|
|
AGNI Essays by Year
The links below take you to an index of all essays published in each given year:
| Author |
Title |
Published |
| Birkerts, Sven |
In the Commissaries of Hell |
AGNI 67 |
| Gidding, Josh |
On Not Being Proust: An Essay in Literary Failure |
AGNI 67 |
| Gorham, Sarah |
Darling Amanita |
AGNI 67 |
| Groom, Kelle |
How to Make a Shoe |
AGNI 67 |
| Guida, James |
Marbles |
AGNI 67 |
| Kupperman, Kim Dana |
See Me Slant: Poetry Considers Her Mother |
 |
| Lahiri, Jhumpa |
Alberto de Lacerda: A Remembrance |
AGNI 67 |
| Melnyczuk, Askold |
Shadowboxing: The Evil of Banality |
AGNI 67 |
| Merullo, Roland |
Visions of Gerard |
AGNI 67 |
| Pierce, William |
Crucibles: The Orchestration of Surprise |
AGNI 67 |
| Rivard, David |
A Note on Steven Berg’s Rimbaud: “. . . still unilluminated I . . .” |
AGNI 67 |
| Author |
Title |
Published |
| Birkerts, Sven |
The Thinker in the Garden |
AGNI 65 |
| Birkerts, Sven |
The Walk |
AGNI 66 |
| Diel, Scott |
69° North, 33° East: Running from the Russians |
AGNI 66 |
| Ifland, Alta |
Elegy for a Fabulous World |
AGNI 66 |
| Karp, Jacqueline |
An Exchange of History Lessons |
 |
| Karp, Jacqueline |
A Tale of Two Paintings: Orhan Pamuk and Turkey’s Troubled Identity |
 |
| McCullough, Ashley |
Trust and the Cowboy |
 |
| Meads, Kat |
On Reading and Rereading The Mind of the South in No Place Southern |
 |
| Melnyczuk, Askold |
Shadowboxing: Daytripping Chatila |
AGNI 66 |
| Miller, Ben |
The Butter Mint Gun |
AGNI 66 |
| Miller, Brenda |
Secret Machine |
 |
| Mockett, Marie Mutsuki |
Letters from a Japanese Crematorium |
AGNI 65 |
| O’Connor, Stephen |
Milosz’s Choice: An Investigation of Sentimentality |
AGNI 66 |
| Pearson, Joseph |
Mexico in Ruins |
 |
| Pierce, William |
Crucibles: “Let Us Imagine” |
AGNI 65 |
| Purpura, Lia |
The Lustres |
AGNI 65 |
| Schuette-Hoffman, Allison |
Risk Assessment |
 |
| Shrayer, Maxim D. |
Sarda Resarta |
 |
| Solow, Harrison |
Bendithion |
AGNI 66 |
| Tillinghast, Richard |
from Istanbul in Winter |
AGNI 65 |
| Tillinghast, Richard |
from Istanbul in Winter: Hagia Sophia, The Call to Prayer, Rumi |
AGNI 65 |
| Tillinghast, Richard |
Water Music |
 |
| Trubek, Anne |
On Finally Seeing the Polish Rider at the Frick Museum |
 |
| Tyree, J. M. |
Paterson and Paterson (and Jersey and America) |
 |
| Walker, Nicole |
Dissociation (The Natural Order) |
 |
| Wildgen, Michelle |
Aphrodisiacs |
 |
| Author |
Title |
Published |
| Bardes, Charles, M.D. |
ante mortem |
 |
| Bardes, Charles, M.D. |
borrowed intimacy |
 |
| Bardes, Charles, M.D. |
dark room |
 |
| Bardes, Charles, M.D. |
don’t |
 |
| Bardes, Charles, M.D. |
dove sono |
 |
| Bardes, Charles, M.D. |
ED |
 |
| Bardes, Charles, M.D. |
enough music |
 |
| Bardes, Charles, M.D. |
