AGNI Poetry by Year
| Author |
Title |
Published |
| Absher, Tom |
Migration |
|
| Aisenberg, Katy |
No Aubade |
|
| Aisenberg, Nadya |
Tellurian |
|
| Anderson, Bruce |
Cézanne: The Ruined Chateau |
|
| Bagg, Robert |
White Shoulders |
|
| Boland, Eavan |
Lace |
|
| Boland, Eavan |
Nocturne |
|
| Boland, Eavan |
Suburban Woman: A Detail |
|
| Brock-Broido, Lucie |
Autobiography |
|
| Brock-Broido, Lucie |
Constellation of the Birds |
|
| Brock-Broido, Lucie |
I Think Deeply of Ruin |
|
| Brock-Broido, Lucie |
A Little Piece of Everlasting Life |
|
| Brock-Broido, Lucie |
Noctilucent |
|
| Brock-Broido, Lucie |
Put Your Little Shoes Away |
|
| Cohen, Jonathan |
Walt Whitman in Ohio |
|
| Collins, Martha |
Before Spring |
|
| Collins, Martha |
Leaf |
|
| Collins, Martha |
Wings |
|
| Cramer, Steven |
Head of a Young Girl |
|
| Der-Hovanessian, Diana |
Diaspora |
|
| Dischell, Stuart |
Fool’s Gold |
|
| Dischell, Stuart |
Sleep Neighbors |
|
| Dukes, Norman |
Two Pictures of a Rose in the Dark |
|
| Eve, Barbara |
A Letter of Introduction |
|
| Finnell, Dennis |
Everybody’s Business |
|
| Flook, Maria |
Household |
|
| Gardinier, Suzanne |
Fishing Trip |
|
| Gardinier, Suzanne |
To Mary, Who Is Married Now |
|
| Gardinier, Suzanne |
Two Traveling Women and the Houdini Man |
|
| Greenberger, Ann |
Sisyphus Inverted |
|
| Green, Melissa |
The Housewright’s Mercy |
|
| Greger, Debora |
Bees, Los Conquistadores |
|
| Greger, Debora |
Recent Events: The Fossil Record |
|
| Hines, Debra |
Guest |
|
| Hirsch, Edward |
Rapture |
|
| Howe, Marie |
Gretel, from a Sudden Clearing |
|
| Howe, Marie |
Menses |
|
| Howe, Marie |
Song of the Spinster |
|
| Howe, Marie |
The Split |
|
| Koestenbaum, Wayne |
The Answer is in the Garden |
|
| Lindsay, Frannie |
Wanting You To |
|
| Logan, William |
The Advent of Common Law in Littoral Disputes |
|
| Logan, William |
Ambassador of Imperfect Mood |
|
| Mariani, Paul |
Catalpa |
|
| McBride, Mekeel |
Strauss and the Cows of Ireland |
|
| McKernan, John |
Cézanne was not Very Good at Inter- |
|
| Milburn, Michael |
Last Letter |
|
| Miller, Jane |
Approaching Forty Devils |
|
| Morris, Herbert |
Cold |
|
| Orlowsky, Dzvinia |
Growing Up Ukrainian |
|
| Pastan, Linda |
The Ordinary Weather of Summer |
|
| Pettit, Michael |
Man Walking Downstairs Backwards, Turning, Walking Away While Carrying Rock |
|
| Pettit, Michael |
Woman Turning and Lifting Train |
|
| Pettit, Michael |
Woman Turning, Throwing Kiss, and Walking Upstairs |
|
| Propp, Karen |
7-Eleven |
|
| Ruescher, Scott |
Doug |
|
| Schofield, Don |
Star |
|
| Slomkowska, Lusia |
Why Cities Have Farmer’s Markets |
|
| Smith, Jordan |
A Primer for Those Who Have Dealings with the Gods |
|
| Storace, Patricia |
His Stature to Pygmalion |
|
| Whitehead, Jeffrey |
