Film & Television

  • COM FT 589: Advanced Production Workshop
    The focus of this class will be on story creation, performance, and filming strategies using small crews and lightweight equipment, culminating in the production of six short films. Working from approved scenarios with a core group of actors, directors will explore character and story development through an in-class workshop process of improvisation. Once committed to script form, these short films will be shot with a small crew made up of fellow class members in pods of three; Director, Cinematographer, and Editor. The class will be limited to 6 Directors and 4 to 6 Cinematographer/Editors.
  • COM FT 590: 2D Animation
  • COM FT 591: Media Business
  • COM FT 593: Introduction to Cinematography
    Undergraduate Prerequisites: COM FT 353.
    Graduate Prerequisites: COM FT 849.
    Based on a fundamental knowledge of technical and creative procedures of film production, this course pays deeper attention to important elements of cinematography such as composition, raw stock, sensitometry, lighting, movement, colors, and space. Emphasis is on a conscious usage of pictorial elements in the picture-building process.
  • COM FT 594: Adv Cinematog
  • COM FT 701: Media Evolution
    This course description is currently under construction.
  • COM FT 702: Script To Film
    Exclusive to Graduate Screenwriting students (required in 1st year. An introduction to the relationship between the written script and the image on screen. Through in-depth analysis, we will study screenplays, films and the mind of the screenwriter in order to decipher the process of developing story from character, plot and theme. Students will be required to write expository papers and present their own analysis of a chosen film.
  • COM FT 703: Media Business Entrepreneurship
    This course will provide students with the practical knowledge and skills needed to heed the call of entrepreneurship. Classes will include guest speakers from various business sectors including venture capital professionals, angel investors, accountants, attorneys, marketing experts who are skilled in launch phases of PR, as well as media entrepreneurs who succeeded against all odds. Students will also participate in the development of a core business idea, from concept through the creation of a sound business plan as a final project/presentation. 4 cr. Fall
  • COM FT 704: Genre for Screenwriters
    This class will touch upon the basics of genre theory, identify genre conventions using the courses "study" films. The films will be discussed in terms of theme, structure, characters, setting, subject matter, visual motifs or recurring icons, and tone/mood.
  • COM FT 705: Comedies and Melodramas for Graduate Students
    This class will view and discuss romantic comedies and domestic melodramas made in Hollywood in the 1930's and 1940's.
  • COM FT 706: Acting for Directors and Writers
    For first-year graduates. Develops the director's knowledge and understanding of actors, the "human equipment" of filmmaking, through direct acting experience. Students learn the language and tools of the craft through sensory exercises, improvisation, text analysis, and scene study.
  • COM FT 707: Introduction to Video Production
    An introduction to the techniques of producing and directing video projects, including videography, lighting, editing, sound, and special effects. Emphasis is on execution and design of both "live" on tape and postproduced works using both field and studio equipment.
    Surveys important and influential films from India, Japan, mainland China, Hong Kong, Taiwan, and elsewhere in East Asia from the 1950s to the present, taking in the work of such directors as Satyajit Ray, Ozu, Mizoguchi, Kurosawa, Zhang Yimou, Tsai Ming-liang, and Wong Kar-wai. The course is designed to make students familiar with foundational styles of realism and fantasy in Asian film and with ways Asian films address changes and evolution in Asian culture and society. The course should help students understand certain traditions in Asian film, and prepare them to engage critically with the ever burgeoning, new, and compelling filmmaking that comes from this part of the world.
  • COM FT 710: Film Production Screenwriting
    Exclusively designed for Film Production Graduate Students, an introduction to principles of drama, screenplay structure, characterization, screenplay description and dialogue through study or produced short screenplays. Some time spent studying the feature-length screenplay, preparing/writing the documentary and Fair Use practices. Student's begin with exercises, then write outlines/treatments in preparation for completing and rewriting two short films, one 5-7 pages , another 7-15 pages. Student screenplays will be discussed in workshop format.
  • COM FT 711: Screenwriting I
    Exclusively for screenwriting graduate students, an introduction to principles of drama, screenplay structure characterization, screenplay description and dialogue through lecture and discussion of produced screenplays. Students begin with exercises and then write outlines/treatments in preparation for completing a first act (approximately 30 pages) and full treatment of an original feature screenplay. Student work will be discussed in workshop format.
  • COM FT 713: Screenwriting II
    Graduate Prerequisites: COM FT 711.
    Students compose a feature-length film and a set of revisions based upon the film outline created in COM FT 711. Further examples of dramatic structure are analyzed from the library of world cinema.
  • COM FT 721: International Masterworks
    An eclectic and unsystematic survey of a small number of the supreme masterworks of international film created by some of the greatest artists of the past eighty years. The focus in on cinematic style. What does style do? Why are certain cinematic presentations highly stylized? What is the difference from realistic, representational work? We will consider the special ways of knowing, thinking, and feeling that highly stylized works of art create and devote all of our attention to the function of artistic style and form to create new experiences and ways of thinking and feeling.
  • COM FT 722: American Masterworks
    Subjects vary with instructor. Directors include: D.W.Griffith, Charlie Chaplin, Buster Keaton, King Vidor, Frank Borzage, Victor Fleming, Howard Hawks, Frank Capra, Alfred Hitchcock, John Ford, John Huston, Elia Kazan, George Cukor, Orson Welles, Robert Altman, John Cassavetes, and Woody Allen.
  • COM FT 723: Am Indpnd Film
  • COM FT 724: Screenwriting III
    Advanced screenwriting for 2nd year Graduate Screenwriting Students. Based upon lectured material, the feedback received during workshops, and one-on- one consults with the professor, students will write and revise a full feature-length screenplay. Students will be expected to have a firm grasp on narrative structure, character development, and cinematic storytelling. The material covered in the first year of the graduate screenwriting program will be applied to this intense workshop atmosphere.