible transformation as he becomes progressively divorced from the world around him, and increasingly attached to a strange new friend.
- ERIN GO BRAGH-less served as the School of Theatre’s 2013 Kennedy Center American College Theatre Festival following a run in Boston, October 17-21, 2012. A depiction of the tightly knit Irish-American community in modern-day Somerville, Massachusetts, the characters’ interconnected struggles are revealed over the course of St. Patrick’s Day weekend as they inflict new wounds and open old ones in this unflinching family portrait by Huntington Playwriting Fellow John Shea.
- Three Blessed Brothers by CFA alumnus Phillip Berman and Our Girl in Trenton by BU MFA Playwriting alumnus Cliff Odle were workshopped at the College of Fine Arts in October 2013. The latter also served as the College’s 2014 Kennedy Center American College Theatre Festival official entry.
- Pattern of Life by BU MFA Playwriting alumnus Walt McGough premiered at the Boston University Theatre, Lane-Comley Studio 210, in summer 2014. The production was co-produced by Boston Center for American Performance and New Repertory Theatre and received an IRNE nomination for Best New Play, small/fringe theatre category.
- The Whitmores by CFA alumnus Ben Ducoff (CFA ’15) was workshopped at the Boston University Theatre, Lane-Comley Studio 210, in October 2014 as part of the College of Fine Arts’ annual Fall Fringe Festival. The production also served as the College’s 2015 Kennedy Center American College Theatre Festival official entry. The production received numerous honors from the national KCACTF board including: Distinguished Director (Michael Hammond), Distinguished Production, and Outstanding Actress (Leah McLoughlin, CFA ’15).
- Uncle Jack, a modernization of Anton Chekhov’s Uncle Vanya by School of Theatre faculty member Michael Hammond, premiered at the Boston University Theatre, Lane-Comley Studio 210, in February 2015. Critics praised the production which was co-presented by Boston Center for American Performance and Boston Playwrights’ Theatre.
- She Eats Apples (Stephanie Brownell), Restricted (Danyele Brickner), Broken (William Carter), Sickle (Abbey Fenbert), and Equal Writes (Phil Schroeder) were produced over the course of the 2014-2015 academic year as part of the first @Play Festival of New Work, a year-long celebration of the MFA Playwriting class of 2015, co-produced by Boston University Graduate School of Arts & Sciences and the College of Fine Arts School of Theatre in collaboration with Boston Playwrights’ Theatre.
- In December 2015 at the Calderwood Pavilion at the Boston Center for the Arts, Boston Center for American Performance (the School of Theatre’s professional extension) and New Repertory Theatre partnered on a production of Robert Brustein’s new play with music, Exposed, a reimagining of Molière’s Tartuffe.
- Boston Center for American Performance (BCAP) and New Repertory Theatre also partnered on the February 2016 rolling world premiere of Kirsten Greenidge’s Baltimore, presented at the Boston University Theatre, Lane-Comley Studio 210. The play was nominated for an Elliot Norton Award for Outstanding New Script in 2016.
- In Fall 2016, the School of Theatre presented Daddy Issues by SOT alumnus Tom L. Wark (CFA’16), and directed by SOT alumna Leila Ghaemi (CFA’14).
- In 2016-2017, the School of Theatre partnered with Boston Playwrights’ Theatre and the BU Graduate School of Arts & Sciences on a series of MFA Playwriting thesis plays including Livian Yeh’s Memorial, Andrew Clarke’s Faithless, Leo McGann’s The Honey Trap, Samantha Noble’s Franklin, and Mary Conroy’s Every Piece of Me.
- In Fall 2017, the School of Theatre presented Downtown, by Kyle Tristan Chua (CFA’18) as part of our Fall 2017 Fringe Festival.
- In Fall 2018, the School of Theatre presented Unmentionables, by Molly Greville (CFA’18) as part of our Fall 2018 Fringe Festival.
- Also in the 2018-2019 season, the School of Theatre’s partnership with Boston Playwrights’ Theatre and the BU Graduate School of Arts & Sciences produced a series of MFA Playwriting thesis plays including Kira Rockwell’s The Tragic Ecstacy of Girlhood, Laura Neill’s Winter People, Alexis Scheer’s Laughs in Spanish, and Beirut Balutis’ Dead House.