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AGNI Essays by Year
The links below take you to an index of all essays published in each given year:
| Author |
Title |
Published |
| Baingana, Doreen |
Tuk-Tuk Trail to Suya and Stars |
|
| Birkerts, Sven |
Vertigo |
|
| Bonnefoy, Yves |
My Memories of Armenia (translated from the French by John Naughton) |
|
| Cooley, Martha |
Go Tell Your Father |
|
| Donovan, Matt |
House of the Faun, Pompeii |
|
| Robert Gardner, Saskia Hamilton, Lloyd Schwartz, Jacqeline Osherow, Fanny Howe, Gail Mazur, Honor Moore, Fred Marchant, Robert Polito, Dana Levin, Christopher Benfey, Claudia Rankine, David Gewanter, Tom Sleigh, C. K. Williams, Joshua Weiner, Peter Campion, Kevin Prufer, Richard Tillinghast, Robert Pinsky, and Grey Gowrie |
Reflections on Robert Lowell |
|
| Hassan, Ihab |
Despots in the Sand: A Quizzical Memoir |
|
| John Kinsella |
Autography 4 |
|
| Hill, Kathleen |
My Apple Tree, My Brightness |
|
| Lenney, Dinah |
Breakfront |
|
| McCallum-Smith, Susan |
Able and Baker: Not Invented Here |
|
| Mehlman, Jeffrey |
The Mozart of the Talmud |
|
| Melnyczuk, Askold |
Shadowboxing: Occupational Hazards |
|
| Riopelle, F. J. |
Norway and the Prisoners of Peace |
|
| Warner, William Eaton |
On Pointing |
|
| Author |
Title |
Published |
| Andrews, Nin |
The Gay Gene |
|
| Andrews, Nin |
How To Write About Your Family: A Lesson from Peter Taylor |
|
| Birkerts, Sven |
The Golden Book |
|
| Birkerts, Sven |
I’ll take Hell in a Handbasket for five hundred, Alex. |
|
| Boyers, Robert |
A Beauty |
|
| Braunstein, Sarah |
Bondage and the Pizza Man |
|
| Braverman, Blair |
Rangefinder Girl |
|
| Cortázar, Julio |
from From the Observatory (translated from the Spanish by Anne McLean) |
|
| Czyz, Vincent |
Plotting Against Plot |
|
| Donovan, Matt |
Monkey Mind: A Meditative Path to Perfection |
|
| Fetchko, Lisa |
Nipper |
|
| Hill, Kathleen |
Forgiveness |
|
| Kadetsky, Elizabeth |
Bombing the Ghost |
|
| Melnyczuk, Askold |
Shadowboxing: Beating Toms |
|
| Melnyczuk, Askold |
Shadowboxing: Novelist Eats Babies! |
|
| Melnyczuk, Askold |
Shadowboxing: A Proposal for Unknotting Credit Markets and Restoring Prosperity |
|
| Pagel, Caryl |
Driving at Night |
|
| Percy, Jen |
Azeroth |
|
| Pierce, William |
Crucibles: Walser Before & After |
|
| Purpura, Lia |
Memo Re: Beach Glass |
|
| Wilson, Jonathan |
Albrecht Dürer, W.G. Sebald, and My Father |
|
| West, Paul |
The Place Where Things Are Alone with One Another: Tucson |
|
| Wolf, Louisa |
Four Shorts about Feet |
|
| Author |
Title |
Published |
| Abildskov, Marilyn |
Hatless |
|
| Andrews, Nin |
My Father, the Good Bull |
|
| Barber, Phyllis |
The Knife Handler |
|
| Church, Steven |
All of a Dither |
|
| Dow, Mark |
Te Fuiste Sin Siquiera Despedirte |
|
| Dow, Mark |
The Thickness of Soup or Hair |
|
| Driscoll, Ellen |
Bird’s Eye |
|
| Giraldi, William |
Thrill Me: Barry Hannah in Memoriam |
|
| Gorham, Sarah |
On Selfishness |
|
| Lemon, Alex |
My Misogyny |
|
| Lenney, Dinah |
Flight Jacket |
|
| Melnyczuk, Askold |
Shadowboxing: All Hail Private Manning! |
|
| Melnyczuk, Askold |
Shadowboxing: The Falling Trees, The Burning Forest |
|
| Moldaw, Carol |
The Bottom Line |
|
| Purpura, Lia |
Against “Gunmetal” |
|
| Scalise, Mike |
The Drowning Lifeguard |
|
| Schaffzin, Eliezra |
Miss Schaffzin is a Tall, Thin, Casually Groomed White Female in No Distress |
|
| Schwartz, Lynne Sharon |
The Piano |
|
| Vander Zee, Anton |
Whitman, Lately |
|
| West, Paul |
The Lightning-Rod Man: The Migraine Headache as Heuristic Tool |
|
| Wolf, Alisa |
Lokshen Kugel |
