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Ellen Driscoll

Ellen Driscoll is a sculptor whose work includes FASTFORWARDFOSSIL: Part 1 at Frederieke Taylor Gallery in Manhattan, FASTFORWARDFOSSIL: Part 2 at Smack Mellon Gallery in Brooklyn, Revenant and Phantom Limb for Nippon Ginko, Hiroshima, Japan, The Loophole of Retreat at the Whitney Museum at Phillip Morris, “As Above, So Below” for Grand Central Terminal (a suite of twenty mosaic and glass images for the tunnels at 45th, 47th, and 48th Streets), “Catching the Drift,” a restroom for the Smith College Museum of Art, and “Wingspun” for the international arrivals corridor in Terminal 2 at Raleigh-Durham airport. She has been awarded fellowships from, among other organizations, the Guggenheim Foundation, the National Endowment for the Arts, the Bunting Institute at Harvard University, and the LEF Foundation. Her work is included in major public and private collections, including the Metropolitan Museum of Art and the Whitney Museum of Art. She is professor of sculpture at Rhode Island School of Design. (updated 4/2010)

AGNI has published the following work by Ellen Driscoll:

From the Ground Up
In Memoriam Michael Mazur, 1935-2009


and read more

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