|
|
AGNI Essays by Year
The links below take you to an index of all essays published in each given year:
| Author |
Title |
Published |
| Birkerts, Sven |
What Remains |
|
| Birkerts, Sven |
Bits |
|
| Bottoms, Greg |
Dinner with Strangers |
 |
| Christian, Brian |
High Compression: Information, Intimacy, and the Entropy of Life |
|
| Higgs, Christopher |
The Annoying Lacuna: One Unofficial History of the Oulipo |
|
| Lababidi, Yahia |
Aphorisms |
|
| Lenney, Dinah |
What Will the Soul Do for Solace Then? |
|
| McKinnon, Sara |
Running My Mouth |
|
| Nemser, Alexander |
The Wages of Sin Is Laughter |
|
| Pierce, William |
Crucibles: Intimations of Randomness |
|
| Purcell, Rosamond |
In Her Hands: The Art World Goes to War |
|
| Qualey, M. Lynx |
Creation |
|
| Slezak, Ellen |
Kissing Wayne Newton |
|
| Tunotre, J. S. |
AWP Chicago: A Gamer’s Notes |
|
| Watson, Emily C. |
Still, Sky, Girl, and Marriage |
|
| Author |
Title |
Published |
| Birkerts, Sven |
The Advertent Eye |
|
| Birkerts, Sven |
In the Commissaries of Hell |
|
| Christian, Brian |
That Trick of Memory: Seasonally Induced Amnesia in Seattle |
|
| Gardner, Robert |
Watching |
|
| Gidding, Josh |
On Not Being Proust: An Essay in Literary Failure |
|
| Gorham, Sarah |
Darling Amanita |
|
| Gregor, Nadia |
The Dysthenic Revelation |
|
| Groom, Kelle |
How to Make a Shoe |
|
| Guida, James |
Marbles |
|
| Kon Zhicheng-Mingdé, Desmond |
Scholem in One Uneven Hour |
|
| Kupperman, Kim Dana |
See Me Slant: Poetry Considers Her Mother |
|
| Lahiri, Jhumpa |
Alberto de Lacerda: A Remembrance |
|
| Mazur, Michael |
Introduction to the Art Feature |
|
| Melnyczuk, Askold |
Shadowboxing: The Evil of Banality |
|
| Melnyczuk, Askold |
Shadowboxing: Secular Antics in Bethlehem |
|
| Merullo, Roland |
Visions of Gerard |
|
| Meyer, Kimberly |
Terra Sancta, or On Learning to Read the Signs |
|
| Pickering, Sam |
Going Nowhere |
|
| Pierce, William |
Crucibles: The Orchestration of Surprise |
|
| Purpura, Lia |
Two Experiments and a Coda |
|
| Rivard, David |
A Note on Steven Berg’s Rimbaud: “. . . still unilluminated I . . .” |
|
| Stern, Richard |
So Long, Studs |
|
| Stone, Emily |
Lucky at Cards |
|
| Van Meter, Ryan |
The Men from Town |
|
| Wildgen, Michelle |
Aphrodisiacs |
|
| Author |
Title |
Published |
| Birkerts, Sven |
The Thinker in the Garden |
|
| Birkerts, Sven |
The Walk |
|
| Diel, Scott |
69° North, 33° East: Running from the Russians |
|
| Ifland, Alta |
Elegy for a Fabulous World |
|
| Karp, Jacqueline |
An Exchange of History Lessons |
|
| Karp, Jacqueline |
A Tale of Two Paintings: Orhan Pamuk and Turkey’s Troubled Identity |
|
| McCullough, Ashley |
Trust and the Cowboy |
|
| Meads, Kat |
On Reading and Rereading The Mind of the South in No Place Southern |
|
| Melnyczuk, Askold |
Shadowboxing: Daytripping Chatila |
|
| Miller, Ben |
The Butter Mint Gun |
|
| Miller, Brenda |
Secret Machine |
|
| Mockett, Marie Mutsuki |