|
| Author |
Title |
Published |
| Bauer, Douglas |
Here Were the Two of Us at Exactly This Moment |
|
| Baumel, Judith |
In Memoriam Michael Mazur, 1935–2009 |
|
| Birkerts, Sven |
And What Is Writing |
|
| Birkerts, Sven |
What Remains |
|
| Birkerts, Sven |
Bits |
|
| Bottoms, Greg |
Dinner with Strangers |
 |
| Christian, Brian |
High Compression: Information, Intimacy, and the Entropy of Life |
|
| Chung, Joomi |
The Circular Labyrinth |
|
| Corbett, William |
In Memoriam Michael Mazur, 1935–2009 |
|
| Driscoll, Ellen |
In Memoriam Michael Mazur, 1935–2009 |
|
| Furman, Andrew |
Snooking |
|
| Gardner, Robert |
In Memoriam Michael Mazur, 1935–2009 |
|
| Higgs, Christopher |
The Annoying Lacuna: One Unofficial History of the Oulipo |
|
| Jacquette, Yvonne |
In Memoriam Michael Mazur, 1935–2009 |
|
| Lababidi, Yahia |
Aphorisms |
|
| LaSalle, Peter |
Walking: An Essay on Writing |
|
| Lenney, Dinah |
What Will the Soul Do for Solace Then? |
|
| Lock, Norman |
from Alphabets of Desire & Sorrow: A Book of Imaginary Colophons |
|
| McKinnon, Sara |
Running My Mouth |
|
| Melnyczuk, Askold |
In Memoriam Michael Mazur, 1935–2009 |
|
| Miller, Ben |
from Time and Temperature |
|
| Nemser, Alexander |
The Wages of Sin Is Laughter |
|
| Nemser, Rebecca |
In Memoriam Michael Mazur, 1935–2009 |
|
| Peseroff, Joyce |
In Memoriam Michael Mazur, 1935–2009 |
|
| Pierce, William |
Crucibles: Intimations of Randomness |
|
| Pinsky, Robert |
In Memoriam Michael Mazur, 1935–2009 |
|
| Purcell, Rosamond |
In Her Hands: The Art World Goes to War |
|
| Qualey, M. Lynx |
Creation |
|
| Rivard, David |
In Memoriam Michael Mazur, 1935–2009 |
|
| Roseman, Harry |
In Memoriam Michael Mazur, 1935–2009 |
|
| Schwartz, Mimi |
When History Gets Personal |
|
| Schwartz, Lloyd |
In Memoriam Michael Mazur, 1935–2009 |
|
| Skoyles, John |
In Memoriam Michael Mazur, 1935–2009 |
|
| Sleigh, Tom |
In Memoriam Michael Mazur, 1935–2009 |
|
| Slezak, Ellen |
Kissing Wayne Newton |
|
| Tunotre, J. S. |
AWP Chicago: A Gamer’s Notes |
|
| Watson, Emily C. |
Still, Sky, Girl, and Marriage |
|
| Author |
Title |
Published |
| Birkerts, Sven |
The Advertent Eye |
|
| Birkerts, Sven |
In the Commissaries of Hell |
|
| Christian, Brian |
That Trick of Memory: Seasonally Induced Amnesia in Seattle |
|
| Coover, Pilar Sans |
Stitches |
|
| Gardner, Robert |
Watching |
|
| Gidding, Josh |
On Not Being Proust: An Essay in Literary Failure |
|
| Gorham, Sarah |
Darling Amanita |
|
| Gregor, Nadia |
The Dysthenic Revelation |
|
| Groom, Kelle |
How to Make a Shoe |
|
| Guida, James |
Marbles |
|
| Kon Zhicheng-Mingdé, Desmond |
Scholem in One Uneven Hour |
|
| Kupperman, Kim Dana |
See Me Slant: Poetry Considers Her Mother |
|
| Lahiri, Jhumpa |
Alberto de Lacerda: A Remembrance |
|
| Mazur, Michael |
Introduction to the Art Feature |
|
| Melnyczuk, Askold |
Shadowboxing: The Evil of Banality |
|
| Melnyczuk, Askold |
Shadowboxing: Secular Antics in Bethlehem |
|
| Merullo, Roland |
Visions of Gerard |
|
| Meyer, Kimberly |
Terra Sancta, or On Learning to Read the Signs |
|
| Pickering, Sam |
Going Nowhere |
|
| Pierce, William |
Crucibles: The Orchestration of Surprise |
|
| Purpura, Lia |
Two Experiments and a Coda |
|
| Rivard, David |
A Note on Steven Berg’s Rimbaud: “. . . still unilluminated I . . .” |
|
| Stern, Richard |
So Long, Studs |
|
| Stone, Emily |
Lucky at Cards |
|
| Van Meter, Ryan |
The Men from Town |
|
| Wildgen, Michelle |
Aphrodisiacs |
|
| Author |
Title |
Published |
| Birkerts, Sven |
The Thinker in the Garden |
|
| Birkerts, Sven |
The Walk |
|
| Diel, Scott |