Stone Work |
|
| White, J. P. |
On Mallarmé’s Plan |
|
| Wolff, Daniel |
from Work Sonnets: “Just now it was like I had risen to heaven,” “Music builds the perfect shelter,” “How slow the hired body moves” |
|
| Zeiger, Gene |
One Way the Faithful Learn to Dance |
|
| Author |
Title |
Published |
| Ai, |
The Emigré |
|
| Cardenal, Ernesto |
At the Tomb of the Guerilla |
|
| Cardenal, Ernesto |
Founding of the Latin American Association for Human Rights |
|
| Cardenal, Ernesto |
New Ecology |
|
| Cardenal, Ernesto |
The Parrots |
|
| Cardenal, Ernesto |
Vision from the Blue Plane-Window |
|
| Collins, Martha |
Lent |
|
| Collins, Martha |
Martin Luther King Day |
|
| Collins, Martha |
Outside |
|
| Hadas, Rachel |
The End of Summer |
|
| Harper, Michael S. |
Cousins |
|
| Ignatow, David |
Dear Sir: |
|
| Lehman, David |
Reverse Angle |
|
| Levertov, Denise |
Carapace |
|
| Logan, William |
Nocturne Revolutionnaire |
|
| Miller, Jane |
Centripetal |
|
| Millman, Lawrence |
A Child’s Guide to Latin American Politics |
|
| Morris, Herbert |
Film |
|
| O’Grady, Desmond |
Hellas: Coup d’état |
|
| Orlowsky, Dzvinia |
The River |
|
| Rudman, Mark |
Bad News |
|
| Slomkowska, Lusia |
Gdansk/4 AM |
|
| Slomkowska, Lusia |
Waldek’s Wedding |
|
| Slomkowska, Lusia |
Why Cities Have Farmer’s Markets |
|
| Stafford, William |
Children Still Play |
|
| Tapscott, Stephen |
Gathering |
|
| Wagoner, David |
The Excursion of the Speech and Hearing Class |
|
| White, J. P. |
Answering Your Last Letter |
|
| Author |
Title |
Published |
| Aisenberg, Nadya |
At Akumal |
|
| Aisenberg, Nadya |
Listening to Schubert |
|
| Benedikt, Michael |
The Displaced Energy Blues |
|
| Daniels, Jim |
Riding Double Home from the Dairy |
|
| Daniels, Jim |
Taking the Bus to Veracruz |
|
| Der-Hovanessian, Diana |
In a Landscape Without Humans |
|
| Doty, Mark |
A Catalogue for Cooks |
|
| Dove, Rita |
Daystar |
|
| Dove, Rita |
Weathering Out |
|
| Dukes, Norman |
Delphi on a Winter Evening |
|
| Dukes, Norman |
Marx’s Tomb in Highgate Cemetery |
|
| Dukes, Norman |
Moving Day |
|
| Dukes, Norman |
Portrait of Father in a Dust Storm |
|
| Dukes, Norman |
Science Center |
|
| Dukes, Norman |
To the Reader, to the Writer |
|
| Dukes, Norman |
Wedge |
|
| Dukes, Norman |
The Year |
|
| Edmunds, Martin |
Fever |
|
| Gregerson, Linda |
Malbecco |
|
| Haskins, Lola |
Loving a Son |
|
| Howe, Marie |
Retribution |
|
| Marchant, Fred |
Grief |
|
| Marchant, Fred |
Rescue |
|
| Mariani, Paul |
Sarcophagus |
|
| Milburn, Michael |
Depot |
|
| Milburn, Michael |
A Photograph of Yeats’s Lapis Lazuli |
|
| Milburn, Michael |
Rachmaninoff Plays Chopin |
|
| Norris, Kathleen |
Thinking About Louise Bogan |
|
| Pastan, Linda |
Clinic |
|
| Pastan, Linda |
Japanese Lantern |
|
| Pau-Llosa, Ricardo |
Brooms |