Letter from a Japanese Crematorium |
|
| O’Connor, Stephen |
Milosz’s Choice: An Investigation of Sentimentality |
|
| Pearson, Joseph |
Mexico in Ruins |
|
| Pierce, William |
Crucibles: “Let Us Imagine” |
|
| Purpura, Lia |
The Lustres |
|
| Schuette-Hoffman, Allison |
Risk Assessment |
|
| Shrayer, Maxim D. |
Sarda Resarta |
|
| Solow, Harrison |
Bendithion |
|
| Tillinghast, Richard |
from Istanbul in Winter: Hagia Sophia, The Call to Prayer, Rumi |
|
| Tillinghast, Richard |
Water Music |
|
| Trubek, Anne |
On Finally Seeing the Polish Rider at the Frick Museum |
|
| Tyree, J. M. |
Paterson and Paterson (and Jersey and America) |
|
| Walker, Nicole |
Dissociation (The Natural Order) |
|
| Author |
Title |
Published |
| Bardes, Charles, M.D. |
ante mortem |
|
| Bardes, Charles, M.D. |
borrowed intimacy |
|
| Bardes, Charles, M.D. |
dark room |
|
| Bardes, Charles, M.D. |
don’t |
|
| Bardes, Charles, M.D. |
dove sono |
|
| Bardes, Charles, M.D. |
ED |
|
| Bardes, Charles, M.D. |
enough music |
|
| Bardes, Charles, M.D. |
heroic measures |
|
| Bardes, Charles, M.D. |
perfect |
|
| Bardes, Charles, M.D. |
pill |
|
| Bardes, Charles, M.D. |
plenty of fluids |
|
| Bardes, Charles, M.D. |
reading a patient |
|
| Bardes, Charles, M.D. |
Seven essays from The Double Serpent: Subtexts in Medicine: caduceus, diseasification, morphine—by way of an explanation, radical mastectomy, sulfa, urinalysis, wound |
|
| Bardes, Charles, M.D. |
system support |
|
| Birkerts, Sven |
An Appreciation of Charles Bardes, M.D. |
|
| Birkerts, Sven |
Finding Traction |
|
| Birkerts, Sven |
The Hive Life |
|
| Brouwer, Joel |
Havana City Limits |
|
| Gausby, Christopher |
from Philosophic Journal |
|
| Gray, Robert |
from Reading My Father |
|
| Hoover, Joe |
Bus |
|
| Johnson, B. |
What Gets Buried |
|
| Keizer, Garret |
Florence of Paterson |
|
| Larsen, Lance |
My Brother, Floating |
|
| Lenney, Dinah |
Deal |
|
| Livaccari, Christopher |
Of Emptiness, Nothingness, and Asymptotic Freedom |
|
| Lyons, Jacqueline |
A Sort of a Map |
|
| Maris, Kathryn |
Introduction to A Portfolio of British and Irish Poems |
|
| Marshall, Alexandra |
At Mont-Saint-Michel and Chartres |
|
| Melnyczuk, Askold |
Shadowboxing: On the Failures of Victory |
|
| Miller, A. P. |
Blessing the New Moon |
|
| Miller, Ben |
A Study in Sequins |
|
| Pierce, William |
Crucibles: Report on a Report |
|
| Purpura, Lia |
Being of Two Minds |
|
| Rawlings, Wendy |
Spectacular Mistakes |
|
| Riordan, Maurice |
Introduction to A Portfolio of British and Irish Poems |
|
| Schwabe, Liesl |
Mr. Dangerous and Mumtaz |
|
| Tevis, Joni |
Chihuahua Desert Love Song |
|
| Tyree, J.M. |
Displeasures of Empire, or An American Werewolf in Finsbury Park |
|
| Wickersham, Joan |
An Attempt at a Biographical Essay |
|
| Author |
Title |
Published |
| Beckman, Joshua |
Please Do Us a Favor |
|
| Birkerts, Sven |
As Above: Saul Bellow |
|
| Birkerts, Sven |
The Ideal Reader |