69° North, 33° East: Running from the Russians |
|
| Ifland, Alta |
Elegy for a Fabulous World |
|
| Karp, Jacqueline |
An Exchange of History Lessons |
|
| Karp, Jacqueline |
A Tale of Two Paintings: Orhan Pamuk and Turkey’s Troubled Identity |
|
| McCullough, Ashley |
Trust and the Cowboy |
|
| Meads, Kat |
On Reading and Rereading The Mind of the South in No Place Southern |
|
| Melnyczuk, Askold |
Shadowboxing: Daytripping Chatila |
|
| Miller, Ben |
The Butter Mint Gun |
|
| Miller, Brenda |
Secret Machine |
|
| Mockett, Marie Mutsuki |
Letter from a Japanese Crematorium |
|
| O’Connor, Stephen |
Milosz’s Choice: An Investigation of Sentimentality |
|
| Pearson, Joseph |
Mexico in Ruins |
|
| Pierce, William |
Crucibles: “Let Us Imagine” |
|
| Purpura, Lia |
The Lustres |
|
| Schuette, Allison |
Risk Assessment |
|
| Shrayer, Maxim D. |
Sarda Resarta |
|
| Sims, Lowery Stokes |
Benny Andrews: A Reminiscence |
|
| Solow, Harrison |
Bendithion |
|
| Tillinghast, Richard |
from Istanbul in Winter: Hagia Sophia, The Call to Prayer, Rumi |
|
| Tillinghast, Richard |
Water Music |
|
| Trubek, Anne |
On Finally Seeing the Polish Rider at the Frick Museum |
|
| Tyree, J. M. |
Paterson and Paterson (and Jersey and America) |
|
| Walker, Nicole |
Dissociation (The Natural Order) |
|
| Author |
Title |
Published |
| Bardes, Charles, M.D. |
ante mortem |
|
| Bardes, Charles, M.D. |
borrowed intimacy |
|
| Bardes, Charles, M.D. |
dark room |
|
| Bardes, Charles, M.D. |
don’t |
|
| Bardes, Charles, M.D. |
dove sono |
|
| Bardes, Charles, M.D. |
ED |
|
| Bardes, Charles, M.D. |
enough music |
|
| Bardes, Charles, M.D. |
heroic measures |
|
| Bardes, Charles, M.D. |
perfect |
|
| Bardes, Charles, M.D. |
pill |
|
| Bardes, Charles, M.D. |
plenty of fluids |
|
| Bardes, Charles, M.D. |
reading a patient |
|
| Bardes, Charles, M.D. |
Seven essays from The Double Serpent: Subtexts in Medicine: caduceus, diseasification, morphine—by way of an explanation, radical mastectomy, sulfa, urinalysis, wound |
|
| Bardes, Charles, M.D. |
system support |
|
| Birkerts, Sven |
An Appreciation of Charles Bardes, M.D. |
|
| Birkerts, Sven |
Finding Traction |
|
| Birkerts, Sven |
The Hive Life |
|
| Brouwer, Joel |
Havana City Limits |
|
| Gausby, Christopher |
from Philosophic Journal |
|
| Gray, Robert |
from Reading My Father |
|
| Hoover, Joe |
Bus |
|
| Johnson, B. |
What Gets Buried |
|
| Keizer, Garret |
Florence of Paterson |
|
| Larsen, Lance |
My Brother, Floating |
|
| Lenney, Dinah |
Deal |
|
| Livaccari, Christopher |
Of Emptiness, Nothingness, and Asymptotic Freedom |
|
| Lyons, Jacqueline |
A Sort of a Map |
|
| Maris, Kathryn |
Introduction to A Portfolio of British and Irish Poems |
|
| Marshall, Alexandra |
At Mont-Saint-Michel and Chartres |
|
| Melnyczuk, Askold |
Shadowboxing: On the Failures of Victory |
|
| Miller, A. P. |
Blessing the New Moon |
|
| Miller, Ben |
A Study in Sequins |
|
| Pierce, William |
Crucibles: Report on a Report |
|
| Purpura, Lia |
Being of Two Minds |
|
| Rawlings, Wendy |
Spectacular Mistakes |
|
| Riordan, Maurice |
Introduction to A Portfolio of British and Irish Poems |
|
| Schwabe, Liesl |
Mr. Dangerous and Mumtaz |
|
| Sutcliffe, Leslie |
A to Annoy |
|
| Tevis, Joni |
Chihuahua Desert Love Song |
|
| Tyree, J.M. |
Displeasures of Empire, or An American Werewolf in Finsbury Park |
|
| Wickersham, Joan |
An Attempt at a Biographical Essay |
|
| Author |
Title |
Published |
| Beckman, Joshua |
Please Do Us a Favor |
|
| Birkerts, Sven |
As Above: Saul Bellow |
|
| Birkerts, Sven |
The Ideal Reader |
|
| Burris, Sidney |