heroic measures |
 |
| Bardes, Charles, M.D. |
perfect |
 |
| Bardes, Charles, M.D. |
pill |
 |
| Bardes, Charles, M.D. |
plenty of fluids |
 |
| Bardes, Charles, M.D. |
reading a patient |
 |
| Bardes, Charles, M.D. |
Seven essays from The Double Serpent: Subtexts in Medicine: caduceus, diseasification, morphine—by way of an explanation, radical mastectomy, sulfa, urinalysis, wound |
AGNI 63 |
| Bardes, Charles, M.D. |
system support |
 |
| Birkerts, Sven |
An Appreciation of Charles Bardes, M.D. |
 |
| Birkerts, Sven |
Finding Traction |
AGNI 63 |
| Birkerts, Sven |
The Hive Life |
AGNI 64 |
| Brouwer, Joel |
Havana City Limits |
AGNI 64 |
| Gausby, Christopher |
from Philosophic Journal |
AGNI 63 |
| Gray, Robert |
from Reading My Father |
 |
| Hoover, Joe |
Bus |
 |
| Johnson-Miller, Betsy |
What Gets Buried |
 |
| Keizer, Garret |
Florence of Paterson |
AGNI 64 |
| Larsen, Lance |
My Brother, Floating |
 |
| Lenney, Dinah |
Deal |
 |
| Livaccari, Christopher |
Of Emptiness, Nothingness, and Asymptotic Freedom |
AGNI 63 |
| Lyons, Jacqueline |
A Sort of a Map |
 |
| Maris, Kathryn |
Introduction to A Portfolio of British and Irish Poems |
AGNI 64 |
| Marshall, Alexandra |
At Mont-Saint-Michel and Chartres |
 |
| Melnyczuk, Askold |
Shadowboxing: On the Failures of Victory |
AGNI 64 |
| Miller, A. P. |
Blessing the New Moon |
AGNI 63 |
| Miller, Ben |
A Study in Sequins |
AGNI 63 |
| Pierce, William |
Crucibles: Report on a Report |
AGNI 64 |
| Purpura, Lia |
Being of Two Minds |
AGNI 64 |
| Rawlings, Wendy |
Spectacular Mistakes |
AGNI 64 |
| Riordan, Maurice |
Introduction to A Portfolio of British and Irish Poems |
AGNI 64 |
| Schwabe, Liesl |
Mr. Dangerous and Mumtaz |
 |
| Tevis, Joni |
Chihuahua Desert Love Song |
 |
| Tyree, J.M. |
Displeasures of Empire, or An American Werewolf in Finsbury Park |
 |
| Wickersham, Joan |
An Attempt at a Biographical Essay |
AGNI 63 |
| Author |
Title |
Published |
| Beckman, Joshua |
Please Do Us a Favor |
AGNI 61 |
| Birkerts, Sven |
As Above: Saul Bellow |
AGNI 62 |
| Birkerts, Sven |
The Ideal Reader |
AGNI 61 |
| Burris, Sidney |
Past Reason Hunted, or Living with Sonnet 129 |
AGNI 62 |
| Chiasson, Dan |
One Kind of Everything |
AGNI 62 |
| Collins, Myfanwy |
Tobacco Road |
 |
| Comer, Diane |
The Ore of Longing |
AGNI 62 |
| Danoff, Douglas |
To the New World and Back |
 |
| Davidson, Deborah |
Considering Language |
AGNI 61 |
| Duffin, K. E. |
Bronx |
AGNI 61 |
| Duffin, K. E. |
Marostica |
AGNI 61 |
| Duffin, K. E. |
Palladio |
AGNI 61 |
| Kemperman, Kerrie |
What I Know, What I Don’t |
 |
| Keplinger, David |
Milosz, Simic, and the Mask of the Prodigal |
 |
| Leach, Dirk |
Popeye Hemingway |
 |
| Mathison, Neil |
Cross Threaded |
 |
| Mehlman, Jeffrey |