|
| Burris, Sidney |
Past Reason Hunted, or Living with Sonnet 129 |
|
| Chiasson, Dan |
One Kind of Everything |
|
| Collins, Myfanwy |
Tobacco Road |
|
| Comer, Diane |
The Ore of Longing |
|
| Danoff, Douglas |
To the New World and Back |
|
| Davidson, Deborah |
Considering Language |
|
| Duffin, K. E. |
Bronx |
|
| Duffin, K. E. |
Marostica |
|
| Duffin, K. E. |
Palladio |
|
| Kemperman, Kerrie |
What I Know, What I Don’t |
|
| Keplinger, David |
Milosz, Simic, and the Mask of the Prodigal |
|
| Leach, Dirk |
Popeye Hemingway |
|
| Mathison, Neil |
Cross Threaded |
|
| Mehlman, Jeffrey |
Kandahar: A Memoir |
|
| Melnyczuk, Askold |
Shadowboxing: An Open Letter to My Students About Captain Violin, Saul Bellow, the War, and the Art of Fiction |
|
| Melnyczuk, Askold |
Shadowboxing: Style and Time |
|
| Michelson, Joan |
The Last Haircut |
|
| Miller, Ben |
Romancing the Dankerts |
|
| Mullarkey, Maureen |
Transubstantiations |
|
| Robinson, Jay |
Weldon Kees & Robinson: Portraits in Absentia |
|
| Sutton, Patrick |
Force by Two |
|
| Trifonov, Yuri |
A Visit with Marc Chagall (translated from the Russian by Maxim D. Shrayer) |
|
| Wormser, Baron |
from The Woods: A Meditation |
|
| Author |
Title |
Published |
| Banks, Russell |
H & I |
|
| Birkerts, Sven |
The Decline of the West & Other Animadversions |
|
| Birkerts, Sven |
Reading at the Limit |
|
| Birkerts, Sven |
Scratch |
|
| Birkerts, Sven |
Submission Guidelines |
|
| Bissell, Tom |
Truth in Oxiana |
|
| Blume, Harvey |
Hammer |
|
| Chiasson, Dan |
How to Read the World: Louise Glück’s “Prism” |
|
| Cooley, Martha |
Dogs: A Moscow Triptych |
|
| Daniels, J. D. |
Technical Difficulty |
|
| Debeljak, Ales |
Tomaz Salamun and His “Tribe” |
|
| Germanacos, Anne |
Caffeine |
|
| Grunwald, Eric |
On Leaving the Womb |
|
| Hall, Donald |
Domains |
|
| Harmon, Joshua |
The Annotated Mix-Tape |
|
| Jackson, Katherine |
Cake or Death? |
|
| Kopple, PhD, Kathryn A. |
A Reader’s Response to Anis Shivani’s “Where Does Collaboration with Fascist Aesthetics Begin and End?” |
|
| Larson, Doran |
An Instance |
|
| Man, George E. N. de |
Language in Myth, Religion, Saga, and Tale |
|
| Melnyczuk, Askold |
Shadowboxing: From the Diary of a Self-hating Pundit |
|
| Melnyczuk, Askold |
Shadowboxing: Gentlemen’s Disagreements |
|
| Melnyczuk, Askold |
Shadowboxing: with Alan Greenspan |
|
| Minkkinen, Arno Rafael |
Photography and the Fine Art of Swimming |
|
| Pickering, Sam |
End Papers |
|
| Pierce, William |
Fabulously Real |
|
| Purpura, Lia |
Glaciology |
|
| Sherman, Ken |
A Violence from Within: Poetry & Terrorism |
|
| Shivani, Anis |
Where Does Collaboration with Fascist Aesthetics Begin and End? |
|
| Warner, William |
Moscow to the End of the Line |
|
| Warner, William |
Products of a reading of an English translation of Doctor Zhivago’s Italian publisher |
|
| Author |
Title |
Published |
| Ashar, Ronny |
Objects and Digressions |
|