Past Reason Hunted, or Living with Sonnet 129 |
|
| Chiasson, Dan |
One Kind of Everything |
|
| Collins, Myfanwy |
Tobacco Road |
|
| Comer, Diane |
The Ore of Longing |
|
| Danoff, Douglas |
To the New World and Back |
|
| Davidson, Deborah |
Considering Language |
|
| Duffin, K. E. |
Bronx |
|
| Duffin, K. E. |
Marostica |
|
| Duffin, K. E. |
Palladio |
|
| Kemperman, Kerrie |
What I Know, What I Don’t |
|
| Keplinger, David |
Milosz, Simic, and the Mask of the Prodigal |
|
| Leach, Dirk |
Popeye Hemingway |
|
| Mathison, Neil |
Cross Threaded |
|
| Mehlman, Jeffrey |
Kandahar: A Memoir |
|
| Melnyczuk, Askold |
Shadowboxing: An Open Letter to My Students About Captain Violin, Saul Bellow, the War, and the Art of Fiction |
|
| Melnyczuk, Askold |
Shadowboxing: Style and Time |
|
| Michelson, Joan |
The Last Haircut |
|
| Miller, Ben |
Romancing the Dankerts |
|
| Mullarkey, Maureen |
Transubstantiations |
|
| Robinson, Jay |
Weldon Kees & Robinson: Portraits in Absentia |
|
| Sutton, Patrick |
Force by Two |
|
| Trifonov, Yuri |
A Visit with Marc Chagall (translated from the Russian by Maxim D. Shrayer) |
|
| Wormser, Baron |
from The Woods: A Meditation |
|
| Author |
Title |
Published |
| Banks, Russell |
H & I |
|
| Birkerts, Sven |
The Decline of the West & Other Animadversions |
|
| Birkerts, Sven |
Reading at the Limit |
|
| Birkerts, Sven |
Scratch |
|
| Birkerts, Sven |
Submission Guidelines |
|
| Bissell, Tom |
Truth in Oxiana |
|
| Blume, Harvey |
Hammer |
|
| Chiasson, Dan |
How to Read the World: Louise Glück’s “Prism” |
|
| Cooley, Martha |
Dogs: A Moscow Triptych |
|
| Daniels, J. D. |
Technical Difficulty |
|
| Debeljak, Ales |
Tomaz Salamun and His “Tribe” |
|
| Germanacos, Anne |
Caffeine |
|
| Grunwald, Eric |
On Leaving the Womb |
|
| Hall, Donald |
Domains |
|
| Harmon, Joshua |
The Annotated Mix-Tape |
|
| Jackson, Katherine |
Cake or Death? |
|
| Kopple, PhD, Kathryn A. |
A Reader’s Response to Anis Shivani’s “Where Does Collaboration with Fascist Aesthetics Begin and End?” |
|
| Larson, Doran |
An Instance |
|
| Man, George E. N. de |
Language in Myth, Religion, Saga, and Tale |
|
| Melnyczuk, Askold |
Shadowboxing: From the Diary of a Self-hating Pundit |
|
| Melnyczuk, Askold |
Shadowboxing: Gentlemen’s Disagreements |
|
| Melnyczuk, Askold |
Shadowboxing: with Alan Greenspan |
|
| Minkkinen, Arno Rafael |
Photography and the Fine Art of Swimming |
|
| Pickering, Sam |
End Papers |
|
| Pierce, William |
Fabulously Real |
|
| Purpura, Lia |
Glaciology |
|
| Sherman, Ken |
A Violence from Within: Poetry & Terrorism |
|
| Shivani, Anis |
Where Does Collaboration with Fascist Aesthetics Begin and End? |
|
| Warner, William Eaton |
Moscow to the End of the Line |
|
| Warner, William Eaton |
Products of a reading of an English translation of Doctor Zhivago’s Italian publisher |
|
| Author |
Title |
Published |
| Ashar, Ronny |
Objects and Digressions |
|
| Benfey, Christopher |
With How Sad Steps, O Moon |
|
| Birkerts, Sven |
Noble Rot |
|
| Birkerts, Sven |
On Becoming an Editor |
|
| Birkerts, Sven |
Stage 2 |
|
| Blume, Harvey |
WB on the Treadmill |
|
| Dovzhenko, Alexander |
from The Enchanted Desna |
|
| Ferguson, Jesseca |
Introduction to the Art Feature |
|
| Frick, Thomas |
The Picture House |
|
| Howard, Maureen |
Vernissage |
|
| Keplinger, David |
Towards a Cultural Geography |
|
| LaSalle, Peter |
Metaphysical Messages: With J. L. B. in Buenos Aires |
|
| Livesey, Margot |
Eyeless, Headless |
|
| Mattison, Alice |
Fever |
|
| Melnyczuk, Askold |
Shadowboxing: Ball’s Bearings and Monster from the Midlands |