|
| Piero, W. S. di |
Summer Returns |
|
| Poole, Thomas |
Easter |
|
| Sholl, Betsy |
6 A.M. |
|
| Sholl, Betsy |
Edges |
|
| Sholl, Betsy |
Hanging Out the Wash |
|
| Vieira, John |
The Lake Swan, the Tom |
|
| Warner, Gale |
Turner |
|
| Author |
Title |
Published |
| Ali, Agha Shahid |
The Seasons of the Plains |
|
| Allen, Dick |
The Clergyman’s Wife Composes a Spring Letter |
|
| Allen, Dick |
William Rimmer: “Flight and Pursuit” |
|
| Allman, John |
The Birth of Time |
|
| Allman, John |
Physics |
|
| Barnes, Jim |
Toy Soldiers |
|
| Baumel, Judith |
Details |
|
| Baumel, Judith |
Our Differences |
|
| Bensen, Robert |
Driving the County Blacktop |
|
| Bensen, Robert |
The Waves at Matsushima |
|
| Cader, Teresa |
Parts Do Not Make a Whole |
|
| Cader, Teresa |
What the Right Hand Gives, the Left Takes Away |
|
| Campbell, Mary |
Justice |
|
| Collins, Martha |
The Green House |
|
| Der-Hovanessian, Diana |
Translating |
|
| Dischell, Stuart |
The Liquid Face |
|
| Dischell, Stuart |
The Original Face |
|
| Dischell, Stuart |
The Vagrant Face |
|
| Dwyer, David |
Old Lovers Drinking Together |
|
| Eaton, Charles Edward |
The Plane |
|
| Edmunds, Martin |
Sentence |
|
| Ghitelman, David |
Silver Lake |
|
| Goldbarth, Albert |
The Threshold for the Definition of “Numinous” is a Variable |
|
| Greger, Debora |
Garden of Acclimatization |
|
| Gustavson, Jeffrey |
from Pond Subjects: 3. Fjord, 4. High School, 5. Edmunds!—, 6. Ishmael, 8. Narcissus, 13. Letter to My Brother, 16. Before Lauds |
|
| Gustavson, Jeffrey |
The Scarecrow |
|
| Harmon, William |
from A Cloud No Bigger than a Woman’s Hand: III.iv, III.v, IV. Holy Writ |
|
| Hartman, Charles O. |
The Burden of the Desert Sea |
|
| Hartman, Charles O. |
On My Mother’s Birthday |
|
| Holmes, Olivia |
The Accident at Staplehurst |
|
| Kleinschmidt, Edward |
Begonia |
|
| Kleinschmidt, Edward |
Fly By Night |
|
| Koestenbaum, Wayne |
In Labor |
|
| Koestenbaum, Wayne |
In the Classroom |
|
| Ligi, |
Problem Solving |
|
| Logan, William |
The Air of Cathedrals |
|
| Logan, William |
Anglian Music |
|
| Logan, William |
Babies |
|
| Logan, William |
The Rivers of England |
|
| Logan, William |
The Shootist |
|
| Lynch, Thomas |
from Learning Gravity |
|
| McFall, Gardner |
The Pilot’s Daughter |
|
| McKernan, Llewellyn |
Faith |
|
| O’Grady, Desmond |
Berlin Metro |
|
| Opengart, Bea |
Poem with Afternoon Light |
|
| Propp, Karen |
In Brooklyn |
|
| Propp, Karen |
The Men in Paris |
|
| Propp, Karen |
Poem |
|
| Ratushinskaya, Irina |
Leningrad Triptych |
|
| Ratushinskaya, Irina |
My Lord |
|
| Rose, Jennifer |
Britons Leaving France |
|
| Rosen, Kenneth |
The Fall |
|
| Rosen, Kenneth |
The String Quartet of the Birds |
|
| Ruescher, Scott |
Dog Gone Ode |
|
| Ruescher, Scott |