| Benfey, Christopher |
With How Sad Steps, O Moon |
|
| Birkerts, Sven |
Noble Rot |
|
| Birkerts, Sven |
On Becoming an Editor |
|
| Birkerts, Sven |
Stage 2 |
|
| Blume, Harvey |
WB on the Treadmill |
|
| Dovzhenko, Alexander |
from The Enchanted Desna |
|
| Ferguson, Jesseca |
Introduction to the Art Feature |
|
| Frick, Thomas |
The Picture House |
|
| Howard, Maureen |
Vernissage |
|
| Keplinger, David |
Towards a Cultural Geography |
|
| LaSalle, Peter |
Metaphysical Messages: With J. L. B. in Buenos Aires |
|
| Livesey, Margot |
Eyeless, Headless |
|
| Mattison, Alice |
Fever |
|
| Melnyczuk, Askold |
Shadowboxing: Ball’s Bearings and Monster from the Midlands |
|
| Melnyczuk, Askold |
Shadowboxing: For the Iraqi Dead |
|
| Norman, Howard |
Carousel Horse |
|
| Pickering, Sam |
Early April |
|
| Purcell, Rosamond |
Breaking Ground |
|
| Schwartz, Lynne Sharon |
I Wish I Could Say the Same |
|
| Scialabba, George |
Message from Room 101 |
|
| Shrayer, Maxim D. |
Lorca |
|
| Slouka, Mark |
Historical Vertigo: Observations from the Nick of Time |
|
| Stavans, Ilan |
¡Lotería! or, The Ritual of Chance |
|
| Stephenson, Wen |
Re: No Subject |
|
| Author |
Title |
Published |
| Chapel, Debbie Danielpour |
Land Where My Fathers Died |
|
| Ginzburg, Natalia |
Film (translated from the Italian by Lynne Sharon Schwartz) |
|
| Ginzburg, Natalia |
The Great Lady (translated from the Italian by Lynne Sharon Schwartz) |
|
| Ginzburg, Natalia |
An Invisible Government (translated from the Italian by Lynne Sharon Schwartz) |
|
| Karasik, Judy |
An Editorial Relationship |
|
| Mar, M. Elaine |
Bi Bi Hua |
|
| Melnyczuk, Askold |
Putting Down the Gloves, Leaving the Whispering Gallery |
|
| Melnyczuk, Askold |
Shadowboxing: Putting Down the Gloves, Leaving the Whispering Gallery |
|
| Melnyczuk, Askold |
Shadowboxing: The Future of Literature in America |
|
| Moss, Rose |
Mulberries |
|
| Scialabba, George |
Letter to the Editor about Michael Scharf’s “Statesman or War Criminal?” |
|
| Shrayer, Maxim D. |
Stephansplatz |
|
| Author |
Title |
Published |
| Andrukhovych, Yuri |
Within Time, Down a River (translated from the Ukrainian by Michael M. Naydan) |
|
| Arnove, Anthony |
Scenes from Iraq |
|
| Berrigan, Philip |
Nuclear Denial |
|
| Broz, Svetlana |
Good People in Times of Evil (translated from the Serbian by Zorica Stoilovic and Ellen Elias-Bursac) |
|
| Feitlowitz, Marguerite |
“We Know Nothing. It Isn’t Taught”: Secret Histories of Argentina’s Dirty War |
|
| Henry, DeWitt |
Innocents Abroad |
|
| Hryn, Halyna |
Oksana Zabuzhko’s Field Work in Ukrainian Sex |
|
| Manea, Norman |
Periprava, 1958 |
|
| Melnyczuk, Askold |
Shadowboxing: Prophet Loss |
|
| Rabben, Linda |
Amnesty International: Myth and Reality |
|
| Ratiner, Steven |
Introduction to Interviews with Bei Dao and Rita Dove |
|
| Rosenwald, Lawrence |
On Nonviolence and Literature |
|
| Rubenstein, Joshua |
Premature Witness |
|
| Scammell, Michael |