|
| Melnyczuk, Askold |
Shadowboxing: For the Iraqi Dead |
|
| Norman, Howard |
Carousel Horse |
|
| Pickering, Sam |
Early April |
|
| Purcell, Rosamond |
Breaking Ground |
|
| Schwartz, Lynne Sharon |
I Wish I Could Say the Same |
|
| Scialabba, George |
Message from Room 101 |
|
| Shrayer, Maxim D. |
Lorca |
|
| Slouka, Mark |
Historical Vertigo: Observations from the Nick of Time |
|
| Stavans, Ilan |
¡Lotería! or, The Ritual of Chance |
|
| Stephenson, Wen |
Re: No Subject |
|
| Author |
Title |
Published |
| Chapel, Debbie Danielpour |
Land Where My Fathers Died |
|
| Ginzburg, Natalia |
Film (translated from the Italian by Lynne Sharon Schwartz) |
|
| Ginzburg, Natalia |
The Great Lady (translated from the Italian by Lynne Sharon Schwartz) |
|
| Ginzburg, Natalia |
An Invisible Government (translated from the Italian by Lynne Sharon Schwartz) |
|
| Karasik, Judy |
An Editorial Relationship |
|
| Mar, M. Elaine |
Bi Bi Hua |
|
| Melnyczuk, Askold |
Putting Down the Gloves, Leaving the Whispering Gallery |
|
| Melnyczuk, Askold |
Shadowboxing: Putting Down the Gloves, Leaving the Whispering Gallery |
|
| Melnyczuk, Askold |
Shadowboxing: The Future of Literature in America |
|
| Moss, Rose |
Mulberries |
|
| Scialabba, George |
Letter to the Editor about Michael Scharf’s “Statesman or War Criminal?” |
|
| Shrayer, Maxim D. |
Stephansplatz |
|
| Author |
Title |
Published |
| Andrukhovych, Yuri |
Within Time, Down a River (translated from the Ukrainian by Michael M. Naydan) |
|
| Arnove, Anthony |
Scenes from Iraq |
|
| Berrigan, Philip |
Nuclear Denial |
|
| Broz, Svetlana |
Good People in Times of Evil (translated from the Serbian by Zorica Stoilovic and Ellen Elias-Bursac) |
|
| Feitlowitz, Marguerite |
“We Know Nothing. It Isn’t Taught”: Secret Histories of Argentina’s Dirty War |
|
| Henry, DeWitt |
Innocents Abroad |
|
| Hryn, Halyna |
Oksana Zabuzhko’s Field Work in Ukrainian Sex |
|
| Manea, Norman |
Periprava, 1958 |
|
| Melnyczuk, Askold |
Shadowboxing: Prophet Loss |
|
| Rabben, Linda |
Amnesty International: Myth and Reality |
|
| Ratiner, Steven |
Introduction to Interviews with Bei Dao and Rita Dove |
|
| Rosenwald, Lawrence |
On Nonviolence and Literature |
|
| Rubenstein, Joshua |
Premature Witness |
|
| Scammell, Michael |
Arthur Koestler in Civil War Spain |
|
| Stavans, Ilan |
. . . and justice for all |
|
| Stavans, Ilan |
Efraín Huerta: Epitaph for the Crocodile |
|
| Stavans, Ilan |
Efraín Huerta: Epitaph for the Crocodile |
|
| Wasserman, Dan |
Lunacy ’Toons |
|
| Wilde-Menozzi, Wallis |
The Oneness of Music |
|
| Author |
Title |
Published |
| Bourne, Louis |
Rafael Alberti between the Sword and the Carnation |
|
| Buchwald, Christoph |
Mixed Choir with Eleven Voices |
|
| Daynard, Jodi |
Time Has a Color |
|
| Földényi, László |
Under the Reichsbeauty’s Spell (translated from the Hungarian by Michael Blumenthal) |
|
| Goldensohn, Barry |
Melville’s The Confidence Man and His Descendants in David Mamet’s Work |
|
| Lehman, David |
What the Poets in Germany Are Up To These Days |
|
| Lennon, Ivan |
A Minimum Rage |
|
| Man, George de |
Silent Reading: Southern Gnostic and the State of the Union |
|
| Melnyczuk, Askold |
In Memoriam: Solomea Pavlychko |
|
| Melnyczuk, Askold |
Shadowboxing: Able Was I Ere I Was Cain |
|
| Melnyczuk, Askold |
Shadowboxing: The Future of Fiction: Toward a New Internationalism |
|
| Shrayer, Maxim D. |
Master of Palindromes: Remembering and Rereading Michael B. Kreps |
|
| Shrayer, Maxim D. |
A Note on Eduard Bagritskii’s “Origin” |
|
| Silbert, Sarah |
The Great Heron Feeds |
|
| Stavans, Ilan |