Kandahar: A Memoir |
AGNI 61 |
| Melnyczuk, Askold |
Shadowboxing: An Open Letter to My Students About Captain Violin, Saul Bellow, the War, and the Art of Fiction |
AGNI 62 |
| Melnyczuk, Askold |
Shadowboxing: Style and Time |
AGNI 61 |
| Michelson, Joan |
The Last Haircut |
 |
| Miller, Ben |
Romancing the Dankerts |
AGNI 61 |
| Mullarkey, Maureen |
Transubstantiations |
AGNI 62 |
| Robinson, Jay |
Weldon Kees & Robinson: Portraits in Absentia |
 |
| Sutton, Patrick |
Force by Two |
AGNI 61 |
| Trifonov, Yuri |
A Visit with Marc Chagall |
AGNI 61 |
| Wormser, Baron |
from The Woods: A Meditation |
AGNI 61 |
| Author |
Title |
Published |
| Banks, Russell |
H & I |
AGNI 60 |
| Birkerts, Sven |
The Decline of the West & Other Animadversions |
 |
| Birkerts, Sven |
Reading at the Limit |
AGNI 60 |
| Birkerts, Sven |
Scratch |
 |
| Birkerts, Sven |
Submission Guidelines |
AGNI 59 |
| Bissell, Tom |
Truth in Oxiana |
AGNI 60 |
| Blume, Harvey |
Hammer |
AGNI 60 |
| Chiasson, Dan |
How to Read the World: Louise Glück’s 'Prism” |
AGNI 59 |
| Cooley, Martha |
Dogs: A Moscow Triptych |
AGNI 59 |
| Daniels, J. D. |
Technical Difficulty |
 |
| Debeljak, Ales |
Tomaz Salamun and His 'Tribe” |
AGNI 59 |
| Germanacos, Anne |
Caffeine |
 |
| Grunwald, Eric |
On Leaving the Womb |
 |
| Hall, Donald |
Domains |
AGNI 59 |
| Harmon, Joshua |
The Annotated Mix-Tape |
AGNI 60 |
| Jackson, Katherine |
Cake or Death? |
AGNI 60 |
| Kopple, PhD, Kathryn A. |
A Reader’s Response to Anis Shivani’s “Where Does Collaboration with Fascist Aesthetics Begin and End?” |
 |
| Larson, Doran |
An Instance |
 |
| Man, George E. N. de |
Language in Myth, Religion, Saga, and Tale |
AGNI 59 |
| Melnyczuk, Askold |
Shadowboxing: From the Diary of a Self-hating Pundit |
AGNI 60 |
| Melnyczuk, Askold |
Shadowboxing: Gentlemen’s Disagreements |
AGNI 59 |
| Melnyczuk, Askold |
Shadowboxing: with Alan Greenspan |
 |
| Minkkinen, Arno Rafael |
Photography and the Fine Art of Swimming |
AGNI 59 |
| Pickering, Sam |
End Papers |
 |
| Pierce, William |
Fabulously Real |
AGNI 59 |
| Purpura, Lia |
Glaciology |
AGNI 60 |
| Sherman, Ken |
A Violence from Within: Poetry & Terrorism |
 |
| Shivani, Anis |
Where Does Collaboration with Fascist Aesthetics Begin and End? |
 |
| Warner, William |
Moscow to the End of the Line |
 |
| Warner, William |
Products of a reading of an English translation of Doctor Zhivago's Italian publisher |
 |
| Author |
Title |
Published |
| Ashar, Ronny |
Objects and Digressions |
 |
| Benfey, Christopher |
With How Sad Steps, O Moon |
AGNI 57 |
| Birkerts, Sven |
Noble Rot |
AGNI 58 |
| Birkerts, Sven |
On Becoming an Editor |
AGNI 57 |
| Birkerts, Sven |
Stage 2 |
 |
| Blume, Harvey |
WB on the Treadmill |
AGNI 57 |
| Dovzhenko, Alexander |