Arthur Koestler in Civil War Spain |
|
| Stavans, Ilan |
. . . and justice for all |
|
| Stavans, Ilan |
Efraín Huerta: Epitaph for the Crocodile |
|
| Stavans, Ilan |
Efraín Huerta: Epitaph for the Crocodile |
|
| Wasserman, Dan |
Lunacy ’Toons |
|
| Wilde-Menozzi, Wallis |
The Oneness of Music |
|
| Author |
Title |
Published |
| Bourne, Louis |
Rafael Alberti between the Sword and the Carnation |
|
| Buchwald, Christoph |
Mixed Choir with Eleven Voices |
|
| Daynard, Jodi |
Time Has a Color |
|
| Földényi, László |
Under the Reichsbeauty’s Spell (translated from the Hungarian by Michael Blumenthal) |
|
| Goldensohn, Barry |
Melville’s The Confidence Man and His Descendants in David Mamet’s Work |
|
| Lehman, David |
What the Poets in Germany Are Up To These Days |
|
| Lennon, Ivan |
A Minimum Rage |
|
| Man, George de |
Silent Reading: Southern Gnostic and the State of the Union |
|
| Melnyczuk, Askold |
In Memorium: Solomea Pavlychko |
|
| Melnyczuk, Askold |
Shadowboxing: Able Was I Ere I Was Cain |
|
| Melnyczuk, Askold |
Shadowboxing: The Future of Fiction: Toward a New Internationalism |
|
| Shrayer, Maxim D. |
Master of Palindromes: Remembering and Rereading Michael B. Kreps |
|
| Shrayer, Maxim D. |
A Note on Eduard Bagritskii’s “Origin” |
|
| Silbert, Sarah |
The Great Heron Feeds |
|
| Stavans, Ilan |
The Rise and Fall of Yiddish |
|
| Vierek, Peter |
Preface to Lynette Labinger’s Conversation with Joseph Brodsky |
|
| Author |
Title |
Published |
| Bergstein, Gerry |
Introduction to the Art Feature: Elaine Spatz-Rabinowitz |
|
| Bergstein, Gerry |
Introduction to the Art Feature: Shellburne Thurber |
|
| Brenna, Duff |
Alienation, Imagination, Secrets and Sins in Thomas E. Kennedy |
|
| Chasalow, Eric |
AGNI in the Music Business |
|
| Cherry, Kelly |
What is Music? What is Poetry? |
|
| Goldensohn, Barry |
David Mamet and Poetic Language in Drama |
|
| Henry, Dewitt |
First Love: A Memoir |
|
| Kennedy, Thomas E. |
Sweet Fire: Memories of Andre Dubus |
|
| Melnyczuk, Askold |
Shadowboxing: Saved by Shame: Milosz’s Concupiscent Curds |
|
| Sleigh, Tom |
One Person in Three Substances, or Three Substances in One Person? |
|
| Voskeritchian, Taline |
The Eyes of Yerevan |
|
| Whedon, Tony |
The Transfiguration of Pinsky |
|
| Author |
Title |
Published |
| Benevich, Grigory |
Which Earth? |
|
| Berger, Andrea |
A Note on Ádám Bodor’s Fiction |
|
| Brasfield, James |
A Note on Oleh Lysheha |
|
| Callan, Annie |
Catherine in Glass, from Swimming at the Joyce Museum |
|
| Hausler, Pete |
A Strange Kind of Exile—Hope and Despair in Ivan Klima |
|
| Hemschemeyer, Judith |
Paying Attention |
|
| Hiestand, Emily |
Angela the Upside-Down Girl |
|
| Kates, J. |
Ed Hogan |
|
| Kennedy, Thomas E. |
The Dream of a Castle |
|
| Lawrence, Vicki |
Vergangenheitsbewaltigung |
|
| Lieblich, Julia |
Pieces of Bones |
|
| Melnyczuk, Askold |
Ed Hogan: In Memoriam |
|
| Melnyczuk, Askold |