The Rise and Fall of Yiddish |
|
| Viereck, Peter |
Preface to Lynette Labinger’s Conversation with Joseph Brodsky |
|
| Author |
Title |
Published |
| Bergstein, Gerry |
Introduction to the Art Feature: Elaine Spatz-Rabinowitz |
|
| Bergstein, Gerry |
Introduction to the Art Feature: Shellburne Thurber |
|
| Brenna, Duff |
Alienation, Imagination, Secrets and Sins in Thomas E. Kennedy |
|
| Chasalow, Eric |
AGNI in the Music Business |
|
| Cherry, Kelly |
What is Music? What is Poetry? |
|
| Goldensohn, Barry |
David Mamet and Poetic Language in Drama |
|
| Henry, Dewitt |
First Love: A Memoir |
|
| Kennedy, Thomas E. |
Sweet Fire: Memories of Andre Dubus |
|
| Melnyczuk, Askold |
Shadowboxing: Saved by Shame: Milosz’s Concupiscent Curds |
|
| Sleigh, Tom |
One Person in Three Substances, or Three Substances in One Person? |
|
| Voskeritchian, Taline |
The Eyes of Yerevan |
|
| Whedon, Tony |
The Transfiguration of Pinsky |
|
| Author |
Title |
Published |
| Benevich, Grigory |
Which Earth? |
|
| Berger, Andrea |
A Note on Ádám Bodor’s Fiction |
|
| Brasfield, James |
A Note on Oleh Lysheha |
|
| Callan, Annie |
Catherine in Glass, from Swimming at the Joyce Museum |
|
| Hausler, Pete |
A Strange Kind of Exile—Hope and Despair in Ivan Klima |
|
| Hemschemeyer, Judith |
Paying Attention |
|
| Hiestand, Emily |
Angela the Upside-Down Girl |
|
| Kates, J. |
Ed Hogan |
|
| Kennedy, Thomas E. |
The Dream of a Castle |
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| Lawrence, Vicki |
Vergangenheitsbewaltigung |
|
| Lieblich, Julia |
Pieces of Bones |
|
| Melnyczuk, Askold |
Ed Hogan: In Memoriam |
|
| Melnyczuk, Askold |
Shadowboxing: On Not Being Irish in Boston |
|
| Naydan, Michael M. |
Prefatory Note on Andrukhovych’s “Testament” |
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| Naydan, Michael M. |
In Eternal Memory |
|
| Rehder, Wulf |
The Thingun |
|
| Stavans, Ilan |
Memory and Literature |
|
| Walsh, Chris |
“Building the House of Dying”: Donald Hall’s Claim for Poetry |
|
| Zeitlin, Leora |
Memoir |
|
| Author |
Title |
Published |
| Birkerts, Sven |
Joseph Brodsky |
|
| Brodsky, Joseph |
from “Uncommon Visage,” in On Grief and Reason |
|
| Bruchac, Joseph |
Strong Stories |
|
| Collins, Martha |
Translating Viet Nam |
|
| Goodheart, Eugene |
Sticks and Stones |
|
| Heaney, Seamus |
Shorts for Simic |
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| Hershman, Marcie |
Living on Top |
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| Jarniewicz, Jerzy |
Poetry, History and the Love of Oranges |
|
| Kaysen, Susanna |
On Rereading The Magic Mountain |
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| Mattawa, Khaled |
Epic Temptations |
|
| Melnyczuk, Askold |
To Tease a Shadow: In Memoriam, JB |
|
| Morris, Mary |
Essay on Eavesdropping |
|
| Neville, Tam Lin |
Mandelstam’s Web |
|
| Powers, Katherine A. |
On Conversation with Joseph Brodsky |
|
| Rehder, Wulf |
A Descriptive Analysis of Bank Notes |
|
| Wright, Carolyne |
Open Secrets: An Insider’s Introduction to Allende’s Chile |
|
| Author |
Title |
Published |
| AGNI |
Michael Franco’s Word of Mouth |
|
| Anderson, Scott |
E-mail from Paris |
|
| deNiord, Chard |
Peter Balakian and the Poetry of Witness: A Reply |
|
| Drakulic, Slavenka |
Reading Karahasan |
|
| Focht, Lynn |
The Risks of Being Suleiman |
|
| Goldner, Loren |
The On-Line World is Also on Fire: A Reply to Sven Birkerts’s The Gutenberg Elegies |
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| Karahasan, Dzevad |
A Belated Reply to N. |
|
| Karahasan, Dzevad |
Letter from N. |