from The Enchanted Desna |
 |
| Ferguson, Jesseca |
Introduction to the Art Feature |
AGNI 57 |
| Frick, Thomas |
The Picture House |
AGNI 57 |
| Howard, Maureen |
Vernissage |
AGNI 57 |
| Keplinger, David |
Towards a Cultural Geography |
 |
| LaSalle, Peter |
Metaphysical Messages: With J. L. B. in Buenos Aires |
AGNI 58 |
| Livesey, Margot |
Eyeless, Headless |
AGNI 57 |
| Mattison, Alice |
Fever |
AGNI 58 |
| Melnyczuk, Askold |
Shadowboxing: Ball's Bearings and Monster from the Midlands |
AGNI 58 |
| Melnyczuk, Askold |
Shadowboxing: For the Iraqi Dead |
 |
| Norman, Howard |
Carousel Horse |
AGNI 57 |
| Pickering, Sam |
Early April |
AGNI 57 |
| Purcell, Rosamond |
Breaking Ground |
AGNI 58 |
| Schwartz, Lynne Sharon |
I Wish I Could Say the Same |
AGNI 58 |
| Scialabba, George |
Message from Room 101 |
AGNI 57 |
| Shrayer, Maxim D. |
Lorca |
AGNI 57 |
| Slouka, Mark |
Historical Vertigo: Observations from the Nick of Time |
AGNI 58 |
| Stavans, Ilan |
¡Lotería! or, The Ritual of Chance |
AGNI 58 |
| Stephenson, Wen |
Re: No Subject |
AGNI 58 |
| Author |
Title |
Published |
| Chapel, Debbie Danielpour |
Land Where My Fathers Died |
AGNI 55 |
| Ginzburg, Natalia |
Film |
AGNI 55 |
| Ginzburg, Natalia |
The Great Lady |
AGNI 55 |
| Ginzburg, Natalia |
An Invisible Government |
AGNI 55 |
| Karasik, Judy |
An Editorial Relationship |
AGNI 55 |
| Mar, M. Elaine |
Bi Bi Hua |
AGNI 55 |
| Melnyczuk, Askold |
Putting Down the Gloves, Leaving the Whispering Gallery |
AGNI 56 |
| Melnyczuk, Askold |
Shadowboxing: Putting Down the Gloves, Leaving the Whispering Gallery |
AGNI 56 |
| Melnyczuk, Askold |
Shadowboxing: The Future of Literature in America |
AGNI 55 |
| Moss, Rose |
Mulberries |
AGNI 55 |
| Scialabba, George |
Letter to the Editor about Michael Scharf's “Statesman or War Criminal?” |
AGNI 56 |
| Shrayer, Maxim D. |
Stephansplatz |
AGNI 55 |
| Author |
Title |
Published |
| Andrukhovych, Yuri |
Within Time, Down a River |
AGNI 53 |
| Arnove, Anthony |
Scenes from Iraq |
AGNI 54 |
| Berrigan, Philip |
Nuclear Denial |
AGNI 54 |
| Broz, Svetlana |
Good People in Times of Evil |
AGNI 54 |
| Feitlowitz, Marguerite |
'We Know Nothing. It Isn’t Taught”: Secret Histories of Argentina’s Dirty War |
AGNI 54 |
| Henry, DeWitt |
Innocents Abroad |
AGNI 53 |
| Hryn, Halyna |
Oksana Zabuzhko’s Field Work in Ukrainian Sex |
AGNI 53 |
| Manea, Norman |
Periprava, 1958 |
AGNI 54 |
| Melnyczuk, Askold |
Shadowboxing: Prophet Loss |
AGNI 54 |
| Rabben, Linda |
Amnesty International: Myth and Reality |
AGNI 54 |
| Ratiner, Steven |
Introduction to Interviews with Bei Dao and Rita Dove |
AGNI 54 |
| Rosenwald, Lawrence |
On Nonviolence and Literature |
AGNI 54 |
| Rubenstein, Joshua |
Premature Witness |
AGNI 54 |