The Driver Kept on Going |
|
| Ruescher, Scott |
For Starts |
|
| Ruescher, Scott |
Mouse Chase |
|
| Ruescher, Scott |
Taking the Cue |
|
| Ruescher, Scott |
Unintentional Lullaby |
|
| Shangi, |
In Exile |
|
| Stanford, Janet Holmes |
Charleston |
|
| Staw, Jane |
Poem After Several Images in Calvino |
|
| Stewart, Frank |
Searching for Ice |
|
| Storace, Patricia |
August: Blues |
|
| Storace, Patricia |
Death: A Betrothal |
|
| Storace, Patricia |
Exile’s Matins |
|
| Storace, Patricia |
Intaglio |
|
| Storace, Patricia |
Pamina’s Marriage Speech |
|
| Storace, Patricia |
Perdita |
|
| Storace, Patricia |
Simple Sums |
|
| Storace, Patricia |
Spring Afternoon |
|
| Storace, Patricia |
Varieties of Religious Experience |
|
| Storace, Patricia |
Vocation |
|
| Storace, Patricia |
A Weekend at the Last Resort |
|
| Strickland, Stephanie |
First Couple |
|
| Tapscott, Stephen |
Nocturne |
|
| Tapscott, Stephen |
You |
|
| Towner, Daniel |
Books by Nobody |
|
| Viereck, Peter |
from Archer in the Marrow: The Applewood Cycles: MOTIFS: Archer in the Marrow, Duel on Land’s End, EPILOGUE: Prologue to New Spiral |
|
| Wakoski, Diane |
The Orange |
|
| Warren, Rosanna |
Orchard |
|
| Wojahn, David |
Les Enfants de Paradis |
|
| Wormser, Baron |
An Art of Remoteness |
|
| Wormser, Baron |
My Old Man |
|
| Author |
Title |
Published |
| Baumel, Judith |
That First Angelico |
|
| Collier, Michael |
The Clasp |
|
| Cope, Wendy |
from Strugnell’s Sonnets: |
|
| Cope, Wendy |
The Lavatory Attendant |
|
| Cope, Wendy |
Mr. Strugnell |
|
| Cope, Wendy |
On Finding an Old Photograph |
|
| Cope, Wendy |
A Policeman’s Lot |
|
| Deane, Seamus |
The Brethren |
|
| Deane, Seamus |
Fording the River |
|
| Deane, Seamus |
History Lessons |
|
| Deane, Seamus |
Return |
|
| Deane, Seamus |
A Schooling |
|
| Deane, Seamus |
A World without a Name |
|
| Fenton, James |
In a Notebook |
|
| Fenton, James |
Lines for Translation into Any Language |
|
| Fenton, James |
Lullaby for a Summer Recess |
|
| Fenton, James |
A Vacant Possession |
|
| Fenton, James |
The Wild Ones |
|
| Galvin, James |
Shadow-Casting |
|
| Goldbarth, Albert |
Apr 15 |
|
| Green, Melissa |
The Squanicook Eclogues |
|
| Harmon, William |
Environmental Issues |
|
| Harrison, Tony |
Aqua Mortis |
|
| Harrison, Tony |
The Call of Nature |
|
| Harrison, Tony |
Long Distance |
|
| Harrison, Tony |
National Trust |
|
| Harrison, Tony |
On Not Being Milton |
|
| Harrison, Tony |
Remains |
|
| Harrison, Tony |
Study |
|
| Hinrichsen, Dennis |
On Trees |
|
| Hofmann, Michael |
Furth i. Wald |
|
| Hofmann, Michael |
Gruppenbild ohne Dame |
|
| Hofmann, Michael |
Incident from Antiquity |
|
| Hofmann, Michael |
Myopia in Rupert Brooke Country |
|
| Hofmann, Michael |
Sans-Souci |
|
| Hofmann, Michael |
To a Classics Professor |