Shadowboxing: On Not Being Irish in Boston |
|
| Naydan, Michael M. |
Prefatory Note on Andrukhovych’s “Testament” |
|
| Naydan, Michael M. |
In Eternal Memory |
|
| Rehder, Wulf |
The Thingun |
|
| Stavans, Ilan |
Memory and Literature |
|
| Walsh, Chris |
“Building the House of Dying”: Donald Hall’s Claim for Poetry |
|
| Zeitlin, Leora |
Memoir |
|
| Author |
Title |
Published |
| Birkerts, Sven |
Joseph Brodsky |
|
| Brodsky, Joseph |
from “Uncommon Visage,” in On Grief and Reason |
|
| Bruchac, Joseph |
Strong Stories |
|
| Collins, Martha |
Translating Viet Nam |
|
| Goodheart, Eugene |
Sticks and Stones |
|
| Heaney, Seamus |
Shorts for Simic |
|
| Hershman, Marcie |
Living on Top |
|
| Jarniewicz, Jerzy |
Poetry, History and the Love of Oranges |
|
| Kaysen, Susanna |
On Rereading The Magic Mountain |
|
| Mattawa, Khaled |
Epic Temptations |
|
| Melnyczuk, Askold |
To Tease a Shadow: In Memoriam, JB |
|
| Morris, Mary |
Essay on Eavesdropping |
|
| Neville, Tam Lin |
Mandelstam’s Web |
|
| Powers, Katherine A. |
On Conversation with Joseph Brodsky |
|
| Rehder, Wulf |
A Descriptive Analysis of Bank Notes |
|
| Wright, Carolyne |
Open Secrets: An Insider’s Introduction to Allende’s Chile |
|
| Author |
Title |
Published |
| AGNI, |
Michael Franco’s Word of Mouth |
|
| Anderson, Scott |
E-mail from Paris |
|
| deNiord, Chard |
Peter Balakian and the Poetry of Witness: A Reply |
|
| Drakulic, Slavenka |
Reading Karahasan |
|
| Focht, Lynn |
The Risks of Being Suleiman |
|
| Goldner, Loren |
The On-Line World is Also on Fire: A Reply to Sven Birkerts’s The Gutenberg Elegies |
|
| Karahasan, Dzevad |
A Belated Reply to N. |
|
| Karahasan, Dzevad |
Letter from N. |
|
| Karahasan, Dzevad |
Literature and War |
|
| Karahasan, Dzevad |
A Love Letter |
|
| Scialabba, George |
Wistful Thinking about the Political Weeklies |
|
| Author |
Title |
Published |
| Agosín, Marjorie |
How to Speak with the Dead? A Poet’s Notebook (translated from the Spanish by Monica Bruno) |
|
| Atkinson, Diana |
from Highways and Dancehalls |
|
| Bauer, Douglas |
After the Fact: Discoveries in the Writing of a Biographical Novel |
|
| Birkerts, Sven |
Biography and the Dissolving Self: A Note |
|
| Corbett, William |
A Confession |
|
| Corbett, William |
from Philip Guston |
|
| deNiord, Chard |
The High Place of American Poetry: The Problem with Witness |
|
| Homer, Art |
Falling |
|
| Johnson, Alex |
How I Became Eye |
|
| Johnson, Susan |
A Long Way in the Dark |
|
| Laughlin, James |
9 Ridge Road, from Remembering William Carlos Williams |
|
| Malcomson, Scott |
from Borderlands: 27-39 |
|
| Moore, Honor |
The Crimson Snake |
|
| Pavlychko, Solomea |
A Catfish for Your Thoughts: Ukrainian Literature at the Turning Point |
|
| Phillips, Caryl |
Water |
|
| Pistalo, Vladimir |
The Building with a Crown (translated from the Serbian by Charles Simic) |
|
| Polizzotti, Mark |
In Search of André Breton |
|
| Scialabba, George |
The Sealed Envelope |