| Scammell, Michael |
Arthur Koestler in Civil War Spain |
AGNI 54 |
| Stavans, Ilan |
. . . and justice for all |
AGNI 54 |
| Stavans, Ilan |
Efraín Huerta: Epitaph for the Crocodile |
AGNI 53 |
| Stavans, Ilan |
Efraín Huerta: Epitaph for the Crocodile |
AGNI 53 |
| Wasserman, Dan |
Lunacy ’Toons |
AGNI 54 |
| Wilde-Menozzi, Wallis |
The Oneness of Music |
AGNI 53 |
| Author |
Title |
Published |
| Bourne, Louis |
Rafael Alberti between the Sword and the Carnation |
AGNI 52 |
| Buchwald, Christoph |
Mixed Choir with Eleven Voices |
AGNI 52 |
| Daynard, Jodi |
Time Has a Color |
AGNI 51 |
| Földényi, László |
Under the Reichsbeauty’s Spell |
AGNI 51 |
| Goldensohn, Barry |
Melville’s The Confidence Man and His Descendants in David Mamet’s Work |
AGNI 52 |
| Lehman, David |
What the Poets in Germany Are Up To These Days |
AGNI 52 |
| Lennon, Ivan |
A Minimum Rage |
AGNI 51 |
| Man, George de |
Silent Reading: Southern Gnostic and the State of the Union |
AGNI 51 |
| Melnyczuk, Askold |
In Memorium: Solomea Pavlychko |
AGNI 51 |
| Melnyczuk, Askold |
Shadowboxing: Able Was I Ere I Was Cain |
AGNI 52 |
| Melnyczuk, Askold |
Shadowboxing: The Future of Fiction: Toward a New Internationalism |
AGNI 51 |
| Shrayer, Maxim D. |
Master of Palindromes: Remembering and Rereading Michael B. Kreps |
AGNI 51 |
| Shrayer, Maxim D. |
A Note on Eduard Bagritskii’s 'Origin” |
AGNI 52 |
| Silbert, Sarah |
The Great Heron Feeds |
AGNI 51 |
| Stavans, Ilan |
The Rise and Fall of Yiddish |
AGNI 52 |
| Vierek, Peter |
Preface to Lynette Labinger’s Conversation with Joseph Brodsky |
AGNI 51 |
| Author |
Title |
Published |
| Bergstein, Gerry |
Introduction to the Art Feature: Elaine Spatz-Rabinowitz |
AGNI 49 |
| Bergstein, Gerry |
Introduction to the Art Feature: Shellburne Thurber |
AGNI 50 |
| Brenna, Duff |
Alienation, Imagination, Secrets and Sins in Thomas E. Kennedy |
AGNI 50 |
| Chasalow, Eric |
AGNI in the Music Business |
AGNI 49 |
| Cherry, Kelly |
What is Music? What is Poetry? |
AGNI 49 |
| Goldenson, Barry |
David Mamet and Poetic Language in Drama |
AGNI 49 |
| Henry, Dewitt |
First Love: A Memoir |
AGNI 49 |
| Kennedy, Thomas E. |
Sweet Fire: Memories of Andre Dubus |
AGNI 50 |
| Melnyczuk, Askold |
Shadowboxing: Saved by Shame: Milosz’s Concupiscent Curds |
AGNI 49 |
| Sleigh, Tom |
One Person in Three Substances, or Three Substances in One Person? |
AGNI 49 |
| Voskeritchian, Taline |
The Eyes of Yerevan |
AGNI 49 |
| Whedon, Tony |
The Transfiguration of Pinsky |
AGNI 49 |
| Author |
Title |
Published |
| Benevich, Grigory |
Which Earth? |
AGNI 47 |
| Berger, Andrea |
A Note on ádám Bodor’s Fiction |
AGNI 48 |
| Brasfield, James |
A Note on Oleh Lysheha |
AGNI 48 |
| Callan, Annie |
Catherine in Glass, from Swimming at the Joyce Museum |
