Volume 19
Vol. 19.1
Essays and Verse
Antinous’ Lips: A Note on the Slippery Matter of Realism in Portraiture
Amelia Arenas
Ovid in Rushdie, Rushdie in Ovid:
A Nexus of Artistic Webs
Ioannis Ziogas
Reading the Classics
E. T. Jeremiah
On Doing the Truth in Time:
The Aeneid’s Invention of Poetic Prophecy
William Franke
Horace through Johnson (ii): The Prodigal Heir
“A Short Song of Congratulations”: Horace, Johnson, and Satire
Kenneth J. Reckford
On the Sarcophagi
Mark Anthony Signorelli
Selected Epigrams
Sir Thomas More
(Translated by Susan McLean)
The Neuroscience of the Tragic Mask
Peter Meineck
Reviews
Spotting an Elephant
Stephen Mitchell and Peter van Nuffelen, eds. Monotheism Between Pagans and Christians in Late Antiquity.
Colin Wells
“The Greatest Historian” In New English
Thucydides The Peloponnesian War, translated by Martin Hammond, notes by P. J. Rhodes.
Steven J. Willett
Vol. 19.2
Essays and Verse
Three Poems
Valerie Wohlfeld
Philip Marlowe Meets the Art Historian
Paul Barolsky
Improvisations on Salvatore Quasimodo
Martin Bennett
Who Owns Reason?
Colin Wells
The Shield and the Lyre:
Archilochian Inspirations
Michael Andrews
Rembrandt: The “I” Witness
Zhenya Gershman
Facing the Minotaur: Inception (2010) and Aeneid 6
Julia D. Hejduk
The Heritage of Jacqueline de Romilly
David Bouvier
Two Poems
Christopher Nield
Fiction
Clodia Muses
Marguerite Johnson
Reviews
Homer Who?
M. L. West, The Making of the Iliad: Disquisitions and Analytical Commentary
Norman Austin
A Thick-Skulled Rationalist
Wisława Szymborska, Here
Myles Weber
Recolenda
A Crusade for the Humanities: From the Letters of Cardinal Bessarion
(Translated by Avi Sharon)