|
| Simon, Linda |
Foreign States of Mind |
|
| Author |
Title |
Published |
| Barka, Wasyl |
The Nature of Poetry |
|
| Birkerts, Sven |
The Woman in the Garden |
|
| Corbett, William |
Prologue: Marlborough Gallery October 1970 |
|
| Davidson, Miriam |
Women of the Maquiladoras |
|
| Epstein, Leslie |
Two Young Writers |
|
| Garg, Mridula |
Bilingualism and the Creative Writer in India |
|
| Gewanter, David |
A Note on Thom Gunn’s “Lament” |
|
| Heaney, Seamus |
Frank Bidart: A Salute |
|
| Lease, Joseph |
Who Do We Think We Are? |
|
| Nelson, Victoria |
The Strange History of the American Fanatic |
|
| Owchar, Nick |
“What Was Lost”: Dissident Artists after Soviet Communism |
|
| Rosenwald, Lawrence |
On War Tax Resistance |
|
| Weiner, Joshua |
Thom Gunn’s “Meat” |
|
| Author |
Title |
Published |
| Balakian, Peter |
An Armenian Journal |
|
| Chomsky, Noam |
What Lies Ahead for Central America? |
|
| Cohen, Joshua |
The Gulf War and American Politics |
|
| Corbett, William |
Robert Mapplethorpe’s Photographs |
|
| Corbett, William |
Trevor Winkfield’s Altarpieces |
|
| Elman, Richard |
Post Time |
|
| Epstein, Leslie |
The Movie on the Warehouse Wall |
|
| II, Pat C. Hoy |
The Spirit Was Willing and So Was the Flesh |
|
| II, Pat C. Hoy |
Wars Just and Unjust |
|
| Melnyczuk, Askold |
Shadowboxing: A Column |
|
| Rose, Jennifer |
V-Mail |
|
| Rubchak, Bohdan |
Because We Have No Time: Recent Ukrainian Poetry |
|
| Suleiman, Susan Rubin |
My War in Four Episodes |
|
| Author |
Title |
Published |
| Birkerts, Sven |
Reflections of a Non-Political Man |
|
| Bok, Sissela |
School for Scandal |
|
| Clarvoe, Jennifer |
Quoting History, Reading Poetry |
|
| Corbett, William |
Better Than Nature: Gregory Amenoff’s New Paintings |
|
| Dischell, Stuart |
Robert Penn Warren |
|
| Engel, Monroe |
Knowing More Than One Imagines; Imagining More Than One Knows |
|
| Grossman, Allen |
On the Management of Absolute Empowerment: Nuclear Violence, the Institutions of Holiness, and the Structures of Poetry |
|
| Hass, Robert |
Some Notes on Coming to Jakarta |
|
| Hemschemeyer, Judith |
Translator’s Introduction, from The Complete Poems of Anna Akhmatova |
|
| Melnyczuk, Askold |
The Hammer on the Table |
|
| Melnyczuk, Askold |
Reply to Birkerts |
|
| Onyshkevych, Larissa M. L. Zaleska |
Echoes of Chernobyl in Soviet Ukrainian Literature |
|
| Scialabba, George |
Inside the Cave |
|
| Scott, Peter Dale |
How I Came to Jakarta |
|
| Selinger, Eric |
William Corbett |
|
| Sleigh, Tom |
Editor’s Note |
|
| Williamson, Alan |
Poetry and Politics |
|
| Author |
Title |
Published |
| Agosín, Marjorie |
Letter to AGNI (translated from the Spanish by Cola Franzen) |
|
| Bensen, Robert |
The Garden and the Abyss: Columbus’ Journal and Three Caribbean Writers |
|
| Digges, Deborah |
Letter to AGNI |
|
| Gen, Gish |
Letter to AGNI |
|
| Hongo, Garrett |
Letter to AGNI |
|
| Krupat, Arnold |
Letter to AGNI |
|