|
| Karahasan, Dzevad |
Literature and War |
|
| Karahasan, Dzevad |
A Love Letter |
|
| Scialabba, George |
Wistful Thinking about the Political Weeklies |
|
| Author |
Title |
Published |
| Agosín, Marjorie |
How to Speak with the Dead? A Poet’s Notebook (translated from the Spanish by Monica Bruno) |
|
| Atkinson, Diana |
from Highways and Dancehalls |
|
| Bauer, Douglas |
After the Fact: Discoveries in the Writing of a Biographical Novel |
|
| Birkerts, Sven |
Biography and the Dissolving Self: A Note |
|
| Corbett, William |
A Confession |
|
| Corbett, William |
from Philip Guston |
|
| deNiord, Chard |
The High Place of American Poetry: The Problem with Witness |
|
| Homer, Art |
Falling |
|
| Johnson, Alex |
How I Became Eye |
|
| Johnson, Susan |
A Long Way in the Dark |
|
| Laughlin, James |
9 Ridge Road, from Remembering William Carlos Williams |
|
| Malcomson, Scott |
from Borderlands: 27-39 |
|
| Moore, Honor |
The Crimson Snake |
|
| Pavlychko, Solomea |
A Catfish for Your Thoughts: Ukrainian Literature at the Turning Point |
|
| Phillips, Caryl |
Water |
|
| Pistalo, Vladimir |
The Building with a Crown (translated from the Serbian by Charles Simic) |
|
| Polizzotti, Mark |
In Search of André Breton |
|
| Scialabba, George |
The Sealed Envelope |
|
| Simon, Linda |
Foreign States of Mind |
|
| Author |
Title |
Published |
| Barka, Wasyl |
The Nature of Poetry |
|
| Birkerts, Sven |
The Woman in the Garden |
|
| Corbett, William |
Prologue: Marlborough Gallery October 1970 |
|
| Davidson, Miriam |
Women of the Maquiladoras |
|
| Epstein, Leslie |
Two Young Writers |
|
| Garg, Mridula |
Bilingualism and the Creative Writer in India |
|
| Gewanter, David |
A Note on Thom Gunn’s “Lament” |
|
| Heaney, Seamus |
Frank Bidart: A Salute |
|
| Lease, Joseph |
Who Do We Think We Are? |
|
| Nelson, Victoria |
The Strange History of the American Fanatic |
|
| Owchar, Nick |
“What Was Lost”: Dissident Artists after Soviet Communism |
|
| Rosenwald, Lawrence |
On War Tax Resistance |
|
| Weiner, Joshua |
Thom Gunn’s “Meat” |
|
| Author |
Title |
Published |
| Balakian, Peter |
An Armenian Journal |
|
| Chomsky, Noam |
What Lies Ahead for Central America? |
|
| Cohen, Joshua |
The Gulf War and American Politics |
|
| Corbett, William |
Robert Mapplethorpe’s Photographs |
|
| Corbett, William |
Trevor Winkfield’s Altarpieces |
|
| Elman, Richard |
Post Time |
|
| Epstein, Leslie |
The Movie on the Warehouse Wall |
|
| II, Pat C. Hoy |
The Spirit Was Willing and So Was the Flesh |
|
| II, Pat C. Hoy |
Wars Just and Unjust |
|
| Melnyczuk, Askold |
Shadowboxing: A Column |
|
| Rose, Jennifer |
V-Mail |
|
| Rubchak, Bohdan |
Because We Have No Time: Recent Ukrainian Poetry |
|
| Suleiman, Susan Rubin |
My War in Four Episodes |
|
| Author |
Title |
Published |
| Birkerts, Sven |
Reflections of a Non-Political Man |
|
| Bok, Sissela |
School for Scandal |
|
| Clarvoe, Jennifer |
Quoting History, Reading Poetry |
|
| Corbett, William |
Better Than Nature: Gregory Amenoff’s New Paintings |
|
| Dischell, Stuart |
Robert Penn Warren |
|
| Engel, Monroe |
Knowing More Than One Imagines; Imagining More Than One Knows |
|
| Grossman, Allen |
On the Management of Absolute Empowerment: Nuclear Violence, the Institutions of Holiness, and the Structures of Poetry |
|
| Hass, Robert |
Some Notes on Coming to Jakarta |
|
| Hemschemeyer, Judith |
Translator’s Introduction, from The Complete Poems of Anna Akhmatova |
|
| Melnyczuk, Askold |
The Hammer on the Table |
|
| Melnyczuk, Askold |
Reply to Birkerts |
|
| Onyshkevych, Larissa M. L. Zaleska |