|
| Huntington, Cynthia |
In Our Former Life |
|
| Longley, Michael |
Casualty |
|
| Longley, Michael |
Circle |
|
| Longley, Michael |
Last Requests |
|
| Longley, Michael |
Master of Ceremonies |
|
| Longley, Michael |
The Swim |
|
| Longley, Michael |
Wounds |
|
| Mahon, Derek |
April on Toronto Island |
|
| Mahon, Derek |
Courtyards in Delft |
|
| Mahon, Derek |
Glengormley |
|
| Mahon, Derek |
My Wicked Uncle |
|
| Mahon, Derek |
Poem Beginning with a Line by Cavafy |
|
| Mahon, Derek |
The Terminal Bar |
|
| Mariani, Paul |
Prime Mover |
|
| McGuckian, Medbh |
Admiring the Furs |
|
| McGuckian, Medbh |
The Aphrodisiac |
|
| McGuckian, Medbh |
The Moon Pond |
|
| McGuckian, Medbh |
Not Pleasing Mama |
|
| McGuckian, Medbh |
The Perfect Mother |
|
| McGuckian, Medbh |
The Witchmark |
|
| Motion, Andrew |
Bathing at Glymenopoulo |
|
| Motion, Andrew |
Leaving Belfast |
|
| Motion, Andrew |
Letter to an Exile |
|
| Motion, Andrew |
West 23rd |
|
| Muldoon, Paul |
At Martha’s Deli |
|
| Muldoon, Paul |
How to Play Championship Tennis |
|
| Muldoon, Paul |
Lives of the Saints |
|
| Muldoon, Paul |
Mules |
|
| Muldoon, Paul |
Paris |
|
| Muldoon, Paul |
Why Brownlee Left |
|
| Nelson, Jeremy |
Tristitia |
|
| Ormsby, Frank |
After Mass |
|
| Ormsby, Frank |
A Day in August |
|
| Ormsby, Frank |
The Massage Parlour |
|
| Ormsby, Frank |
Passing the Crematorium |
|
| Ormsby, Frank |
The War Photographers |
|
| Ormsby, Frank |
Winter Offerings |
|
| Paulin, Tom |
Manichean Geography I |
|
| Paulin, Tom |
Manichean Geography II |
|
| Paulin, Tom |
Second-rate Republics |
|
| Paulin, Tom |
Settlers |
|
| Paulin, Tom |
Trotsky in Finland |
|
| Paulin, Tom |
What Is Fixed to Happen |
|
| Raine, Craig |
Beware the Vibes of Marx |
|
| Raine, Craig |
The Grocer |
|
| Raine, Craig |
In the Kalahari Desert |
|
| Raine, Craig |
A Martian Sends a Postcard Home |
|
| Raine, Craig |
Sexual Couplets |
|
| Ruescher, Scott |
Gold Mining |
|
| Ruescher, Scott |
I Look into the Pothole |
|
| Ruescher, Scott |
Objects of Love |
|
| Wainwright, Jeffrey |
Before Battle |
|
| Wainwright, Jeffrey |
Sea Dreams |
|
| Wainwright, Jeffrey |
Sentimental Education |
|
| Wainwright, Jeffrey |
Some Propositions and Part of a Narrative |
|
| Walcott, Derek |
XXXIV |
|
| Walcott, Derek |
XXXV |
|
| Walcott, Derek |
XXXVI |
|
| Young, William |
Becoming Another Person and Hearing Different Melodies |
|
| Author |
Title |
Published |
| Ai, |
The Priest’s Confession |
|
| Aisenberg, Nadya |
Wreaths to the Temple |
|
| Allman, John |
Marcus Garvey Arrested at 125th Street Station |
|
| Anderson, Bruce B. |
Poem for the Governess at the Appleyard School |
|
| Barks, Coleman |
Bedclothes |
|
| Bell, Marvin |
If By Poetry You Mean |
|
| Bell, Marvin |
On the Illusion of Time in a Difficult Period |