| Lynn, Elizabeth Cook |
Letter to AGNI |
|
| Pinsky, Robert |
The Poet in the Faubourg “Jewish” |
|
| Tarnowsky, Osip |
Letter to AGNI |
|
| Wakefield, Dan |
Letter to AGNI |
|
| West, Alan |
Latin American Writing: Language and Spices, Resistance and Redemption |
|
| Author |
Title |
Published |
| Alcorn, Alfred |
Influences |
|
| Anonymous, |
Objections Noted |
|
| Bahr, Thomas |
The Cork-Lined Room |
|
| Balakian, Peter |
Arshile Gorky’s Embroidered Apron |
|
| Baumel, Judith |
Inventory |
|
| Benfey, Christopher |
Persimmons |
|
| Bertoni, Christina |
Note to the Art Feature |
|
| Birkerts, Sven |
Starting |
|
| Bowen, Paul |
Note to the Art Feature |
|
| Burgess, Lowery |
Note to the Art Feature |
|
| Clayton, John J. |
A Deeper Music |
|
| Cook, Mariana |
Ansel Adams |
|
| Corbett, William |
Philip Guston |
|
| Cramer, Steven |
The Imperfect Teacher |
|
| Davis, Meredith |
Note to the Art Feature |
|
| Dischell, Stuart |
Until We Are Pure Spirit |
|
| Eshleman, Clayton |
Novices |
|
| Feldman, Ruth |
Visit to a Dead Poet |
|
| Ferguson, Jessica |
Note to the Art Feature |
|
| Frick, Thomas |
Introduction to the Art Feature: Concerning the Spiritual in Art |
|
| Frick, Thomas |
Science Fiction |
|
| Ghitelman, David |
Robert Maurer |
|
| Hall, Donald |
Influential Anxieties |
|
| Harmon, William |
Being Helped |
|
| Holmer, Martie |
Note to the Art Feature |
|
| Laffoley, Paul |
Note to the Art Feature |
|
| Lehman, David |
Three Notes on the Computer |
|
| Leibowitz, Herbert |
Fathers and Son |
|
| Lourie, Jod |
Note to the Art Feature |
|
| Melnyczuk, Askold |
Editor’s Note |
|
| Melnyczuk, Askold |
Introduction |
|
| Melnyczuk, Askold |
Roman Coins, Scythian Pottery |
|
| Milburn, Michael |
Lowell’s Atmosphere |
|
| Milburn, Michael |
Lowell’s Atmosphere |
|
| Norman, Howard |
Cendrar’s Trunk |
|
| Oppenheimer, Joel |
Influences |
|
| Rector, Liam |
Influences Among Elders |
|
| Robinson, Marilynne |
Culture and Spirit |
|
| Rudman, Mark |
On Influence |
|
| Scialabba, George |
Demos and Sophia: Not a Love Story |
|
| Scialabba, George |
An Honest Believer |
|
| Shapiro, Alan |
Follow the Yellow Brick Road |
|
| Shelnutt, Eve |
“Driving to the Interior”: Elizabeth Bishop, Guide |
|
| Sleigh, Tom |
Ay, Que Vida |
|
| Smith, Jordan |
A Note on George Oppen |
|
| Spivack, Kathleen |
Robert Lowell |
|
| Stern, Richard |
On Reprinting Golk |
|
| Storage, Patricia |
Food and Cooking |
|
| Vevers, Tabitha |
Note to the Art Feature |
|
| Weinberger, Eliot |
Is God Down? |
|
| Wormser, Baron |
Chuck Berry, Yes |
|
| Wormser, Baron |
William Blake: Some Pieces from the Puzzle |
|
| Author |
Title |
Published |
| Falk, Richard |
The Spirit of Thoreau in the Age of Trident |
|
| Author |
Title |
Published |
| Allen, Bruce |
Afterword on James Hanley’s “When the Light Came” |
|
| Author |
Title |
Published |
| Collins, Martha |
The Contents of Discontent: A Preface to Some Poems by Peter Klappert |
|
|
|
