Courses

View courses in

  • CAS AH 352: Venetian Renaissance Art
    A study of art and architecture in Renaissance Venice with focus on the "Myth of Venice," Byzantine heritage, introduction of the oil medium, Scuole, and the work of the Bellini, Giorgione, Titian, Palladio, Veronese, and Tintoretto.
  • CAS AH 353: Renaissance Architecture and Theory
    Italian Renaissance architecture and architectural theory from 1400 to 1600. Emphasis on individual buildings and urban planning in Rome, Florence, and Venice, and on treatises by Alberti, Serlio, and Palladio.
  • CAS AH 365: Baroque Arts in Northern Europe
    Explores Netherlandish art from the late sixteenth through the seventeenth centuries, focusing on Rubens, Rembrandt, and Vermeer. Addresses the embattled Christian image; art in the service of princely, patrician, and ecclesiastical authority; the Dutch art market; women and domesticity. This course fulfills a single unit in the following BU Hub area(s): Aesthetic Exploration, Historical Consciousness.
    • Aesthetic Exploration
    • Historical Consciousness
  • CAS AH 369: American Folk Art
    Explores the objects that collectors and museums identify as "American Folk Art." Examines how this label developed throughout the twentieth century; familiarizes students with major collections and genres including painting, sculpture, textiles, and other media. Also offered as CAS AM 369.
  • CAS AH 377: American Furniture and Allied Arts, 1630-1830
    Survey of furniture and related arts-- painting, architecture, and silver-- with an emphasis on aesthetics and quality, sources, style changes, regional differences, materials, and construction.
  • CAS AH 379: American Art and Culture in the Nineteenth Century
    Explores the visual arts of painting, sculpture, photography, and popular media, through their interplay with persistent political and social questions that defined nineteenth-century America and continue to shape life in the twenty-first century. Themes include heroes, citizenship, war, imperialism, cosmopolitanism, consumerism.
  • CAS AH 380: Romanticism in Europe
    In-depth exploration of art in the age of revolution, nationalism, colonial expansion, and religious revival. Development of new attitudes toward history, nature, and the imagination in the work of Friedrich, Goya, Delacroix, Gericault, Ingres, Turner, Constable, Blake, and others. This course fulfills a single unit in each of the following BU Hub areas: Aesthetic Exploration, Historical Consciousness.
    • Aesthetic Exploration
    • Historical Consciousness
  • CAS AH 385: American Buildings and Landscapes
    An introductory analytic survey of American buildings and landscapes within their historical and cultural contexts. Students examine forces that have shaped the American built environment. Topics range from Indian mounds to commercial strips, Spanish missions to skyscrapers. Also offered as CAS AM 385.
  • CAS AH 386: Modern American Art
    This class explores the diverse and contested field of modern art in the United States, examining the broad range of artists and art practices that laid claim to aesthetic modernism in the years between 1890 and 1945. This course fulfills a single unit in each of the following BU Hub areas: Aesthetic Exploration, Historical Consciousness.
    • Aesthetic Exploration
    • Historical Consciousness
  • CAS AH 387: Boston Architecture and Urbanism
    This class presents a history of Boston from the seventeenth through twenty-first centuries, as seen through the region's architectural and urban history. Major buildings, architects, and urban planning schemes are examined in terms of economic, political, social, and institutional histories.
  • CAS AH 389: Impressionism
    Impressionism, its sources, and its aftermath: from the painting of modem life and leisure by Manet, Monet, Morisot, Renoir, and Degas to the evocation of spirituality, pain, and desire in the work of Van Gogh, Gauguin, Rodin, and Munch.
  • CAS AH 391: Twentieth-Century Art to 1940
    A study of the key tendencies in European art between the 1880s and World War II. The work of van Gogh, Picasso, Matisse, Dal?, and their contemporaries is examined in relation to major issues in European culture and politics. This course fulfills a single unit in each of the following BU Hub areas: Aesthetic Exploration, Historical Consciousness, Research and Information Literacy.
    • Aesthetic Exploration
    • Historical Consciousness
    • Research and Information Literacy
  • CAS AH 392: Twentieth Century Art from 1940 to 1980
    Explores major currents in European and American art made between 1940 and 1980. Examines the following movements and media in relation to postwar culture and politics: abstract expressionism, pop art, minimalism, conceptual art, earthworks, performance, and video. This course fulfills a single unit in each of the following BU Hub areas: Aesthetic Exploration, Historical Consciousness.
    • Aesthetic Exploration
    • Historical Consciousness
  • CAS AH 393: Contemporary Art: 1980 to Now
    Explores the terms of debate, key figures, and primary sites for the production and reception of contemporary art on a global scale since 1980. Painting, installation art, new media, performance, art criticism, and curatorial practice are discussed. This course fulfills a single unit in each of the following BU Hub areas: Aesthetic Exploration, Historical Consciousness.
    • Aesthetic Exploration
    • Historical Consciousness
  • CAS AH 395: History of Photography
    An introduction to the study of photographs. The history of the medium in Europe and America from its invention in 1839 to the present. After lectures on photographic theory and methodology, photographs are studied both as art objects and as historical artifacts. This course fulfills a single unit in each of the following BU Hub areas: Aesthetic Exploration, Historical Consciousness, Critical Thinking.
    • Aesthetic Exploration
    • Historical Consciousness
    • Critical Thinking
  • CAS AH 398: Twentieth-Century Architecture
    This course provides an introduction to the major developments in architecture and urban planning from ca. 1900 to the present. It traces the proliferation of modernist thought through key projects but also to everyday buildings and landscapes. This course fulfills a single unit in each of the following BU Hub areas: Historical Consciousness, Global Citizenship and Intercultural Literacy.
    • Historical Consciousness
    • Global Citizenship and Intercultural Literacy
  • CAS AH 399: History and Theory of Landscape Architecture
    Explores man's relationship with nature by a study of selected built environments from antiquity to the present. Focus on both the private garden and the public park--here considered as works of art--and their changing forms, meaning, and interpretations.
  • CAS AH 404: Seminar: Topics in Museum Exhibits
    Topics seminar. May be repeated for credit as topics change. Considers and uses the methods and tools of curators and other museum professionals in gallery arrangement and exhibition- making. Taught around specific projects, with visits to museums and meetings with practitioners as can be arranged. Topic for Fall 2018: Digital Humanities and the Museum: Transatlantic Origins of National Parks.
  • CAS AH 444: Seminar: Medieval Art
    Undergraduate Prerequisites: CAS AH 111 and CAS AH 112; and two courses at the 200 level or higher, or consent of the instructor.
    In-depth examination of varying topics in the study of Medieval Art. Topic for Fall 2015: The Rebirth of Sculpture in Europe 1000-1250. Monumental architectural sculpture ceased to be produced after the Fall of Rome. This seminar examines prohibitions against carved imagery and the rebirth of sculpture around the year 1000. Focus on the invention and development of the grand church entrance.
  • CAS AH 497: Seminar: Contemporary Art
    Undergraduate Prerequisites: CAS AH 111 and CAS AH 112; and two courses at the 200 level or higher, or consent of the instructor.
    Topic for Fall 2016: Contemporary Art: 1980 to Now. Explores the terms of debate, key figures, and primary sites for the production and reception of contemporary art on a global scale since 1980. Painting, installation art, new media, performance, art criticism, and curatorial practice are discussed.