Category: Ronan Noone

Meleady wins Nortie for ‘the smuggler’

May 12th, 2020 in Alums, Blog, new plays, Ronan Noone, the smuggler

Congratulations to Billy Meleady, who won the Elliot Norton Award for Outstanding Solo Performance for his turn in Ronán Noone’s the smuggler!

Poster for ‘the smuggler’

November 8th, 2019 in 2019/2020 Season, Alums, Blog, new plays, Ronan Noone, the smuggler

Noone ‘Best Playwright’ at 1st Irish

February 7th, 2019 in Alums, awards, Blog, new plays, New York City, Ronan Noone

Playwright alum and adjunct assistant professor Ronan Noone received the 11th annual Original 1st Irish Theatre Festival's Best Playwright award  for his play The Smuggler. The awards were announced during the closing ceremony of the two-week event. Congratulations!

Noone’s ‘The Smuggler’ part of NYC’s 1st Irish

January 14th, 2019 in Alums, Blog, new plays, New York City, Ronan Noone

Playwright alum and adjunct assistant professor Ronan Noone's The Smuggler, a new solo comedy, has its American premiere this week (Jan. 14-21) as part of Origin Theatre Company's 1st Irish Theatre Festival. New York-based Fat Violet Theater produces. Congratulations!

Thank you…

May 7th, 2018 in Alums, Blog, Boston Playwrights' Theatre, Boston Theater Marathon, Boston Theater Marathon XX, Deirdre Girard, Gary Garrison, Hortense Gerardo, Jack Neary, Jack Welch, Kate Snodgrass, Kirsten Greenidge, Laura Neill, luchadore, Melinda Lopez, Michael Towers, new plays, Pat Gabridge, Peter Floyd, Robert Brustein, Ronan Noone, Rosanna Yamagiwa, short plays

BTMXX_marquee everyone who made Boston Theater Marathon XX possible! See you next year!

Remembering Derek: Ronan Noone

March 18th, 2017 in Alums, Blog, Boston Playwrights' Theatre, Derek Walcott, Ronan Noone

I have a lot of great memories of Derek Walcott but the one abiding memory, the one that always returns, is when he pulled me aside one day after our first class together. He had just heard an early draft of a play I was writing and he asked if I would like to sit in on his poetry seminars too. I said, "Yes, of course." But what it really meant to me was that this master had seen something in my work that required his attention; that this green behind ears newbie had the stuff to become a writer. It was the recognition that gave me the confidence to be the writer I am today.

The play I was working on that day was The Lepers of Baile Baiste. And below is a picture of myself and Derek and Ciaran Crawford on the opening night of that play in New York City three years after that first class. I am what I am because of Derek Walcott.


New York City, 2004: Ciaran Crawford, Ronan Noone, and Derek Walcott on opening night of The Lepers of Baile Baiste.

—Ronan Liam Noone

A master manipulator works all the angles in ‘The Atheist’

January 27th, 2017 in News & Press, Ronan Noone, The Atheist

Review from The Boston Globe

You can’t accuse Augustine Early, the bottom-feeding tabloid reporter in Ronan Noone’s “The Atheist,’’ of concealing her unscrupulous intentions. “My rules: Do whatever you have to do to get the story,’’ she proclaims.

Augustine certainly follows that amoral credo in an absorbingly spiky production of Noone’s 2006 solo play at Boston Playwrights’ Theatre, directed and designed by the playwright himself.

Read full review...

Notes on why ‘The Atheist’ now

January 20th, 2017 in 2016/2017 Season, Alums, Blog, Ronan Noone, The Atheist

“So much for Objective Journalism. Don’t bother to look for it here—not under any byline of mine; or anyone else I can think of. With the possible exception of things like box scores, race results, and stock market tabulations, there is no such thing as Objective Journalism. The phrase itself is a pompous contradiction in terms.”

—Hunter S. Thompson

1 - It would be foolish to think that objectivity is still a foundation on which our media is built. It is not. A newspaper, a TV channel, a radio station, and a website—whether blatantly obvious or mildly subtle—is ultimately linked to a political party and/or a specific political ideology. If you associate that ideology with a personal belief that mirrors and outlines your own ethical slant, it is likely you will buy that paper and find solace, faith, and a linked community upon which your safety and anger act as both offense and defense against those whose beliefs are often the exact opposite. And for those whose beliefs are the opposite, they will read and agree with the paper and TV channel that sings to their choir. It seems there is little room for compromise these days, particularly as the news is repeated in a cyclical stream leaving the viewer riddled with anxiety and fearful of the other side.

2 - When I was growing up, the headline on the front page was usually a clever, reductive and self-satisfied bon mot that explained a story in a word, like “Gotcha,” which is how the Sun newspaper in Britain announced the sinking of an Argentinian ship during the Falklands war. It is that bawdy, xenophobic, nationalistic attitude and irreverent language that gave voice to Augustine Early. It is a familiar voice again. Back then it was the men, Rupert Murdoch and Robert Maxwell who published those papers. Today it is still men: Murdoch, Henry, Bezos, Karsh, Slim. (I would also count Peter Thiel in there too because he had the money to shut down a media group because of a sex tape.) More

Noone’s ‘The Second Girl’

September 9th, 2016 in Alums, Blog, Ronan Noone


Happy opening of The Second Girl to Ronan Noone and everyone at the Vineyard Playhouse!

Opening night x 2 for Noone

July 7th, 2016 in Alums, Blog, Brett Marks, new plays, Ronan Noone


Happy opening (this weekend) to Ronan Noone and the team of his play The Second Girl at the Contemporary American Theater Festival...


...and to Ronan and our friends at Happy Medium Theatre, who open Brendan next week!