Monument to Love: Swedish Marriage Textiles from the Khalili
Collection
**From the Collection of Nasser D. Khalili, declared
one of ARTnews’ Top 200 Collectors in the World in 2003**
September
5, 2003 – October 26, 2003
Opening Reception Thursday, September 4, 2003 6-8 pm
BOSTON--
The Boston University Art Gallery opens its fall season with Monument
to Love: Swedish Marriage Textiles from the Khalili Collection.
The first exhibition of this material in the United States and
one of the few exhibitions of Swedish Textiles ever in this country,
the exhibition showcases the rare and unique Swedish Marriage
Textiles from the Khalili Collection.
One of the
world’s leading philanthropists and collectors, Dr. Nasser
D. Khalili has amassed a stunningly impressive art collection.
In addition to what many consider to be the most comprehensive
private collection of Islamic Art in the world, Khalili has created
collections of Japanese Art of the Meiji Period (1868-1912), Indian
Textiles, Spanish Damascened Metalwork, Near and Middle Eastern
Antiquities, and Swedish Textiles.
Monument
to Love: Swedish Marriage Textiles from the Khalili Collection
celebrates a very beautiful and relatively unknown artistic practice
that flourished in Scania, the southernmost region of Sweden,
beginning in the mid-18th century, and was represented in textile
panels made as commemorations for wedding ceremonies. This rare
and rather personal artistic expression persisted for almost 100
years. Highly valued objects integral to the bride’s dowry
for their symbolism, beauty and demonstration of fine taste and
handiwork, the art of weaving textiles was an important tradition
that passed from mother to daughter in the mid-18th to early-19th
centuries.
Local women,
unidentified in the works and usually the wives and daughters
of prosperous farmers and landholders, individually created each
textile shown in this exhibit. Daughters learned to weave at a
young age, as it was an advantage at the time of marriage to have
a full marriage chest filled with beautiful tapestries as a dowry.
Having a strong reputation as a weaver also reflected a woman’s
ability to make a pleasing home and care for her family. The textiles
on exhibit, demonstrating the “golden age” of Swedish
textile production, were generally woven in one of two techniques:
rölakan and flamskväv, resulting in
a variety of rich visual patterns, ornamentation, and motifs.
Ranging from small square seat cushion covers to impressive wall-length
tapestries often as long as seven feet, these striking textiles
have retained their vibrant colors, as many were treasured items
brought out only for special festivities. Constructed of complex
geometric patterns and woven in a technique rarely used today,
the works on exhibit mark an important moment in textile history,
representing both a Swedish regional style and a far-reaching
Byzantine, Islamic, and Asian visual precedent. This exhibition
and related programming reinforces the Boston University Art Gallery’s
commitment to offering a diverse and interdisciplinary approach
to art and culture.
PUBLIC PROGRAMMING
Gallery
Talk
Wednesday, September 24, 1 pm
Melissa Renn, Exhibition Coordinator and Graduate Student in Art
History, Boston University, will discuss the exhibition’s
images and themes.
Boston University Art Gallery
Panel
Discussion
Saturday, October 25, 2 p.m., reception to follow
Women Weaving: An Interdisciplinary Discussion of Textiles in
the Context of the Exhibition
Panelists:
Linda Behar, Contemporary Textile Artist, Lexington,
MA.
Barbara Gottfried, Professor of Women’s Studies,
Boston University.
Helena Hernmarck, Swedish Tapestry Artist, Ridgefield,
CT.
Janet Hansen Kawada, Visiting Assistant Professor, Fibers
Department, MassArt
Désirée Koslin, Assistant Professor, Museum
Studies: Costume and Textiles, FIT
Paula Richter, Curator of Textiles and Costumes, Peabody
Essex Museum.
IMAGES
AVAILABLE UPON REQUEST
Please call
the gallery or visit the BU Art Gallery website at www.bu.edu/art
for events and programming during the season. All exhibitions
and events are free to the public.
Information
Boston University
Art Gallery
855 Commonwealth Avenue
Boston, MA 02215
TEL (617) 353-3329
FAX (617) 353-4509 |
Gallery Hours
Tuesday-Friday 10am –5pm
Saturday & Sunday 1 – 5 pm
www.bu.edu/art |
The
Boston University Art Gallery (BUAG) is a non-profit
art gallery geared toward an interdisciplinary interpretation
of art, and committed to a culturally inclusive viewpoint that
expands the boundaries of the museum. Exhibitions focus on international,
national and regional art developments chiefly in the 20th century;
seek to present the cultural and historical context of art,
and to acknowledge the artistic contributions of under-recognized
sectors of the population. BUAG is located at 855 Commonwealth
Avenue, inside the College of Fine Arts at Boston University
(BU West T stop on the B Green Line).