|
| Ben-Tov, Sharona |
The Angel of Memory |
|
| Ben-Tov, Sharona |
Nocturne for Parvaneh |
|
| Benedikt, Michael |
For Zeike as We Come and Go Among the 20th Century . . . |
|
| Benedikt, Michael |
. . . Kate Fowler's 100th Birthday Party . . . |
|
| Berger, Suzanne E. |
In the Evening of Creatures |
|
| Birkerts, Sven |
Chekhov’s Fancy |
|
| Collins, Martha |
The Catastrophe of Rainbows |
|
| Collins, Martha |
Eclipse |
|
| Collins, Martha |
Poem in the Fourth Dimension |
|
| Cramer, Steven |
The Narcissus |
|
| Dischell, Stuart |
Boston, Winter |
|
| Doplicher, Fabio |
The Casting |
|
| Dove, Rita |
Cameos |
|
| Dukes, Norman |
Freud |
|
| Dukes, Norman |
To the Shore, and the Shore Thereof |
|
| Flook, Maria |
Ants in a White Peony |
|
| Flook, Maria |
Apology for John |
|
| Flook, Maria |
Diving Alone |
|
| Flook, Maria |
In Love |
|
| Flook, Maria |
Poem for Prevention |
|
| Flook, Maria |
Radio Request |
|
| Flook, Maria |
Reunion |
|
| Flook, Maria |
Snow Statement |
|
| Frost, Carol |
Frost |
|
| Gebhard, Christine |
Every sixty seconds, the train moves forward |
|
| Ghitelman, David |
In Early Spring |
|
| Ghitelman, David |
Survivors |
|
| Goebel, Ulf |
Drift of Speech |
|
| Goldbarth, Albert |
Ambassador |
|
| Goldbarth, Albert |
Toward a Texas Haiku |
|
| Graham, Jorie |
Erosion |
|
| Gustavson, Jeffrey |
Nervous Forces |
|
| Hadas, Rachel |
Three Angers |
|
| Hahn, Kimiko |
A Girl Combs Her Hair |
|
| Harmon, William |
One Woman, Four Lights |
|
| Hinrichsen, Dennis |
November Streets |
|
| Ignatow, David |
Dear Homer |
|
| Ignatow, David |
The Machine |
|
| Ligi, |
Hey |
|
| Logan, William |
Florida |
|
| Mariani, Paul |
Baudelaire at Gamma Level |
|
| McKean, James |
Rowing for Water |
|
| Melnyczuk, Askold |
Never the Kind |
|
| Milburn, Michael |
Amiens 1977 |
|
| Milburn, Michael |
Days of 1974 |
|
| Milburn, Michael |
Girl Asleep in Library |
|
| Milburn, Michael |
The Hunter |
|
| Milburn, Michael |
The Letters |
|
| Milburn, Michael |
Mussels |
|
| Milburn, Michael |
Portrait |
|
| Milburn, Michael |
Such Silence |
|
| Olds, Sharon |
The Germans Put the Torch to the Ukraine, 1939 |
|
| Olds, Sharon |
Looking at My Father |
|
| Opengart, Bea |
Nocturne: Narcissus |
|
| Opengart, Bea |
Opposition to the Angels |
|
| Opengart, Bea |
To Take Us Further |
|
| Pack, Robert |
At the Ecology Convention |
|
| Pastan, Linda |
Coronary Bypass: for Rod |
|
| Piero, W. S. Di |
Second Horn |
|
| Rankin, Paula |
We Never Get to the End of It All |
|
| Rogers, Pattiann |
Keeping Beauty Under Control |
|
| Rogers, Pattiann |
The Vicarious Experience |
|
| Romanow, Peter |
Edna St. Vincent Millay Answers a Letter Which Praised Her Poetry and Lamented Her Death |
|
| Rosenberg, L. M. |
Snowbound |
|
| Schreiber, Ron |