AGNI 47 |
| Hausler, Pete |
A Strange Kind of Exile—Hope and Despair in Ivan Klima |
AGNI 48 |
| Hemschemeyer, Judith |
Paying Attention |
AGNI 47 |
| Hiestand, Emily |
Angela the Upside-Down Girl |
AGNI 47 |
| Kates, J. |
Ed Hogan |
AGNI 47 |
| Kennedy, Thomas E. |
The Dream of a Castle |
AGNI 48 |
| Lawrence, Vicki |
Vergangenheitsbewaltigung |
AGNI 48 |
| Lieblich, Julia |
Pieces of Bones |
AGNI 47 |
| Melnyczuk, Askold |
Ed Hogan: In Memoriam |
AGNI 47 |
| Melnyczuk, Askold |
Shadowboxing: On Not Being Irish in Boston |
AGNI 48 |
| Naydan, Michael M. |
Prefatory Note on Andrukhovych’s 'Testament” |
AGNI 48 |
| Naydan, Michael |
In Eternal Memory |
AGNI 47 |
| Rehder, Wulf |
The Thingun |
AGNI 47 |
| Stavans, Ilan |
Memory and Literature |
AGNI 48 |
| Walsh, Chris |
“Building the House of Dying”: Donald Hall’s Claim for Poetry |
AGNI 47 |
| Zeitlin, Leora |
Memoir |
AGNI 47 |
| Author |
Title |
Published |
| Birkerts, Sven |
Joseph Brodsky |
AGNI 43 |
| Brodsky, Joseph |
from 'Uncommon Visage,” in On Grief and Reason |
AGNI 43 |
| Bruchac, Joseph |
Strong Stories |
AGNI 44 |
| Collins, Martha |
Translating Viet Nam |
AGNI 44 |
| Goodheart, Eugene |
Sticks and Stones |
AGNI 43 |
| Heaney, Seamus |
Shorts for Simic |
AGNI 44 |
| Hershman, Marcie |
Living on Top |
AGNI 44 |
| Jarniewicz, Jerzy |
Poetry, History and the Love of Oranges |
AGNI 44 |
| Kaysen, Susanna |
On Rereading The Magic Mountain |
AGNI 44 |
| Mattawa, Khaled |
Epic Temptations |
AGNI 44 |
| Melnyczuk, Askold |
To Tease a Shadow: In Memoriam, JB |
AGNI 43 |
| Morris, Mary |
Essay on Eavesdropping |
AGNI 43 |
| Neville, Tam Lin |
Mandelstam’s Web |
AGNI 44 |
| Powers, Katherine A. |
On Conversation with Joseph Brodsky |
AGNI 43 |
| Rehder, Wulf |
A Descriptive Analysis of Bank Notes |
AGNI 44 |
| Wright, Carolyne |
Open Secrets: An Insider’s Introduction to Allende’s Chile |
AGNI 43 |
| Author |
Title |
Published |
| AGNI, |
Michael Franco’s Word of Mouth |
AGNI 41 |
| Anderson, Scott |
E-mail from Paris |
AGNI 42 |
| deNiord, Chard |
Peter Balakian and the Poetry of Witness: A Reply |
AGNI 41 |
| Drakulic, Slavenka |
Reading Karahasan |
AGNI 41 |
| Focht, Lynn |
The Risks of Being Suleiman |
AGNI 41 |
| Goldner, Loren |
The On-Line World is Also on Fire: A Reply to Sven Birkerts’s The Gutenberg Elegies |
AGNI 42 |
| Karahasan, Dzevad |
A Belated Reply to N. |
AGNI 41 |
| Karahasan, Dzevad |
Letter from N. |
AGNI 41 |
| Karahasan, Dzevad |
Literature and War |
AGNI 41 |
| Karahasan, Dzevad |
A Love Letter |
AGNI 41 |
| Scialabba, George |
Wistful Thinking about the Political Weeklies |
AGNI 41 |
| Author |
Title |
Published |
| Agosín, Marjorie |
How to Speak with the Dead? A Poet’s Notebook |
AGNI 39 |
| Atkinson, Diana |