Echoes of Chernobyl in Soviet Ukrainian Literature |
|
| Scialabba, George |
Inside the Cave |
|
| Scott, Peter Dale |
How I Came to Jakarta |
|
| Selinger, Eric |
William Corbett |
|
| Sleigh, Tom |
Editor’s Note |
|
| Williamson, Alan |
Poetry and Politics |
|
| Author |
Title |
Published |
| Agosín, Marjorie |
Letter to AGNI (translated from the Spanish by Cola Franzen) |
|
| Bensen, Robert |
The Garden and the Abyss: Columbus’ Journal and Three Caribbean Writers |
|
| Digges, Deborah |
Letter to AGNI |
|
| Gen, Gish |
Letter to AGNI |
|
| Hongo, Garrett |
Letter to AGNI |
|
| Krupat, Arnold |
Letter to AGNI |
|
| Lynn, Elizabeth Cook |
Letter to AGNI |
|
| Pinsky, Robert |
The Poet in the Faubourg “Jewish” |
|
| Tarnowsky, Osip |
Letter to AGNI |
|
| Wakefield, Dan |
Letter to AGNI |
|
| West, Alan |
Latin American Writing: Language and Spices, Resistance and Redemption |
|
| Author |
Title |
Published |
| Alcorn, Alfred |
Influences |
|
| Anonymous |
Objections Noted |
|
| Bahr, Thomas |
The Cork-Lined Room |
|
| Balakian, Peter |
Arshile Gorky’s Embroidered Apron |
|
| Baumel, Judith |
Inventory |
|
| Benfey, Christopher |
Persimmons |
|
| Bertoni, Christina |
Note to the Art Feature |
|
| Birkerts, Sven |
Starting |
|
| Bowen, Paul |
Note to the Art Feature |
|
| Burgess, Lowery |
Note to the Art Feature |
|
| Clayton, John J. |
A Deeper Music |
|
| Cook, Mariana |
Ansel Adams |
|
| Corbett, William |
Philip Guston |
|
| Cramer, Steven |
The Imperfect Teacher |
|
| Davis, Meredith |
Note to the Art Feature |
|
| Dischell, Stuart |
Until We Are Pure Spirit |
|
| Eshleman, Clayton |
Novices |
|
| Feldman, Ruth |
Visit to a Dead Poet |
|
| Ferguson, Jessica |
Note to the Art Feature |
|
| Frick, Thomas |
Introduction to the Art Feature: Concerning the Spiritual in Art |
|
| Frick, Thomas |
Science Fiction |
|
| Ghitelman, David |
Robert Maurer |
|
| Hall, Donald |
Influential Anxieties |
|
| Harmon, William |
Being Helped |
|
| Holmer, Martie |
Note to the Art Feature |
|
| Laffoley, Paul |
Note to the Art Feature |
|
| Lehman, David |
Three Notes on the Computer |
|
| Leibowitz, Herbert |
Fathers and Son |
|
| Lourie, Jod |
Note to the Art Feature |
|
| Melnyczuk, Askold |
Editor’s Note |
|
| Melnyczuk, Askold |
Introduction |
|
| Melnyczuk, Askold |
Roman Coins, Scythian Pottery |
|
| Milburn, Michael |
Lowell’s Atmosphere |
|
| Milburn, Michael |
Lowell’s Atmosphere |
|
| Norman, Howard |
Cendrar’s Trunk |
|
| Oppenheimer, Joel |
Influences |
|
| Rector, Liam |
Influences Among Elders |
|
| Robinson, Marilynne |
Culture and Spirit |
|
| Rudman, Mark |
On Influence |
|
| Scialabba, George |
Demos and Sophia: Not a Love Story |
|
| Scialabba, George |
An Honest Believer |
|
| Shapiro, Alan |
Follow the Yellow Brick Road |
|
| Shelnutt, Eve |
“Driving to the Interior”: Elizabeth Bishop, Guide |
|
| Sleigh, Tom |
Ay, Que Vida |
|
| Smith, Jordan |
A Note on George Oppen |
|
| Spivack, Kathleen |
Robert Lowell |
|
| Stern, Richard |
On Reprinting Golk |
|
| Storace, Patricia |
Food and Cooking |
|
| Vevers, Tabitha |
Note to the Art Feature |
|
| Weinberger, Eliot |
Is God Down? |
|
| Wormser, Baron |
Chuck Berry, Yes |
|
| Wormser, Baron |
William Blake: Some Pieces from the Puzzle |
|
| Author |
Title |
Published |
| Falk, Richard |
The Spirit of Thoreau in the Age of Trident |
|
| Author |
Title |
Published |
| Allen, Bruce |
Afterword on James Hanley’s “When the Light Came” |
|
| Author |
Title |
Published |
| Collins, Martha |
The Contents of Discontent: A Preface to Some Poems by Peter Klappert |
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