willful acts; acts of will |
|
| Sheridan, Michael |
June 5, 1981 |
|
| Smith, Jordan |
Notes toward a Translation |
|
| Standing, Sue |
The Very Rich Hours |
|
| Vorog, Valentyn |
We Who Have No Future |
|
| Wild, Peter |
Mud Turtles |
|
| Wright, Charles |
Omaggio a Pavese |
|
| Young, William |
Early to Rise |
|
| Author |
Title |
Published |
| Althaus, Keith |
The Feather |
|
| Althaus, Keith |
Poem |
|
| Benedikt, Michael |
Mighty Talky Letter to Grace Schulman |
|
| Darr, Ann |
But You Can’t Say That |
|
| Darr, Ann |
Time Zones on the Rivers |
|
| Dischell, Stuart |
Azan |
|
| Dischell, Stuart |
“Because Sorrow is What We Own” |
|
| Dwyer, David |
Diamond Head: instead of another elegy |
|
| Epstein, Daniel Mark |
How Shall We Dress for Heaven? |
|
| Flook, Maria |
The Childlike Lives of the Sweep Second Hand and the Single Mother |
|
| Goldbarth, Albert |
A History of Civilization |
|
| Greger, Debora |
99 South |
|
| Greger, Debora |
Leavings |
|
| Hadas, Rachel |
Letter to a Niece |
|
| Hadas, Rachel |
Marriage Rhapsody |
|
| Harmon, William |
Two Artifacts, Two Metamorphoses: 1. Stéphane Mallarmé’s “Poe’s Stone” |
|
| Harmon, William |
Two Artifacts, Two Metamorphoses: 2. Rainer Maria Rilke’s “Likeness of My Father in His Youth” |
|
| Holland, John |
Texts for Speaking Voice: Mapping |
|
| Holland, John |
Texts for Speaking Voice: Scientific Research |
|
| Holland, John |
Texts for Speaking Voice: Solo |
|
| Huddle, David |
The Field |
|
| Joyce, William |
For the Toes, For the Last Braille |
|
| Klappert, Peter |
Low Sunday |
|
| Kooser, Ted |
Friday Noon |
|
| Kooser, Ted |
A Monday in May |
|
| Kooser, Ted |
Stealing Grapes |
|
| Lindsay, Frannie |
For Someone Sitting Still |
|
| Lindsay, Frannie |
The Limit |
|
| Lindsay, Frannie |
The Loser’s Filly |
|
| Lindsay, Frannie |
Plum Island |
|
| Lindsay, Frannie |
Relic |
|
| Lindsay, Frannie |
Summer House |
|
| Lindsay, Frannie |
Timer |
|
| Lindsay, Frannie |
The Women with Strange Names |
|
| Logan, William |
Cartography |
|
| Logan, William |
Hard Waters |
|
| Mariani, Paul |
Fire in the Choir Loft |
|
| Mitchell, Susan |
The Mouse and the Clock |
|
| Petrosky, Tony |
My Father Is |
|
| Rudenko, Mykola |
At Least, You |
|
| Rudenko, Mykola |
The Flower |
|
| Rudenko, Mykola |
The King of Tasmania |
|
| Rudenko, Mykola |
Spring |
|
| Sinisgalli, Leonardo |
Easter 1952 |
|
| Sinisgalli, Leonardo |
Holy Saturday in Manfredonia |
|
| Smith, Jordan |
Constable Hall |
|
| Smith, Jordan |
The Hawk |
|
| Smith, Jordan |
Hymns: For the Orthodox |
|
| Smith, Jordan |
Niagara, 1804 |
|
| Smith, Jordan |
A Side of Beef |
|
| Spivack, Kathleen |
Fifteen |
|
| Starbuck, George |
Sunday Brunch in the Boston Restoration |
|
| Strickland, Stephanie |
Mother: Dressed Up |
|
| Swiss, Thomas |
West Pond Road |
|
|