from Highways and Dancehalls |
AGNI 40 |
| Bauer, Douglas |
After the Fact: Discoveries in the Writing of a Biographical Novel |
AGNI 40 |
| Birkerts, Sven |
Biography and the Dissolving Self: A Note |
AGNI 40 |
| Corbett, William |
A Confession |
AGNI 40 |
| Corbett, William |
from Philip Guston |
AGNI 39 |
| deNiord, Chard |
The High Place of American Poetry: The Problem with Witness |
AGNI 39 |
| Homer, Art |
Falling |
AGNI 40 |
| Johnson, Alex |
How I Became Eye |
AGNI 40 |
| Johnson, Susan |
A Long Way in the Dark |
AGNI 40 |
| Laughlin, James |
9 Ridge Road, from Remembering William Carlos Williams |
AGNI 40 |
| Malcomson, Scott |
from Borderlands: 27-39 |
AGNI 39 |
| Moore, Honor |
The Crimson Snake |
AGNI 40 |
| Pavlychko, Solomea |
A Catfish for Your Thoughts: Ukrainian Literature at the Turning Point |
AGNI 39 |
| Phillips, Caryl |
Water |
AGNI 39 |
| Pistalo, Vladimir |
The Building with a Crown |
AGNI 39 |
| Polizzotti, Mark |
In Search of André Breton |
AGNI 40 |
| Scialabba, George |
The Sealed Envelope |
AGNI 39 |
| Simon, Linda |
Foreign States of Mind |
AGNI 40 |
| Author |
Title |
Published |
| Barka, Wasyl |
The Nature of Poetry |
AGNI 35 |
| Birkerts, Sven |
The Woman in the Garden |
AGNI 35 |
| Corbett, William |
Prologue: Marlborough Gallery October 1970 |
AGNI 35 |
| Davidson, Miriam |
Women of the Maquiladoras |
AGNI 36 |
| Epstein, Leslie |
Two Young Writers |
AGNI 36 |
| Garg, Mridula |
Bilingualism and the Creative Writer in India |
AGNI 36 |
| Gewanter, David |
A Note on Thom Gunn’s 'Lament” |
AGNI 36 |
| Heaney, Seamus |
Frank Bidart: A Salute |
AGNI 36 |
| Lease, Joseph |
Who Do We Think We Are? |
AGNI 35 |
| Nelson, Victoria |
The Strange History of the American Fanatic |
AGNI 36 |
| Owchar, Nick |
'What Was Lost”: Dissident Artists after Soviet Communism |
AGNI 36 |
| Rosenwald, Lawrence |
On War Tax Resistance |
AGNI 35 |
| Weiner, Joshua |
Thom Gunn’s 'Meat” |
AGNI 36 |
| Author |
Title |
Published |
| Balakian, Peter |
An Armenian Journal |
AGNI 33 |
| Chomsky, Noam |
What Lies Ahead for Central America? |
AGNI 33 |
| Cohen, Joshua |
The Gulf War and American Politics |
AGNI 34 |
| Corbett, William |
Robert Mapplethorpe’s Photographs |
AGNI 33 |
| Corbett, William |
Trevor Winkfield’s Altarpieces |
AGNI 34 |
| Elman, Richard |
Post Time |
AGNI 34 |
| Epstein, Leslie |
The Movie on the Warehouse Wall |
AGNI 34 |
| II, Pat C. Hoy |
The Spirit Was Willing and So Was the Flesh |
AGNI 33 |
| II, Pat C. Hoy |
Wars Just and Unjust |
AGNI 34 |
| Melnyczuk, Askold |
Shadowboxing: A Column |
AGNI 33 |
| Rose, Jennifer |
V-Mail |
AGNI 34 |
| Rubchak, Bohdan |
Because We Have No Time: Recent Ukrainian Poetry |
AGNI 33 |
| Suleiman, Susan Rubin |
My War in Four Episodes |
AGNI 33 |
| |